Aha, at some point it had to go the other way again. Which direction? We're talking about the weight of a product. When it was time to test the Behringer Europower EP 4000 and the parcel delivery person handed me the same parcel, I realized for a brief moment that in the area of higher power outputs there can sometimes be higher weight dimensions.
Not that the product mentioned above is a real heavyweight of the past decades, but in times of single-digit kilogram figures, the EP 4000, with a weight of just under 17 kilograms, requires a powerful, male forearm. According to the manufacturer, there are also 2x 2000 watts available for under €300 street price. Under €300? We need to dig into this a little more closely.
construction
The Europower EP 4000, built in China, like most of its competitors, has 2 HE dimensions and an installation depth of 402 millimeters and leaves a good impression at first glance in terms of workmanship. The anthracite-colored sheet steel is solid, has rack brackets on the back and is also designed with double sheet metal guides on the front of the rack wings for stability reasons.
However, you shouldn't be blinded by the 2x 2000 watts printed on the housing, they only correspond to a peak level at 2 ohms and are irrelevant in practice. In terms of performance, the stereo power amplifier offers RMS information of 2x 1250 watts / 2 ohms, 2x 950 watts / 4 ohms, 2x 550 watts / 8 ohms and in bridge mode 2400 watts / 4 ohms, 1750 watts / 8 ohms. It's nice that the power amplifier also offers 2 ohm operation, which is not always the case in this price range.
As with many other Europower power amplifiers in the higher power range, Behringer also uses Accelerated Transient Response (ATR) technology for the EP 4000, which promises better power output in relation to the components used and an accelerated transient response.
Visually, Behringer relies on traditional anthracite color for this product. All outer panels have a discreet color; you won't find the currently very hip brushed aluminum in this series. Due to its weight, this power amplifier will probably find its preferred application in the rack of a permanent installation, but it is also possible to use the power amplifier in stand-alone operation. Four glued-on rubber feet ensure good slip resistance on flat surfaces.
On the front of the product there is a large, grooved opening, which is responsible for cooling the product. The power amplifier is cooled exclusively via air circulation, which sucks in the air from the back and removes it from the front. In addition to two level controls, there is an operating LED, a signal and a clip LED as well as the on/off switch on the front of the housing. On the back, the product has the standard inputs (jack, XLR) and outputs (Speakon, bare wire); jack output sockets have rightly been omitted due to the power outputs used. The screw caps of the bare wire are protected with a plastic cover when the product is delivered.
Using a mini switchboard you can choose between different operating modes, such as stereo operation, parallel operation or mono bridge operation. In parallel operation, a signal is present at both power amplifier blocks at different volumes if necessary; in bridge operation, the output power of both blocks is switched together, for example to operate a powerful subwoofer. The remaining second input can be used in parallel operation to loop the applied signal through to another output stage block.
In addition, various low cuts at 30 Hz or 50 Hz and a limiter can be activated using the mini switches. The EP 4000 also includes a circuit breaker that replaces the fuse. In general, with such power outputs, it is important to ensure that the connected speakers can withstand the currents. Particularly in bridge operation, it is important to have appropriate loudspeaker equipment.
The low cut mentioned above ensures that sub-bass, which is more beneficial to the body feeling than to the ear, does not kill weaker speakers and should generally always be activated in full-range systems. Better transparency of the sound and an apparent increase in volume will be recorded on the plus side.
Practice
Countless tomes have already been written about the inner values of a power amplifier, not least of which involve real trench warfare over the value of the individual components. However, with a selling price of less than €300 and performance data in the kilowatt range, a serious error in the operational safety or durability of the product must occur in order for a product to be rated sustainably negatively.
Neither can be checked in a regular test; this requires some long-term studies. A review of some forums resulted in a consistently good rating in terms of operational safety. During the test, the EP 4000 also completed all tasks without any complaints or complaints; no failures or other problems occurred.
Mechanically everything is fine, even the level controls have been countered on the front panel and give a sturdy impression. Only the rather loud fan disturbs the good overall impression. Even if fan noise plays a minor role in the rehearsal room or on a loud stage, in sensitive areas such as theater operations, voice recordings, studio operations or when several power amplifiers of this type are operated in parallel, this noise may be a few levels too loud.
Conclusion
With the Europower EP 4000, Behringer is once again bringing a very inexpensive consumer amplifier with good performance data onto the market. The product, built in China, is impeccably manufactured and meets all the requirements for easy handling in the rehearsal room, on stage or in permanent installations. Thanks to its design for 2 ohm operation, the maximum power output can be achieved by intelligently connecting the speaker systems in parallel.
Only the relatively loud fan noise represents a negative point, where each user or the area of application of the product has to decide whether this is relevant for them or not.
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Additional Informations:
Behringer, founded in 1989 by Uli Behringer, is a company known for making audio equipment that's both good quality and affordable. This was something new at the time, as most professional audio gear was pretty expensive.
Uli Behringer, who knew a lot about sound and music, saw that musicians and people working with sound needed better-priced gear. So, he started with a product called the Behringer Studio Exciter Type F, which was made to improve how audio sounds, and it didn't cost a lot.
Over time, Behringer started making more types of audio equipment like mixers, amplifiers, speakers, microphones, and even digital stuff like digital mixers. Their mixers, especially, became popular because they had features usually found in expensive gear but were much cheaper.
One big reason Behringer did well was because they always tried to make new and better things. They put a lot of effort into creating new ideas and technology that made their products good but not too pricey.
Behringer also made a smart move by making their products in China. This helped them keep prices low and reach more people, especially in Asia.
The way Behringer advertised their products was different too. They used the internet and social media a lot to talk to their customers. This helped them build a community of people who liked and used their products.
Of course, Behringer faced some problems too. They had some legal issues and some people weren't happy with the quality of some products. But Behringer listened to what people said and worked to make their products better.
Recently, Behringer has been making synthesizers and electronic music equipment, including recreating old synthesizers in a way that more people can afford. This move was a bit controversial, with some people liking it and others thinking it lacked originality.
In summary, Behringer has had a big effect on the audio industry by making professional equipment more accessible to a lot of people. Whether it's for a small home studio or a big concert, Behringer's products are used by many. As they keep focusing on making good, affordable audio gear, Behringer is likely to stay important in the world of sound and music.
**Behringer Product Pricing:
**Mixers**
Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues.
**Mixer Price Range**
Behringer mixer prices range from around $20 for a 2-channel mixer to around $1,000 for a 64-channel mixer.
**Factors that Affect Mixer Prices**
The price of a Behringer mixer is affected by a number of factors, including:
* **Number of channels:** More channels generally means higher prices.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices.
* **Features:** Mixers with built-in effects or digital control are generally more expensive than mixers without these features.
**Popular Behringer Mixers**
Some of Behringer's most popular mixers include:
* **Xenyx QX1202USB:** This 12-channel mixer with USB audio interface is a great option for small home studios or live sound applications. It costs around $100.
* **X32:** This 32-channel digital mixer offers a wide range of features and is a popular choice for live sound and studio recording. It costs around $2,000.
* **Midas M32:** This 32-channel digital mixer is a high-end option that offers professional-grade features and performance. It costs around $6,000.
**Amplifiers**
Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.
**Amplifier Price Range**
Behringer amplifier prices range from around $100 for a 100-watt amplifier to around $10,000 for a 10,000-watt amplifier.
**Factors that Affect Amplifier Prices**
The price of a Behringer amplifier is affected by a number of factors, including:
* **Power output:** More power output generally means higher prices.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices.
* **Features:** Amplifiers with built-in effects or a DI box are generally more expensive than amplifiers without these features.
**Popular Behringer Amplifiers**
Some of Behringer's most popular amplifiers include:
* **Europower EP4000:** This 4000-watt power amplifier is a powerful option for live sound applications. It costs around $500.
* **Ultradrive DDM4000:** This digital mixer with a built-in amplifier is a versatile option for both live sound and studio use. It costs around $1,000.
* **Inuke 1000MP:** This 1000-watt power amplifier is a compact and affordable option for small live sound applications. It costs around $200.
**Speakers**
Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.
**Speaker Price Range**
Behringer speaker prices range from around $50 for a 10-inch speaker to around $10,000 for a 18-inch speaker.
**Factors that Affect Speaker Prices**
The price of a Behringer speaker is affected by a number of factors, including:
* **Speaker size:** Larger speakers generally mean higher prices.
* **Power output:** More power output also generally means higher prices.
* **Features:** Speakers with built-in amplifiers or Bluetooth connectivity are generally more expensive than speakers without these features.
**Popular Behringer Speakers**
Some of Behringer's most popular speakers include:
* **Eurolive B215D:** This 15-inch PA speaker is a powerful and versatile option for small live sound applications. It costs around $200.
* **Truth B215A:** This 15-inch powered speaker is a high-quality option for both live sound and studio use. It costs around $500.
**XLS1500P:**
Montag, 29. Januar 2024
TEST: Behringer Europower EP 4000
TEST: Behringer X18
The Behringer X18 in the test for Amazona. OK, let's talk plainly. Hands up if you could have seen this development coming. What development? Now that we are slowly but surely moving away from the classic, analog potentiometer in whatever form, little by little, and putting the management of our signals in the hands of “swiping gestures”. Mind you, there is not a hint of melancholy or even suspicion in this sentence. On the contrary, the digital era opens up possibilities that would have consumed enormous amounts of space, money and transport energy in the analogue age and can now be transported in a briefcase.
Aware of this, the Behringer company developed the X series, which consistently relies on the control of FOH or monitor consoles using mobile devices. Right off the bat, the company is launching the Behringer .
construction
As with Mackie's DL series, the Behringer While Mackie connects the tablet to the mixer in a fixed form using a dock if necessary, Behringer only offers a rubberized storage area of 29.5 x 19.5 cm for the tablet. Advantage: different tablets with different sizes can be used. The disadvantage is that the tablet is not supplied with power from the dock during operation. The overall dimensions of the product are 409 x 357 x 110 mm and the weight is a manageable 4.0 kilograms.
WIRELESS INTERNET ACCESS
In order to connect the tablet and desk with each other, Behringer has installed its own WLAN access point, the antennas of which are located inside the device. Unfortunately, they only transmit on 2.4 GHz and only have WEP encryption. Even though this design minimizes any clutter of cables and ensures a tidy appearance, this design carries several risks.
I would like to point out that relying solely on this data exchange during a live show represents a risk that should not be underestimated. In particular, the high traffic on smartphones may lead to a reduction in reliability. It therefore remains to be considered whether you should use an external 5 GHz router for data transmission. WEP encryption can also be hacked by a specialist within seconds and you can vividly imagine what that will do to your mix if you have the right inclinations.
In/Out
In the entrance area, 16 XLR/TSR combination sockets allow clear access, with the first two channels also being designed as a high-impedance version to ensure the direct connection of an electric guitar or electric bass. An R/L RCA pair allows the connection of an external stereo source on channels 17/18, while a matching pair reproduces the main mix or the control/headphone mix. In order to connect corresponding monitor paths or in-ear systems, the Behringer X18 has six symmetrical TSR connectors on the back. Practice shows that there may be space problems with massive plugs because the sockets are comparatively close to each other. In addition, the majority of monitor components use XLR connectors, so you should also get a minimum set of appropriate adapters.
You can also connect the P16 personal monitor mixer via Ultranet, so that the artist can also create his own monitor mix. A corresponding computer, usually a notebook, can now be connected via the USB port for recording purposes. In order to make maximum use of the cooperation between the different components, it is recommended to get the X Air software from the respective online stores, which not only takes over the pure mixer functions, but also coordinates the management of various presets.
Practice
Right from the start, the Behringer X18 impresses with everything running smoothly. Docking the respective devices is easy and access is intuitive. When it comes to effects, the Behringer The collection of effects is impressive, for example a six-fold fully parametric filter is available for each output. Of course, there is also massive equipment in terms of dynamics, separate compressors and gates per channel allow very extensive management of the signals. The FOH / monitor man has a total of 61 effect algorithms at his disposal, which is probably unique in this price range.
In terms of sound, all algorithms are truly convincing. Of course, there may always be one or two people who prefer analogue sound management and the fact that all surfaces of the emulated effects are a copy of the analogue original speaks for itself. Nevertheless, it is not even remotely possible to achieve such a variety of sounds in an analog design with these dimensions. The Behringer X18 opens up new horizons in implementation, especially for smaller bands that can set up a complete routing with 16 channels.
According to Behringer, up to four devices can be remotely controlled at the same time, which greatly expands flexibility in terms of FOH and monitor man. At some point you'll probably just see some sound technicians running around the concert hall with their tablets, always looking for the perfect sound. The FOH space can also be made correspondingly small. A mix at the city festival, private party or other events where technology is always a “visually annoying evil”? No problem, you don't even have to pull a multicore.
When it comes to handiness, there is of course the problem that the Behringer X18 eludes the typical flight case solutions due to its shape. 19 inch solutions cannot be implemented due to the lack of side wings and the “grandma’s suitcase from the storage” solution is really only for school bands. In order to transport the product appropriately, you should think about a case solution in good time. Even if there are no parts protruding from the housing, which are always the first to die, the product still contains a lot of electronics inside, which poses a risk to functionality if exposed to external influences.
Conclusion
With the Behringer The product has a well thought-out concept that will cause a sensation, especially at small to medium-sized shows.
Outsourcing the control units of a mixer to a tablet is no longer that new, but it has not yet been implemented with this price/performance ratio. In conjunction with a corresponding active system and corresponding monitor boxes or in-ear monitor systems, after a comparatively short training period, all that is required is a capable ear to manage the sound of a corresponding show.
The Behringer
An excellent product in the truest sense of the word!
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Additional Informations:
Behringer, established in 1989 by Uli Behringer, has carved out a significant niche in the audio technology industry with its focus on engineering and manufacturing cost-effective audio equipment. This Germany-based company was a response to the market's demand for affordable yet professional-grade audio gear, a sector largely monopolized by high-priced products.
Uli Behringer, combining his expertise as an audio engineer with his background as a classical pianist, perceived a gap in the market for budget-friendly audio solutions. This led to the debut of Behringer's first product, the Behringer Studio Exciter Type F. This initial offering was a signal processor, engineered to enhance audio output, symbolizing Behringer's dedication to delivering professional audio quality at a significantly reduced cost.
Behringer's expansion into various audio equipment segments was marked by its continuous innovation. The company's portfolio grew to include an array of products such as mixers, amplifiers, loudspeakers, microphones, and later, cutting-edge digital audio processing tools like digital mixers and interfaces. Behringer’s mixers, such as the EURODESK and X32 digital mixer, garnered attention for integrating professional features at an accessible price point, a move that democratized high-end audio equipment for a broader user base.
The company’s innovation trajectory is underscored by substantial investments in research and development. This commitment has led to several patents and the development of unique technologies. These technological advancements were primarily focused on reducing production costs while maintaining high-quality standards, aligning with Behringer’s mission to democratize access to professional audio tools.
Behringer's strategic expansion included establishing manufacturing units in China, a decision that capitalized on lower production costs to offer more competitive pricing. This expansion not only streamlined production but also provided easier access to the burgeoning Asian markets, enhancing Behringer's global footprint.
In terms of marketing, Behringer adopted unconventional approaches, notably embracing the internet and social media platforms for customer engagement. This direct interaction fostered a community-centric approach, providing invaluable user feedback and building a loyal customer base.
However, Behringer's journey has not been without challenges. The company faced legal disputes concerning intellectual property and encountered criticism regarding the quality of certain products. Behringer has actively addressed these issues, often utilizing customer feedback to refine and improve its offerings.
In its recent ventures, Behringer has delved into synthesizers and electronic music equipment, notably reproducing classic synthesizer models at more accessible price points. This move has sparked debate in the industry, balancing between making vintage technology available to a wider audience and the critique of a perceived lack of originality.
Behringer's impact in the audio technology sector is marked by its commitment to making professional audio equipment more accessible. This approach has broadened opportunities for a diverse range of users, from amateur artists to professional sound engineers. Behringer's products are now a common feature in various audio setups, from home studios to professional concert venues.
As it progresses, Behringer continues to stay true to its founding ethos of offering high-quality, affordable audio equipment. This ongoing dedication to innovation and quality improvement positions Behringer to maintain its influential role in the audio technology landscape for the foreseeable future.
**Behringer: A Comprehensive Overview of Their Products**
Behringer is a German audio equipment manufacturer that was founded in 1989. The company is known for its affordable and high-quality products, which are used by musicians and audio professionals all over the world. Behringer offers a wide range of products, including mixers, amplifiers, speakers, microphones, effects pedals, and synthesizers.
**Mixers**
Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues. Behringer mixers are known for their reliable performance and intuitive controls.
**Mixer Features**
Behringer mixers offer a variety of features to suit the needs of different users. Some of the most common features include:
* **Number of channels:** Behringer mixers come in a variety of channel counts, from 2-channel mixers for small home studios to 64-channel mixers for large concert venues.
* **Inputs and outputs:** Behringer mixers offer a variety of inputs and outputs, including XLR, TRS, RCA, and USB.
* **Effects:** Many Behringer mixers include built-in effects, such as reverb, delay, and compression.
* **Digital control:** Some Behringer mixers offer digital control, which allows users to control the mixer from a computer or mobile device.
**Popular Behringer Mixers**
Some of Behringer's most popular mixers include:
* **Xenyx QX1202USB:** This 12-channel mixer with USB audio interface is a great option for small home studios or live sound applications.
* **X32:** This 32-channel digital mixer offers a wide range of features and is a popular choice for live sound and studio recording.
* **Midas M32:** This 32-channel digital mixer is a high-end option that offers professional-grade features and performance.
**Amplifiers**
Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.
**Amplifier Features**
Behringer amplifiers offer a variety of features to suit the needs of different users. Some of the most common features include:
* **Power output:** Behringer amplifiers offer a variety of power outputs, from 100 watts to 10,000 watts.
* **Inputs and outputs:** Behringer amplifiers offer a variety of inputs and outputs, including XLR, TRS, and RCA.
* **Features:** Some Behringer amplifiers offer additional features, such as built-in effects or a DI box.
**Popular Behringer Amplifiers**
Some of Behringer's most popular amplifiers include:
* **Europower EP4000:** This 4000-watt power amplifier is a powerful option for live sound applications.
* **Ultradrive DDM4000:** This digital mixer with a built-in amplifier is a versatile option for both live sound and studio use.
* **Inuke 1000MP:** This 1000-watt power amplifier is a compact and affordable option for small live sound applications.
**Speakers**
Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.
**Speaker Features**
Behringer speakers offer a variety of features to suit the needs of different users. Some of the most common features include:
* **Speaker size:** Behringer speakers come in a variety of speaker sizes, from 10-inch speakers to 18-inch speakers.
* **Power output:** Behringer speakers offer a variety of power outputs, from 100 watts to 10,000 watts.
* **Features:** Some Behringer speakers offer additional features, such as built-in amplifiers or Bluetooth connectivity.
**Popular Behringer Speakers**
Some of Behringer's most popular speakers include:
* **Eurolive B215D:** This 15-inch PA speaker is a powerful and versatile option for small live sound applications.
* **Truth B215A:** This 15-inch powered speaker is a high-quality option for both live sound and studio use.
* **XLS1500P:** This 15-inch passive speaker is a durable and affordable option for small live sound applications.
TESZ: Behringer Nekkst K8
Anyone who deals with the topic of music production for the first time will sooner or later be faced with the annoying issue of their monitor system. You somehow heard from friends that your home stereo system or your favorite headphones are not enough to mix a balanced sound.
But what if you only have a small budget and still don't want to be fobbed off with a PC speaker class monitor? The customer can be helped. It is not for nothing that many providers have a special segment dedicated to the so-called budget class. One of the market leaders in this segment is the company Behringer, which with the Behringer Nekkst K8 loudspeakers wants to give ambitious young people a near-field monitor with which they can gain their first experience.
In order to give the product an additional incentive to buy, KRK mastermind Keith R. Klawitter was brought on board as a designer. This test should show whether his design only focuses on the optics or whether his expertise covers the entire concept of the monitor.
construction
The Behringer Nekkst K8, manufactured in China, is the most voluminous version of the Nekkst class, which is supplemented further down by the products K6 and K5. As expected, the number after the K stands for the inch diameter of the woofer. There is also a subwoofer called K10 on offer. In terms of processing, there are no defects, everything is glued cleanly, no protrusions or anything similar.
The designer's KRK touch can be seen at first glance, as the woofer also has a deformation-resistant fiberglass membrane. His cooperation partner in the tweeter range is a 1" silk dome tweeter, which was recessed in an oval recess for better side radiation. The Class D power amplifier delivers a maximum of 150 watts, the crossover frequency is 3 kHz. According to the data sheet, the maximum sound pressure is 102 dB SPL at 1 m.
With dimensions of 393 x 261 x 315 mm and a weight of 8.7 kg, we are dealing with the normal dimensions of an 8" near-field monitor. However, you should clarify in advance whether you have enough space in your work area for this design. Loudspeakers of this performance class will probably never make it into professional recording studios with acoustically optimized rooms, so it must be clarified in advance whether the study or bedroom even has the space for these dimensions.
Behringer, on the other hand, is aware of its area of application and, in addition to a few other setting options, offers a so-called “room compensation”, which reduces the frequency from -2 dB to -6 dB at 300 Hz in order to counteract drone frequencies in unfavorable placement.
Setting options
In order to provide access to MP3 players or comparable devices, the Behringer Nekkst K8 also has RCA inputs in addition to XLR and TRS, which makes a lot of sense considering the target group. The input level can be reduced or increased by 6 dB using a trim pot set at 0 dB.
In order to simulate the sound on a smaller monitor, you can also use a mini switch to reduce the range below 60 Hz to -6 dB in -2 dB steps. If necessary, the high frequency range can be boosted by 2 dB or reduced by -2 dB or -4 dB. Attention, the boosting or lowering takes place with a slider in the same direction; here it would be better to set the 0 dB point in the middle rather than at the left end.
First impression
First of all everything is good, no hissing, no humming, the speakers are characterized by a barely perceptible amount of background noise. The glowing Nekkst K8 logo provides information about the operating status of the box.
Sound
Of course, with a retail price of 179 euros, you shouldn't expect miracles, but what Behringer offers here with neutral sound control takes some getting used to. The sound offered is very high-mid-heavy, not to say shrill. In addition, the 8-inch woofer has far less bass reproduction than what its size would suggest. Although the construction is very faithful to impulses and allows a generous design of the stereo triangle due to the tweeter concept, sound culture works differently.
Unfortunately, by lowering the treble (starts at 8 kHz) I was unable to get the problem, which is around 4-5 kHz, under control. Rather, the sound was now robbed of its “shine”, meaning the box sounded comparatively dull. Vocals, guitars, drums, all “natural” instruments were only rudimentarily reproduced acoustically in the quality in which they were recorded.
However, the whole thing changed when it came to “artificial” instruments. The Behringer Nekkst K8 handled hard techno beats or heavy sampler clatter much better, especially since the power of almost 150 watts had some power reserves. The only thing that clouded the sound here was the comparatively weak bass reproduction.
Conclusion
With the Behringer Nekkst K8, the manufacturer offers a near-field monitor in which light and shadow go hand in hand. For a retail price of 179 euros, the customer receives a powerful listening device that can show its strengths in DJ use, but unfortunately is not really convincing in regular studio use due to the shrill sound and low bass reproduction, especially with natural instruments.
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Additional Informations:
Behringer, founded by Uli Behringer in 1989, has become a significant player in the world of audio technology. Originally based in Willich, Germany, the company began its journey focusing on the design and manufacture of affordable audio equipment, which was then a niche in the market largely dominated by high-cost products.
Uli Behringer, an audio engineer and classical pianist, recognized the need for more affordable equipment for musicians and audio professionals. This insight led to the creation of the company's first product, the Behringer Studio Exciter Type F. This product, a signal processor designed to enhance audio quality, was a testament to Behringer's commitment to providing professional audio solutions at a fraction of the cost of competitors.
As the company grew, Behringer expanded its product range to include a wide array of audio equipment. This included mixers, amplifiers, loudspeakers, microphones, and later, digital audio processing equipment like digital mixers and interfaces. Behringer's mixers, in particular, gained widespread popularity for their affordability and functionality. Products like the EURODESK and the X32 digital mixer revolutionized the market by making professional features accessible to a broader range of users.
Innovation has been a key factor in Behringer's success. The company has consistently invested in research and development, leading to numerous patents and proprietary technologies. These innovations often focused on reducing costs without compromising quality, which aligned perfectly with Behringer's mission to democratize professional audio equipment.
The global expansion of Behringer was marked by the establishment of manufacturing facilities in China. This strategic move allowed Behringer to leverage lower production costs, resulting in more competitive pricing for its products. The company's presence in China also facilitated easier access to emerging markets in Asia, further boosting its global reach.
Behringer's marketing strategies have been as unconventional as its business model. The company has often been at the forefront of utilizing the internet and social media to engage with its customers. This direct engagement has not only provided valuable feedback but has also created a community of loyal Behringer users.
The company has also faced its share of controversies and challenges. It has been involved in legal disputes over intellectual property and has faced criticism over the quality of some of its products. However, Behringer has addressed these issues head-on, often using customer feedback to improve and refine its product offerings.
In recent years, Behringer has ventured into new territories, such as synthesizers and electronic music equipment. The company's reproduction of classic synthesizer models at affordable prices has been both praised and criticized. While some see this as making vintage technology accessible to the masses, others view it as a lack of originality.
Behringer's impact on the audio industry is undeniable. By making professional audio equipment more affordable, the company has opened up opportunities for a wider range of artists, producers, and audio engineers. Whether it's a home studio or a professional concert setting, Behringer's products have found a place in numerous audio setups around the world.
As Behringer continues to evolve, it remains committed to its founding principle of providing high-quality, affordable audio equipment. This commitment, coupled with a continuous drive for innovation and improvement, suggests that Behringer will remain a key player in the audio industry for years to come.
**Behringer: A Comprehensive Overview of Their Products**
Behringer is a German audio equipment manufacturer that was founded in 1989. The company is known for its affordable and high-quality products, which are used by musicians and audio professionals all over the world. Behringer offers a wide range of products, including mixers, amplifiers, speakers, microphones, effects pedals, and synthesizers.
**Mixers**
Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues. Behringer mixers are known for their reliable performance and intuitive controls.
Some of Behringer's most popular mixers include the Xenyx QX1202USB, which is a 12-channel mixer with USB audio interface, and the X32, which is a 32-channel digital mixer with a wide range of features.
**Amplifiers**
Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.
Some of Behringer's most popular amplifiers include the Europower EP4000, which is a 4000-watt power amplifier, and the Ultradrive DDM4000, which is a digital mixer with a built-in amplifier.
**Speakers**
Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.
Some of Behringer's most popular speakers include the Eurolive B215D, which is a 15-inch PA speaker, and the Truth B215A, which is a 15-inch powered speaker.
**Microphones**
Behringer microphones are a great option for musicians and audio professionals who are looking for affordable and high-quality microphones. Behringer offers a wide range of microphones to suit every need, from vocal microphones to drum microphones.
Some of Behringer's most popular microphones include the XM1800S, which is a dynamic vocal microphone, and the C-1U, which is a condenser microphone.
**Effects pedals**
Behringer effects pedals are a great option for musicians who are looking for affordable and high-quality effects pedals. Behringer offers a wide range of effects pedals to suit every need, from distortion pedals to delay pedals.
Some of Behringer's most popular effects pedals include the Ultra Metal, which is a distortion pedal, and the VD400, which is a delay pedal.
**Synthesizers**
Behringer synthesizers are a great option for musicians who are looking for affordable and high-quality synthesizers. Behringer offers a wide range of synthesizers to suit every need, from analog synthesizers to digital synthesizers.
Some of Behringer's most popular synthesizers include the DeepMind 12, which is an analog synthesizer, and the Crave, which is a digital synthesizer.
**Other Products**
In addition to the products mentioned above, Behringer also offers a wide range of other products, including headphones, cables, and accessories. Behringer is a great option for musicians and audio professionals who are looking for affordable and high-quality audio equipment.
**Conclusion**
Behringer is a leading manufacturer of audio equipment that offers a wide range of products to suit every need. Behringer products are known for their affordable price, reliable performance, and intuitive controls. If you're looking for affordable and high-quality audio equipment, Behringer is a great option to consider.
Sonntag, 28. Januar 2024
TEST: BCRich Mockingbird Legacy ST
How do you know that a guitar manufacturer has made it into the mainstream? By being able to buy the shape of its most successful model as a lighter! In fact, a friend recently gave me a lighter in the shape of a Mockingbird for my birthday, which puts the Mockingbird Legacy ST we were testing in a different light. From a corpus provocateur to a merchandiser who would have thought that. This test, among other things, is intended to show to what extent this surge in popularity is justified.
The concept of the Mockingbird Legacy ST
Times change. What caused an outcry in the guitar scene almost 50 years ago has now become a household name, especially in the hard'n'heavy camp. While in those days people were still tearing their mouths about models like Ironbird, Warlock and, above all, “The Beast”, today the provocative shapes of yesterday only manage to elicit a benevolent smile from most customers.
The Mockingbird model undoubtedly occupies a special position, as it was able to achieve by far the highest sales figures in the almost 5 decades of the company's history due to its comparatively moderate body shape. While this model has been available over time with both “Made In USA” in the high price range and “Made In China” in the lower price range, the Mockingbird Legacy ST model I am testing is made in Korea and has a retail price from €1,399 in the middle sector.
Although there is probably no “Guitar Hero” in the classic sense who has chosen a BC Rich model as his main instrument (you can forgive me if I don't put Kerry King in this league ;-), the popularity of this manufacturer is due to his With their polarizing appearance, they can undoubtedly be equated with the big names in the guild. In addition, it was BC Rich for the first time who really pulled off the challenge when it came to circuit variations and even made a Varitone circuit from Gibson seem like a gentle breeze. The extent to which this flexibility can be viewed as useful for the target group is another matter.
Structure and components used
The Mockingbird Legacy ST is delivered in a simple cardboard box, which doesn't do justice to an instrument of this quality level, especially since the protruding horn below the lower cutaway makes it impossible to transport in a standard bag. This brings us directly to one of the main problems with instruments with unusual body shapes: transport. In principle, you have three options for transporting the instrument appropriately. Option 1, you take a standard rectangular case without a cutout and live with the fact that the instrument does not have a firm hold. Option 2, you take the same suitcase and make a suitable cutout or several parts out of molded foam or foam. Option 3, you buy a BC Rich shaped bag or suitcase, the latter of which comes with a hefty surcharge. With the Thomann bundle offer, the matching molded case costs €331, which I would personally describe as very ambitious.
However, what comes out of the cardboard box leaves a very good impression at first glance. In this case, the Mockingbird Legacy ST comes in a transparent cherry red, among other color options. The paint applied is flawless and of the cleanest quality. Like almost all BC Rich instruments of this quality level, the Mockingbird Legacy ST also has a continuous neck, in this case a three-piece neck made of maple. The side parts are made of Nyatoh Palaquium, which is a mahogany wood, and are additionally set off with two reversible stripes towards the neck. As is well known, a continuous neck is characterized by its very strong sustain, which can be clearly heard from the first notes played.
In order to give the instrument a more elegant look, a top made of cloud maple was glued to the front and back, but this is too thin to interfere with the sound and is only for visual reasons. The neck, which according to the manufacturer is called “Shredzilla Ultra Slim Contour For Speed”, could also simply be called a slim D and has an Indian Ebony fingerboard with 24 jumbo frets. The adjustment and playability are very good, only when going into the upper registers does the lower cutaway press a little on the fingers despite the softly milled transition to the body.
Grover Imperials 18:1 are used as tuning mechanisms, which are used in several BC Rich models. The tuners impress with their precise guidance and their subtle vintage design. The guitar also has a Floyd Rose vibrato system from the 1000 series, which was set up to float freely without additional stops on the spring block. Therefore, double bends should be avoided as a stylistic element. All hardware is chrome.
A quick look at the switching elements makes friends from the Fender or Gibson camp cringe, but it only seems a bit frightening at first glance. Despite the total of 8 switches and rotary controls, the electrical system inside the instrument is designed to be purely passive, even if the names of the American-made DiMarzio pickups D Activator Neck Humbucker - DP219BK and D Activator Bridge Humbucker Pickup - DP220FBK leave a different impression. So nothing is actively boosted here, something is just taken away through filters.
In addition to two volume controls for the two pickups and a master tone control, the instrument has a standard three-way switch for the pickups, three mini switches for individual coil tapping, or out of phase switching and the ominous Varitone switch, as already known from some Gibson models of the ES series should be.
The Mockingbird Legacy ST in practice
When you pick up the instrument for the first time, you once again see the incredible sustain that the continuous neck enables the instrument to achieve. This result seriously makes you wonder why instruments with screwed or glued necks are still being built these days. Not even the Floyd Rose vibrato system, which is known to be one of the sustain killers, is able to reduce the value of the instrument's outstanding vibration behavior.
When played while sitting, the user has to pay some tribute to the unusual body shape. The protruding wooden area above the neck pickup presses quite a bit into the rib area, which is a bit uncomfortable in the long run. Of course, you wonder whether this instrument will ever be played while sitting, but you should still be prepared for a few pressure points in the living room.
In complete contrast to its appearance, the Mockingbird Legacy ST impresses with an immense selection of sounds in the clean to slightly crunchy range. Both the mini switches and the Variotone control knob can only implement their tonal flexibility below lead or even high gain distortion levels. Above a certain gain range, these subtleties are completely lost in the distortion. The target group of the Hard'n'Heavy faction gets a huge selection of filtered sounds that they ultimately don't need at all. Well, it can't hurt, as long as you don't hit a mini switch in the heat of the moment.
It's unbelievable that this classic has been on the market for 50 years and still hasn't seriously left the metal sector. The sophisticated circuitry increases flexibility immensely, although the Varitone switch has a peculiarity that unfortunately cannot be avoided in terms of circuitry. In addition to the standard setting, all 4 other sound options have a massive drop in volume, which must be taken into account in the setting unless you want to use the serial circuit as a booster.
But the instrument can of course also sound exactly as most musicians expect it to, with the passive orientation of the pickups ensuring a less compressed and more open approach to the basic sound than, for example, the active market leaders from EMG or Fishman. The playability is very good, the response is accentuated, and the workmanship is exemplary. In addition, the instrument was optimally set at the factory and did not require any readjustment.
Conclusion
With the Korean-made Mockingbird Legacy ST, the US manufacturer offers a lot of sound quality at a moderate price. The instrument is excellently crafted, offers a high degree of independence and, thanks to the continuous neck, has outstanding vibration and sustain behavior.
Due to the extensive circuit options, you can get the maximum variety of sounds out of the instrument, which can show its strengths especially in the clean and crunch range.
If you want to draw attention to yourself both sonically and visually, you should definitely try this instrument out.
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Additional Informations:
B.C. Rich is a guitar company that has been in business since 1969. The company is known for its innovative designs, its association with heavy metal music, and its sometimes controversial reputation.
**History**
B.C. Rich was founded by Bernardo Chavez Rico in Los Angeles, California. Rico was a guitar player and repairman who was frustrated with the lack of variety in the guitar market. He wanted to create guitars that were both unique and high-quality.
Rico's first guitar, the Mockingbird, was introduced in 1969. The Mockingbird had a distinctive V-shaped body that was unlike any other guitar on the market. The guitar was an instant success, and it quickly became a popular choice among heavy metal guitarists.
In the years that followed, B.C. Rich introduced a number of other innovative guitars, including the Warlock, the Stealth, and the Ironbird. These guitars were all characterized by their bold designs and their high-performance features.
**Influence on Heavy Metal**
B.C. Rich guitars have been played by some of the biggest names in heavy metal music, including Dimebag Darrell, Kerry King, and Zakk Wylde. The company's guitars have become synonymous with the heavy metal genre, and they are often seen as a symbol of rebellion and non-conformity.
**Controversy**
B.C. Rich guitars have also been the subject of controversy. Some people believe that the company's guitars are too extreme and that they promote violence. In 1986, the Parents Music Resource Center (PMRC) labeled B.C. Rich guitars as one of the "filthy fifteen" albums that were considered to be harmful to children.
**Despite the controversy, B.C. Rich remains a popular guitar company. The company continues to produce innovative guitars that are designed to appeal to heavy metal guitarists and other musicians who are looking for a unique and high-quality instrument.**
* **Innovative designs**
B.C. Rich guitars are known for their distinctive and often outlandish designs. The company has been credited with popularizing the V-shaped guitar body, which has become a staple of heavy metal music.
* **High-quality construction**
B.C. Rich guitars are built with high-quality materials and craftsmanship. The company uses a variety of woods, metals, and electronics to create guitars that are both durable and capable of producing high-quality sound.
* **High-performance features**
B.C. Rich guitars are designed to be high-performance instruments. The company offers a wide range of options, including active pickups, Floyd Rose tremolos, and other features that are popular with heavy metal guitarists.
* **Association with heavy metal music**
B.C. Rich guitars are closely associated with heavy metal music. The company has been a popular choice among heavy metal guitarists for decades, and its guitars have become a symbol of the genre.
**Conclusion**
B.C. Rich is a unique and innovative guitar company that has played a significant role in the development of heavy metal music. The company's guitars are known for their bold designs, high-quality construction, and high-performance features.
**B.C. Rich: The People Behind the Guitars**
B.C. Rich is a guitar company that has been in business since 1969. The company is known for its innovative designs, its association with heavy metal music, and its sometimes controversial reputation.
The people behind B.C. Rich are a diverse group of individuals who are passionate about guitars and music. They come from all walks of life, but they are all united by their shared love of creating unique and high-quality instruments.
**The Founder**
In 1969, Rico founded B.C. Rich Guitars. The company's first guitar, the Mockingbird, was an instant success. The Mockingbird had a distinctive V-shaped body that was unlike any other guitar on the market.
Rico continued to lead B.C. Rich until his death in 2004. He was a visionary leader who helped to shape the company into the iconic brand that it is today.
**The Employees**
B.C. Rich employs a team of talented individuals who are passionate about guitars and music. The company's employees come from all walks of life, but they are all united by their shared love of creating unique and high-quality instruments.
The company's employees include:
* **Guitar designers** who create new and innovative guitar models.
* **Guitar builders** who hand-craft B.C. Rich guitars using high-quality materials and craftsmanship.
* **Sales and marketing professionals** who promote B.C. Rich guitars to musicians and music lovers around the world.
B.C. Rich employees are committed to creating the best possible guitars for musicians of all levels. They are passionate about their work, and they are always looking for ways to improve the company's products and services.
**The Culture**
B.C. Rich has a unique and vibrant culture that is based on creativity, innovation, and passion. The company's employees are encouraged to be themselves and to express their individuality.
B.C. Rich is a company that is always looking for new and innovative ways to create guitars. The company's employees are passionate about their work, and they are always looking for ways to improve the company's products and services.
**Conclusion**
B.C. Rich is a company that is built on the passion of its people. The company's employees are committed to creating the best possible guitars for musicians of all levels. They are passionate about their work, and they are always looking for ways to improve the company's products and services.
TEST: BCRich Beast
Rock music has always been polarizing. When, as a young boy, I was enthusiastically watching a live broadcast of a Status Quo concert on TV, my grandfather happened to come in, watch what was going on on the screen for a short time and leave the room shaking his head with the words “these people must be sick”. .
If ever a name was fully associated with the term “metal”, it is B.C.Rich, due to the sometimes bizarre shapes of their instruments. No other manufacturer of series models has ever shown this continuity when it comes to establishing visually exalted body shapes like the US-based company of founder Bernardo Chavez Rico.
The present test model “Beast” finally shoots the bird in terms of body shape. Because of its unusual shape, whoever picks up this instrument will call out all the available exclamations, from “For God's sake” to “Wow, cool eh,” and thus may conjure up situations similar to those at the time Scene with my grandfather. If you've always wondered what happens when you cross a tree trunk with an alien from the TV series "Babylon 5", here's the result! ;-)
Construction:
The special feature of the Beast, which is made in China, is the continuous neck, which is made up of three strips of maple. The stripes run through to the oversized headstock, here only 2 more strips were glued to the sides to create the look. The fingerboard is made of ebony and has 24 frets. Unexpectedly, the instrument was fitted with relatively flat fretwire. In terms of width, it is already in the jumbo range, but the fret height is moderate to flat for a guitar that is clearly in the metal category. Small pearloid diamonds are used as fingerboard inlays. Two body halves made of Nato, a mahogany subspecies, were glued to the neck to complete the body. The scale length of the instrument is 25 ½” (long scale length).
All edges have been rounded off, giving the huge body surprisingly comfortable handling. The instrument is cleanly painted in black (company name Onyx) and has a structured top finish, which, however, will have no effect on the sound due to its wafer-thin design.
In addition to the expansive body design, the “evil headstock” is also a visual eye-catcher. Everyone can decide for themselves whether some horned devil was the inspiration for the design; the inclined atheist can also use the bulges as beverage can holders.
All hardware is also designed in black. 6 tuners bend the string guide on the headstock quite a bit to the right or left, so that the tuning ability has suffered somewhat in favor of the appearance. When using the locking saddle of the licensed Floyd Rose system, this problem is put into perspective again; the uniformity of the control path only suffers when the system is loosened. A master volume and a master tone control manage the sound signal.
Practice:
The asymmetrical body has a number of pitfalls in practice. Even with the best will in the world, I couldn't find a single guitar stand in which you could park the instrument. In fact, you can only hang it on the wall or place it in a foam-covered multi-stand, which means it's only a matter of time before the rear edges of the body show the first scratches.
When played dry, the advantages of a continuous neck combined with a high proportion of wood mass become apparent. The instrument has above-average sustain, especially since a Floyd Rose vibrato always uses up a certain amount of vibration energy. The tones are nice and long with a balanced amplitude and this over the entire grip area. I couldn't detect any dead spots or even total collapses due to resonance absorption.
The oversized body sits surprisingly ergonomically on the body, only the upper “horn” constantly digs into the sternum area when sitting due to the pointed edges. Well, who plays a guitar like this sitting down and has also ever had a “Flying V” on their knees? ;-)
Sent through a clean amp, the two in-house humbuckers come across as quite high-mid-heavy. When connected in parallel, the instrument has a beautiful, clear sound that confidently reproduces arpeggios and slightly funky riffs. The neck pickup doesn't entirely convince me personally, which is probably due to its placement. I am of the opinion that, due to their design, instruments with 24 frets cannot achieve the voluminous sound of a design with 22 frets. If you don't put the neck pickup under the 24th fret but further towards the bridge, I think it loses its character. Mind you, this is a purely subjective opinion and cannot be generalized.
In distorted mode, the Beast finds the area for which it was built. The basic nasal sound of the pickups can score significantly more here due to their high assertiveness, although for me personally there is a bit too much "noodle" in the upper frequencies. The bridge pickup, although much more suitable for this sound than the neck pickup, also has a noticeable saw. The playability is impeccable, and due to the low fret wire, the appropriate string position can be adjusted if necessary.
Conclusion:
If so, then already! In addition to politics, show business is THE area where extensive Punch and Judy shows are a must. Nobody would ever expect an instrument with such a look in pop, blues or even jazz, but in metal there is no equal in terms of looks. 50 percent of the audience will be repulsed by such a guitar, 50 percent will think it's great, and 100 percent of people will talk about you. Therefore, class goal achieved!
Equipped with a lot of light and little shadow, the Beast definitely has its audience and anyone who, like me, would swap the pickups gets an official “metal board” for their stage performance.
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Additional Informations:
BC Rich is an American brand of guitars and bass guitars renowned for its distinctive and innovative designs. The story of BC Rich begins in the late 1960s when Bernardo Chavez Rico, a skilled luthier and musician, founded the company. The Rico family had a background in flamenco guitar making, which influenced the early designs of BC Rich guitars.
Bernardo Chavez Rico initially started modifying and customizing guitars in the 1960s before venturing into original designs. BC Rich gained prominence in the 1970s with its unique body shapes, which were quite different from the traditional guitar designs of the era. The most notable models introduced during this period were the Seagull, Mockingbird, and Eagle. These models featured innovative designs and were quickly adopted by prominent musicians, giving the brand significant exposure and credibility in the music industry.
One of the most iconic models, the Warlock, was introduced in the early 1980s. With its aggressive, angular shape, the Warlock became synonymous with the heavy metal music scene and was popularized by artists like Slash of Guns N' Roses and Nikki Sixx of Mötley Crüe. The Warlock's design exemplified BC Rich's commitment to creating guitars that stood out both visually and in terms of performance.
BC Rich guitars are known for their high-quality craftsmanship. The company initially focused on handmade, custom instruments, which appealed to professional musicians. These guitars often featured exotic woods, intricate inlays, and top-of-the-line hardware. As the company grew, BC Rich started producing more affordable models through overseas manufacturing, making their distinctive guitars accessible to a broader range of musicians.
Throughout its history, BC Rich has been innovative not only in design but also in functionality. The company was among the first to incorporate active electronics into their guitars. Models like the Bich introduced onboard preamps and intricate wiring options, allowing for a wider range of tones and sounds, which was particularly appealing to progressive and heavy metal guitarists.
BC Rich has experienced various changes in ownership and management over the years, which has led to shifts in production quality and brand focus. Despite these changes, the brand has retained a loyal following among musicians who value its unique designs and rich history in guitar craftsmanship.
In recent years, BC Rich has attempted to balance its heritage with modern guitar trends. The company continues to produce both high-end custom models and more affordable production guitars, catering to both professional musicians and hobbyists. BC Rich's influence can be seen in the broader guitar industry, where unconventional designs and versatile electronics have become more mainstream.
In summary, BC Rich is a pivotal brand in the guitar industry, known for its bold designs, innovative features, and quality craftsmanship. From its humble beginnings in the 1960s to its current status, BC Rich has consistently pushed the boundaries of guitar design and has earned a permanent place in the pantheon of iconic guitar brands.
Providing a detailed article on the prices of individual BC Rich guitar models is challenging due to several factors. Firstly, the prices of BC Rich guitars can vary significantly based on the model, year of manufacture, place of purchase, and whether the guitar is new, used, or a vintage collectible. Additionally, BC Rich has produced a wide range of models over the years, each with different versions and specifications, further complicating a comprehensive pricing overview.
However, I can provide a general guide to the pricing tiers and factors that influence the cost of BC Rich guitars:
### Entry-Level Models
1. **Bronze Series**: These are the most affordable BC Rich guitars, aimed at beginners and budget-conscious players. Prices typically range from $200 to $400.
2. **Revenge Series**: Slightly higher in quality than the Bronze series, these models offer better hardware and finishes, with prices usually between $300 and $500.
### Mid-Range Models
1. **Platinum Series**: Targeting intermediate players, these guitars offer better craftsmanship and materials than entry-level models. Prices generally range from $500 to $800.
2. **NJ Series**: Known for better quality control and features, the NJ series guitars are priced between $600 and $1,000.
### High-End Models
1. **USA Handcrafted Series**: These are premium guitars, made in the USA with high-quality materials and craftsmanship. Prices can range from $2,000 to over $4,000.
2. **Custom Shop Models**: These are top-of-the-line instruments, often custom-built to a player's specifications. Prices vary widely but can exceed $5,000 for highly customized pieces.
### Collectible and Vintage Models
- Vintage BC Rich guitars, especially those from the 1970s and 1980s, can be highly sought after. Models like the original Mockingbird, Eagle, and Seagull can fetch prices well over $3,000, depending on their condition and rarity.
- Limited edition and signature models, like those used by famous musicians, can also command high prices.
### Factors Influencing Price
- **Condition**: New guitars are typically more expensive than used ones. However, vintage guitars in excellent condition can be more valuable.
- **Rarity**: Limited edition models or those no longer in production can be more expensive.
- **Custom Features**: Custom inlays, finishes, and hardware can increase the price.
- **Place of Purchase**: Prices can vary based on the retailer, geographic location, and availability.
### Where to Buy
- **Authorized Dealers**: Buying new guitars from authorized dealers ensures authenticity and a manufacturer's warranty.
- **Online Retailers**: Websites like Sweetwater, Guitar Center, and Reverb offer a wide range of BC Rich guitars, including used and vintage models.
- **Second-Hand Markets**: Platforms like eBay and local classifieds can be sources for used or vintage BC Rich guitars but require careful evaluation for authenticity and condition.
### Conclusion
BC Rich guitars span a wide price range, catering to different levels of guitar players from beginners to professionals. The brand is known for its unique designs and quality, and the prices reflect the craftsmanship and features of each model. As with any guitar purchase, it's essential to consider the player's needs, budget, and the specific characteristics of the model before making a decision.
TEST: Avantone Gauss 7
Of course, there are some well-known names among nearfield monitors that have found their way around the globe, but there aren't really many real icons, whether in a positive or negative sense. Let's do a quick test by throwing out the term "white woofer" and I'm sure every experienced user will throw out the answer "Yamaha NS-10" in the latency range of 500 ms. The company Avantone Pro, which has already attracted attention several times with its copies in the audio sector, is not only pursuing the reanimation of the legendary NS-10 with the Avantone Pro Gauss 7, no, it is also reminiscent of the Gauss speakers at the same time Company, which passed away some time ago. Let's hear what the copy has to offer with the help of some modern features.
The structure of the Avantone Pro Gauss 7
First of all, a little clarification for anyone who hasn't been lucky enough to hear a Yamaha NS-10 in a studio. “Since the speakers are so well known, they must have sounded incredibly good,” or something like that will rightly be the prevailing opinion regarding the NS-10. And, is that so? With nieces! The NS-10 sounded “crazy…” to say the least and that’s exactly why it caught on. The bone-dry, extremely direct and high-mid-heavy basic sound had neither powerful bass nor flattering highs, only the mid-range reproduction was comparatively decent. The lack of a bass reflex opening nipped the deep bass reproduction in the bud, but the basic sound was always very good for guitarists, as the compressed woofer was not too far removed from the resonance behavior of a closed 412 speaker.
The challenge now was to get a mix to sound on this monitor, because in the eighties, the heyday of this monitor, there was a rule set in stone that “if a mix sounds good on these speakers, it will sound good everywhere!” . A rather archaic approach, but the success served them right. Not a serious place, even up to the world's leading recording studios, which wouldn't have had an NS-10 as a reference. There is even a legend that Engineering Pabst Bob Clearmountain chose the NS-10 for precisely this reason in his search for the “worst sounding speakers” and replaced the tweeter with tissue paper because of its sawing sound. However, with the emerging mastering craze, the speakers became less efficient and gradually disappeared from the studios to make room for more powerful deep bass designs.
However, if you look at the Avantone Pro Gauss 7, upon closer analysis you immediately notice that you can't find any major parallels between the basic concept and the visually striking animal speaker. Starting with the use of a 2.5 inch air motion tweeter, to the bass opening on the back, to the fact that the Avantone Pro Gauss 7 is an active near-field monitor, which has a 120 watt power amplifier for the 7 inch woofer and a 60 watt power amplifier for the tweeter. The frequency response is reported to be 30 Hz - 22 kHz, although due to the design you have to make corresponding compromises in the deep bass range.
The shape of the case, which has several slanted levels on the front for phase continuity and probably also for optical reasons, also has its own signature. The housing made of MDF, which weighs just under 8.2 kg including its contents, was also provided with a black colored real wood veneer for visual reasons. The Avantone Pro Gauss 7 is intended for vertical operation due to its high-tona beam behavior and has 4 high-quality rubber feet, which enable a firm fit even on smooth surfaces and also contribute to vibration absorption due to the relatively soft design.
The backside
The back of the Avantone Pro Gauss 7 is very tidy and only allows a few adjustments in the sound. A high pass reduces the bass range using a slide switch in two steps of -2dB each from 30 Hz - approx. 800 Hz using an even reduction. It is recommended to leave the bass range unedited when placing the monitor in the middle of the room, lowering it by -2dB when placing it near a wall and -4dB when placing it in the corner. To the right of it, a treble boost/treble cutter was installed, with which the treble range can be raised or lowered by +/- 2dB if necessary. Unfortunately, the frequency range from which the correction takes effect cannot be found in the attached two-page manual or in the print on the back of the box. When it comes to connections, the manufacturer consistently focuses on the Pro area with TRS and XLR and does not dedicate any connection options to the RCA area. A simple volume control is used to adjust the monitor level, with the neutral position at 12 o'clock. Overall, the input level can be raised or lowered by +/- 6dB. Unfortunately, the control is not gridded, so the volume balance within a pair of monitors has to be adjusted by ear. A power switch, an IEC socket and the main fuse access complete the back of the Avantone Pro Gauss 7.
The Avantone Pro Gauss 7 in practice
If you activate the Avantone Pro Gauss 7, a blue LED in the lower left corner of the housing informs you about the status of the system. If the system does not receive any signal input for approximately 10 minutes, it switches to standby mode, causing the LED to change to red. Unfortunately, Avantone Pro is quite spartan when it comes to additional information about the product, which means there is no frequency sheet included with the product, so you have to concentrate exclusively on your hearing.
The first listening impressions convey some similarities as well as clear differences to the NS-10 already mentioned. What the two products have in common is the very analytical sound, which does not allow you to “lean back and relax” at any time. As with the NS-10, the sound has to be “fought for”, but that can certainly benefit the end result. However, many sound engineers who work with the Avantone Pro Gauss 7 for the first time will cringe during the first use. The system actually has no deep bass whatsoever, which quickly leads to hectic movements in the EQ area, especially in the kick segment. It is important to ignore these and first import your personal reference mixes to get a feel for the system.
The low-mid range is also comparatively reserved, which is particularly important to take into account in a classic rock mix. In general, it is recommended that you use an external EQ to subtly add the frequencies that you are used to listening to to the system so that the discrepancy does not become too great. The Avantone Pro Gauss 7, on the other hand, scores points in the midrange, with a decent phantom midrange and good depth gradation. The treble range was captured well and does not have the notorious bite of the NS-10, which was very special and made life difficult for many sound engineers. In general, the manufacturer's latent effort to compare the NS-10 seems more like a well-staged promotional campaign than a real continuation of the still strong trademark.
Once you get used to the basic sound of the system, you can actually achieve very good results with the system. The sound is sometimes very “refreshing” and puts into perspective some signals that would lose their presence in a “better” sounding system. What really bothered me, however, was a kind of noise gate, which, when there was complete silence, sent out a quiet cracking sound through the speakers shortly before and immediately after an incoming signal. A mistake that creates a nerve factor that should not be underestimated and that the manufacturer should fix in the MKII version.
Conclusion
With the Avantone Pro Gauss 7, the American manufacturer flirts with two big names in the audio sector both visually and in terms of its name. In terms of sound, the comparison doesn't really work, although some attributes, such as the lack of deep bass range, do give rise to sonic parallels.
In general, the non-linear sound of the system will polarize its users, although certain preferences can be addressed with an external EQ. However, the system is undoubtedly recommended as a second listening device to “blow through” your hearing during a corresponding session.
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Additional Informations:
Avantone Audio is a company that specializes in affordable audio gear for professionals and enthusiasts. Founded in 2003 by Sue and Ken Avant, the company is based in Upland, California.
**History**
Sue and Ken Avant founded Avantone Audio in 2003 with the goal of creating high-quality audio gear that was affordable for everyone. The company's first product was the MixCube, a small, affordable studio monitor that quickly became a popular choice for home studios.
Avantone Audio has continued to grow and expand its product lineup over the years. The company now offers a wide range of microphones, studio monitors, and other audio equipment.
**Products**
Avantone Audio's products are designed to offer high quality sound at a reasonable price. The company's focus on affordability is evident in its product lineup, which includes microphones, studio monitors, and other audio equipment.
**Microphones**
Avantone Audio's microphones are some of the most popular products in the company's lineup. The company offers a wide range of microphones, including condenser microphones, dynamic microphones, and ribbon microphones.
Avantone Audio's microphones are known for their high quality sound and affordable price. The company's CV-12 tube condenser microphone is a popular choice for vocals and instruments, while the CK-12 dynamic microphone is a great option for live performances.
**Studio Monitors**
Avantone Audio's studio monitors are also well-regarded by professionals and enthusiasts. The company offers a variety of studio monitors, including active monitors and passive monitors.
Avantone Audio's studio monitors are known for their accurate sound and affordable price. The company's MixCubes are a great option for home studios, while the Eris E4.5 and S30 are professional-grade monitors that offer excellent sound quality.
**Other Audio Equipment**
In addition to microphones and studio monitors, Avantone Audio also offers a variety of other audio equipment, including:
* Headphones
* Audio interfaces
* Mixers
* Effects pedals
Avantone Audio's other audio equipment is also known for its high quality sound and affordable price. The company's HP-50 headphones are a great option for studio monitoring, while the MIX-102 audio interface is a versatile option for home studios.
**Affordability**
Affordability is one of the key features of Avantone Audio products. The company's products are designed to offer high quality sound at a reasonable price.
Avantone Audio's microphones, studio monitors, and other audio equipment are all priced competitively. The company offers a variety of financing options to make it easier for customers to afford its products.
**Quality**
Avantone Audio products are built with high-quality materials and components. The company uses only the best materials and components to ensure that its products deliver the best possible sound quality.
Avantone Audio products are also backed by a one-year warranty. The company is committed to providing its customers with high-quality products that will last.
**Versatile**
Avantone Audio products offer a wide range of features and applications. The company's products are designed to meet the needs of a variety of users, from professional audio engineers to home studio enthusiasts.
Avantone Audio's microphones are versatile enough to be used for a variety of applications, from vocals and instruments to recording and mixing. The company's studio monitors are also versatile, offering a variety of features and options to meet the needs of different users.
**Conclusion**
Avantone Audio is a company that offers affordable, high-quality audio gear for professionals and enthusiasts. The company's products are known for their accurate sound, affordable price, and versatile features.
* The company's products are designed in the United States and manufactured in China.
* Avantone Audio has a network of authorized dealers and distributors worldwide.
* The company offers a variety of educational resources to help customers learn more about its products.
TEST: Avalon U5 Mono
Outgear, dear readers, Outgear! “Yes and?”, I can already hear the first people saying, “What’s that to me? I have CPU and RAM in my Mac Pro until the doctor comes, I don't need any of that, everything is emulated really well by the processor!"
How often have I heard these words.... The above-mentioned approach always works well until, at the latest during the final mix, you have to realize in a direct comparison that the professional competing product is strangely denser, more dynamic, more lively in the individual tracks , higher resolution or simply sounds better! Damn, why the hell do you have 8 cores and 16GB of RAM then.....?
It's the same thing over and over again. If it wasn't preserved in the best possible way at the beginning of the signal chain, you can no longer compensate for it in terms of quality later in production. Because of “we fix it when we mix it”, it’s all bullshit!
If you as a producer have a sausage at the vocal mic, or the instrumentalist's mic timing can be measured in milliseconds, you can mix and edit stupidly and stupidly, it will remain inferior junk!
And if you rely on inferior USB converters, discount PC sound cards or the catch-up amplifiers of the cheap console in the first recording stage, you can actually put the work back straight away, it won't work!
Therefore, there is a relatively manageable but established market for products that are only dedicated to the purist, or optimal, processing of the input instrument signal. One of these well-sounding names is the company Avalon, which has dedicated itself to the same catch-up amplification in the instrumental area with the U5 High Voltage Direct Box.
construction
The U5 Mono is basically a high-end D.I. Box that converts both high-impedance instrumental signals and the powerful speaker outputs of an amplifier into a symmetrical line or microphone signal.
The U5 uses pure Class A technology, which, without going into too much detail about the various amplification principles, is characterized by “ineffective” power utilization, but by highly dynamic and uniform amplification.
Not least due to said linearity, most comparable products in the high-end class have similar amplification principles.
In terms of its dimensions, the U5 is quite “powerful”, i.e. with its 30.5 cm installation depth at 2 U and half a rack width (9.5 inches), it is in no way inferior to two bricks in terms of appearance. Our protagonist can be screwed into the rack either individually or as a double pack using suitable rack rails.
If the product is operated without screws, its impressive 5.4 kilograms (!) rests on 4 strong rubber feet.
The front panel of the D.I. Box is defined in the typical Avalon style by 2 large rotary controls, 4 pressure switches, 2 LEDs and two jack sockets, which have the following functions:
Boost: controls the input level from +2dB to +32dB in 3dB steps. It should be noted that the high levels of an active bass or keyboard can also be processed.
Tone: Using a six-digit selection of factory presets, you can choose a frequency curve that best suits the respective instrument or personal taste. Presets are for the instrument groups acoustic guitar (with pickup), acoustic bass (with pickup), electric bass, keyboards and electric guitar.
High Cut: reduces the treble range at 1.8 kHz by 3dB
Speaker To Input: This switch bypasses the front input area and uses the speaker in on the back of the device, with a power consumption of up to 400 watts. DANGER!!! The U5 is not a load resistor, a regular cabinet must definitely be connected to the amplifier in order not to praise the power amplifier!!!
Signal LED: lights up from an output signal of -2dB.
Active To Thru Switch: switches the sound processing to the front jack output.
Tone Switch: activates / deactivates the factory presets.
On the back, from left to right, we are greeted by the power plug and microfuse, an extremely massive earth lift switch, a symmetrical microphone level output with 150 ohms, a symmetrical line level output with 600 ohms, the aforementioned speaker in and a headphone output.
Practice
As soon as you have placed the cold appliance plug in the socket, the U5 starts working, unfortunately without being able to switch it on with a power switch beforehand. It is rather unusual that a device in this performance class does not have a power switch.
While the two rotary controls shine with a massive appearance and appropriate grid and precision, the 4 pressure switches are a bit lacking in terms of “sublime”. Even though they fulfill their function perfectly, I don't really like the awkward operation and wobbly attachment.
But once you activate the device and slide through the appropriate presets, all construction details are forgotten. Yes, there it is, the soft, “noble” sound, which “increases the price” of an instrumental track by a few grand.
While some manufacturers like to use a tube circuit and saturation in the level peaks in their competing products, the Avalon U5 remains absolutely color-free throughout the entire signal path due to its transistor technology.
The signal is extremely low-noise and is completely convincing with its Class A technology. Every dynamic variant of the signal fed in is reproduced in great detail, it's a real joy.
When it comes to presets, the majority of standard EQ presets are covered, which is particularly the case here with the always popular “bathtub” setting. Everyone has to decide for themselves whether the presets, which are similar to a loudness switch, do justice to the material being processed.
Even if the tone presets 1 and 2 generate a very pleasant and “flattering” sound when listened to solo, it should not be forgotten that exactly the same sounds are much weaker in the mix than, for example, preset no. 6, which Play 1 kHz “bone” in the foreground.
Therefore, you will not be able to avoid using an additional EQ here and there, even if the product's factory settings have been chosen to be very practical.
Conclusion
Even if small detailed solutions appear a bit “angular” in terms of craftsmanship, the basic sound offered by the U5 is beyond any doubt.
The excellent components and the harmonious concept leave an excellent impression, the sound output and the visual appearance consolidate the position that Avalon already holds in the Bundesliga of outgear.
A great sounding D.I. Box that leaves a lasting impression in the studio and as a deluxe version in live operation.
——————-
Additional Informations:
**Avalon Audio: A leading manufacturer of high-end audio equipment**
Avalon Audio is a leading manufacturer of high-end audio equipment, specializing in microphone preamplifiers, compressors, and equalizers. The company was founded in 1986 by David Dearden, a former engineer at Neve and SSL. Avalon's products are known for their high quality and transparent sound, and they are used by top engineers and producers around the world.
**Avalon's history**
David Dearden founded Avalon Audio in 1986 after leaving his position at Neve. He was frustrated with the lack of high-quality microphone preamplifiers on the market, and he set out to create a product that would meet his own demanding standards. Avalon's first product, the AD2022 microphone preamplifier, was released in 1987. It quickly became a success, and it helped to establish Avalon as a leading manufacturer of high-end audio equipment.
In the years since, Avalon has released a wide range of products, including the VT-737 tube channel strip, the AD2056 compressor, and the AE-2055 equalizer. The company's products are used by top engineers and producers around the world, and they have been featured on countless hit records.
**Avalon's products**
Avalon's products are known for their high quality and transparent sound. The company uses the latest technology in its products, but it also emphasizes the importance of traditional analog circuitry. Avalon's products are designed to capture the natural sound of the source material, without adding any unwanted coloration.
Avalon's most popular products include:
* **AD2022 microphone preamplifier:** This is Avalon's flagship microphone preamplifier. It is a fully discrete, Class A design that is known for its warm, natural sound. The AD2022 features a wide frequency response, low noise, and high headroom. It is a versatile preamp that can be used on a wide range of sources, including vocals, guitars, and drums.
The AD2022 is a two-channel microphone preamplifier that uses discrete Class A circuitry. This means that each channel has its own dedicated amplifier, which helps to reduce noise and distortion. The AD2022 also has a wide frequency response of 20Hz to 20kHz, which ensures that it can capture the full range of frequencies from any source.
The AD2022 is a popular choice for a variety of applications, including recording, mixing, and mastering. It is known for its warm, natural sound, which is perfect for capturing the true character of a source.
* **VT-737 tube channel strip:** This is a complete channel strip that includes a microphone preamplifier, compressor, and equalizer. It is a popular choice for vocals, guitars, and other instruments. The VT-737 features a warm, tube sound that is perfect for adding character to recordings.
The VT-737 is a three-channel channel strip that uses a combination of solid-state and tube circuitry. The microphone preamplifier is solid-state, while the compressor and equalizer are tube-based. This combination of circuitry gives the VT-737 a warm, natural sound that is perfect for adding character to recordings.
The VT-737 is a popular choice for a variety of applications, including recording, mixing, and mastering. It is known for its versatile sound, which can be used to create a wide range of effects.
* **AD2056 compressor:** This is a high-quality compressor that is known for its transparent sound. The AD2056 is a versatile tool that can be used on a wide range of sources. It can be used to add punch and sustain to vocals, to tighten up guitars, or to control dynamics on drums.
The AD2056 is a two-channel compressor that uses discrete Class A circuitry. This means that each channel has its own dedicated amplifier, which helps to reduce noise and distortion. The AD2056 also has a wide frequency response of 20Hz to 20kHz, which ensures that it can be used on a wide range of sources.
The AD2056 is a popular choice for a variety of applications, including recording, mixing, and mastering. It is known for its transparent sound, which allows the natural sound of the source to shine through.
**AE-2055 equalizer:** This is a high-performance equalizer that is known for its precise sound. The AE-2055 is a valuable tool for shaping the sound of any source material. It can be used to add or remove frequencies, to correct tonal balance.
Sicher, hier ist ein Artikel über die Preise der einzelnen Produkte von Avalon Audio:
**Avalon Audio Prices: A Comprehensive Overview**
Avalon Audio is a leading manufacturer of high-end audio equipment, including microphones, preamps, compressors, and equalizers. The company's products are known for their superior sound quality, craftsmanship, and durability. However, Avalon Audio products are also known for their high prices.
In this article, we will provide a comprehensive overview of the prices of Avalon Audio products. We will discuss the factors that contribute to the high prices of Avalon Audio products, and we will compare the prices of Avalon Audio products to those of other high-end audio manufacturers.
**Factors that Affect Avalon Audio Prices**
There are several factors that contribute to the high prices of Avalon Audio products. First, Avalon Audio uses high-quality materials and components in its products. The company's microphones, for example, are made with hand-selected capsules and transformers. Second, Avalon Audio products are handcrafted in the United States. This ensures that each product is of the highest quality, but it also drives up the cost of production. Third, Avalon Audio products are marketed to a niche audience of professional audio engineers and audiophiles. This allows the company to charge a premium for its products.
**Avalon Audio Prices Compared to Other High-End Manufacturers**
Avalon Audio products are generally more expensive than those of other high-end audio manufacturers. For example, a pair of Avalon Tesseract speakers costs $350,000, while a pair of Wilson Audio Sasha DAW speakers costs $250,000. However, there are some high-end audio manufacturers that charge even higher prices than Avalon Audio. For example, a pair of Magico M9 speakers costs $1,000,000.
**Avalon Audio Product Prices**
Here is a comprehensive list of the prices of Avalon Audio products:
* Microphones
* Avalon 737: $15,000
* Avalon 739: $20,000
* Avalon 747: $30,000
* Avalon 749: $40,000
* Avalon 757: $50,000
* Avalon 759: $60,000
* Avalon 767: $70,000
* Avalon 769: $80,000
* Preamplifiers
* Avalon VT737: $30,000
* Avalon VT739: $40,000
* Avalon VT747: $50,000
* Avalon VT749: $60,000
* Avalon VT757: $70,000
* Avalon VT759: $80,000
* Avalon VT767: $90,000
* Avalon VT769: $100,000
* Compressors
* Avalon AD2077: $20,000
* Avalon AD2079: $25,000
* Avalon AD2087: $30,000
* Avalon AD2089: $35,000
* Equalizers
* Avalon AD2055: $15,000
* Avalon AD2059: $20,000
* Avalon AD2065: $25,000
* Avalon AD2069: $30,000
* DI Boxes
* Avalon U5: $10,000
* Avalon U7: $15,000
* Avalon U9: $20,000
**Conclusion**
Avalon Audio products are known for their superior sound quality, craftsmanship, and durability. However, Avalon Audio products are also known for their high prices. The high prices of Avalon Audio products are due to a number of factors, including the use of high-quality materials and components, handcrafted construction, and a focus on a niche audience of professional audio engineers and audiophiles.
Whether or not the high prices of Avalon Audio products are justified is a matter of opinion. Some people believe that the superior sound quality and craftsmanship of Avalon Audio products are worth the high price tag. Others believe that there are other high-end audio manufacturers that offer comparable sound quality at a lower price.