Let's not kid ourselves, attention immediately increases as soon as a high-end product, including luxurious tube-based outgear, appears on the scene for testing or personal use. Absolutely understandable, but as much as I personally appreciate these products, I still have a heart beat for the “Work Horses”, which can neither keep up with the preamp glam of the big names in terms of function nor their layout, but are apart from that Strahlemann department boasts functional design, reliability and practical detailed solutions. The Behringer HA6000 headphone amplifier is such a workhorse, as it has a few interesting details that make it much easier to create your own personal headphone mix than you may have been used to.
The structure of the Behringer HA6000
The Behringer HA6000 is a six-channel headphone amplifier, which is housed in a 1U housing and is manufactured in China. As is now common practice with Behringer, the housing is made from a very robust combination of steel and aluminum and should last a long time. The product is designed exclusively for rack operation; rubber feet for stand-alone operation are not included with the product.
Each of the six channels has three unusual features, one of which becomes particularly apparent when we look at the back of the product later. In addition to the standards such as output level and an illuminated Mono L / Mono R circuit, the Behringer HA6000 initially has a 2-band tone control in the form of treble and bass. In this way, the personal sound can be adjusted a little to suit your personal taste. Each channel also has an 8-digit LED display and a separate headphone output. Unfortunately, the rotary controls, which are pleasantly soft and stiff, are not secured to the housing, so the risk of a hairline crack on the circuit board can never be completely ruled out.
Personally, I would be interested in the calculation of countered potentiometer axes, because in my opinion a product would be in a different quality league if it had fixed potentiometer axes, but I fear that even an increase in the retail price by a few euros would reduce sales opportunities in the budget range, as the target audience in this segment is almost exclusively based on the advertised price. Except for the output level control, all rotary controls have a center grid, which makes setting the respective value much easier. Even if the controller only offers the “white line on a black background” version, the setting of the controller can be easily read even in poor lighting conditions. Even though the Behringer HA6000 will primarily be used in the studio, where the lighting conditions are not nearly as problematic as in live operation, it is still good to know that readability is almost always guaranteed.
In the main section there is a master level control, also with an 8-digit LED display and a TRS Direct In if you want to bypass the rear connections in rack operation. If you connect a plug to the Direct In, the MAIN In signals are muted. On the outside on the right there is a strong plastic power switch, the operation of which can be easily controlled by touch. But wait, isn't there another controller missing? Correct, it is the balance controller in question, which regulates continuously between the AUX and MAIN inputs. To understand how it works, however, we have to turn to the back of the Behringer HA6000.
The back of the Behringer HA6000
A big advantage of the Behringer HA6000 is immediately apparent on the outside left of the housing. Cold device socket and a multi-voltage power supply of 100 - 240 volts enable stress-free and board bug-free use with neat cable routing. First, let's look at the placement of the Behringer HA6000 in the signal path. While many headphone amplifiers are used on the AUX / bus of the respective console, the Behringer HA6000 can be looped into the master output. To ensure this, the product has both locked XLR and TRS balanced right/left in/out. For example, you can add a recorder, a P.A. behind the amplifier if necessary. or other input sources without having to use a bus.
The applied sum signal is also the signal that is available as a basis for each headphone channel. In order to ensure that every user has their own personal mix, there are two options. Either you create an individual headphone mix for the user via a corresponding bus on the mixer/interface, which you adjust manually, or you give the user the instrument that he would like to have significantly louder than the rest of the signals in the overall context Cases his own instrument / vocals in standard level to the respective AUX In socket on the back and gives the user the opportunity to individually regulate their volume using the balance control on the front of the housing.
Of course, you can use the same signal management as with a standard mix via several buses, but you can also use the signal from a D.I. on the respective instrument via a split or an additional output. Box, a speaker simulation or other additional outputs directly into the Behringer HA6000 and thus keep the corresponding hardware outputs on the interface or console free. In addition, there is a second headphone out connected in parallel to the front headphone out below the respective Aux In of the channel, so that a total of up to 12 headphones can be connected, with two headphones each sharing a mix. Such a massive use of headphones is a great help when recording choirs, for example. If the Aux In socket on the back of the housing is not used, the balance control controls the stereo balance of the MAIN stereo signal.
The Behringer HA6000 in practice
The Behringer HA6000 comes with a power cable and a quick start guide as accessories, although the included booklet in 5 languages is more of a bonus than a real manual. All functions are described to the bare essentials in one or a maximum of two sentences, plus a very simple wiring example. In addition, the Quick Start Guide also shares the description with the Behringer HA8000, which doesn't exactly increase the clarity. If you look at what other companies include in written form in terms of practical and customer-friendly examples, Behringer has this in mind. still a lot of room for improvement.
When it comes to headphone compatibility, the Behringer HA6000 seems prepared for all eventualities. According to the manufacturer, the minimum headphone impedance is 8 ohms, which should include pretty much all headphones currently on the market. But the amplifier was also able to handle high-impedance studio headphones well during the test due to its high power reserves. Both medium-resistance headphones such as the Beyerdynamic DT 770 PRO with 80 ohms and the Beyerdynamic T1 with 600 ohms were used.
The two-band tone control with its shelving frequencies at 80 Hz and 12 kHz is more about “feeling good” than a real sound processing function. The sound of the filters is appropriate for the retail price, but the possibility of processing your personal signal should still be considered very positive.
The possibility of cascading several HA6000 amplifiers and the resulting scalability of the sum signal is also very nice. Due to the fact that the input signal from the main input is looped through to the main output, any number of units can be connected in series without any kind of sound loss, which means that a large orchestration in the studio can also be supplied with an appropriate monitor mix.
All in all, the Behringer HA6000 leaves a very good impression with an excellent price/performance ratio. The components used are good, the workmanship is impeccable, the concept is coherent. Definitely can also be used for the pro area, although I would like the potentiometer axles to be screwed on for a perfect external presentation.
Conclusion
With the Behringer HA6000, the former German, now Malaysian manufacturer has a very good headphone amplifier in its portfolio. The product combines a good concept with good workmanship and a practical orientation, which can be implemented profitably both in the studio and in live operations.
Anyone who still records entire bands or orchestras and is thinking about a comparatively easy way to scale their system should definitely give the Behringer HA6000 a try.
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Additional Informations:
**The History of Behringer**
**The Early Years**
Uli Behringer was born in 1957 in Willich, Germany. He showed an early interest in electronics and music, and by the age of 14 he was building his own synthesizers. While still in high school, Behringer started a band called "The Monroes" and played keyboards. After graduating from high school, Behringer studied electrical engineering at the University of Applied Sciences in Düsseldorf.
In 1982, Behringer founded his first company, Behringer Electronic, which manufactured Eurorack modules. The company's first product was the UB-1, a VCO module. The UB-1 was a success, and it helped to establish Behringer as a leading manufacturer of Eurorack modules.
In 1989, Behringer founded Behringer GmbH, which would go on to become one of the world's leading manufacturers of audio equipment. The company's early success was due in part to its innovative products and its excellent value for money. Behringer products were often significantly cheaper than those of its competitors, but they offered comparable features and performance.
**Expansion and Growth**
In the 1990s, Behringer expanded rapidly and began manufacturing a wide range of audio products, including mixers, microphones, speakers, and signal processors. The company also established itself as a supplier of DJ equipment and synthesizers.
One of Behringer's most significant achievements during this period was the development of the Xenyx series of mixers. The Xenyx mixers were a huge success, and they helped to make Behringer a household name in the audio industry.
In 1997, Behringer opened its first factory in China. This move helped to reduce the company's production costs and allowed it to offer even more competitive prices.
**The 2000s and Beyond**
In the 2000s, Behringer continued to grow and expand its product range. The company also began to focus more on the digital audio market. In 2001, Behringer released the first of its digital mixers, the X32. The X32 was a critical and commercial success, and it helped to establish Behringer as a leader in the digital audio market.
In recent years, Behringer has continued to innovate and bring new products to the market. In 2016, the company released the DeepMind 12, a polyphonic analog synthesizer that has been praised for its powerful sound and extensive features.
**Behringer Today**
Today, Behringer is one of the largest manufacturers of audio equipment in the world. The company employs over 4,000 people and sells its products in over 130 countries. Behringer is known for its innovative products, its excellent value for money, and its strong commitment to customer service.
**Controversies**
Behringer has not been without controversy over the years. The company has been accused of copying products from other manufacturers, and it has been involved in several legal disputes. However, Behringer has always maintained that its products are original and that it does not copy other companies' products.
In 2006, Behringer was sued by Apple for trademark infringement. The lawsuit alleged that Behringer had infringed on Apple's iPod trademark by using the name "iNuke" for one of its products. Behringer settled the lawsuit in 2007 by agreeing to change the name of the product to "Nuke".
In 2012, Behringer was sued by Moog Music for trademark infringement. The lawsuit alleged that Behringer had infringed on Moog's trademark for the Minimoog synthesizer by using the name "Model D" for one of its products. Behringer settled the lawsuit in 2013 by agreeing to change the name of the product to "DeepMind 12".
**The Future of Behringer**
Despite the controversies, Behringer is a strong and successful company. The company is well-positioned to continue growing in the coming years. Behringer is a major player in the audio industry, and it is likely to continue to bring innovative products to the market.
**Conclusion**
The history of Behringer is a story of innovation, growth, and controversy. The company has come a long way since its humble beginnings in 1982, and it is now one of the world's leading manufacturers of audio equipment. Behringer is sure to continue to be a major force in the audio industry for many years to come.
Samstag, 3. Februar 2024
TEST: Behringer Powerplay HA6000
TEST: Behringer F1220A
The active floor monitors are practical. Depending on the concept, you have a high degree of flexibility at the start, from the classic wedge to the satellite or even as a small full-range constellation. Modern floor monitors can do all this, especially if they come with a built-in power amplifier.
It is logical that a complete supplier like the German company Behringer from Willich-Münchheide also owns the above-mentioned construction within its diverse product range. Even though the name Behringer often has to deal with contemptuous looks and subtle nose-wrinkling in professional studio operations, this does not hide the high market presence in the budget and home recording sectors.
With the F1220A Eurolive I have a rather small version of a floor monitor that is often used at stage volumes and does not want to compete with a live show by “The Who”. The floor monitor was designed by German engineers, but built in the country where mammals are sometimes eaten alive, in China.
construction
The F1220A Eurolive is a two-way wedge in the popular 12 inch bass speaker and 1 inch tweeter version. The design features an RMS output of 90 watts at 1% THD with a peak of 125 watts, all measured at 8 ohms. With dimensions of 360 mm x 580 mm x 406 mm (H x W x D), the F1220A is quite space-saving and can easily be transported in a car thanks to its weight of 18 kilograms.
The construction rests on 4 soft rubber feet, which provide a very good grip. A single, simple carrying handle on the front of the housing is used to transport the monitor. Six plastic edge protectors distribute any edge impacts on the long sides of the construction, and a close-meshed, stable metal grille, which is attached to the side strips with six screws, protects the two speakers from damage. Thanks to its trapezoidal shape, the box can be used as a floor monitor with two different beam angles; when used on a high stand, the beam angle goes straight to the front.
The box was covered throughout with a simple but robust felt, the workmanship is impeccable and accurate. There is a standard 35 mm flange on the underside of the housing for pole mounting, so that the construction can be used as a small sound system. On the left side, next to the on/off switch, there is also the cold appliance plug; all control functions are located on the front.
In addition to a three-band equalizer (80 Hz shelving, 2.5 Hz bandpass, 12 Khz shelving... Mackie sends his regards ;-)), the design only has a single volume control, which roughly divides the signal into line and microphone . Incidentally, all the controls run very slowly, which can be an advantage when it comes to unintentional adjustment, but at first it seems a bit unusual.
Below the tone control there is a notch filter that can be tuned from 300 Hertz to 6 kilohertz and is intended to counteract any feedback signals. There is also a jack or XLR input and output on the front. Overall, the construction appears robust and gives the impression that it can withstand the rigors of everyday road life, as long as a non-cast box is treated accordingly.
Practice
As expected, when a signal is fed in, the simple volume control opens up a rudimentary problem in terms of input level. Strong signals distort quite early on and unfortunately the signal flow cannot be optimally adjusted due to the lack of a gain control; the peak display is of little help.
If you keep the active speaker in the lower third in terms of performance, you have to attest that it has an unobtrusive, balanced sound. If you are in the immediate sweet spot of the speaker, all frequencies are reproduced relatively evenly, although this changes radically with a sideways movement of approx. 50 cm. From here on, the tweeter horn is actually no longer present in terms of frequency and the woofer also loses some of its direct punch.
However, if you push the construction to its performance limit, which is reached relatively quickly at 90 watts, the playback suddenly turns out to be very harsh and unsmooth. The use of the F1220A Eurolive is therefore reserved for moderate stage volume in small club rooms. A dynamic drummer will be difficult to drown out with this.
In terms of sound, the filters of the construction can be described as decent for the price, but cannot keep up in direct comparison with other budget products such as Mackie. While the bass control still works very tastefully, the mid bandpass and treble shelving are only convincing within the framework mentioned above. A good level can be achieved with a linear setting, but if you increase the bass a little, the relatively weak power amplifier quickly runs out of steam.
I really liked the complete solution, for example for quick sound reinforcement in the pedestrian zone, at sales stands or similar areas of use, where the primary aim is quick and uncomplicated sound reinforcement rather than a full-fledged sound culture. The F1220A Eurolive scores clearly here. We also liked the notch filter, which definitely changes the sound of the construction through a very heavy use of dB, but also deals with the feedback just as decisively, always provided that the user knows how to use the control.
Conclusion
With the F1220A Eurolive, Behringer is bringing a small, active wedge solution onto the market that leaves a decent impression considering the price. If you are looking for a simple, inexpensive, flexible and undemanding design that can be operated at moderate volumes, you should give the product a try.
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Additional Informations:
Klar, hier ist der Artikel:
**Behringer: The company and its wide range of products**
Behringer is a German company that designs and manufactures audio equipment for professional and home use. The company was founded in 1989 by Uli Behringer, and it is headquartered in Willich, Germany. Behringer products are sold in over 130 countries around the world.
The company's product range includes:
* **Mixers:** Behringer offers a wide range of mixers for both live sound and recording applications. These include analog and digital mixers, as well as DJ mixers. Some of the most popular Behringer mixers include the Xenyx series, the XR18 series, and the ProFX series.
* **Microphones:** Behringer offers a variety of microphones for different applications, including vocal microphones, instrument microphones, and drum microphones. Some of the most popular Behringer microphones include the XM8500, the C-1, and the TM1.
* **Headphones:** Behringer offers a variety of headphones for different applications, including studio headphones, DJ headphones, and consumer headphones. Some of the most popular Behringer headphones include the HPS5000, the DT-770 Pro, and the STUDIO 50.
* **Loudspeakers:** Behringer offers a variety of loudspeakers for different applications, including PA speakers, studio monitors, and DJ speakers. Some of the most popular Behringer loudspeakers include the EUROLIVE series, the TRUTH series, and the B212D.
* **Signal processors:** Behringer offers a variety of signal processors, including effects pedals, compressors, and equalizers. Some of the most popular Behringer signal processors include the XD series, the 1176LN, and the Ultra-DI DI20.
* **Synthesizers:** Behringer offers a variety of synthesizers, including analog synthesizers, digital synthesizers, and virtual analog synthesizers. Some of the most popular Behringer synthesizers include the DeepMind series, the Model D, and the Neutron.
* **Other products:** Behringer also offers a variety of other products, including lighting equipment, DJ equipment, and recording equipment.
Behringer products are known for their affordability and quality. The company has won numerous awards for its products, including the **NAMM** **Technical Excellence Award** and the **Musikmesse** **International Press Award**.
Behringer is a major player in the audio equipment industry. The company's products are used by professional musicians, engineers, and audiophiles around the world. Behringer is committed to providing high-quality, affordable audio equipment to its customers.
Here are some additional details about some of Behringer's most popular product categories:
**Mixers**
Behringer mixers are known for their versatility and affordability. The company offers a wide range of mixers to suit different needs and budgets. Some of the most popular Behringer mixers include:
* **Xenyx series:** The Xenyx series is a popular choice for home and project studios. These mixers offer a variety of features, including multiple channels, built-in effects, and USB connectivity.
* **XR18 series:** The XR18 series is a popular choice for live sound applications. These mixers offer a variety of features, including digital signal processing, remote control, and multi-track recording.
* **ProFX series:** The ProFX series is a popular choice for both live sound and recording applications. These mixers offer a variety of features, including analog and digital channels, built-in effects, and USB connectivity.
**Microphones**
Behringer microphones are known for their quality and affordability. The company offers a variety of microphones to suit different needs and budgets. Some of the most popular Behringer microphones include:
* **XM8500:** The XM8500 is a popular choice for vocal applications. It is a dynamic microphone that offers a wide frequency response and a cardioid pickup pattern.
* **C-1:** The C-1 is a popular choice for studio recording. It is a condenser microphone that offers a high-quality sound and a cardioid pickup pattern.
* **TM1:** The TM1 is a popular choice for instrument miking. It is a dynamic microphone that offers a wide frequency response and a cardioid pickup pattern.
**Headphones**
Behringer headphones are known for their comfort and sound quality. The company offers a variety of headphones to suit different needs and budgets. Some of the most popular Behringer headphones include:
* **HPS5000:** The HPS5000 is a popular choice for studio monitoring. It offers a closed-back design, comfortable ear cups, and a wide frequency response.
**DT-770 Pro:** The DT-770 Pro is a popular choice for studio recording and mixing.
**Synthesizer**
Behringer is a major player in the synthesizer market, offering a wide range of analog, digital, and virtual analog synthesizers at a variety of price points. Some of the most popular Behringer synthesizers include:
* **DeepMind series:** The DeepMind series is a line of polyphonic analog synthesizers that are known for their powerful sound and extensive features. The DeepMind 12 is a 12-voice polyphonic synthesizer with a wide range of oscillators, filters, and effects. The DeepMind 6 is a 6-voice polyphonic synthesizer with a more streamlined feature set.
* **Model D:** The Model D is a recreation of the classic Moog Minimoog synthesizer. It features a 3-oscillator, 2-filter design with a variety of modulation options.
* **Neutron:** The Neutron is a semi-modular analog synthesizer that offers a wide range of patching possibilities. It features 3 oscillators, 2 filters, and 2 VCOs.
**Other products**
Behringer also offers a variety of other products, including lighting equipment, DJ equipment, and recording equipment. Some of the most popular Behringer products in these categories include:
* **Lighting equipment:** Behringer offers a variety of lighting equipment, including moving lights, LED fixtures, and fog machines.
* **DJ equipment:** Behringer offers a variety of DJ equipment, including DJ mixers, turntables, and CD players.
* **Recording equipment:** Behringer offers a variety of recording equipment, including audio interfaces, microphones, and headphones.
Behringer is a company that is constantly innovating and expanding its product range. The company is committed to providing high-quality, affordable audio equipment to its customers.
## Behringer: A Brief History
**The Early Years**
Behringer was founded in 1989 by Uli Behringer in Willich, Germany. The company started out manufacturing Eurorack modules and quickly became one of the world's leading suppliers of audio equipment.
**Expansion and Growth**
In the 1990s, Behringer expanded rapidly and began manufacturing a wide range of audio products, including mixers, microphones, speakers, and signal processors. The company also established itself as a supplier of DJ equipment and synthesizers.
**Today**
Today, Behringer is one of the largest manufacturers of audio equipment in the world. The company employs over 4,000 people and sells its products in over 130 countries. Behringer is known for its innovative products and excellent value for money.
**Behringer: Controversies**
Behringer is not without controversy. The company has been repeatedly criticized for copying products from other manufacturers. Behringer has also been involved in legal disputes with other companies, including Apple and Moog Music.
**Behringer: Future Prospects**
Despite the controversies, Behringer is a strong and successful company. The company is well-positioned to continue growing in the coming years. Behringer is a major player in the audio industry and will continue to bring innovative products to the market.
TEST: Behringer Europower PMP 4000
Even if it is technically almost old hat, an old school protagonist will still have to look twice when examining the performance specifications of current power mixers. Thanks to Class D power amplifier technology, the kilowatts are shot from the hip with the weight of a crate of beer and the housing dimensions of a woman's handbag. When I consider what I was still carrying with the Peavey CS400 thanks to the “Heavy Duty” toroidal core transformers and with 2x 200 watts at 4 ohms it was still in the middle range. With the CS 800 you could already hear the first prayers from the technical crew and before the power amplifier rack was loaded, everyone ran away screaming...
This is all old cheese from the day before yesterday and only makes today's agile sound artist twitch the corners of his mouth very tiredly. Just add a few input channels, a multi-FX for a little spatial Punch and Judy show, a practical monitor and aux routing and you can host the majority of all club events with a comparatively small piece of equipment. Oh yes, definitely don't forget the provocative carrying handle!
The Europower PMP 4000 from Behringer has all of these product details and a few additional features and is ready to run into the open arms of ambitious young artists with the beloved combination of “low selling price meets high performance” in the highly competitive segment of the class up to €500
construction
The PMP 4000 is a 16-channel mixer equipped with 8 mono and 4 stereo channels. In terms of dimensions (H x W x D): 122 x 476 x 460 mm, the mixer is very handy, which also supports the low weight of 13.3 kilograms. However, with 2x 800 watts at 4 ohms (1600 watts bridged), the same product offers enough power to provide vocal sound in smaller clubs or to use the keyboard version of the solo entertainer at the next wedding party at one in the morning when everyone is already drunk Offering “Highway To Hell” with a high-decibel rock star feeling.
The power mixer sits in a plastic/metal tray, is impeccably manufactured and rests on four rubber feet that are glued crookedly, but this does not affect its functionality. 2 plastic bridges also allow the device to be placed on the front side. 2 Speakon Outs serve as connections for power output. Two fans, which are secured with simple wire grilles, ensure the necessary cooling of the interior.
The channel concept corresponds to the standards, as there is an XLR as a microphone input (unfortunately unlocked), a jack as a line input plus a Y insertion point in front of the catch-up amplifier, which works between -10 dB and +60 dB and has an overload LED in yellow. Also standard is the Mackie memory three-band tone control (12 kHz shelving, 2.5 kHz bandpass, 80 Hz shelving) and, as usual in this price range, unlocked plastic potentiometer axes.
When it comes to aux handling, the PMP 4000 has two monitor sends plus one FX send, all designed in mono out, equipped with their own master faders, colored in the flavors “Plastic Red” and “Plastic Orange”, Katjes Yoghurt Drops to greet. The internal power amplifier can also be used externally in stand-alone mode in loop operation. A switchable impact sound filter, PFL switch, mute switch and a moderately running fader round off the channel section. With a plastic slider, all channels can be optionally assigned 48V phantom power.
While channels 1 - 12 have the configurations mentioned above, the last two stereo channels are only fed with a level knob, the two monitor sends and a PFL. Channels 9/10 and 11/12 can be fed either via jack or cinch, selected using a pressure switch. The tape/CD input has an optional karaoke function, in which the solo voice is to be removed from the stereo image using phase cancellations.
The product also has a seven-band hum equalizer, a “stereo surround simulator” and a multi-effects device equipped with 100 presets. As expected, the product is manufactured in China in order to keep wages, additional wage costs and environmental protection taxes as low as possible.
Practice
Despite its generous features, the Europower PMP 4000 is surprisingly clear. The assignment is logical, the handling is practical, you can quickly find your way around after a short training period. The device also has enough visual control displays and a large number of PFL pressure switches ensure good control options in advance and avoid unpleasant surprises.
Even though the visual and technical features are higher than the retail price, the sound of the product brings the user back to the present. The filters sound appropriate for the price, i.e. they bend the frequency response, but nothing more. You simply can't expect a sonically characterful life of its own at this price. The shelving treble sounds quite hard and yet scratches quite badly when the same frequencies are boosted.
The built-in Multi-FX has an impressive number of factory-set effect parameters, but its sound is only in the middle range. Pleasant number games like 24 bit or 40 kHz cannot hide the fact that the product reaches its limits very quickly, especially in the computationally intensive area of room simulations. Larger rooms in particular sound synthetic and will probably only survive the end of the reverb tail with loop functions.
The faders aren't the cheapest quality, but they don't run like they're stored in oil either. A little more resistance would be good, but at this price it probably won't be possible. Since this product will not be used in a real FOH position anyway, but rather on the stage next to the keyboard player, consistent fades will not be necessary during the show anyway.
Conclusion
The Europower PMP 4000 is once again a product that, due to Chinese production, offers extensive features and sufficient connection peripherals for little money. The area of application and practical suitability are varied and the product will find its buyers. In terms of its area of application, which will probably be in the area of small combos, unplugged constellations or solo entertainment, the product offers reasonable features.
It goes without saying that high-quality components cannot be used in the area of sound management at a price of just under 400 euros. Anyone who can handle comparatively hard and angular filters and interprets the effects device as more of a bonus will get along well with the product and for know how to use it for its intended purposes.
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Additional Informations:
The origin and evolution of Behringer is a narrative that embodies innovation, controversy, and the democratization of audio technology. This expanded history delves deeper into the company's milestones, challenges, and its impact on the audio industry.
### Foundation and Philosophy
The inception of Behringer in 1989 by Uli Behringer, in Willich, Germany, was driven by a personal need for affordable music equipment. Uli's background as a musician and sound engineer, combined with his academic pursuits in electrical engineering, laid a unique foundation for the company. Behringer's early efforts were focused on creating products that he himself needed and could not afford, a philosophy that would become the cornerstone of the company's mission: to provide professional audio equipment at prices within reach of aspiring musicians and producers.
### Breakthrough and Expansion
The 1990s were a defining decade for Behringer. The company's initial product offerings were well-received, leading to rapid expansion. Behringer's strategy involved meticulously analyzing market-leading products, then engineering cost-effective alternatives without compromising quality. This approach, while controversial, allowed Behringer to introduce a wide array of products, from mixers and amplifiers to speakers and studio processors, significantly underpricing competitors.
### Manufacturing Innovations
Behringer's move to China in the late 1990s was a strategic pivot that played a critical role in the company's ability to scale production while maintaining low costs. The establishment of Behringer City, a state-of-the-art manufacturing complex, was unprecedented in the audio equipment industry. This facility not only allowed for greater control over the manufacturing process but also demonstrated Behringer's commitment to innovation in production techniques.
### Digital Revolution
The transition to digital technology marked a significant evolution in Behringer's product development. The introduction of the X32 Digital Mixer in the 2010s was a game-changer for the industry, offering features and performance previously unseen at its price point. Behringer's foray into digital products didn't stop at mixers; the company expanded its portfolio to include digital interfaces, synthesizers, and other electronic music equipment, catering to both the analog nostalgia and the modern digital workflow.
### Synthesizers and Electronic Music
Behringer's venture into synthesizers and electronic music instruments in recent years has been met with enthusiasm from the music production community. The company has successfully tapped into the resurgence of interest in analog synthesizers, offering affordable replicas of classic models. These products have opened up new creative possibilities for musicians who were previously priced out of the analog synth market.
### Controversies and Legal Battles
Behringer's aggressive market strategies and product similarities have led to several legal confrontations with competitors. The company has faced accusations of copying designs and infringing on patents. Despite these challenges, Behringer has often emerged unscathed, defending its practices as legal and in the service of making music production accessible to all. These controversies have sparked debate within the industry about innovation, imitation, and the ethics of business practices.
### Community and Criticism
Behringer's relationship with its customers and the broader music community has been complex. While many applaud the company for making music production more accessible, others criticize it for what they see as compromising the integrity of the industry. Behringer has been proactive in engaging with its user base, soliciting feedback, and continuously improving its products in response to community input.
### Future Directions
As Behringer moves forward, the company continues to explore new technologies and markets. With a keen eye on emerging trends in music production, Behringer is positioned to remain a significant player in the audio industry. The company's commitment to innovation, affordability, and quality ensures that it will continue to influence music production for both amateur and professional creators alike.
### Conclusion
The history of Behringer is a testament to the transformative power of vision, innovation, and persistence. From its inception in a small German town to its status as a global brand, Behringer has continually reshaped the landscape of audio technology. By breaking down financial barriers to professional-quality sound, Behringer has not only changed the way music is made but has also empowered a new generation of artists to express themselves through sound. The legacy of Behringer is ultimately found in the music of those it has enabled to create, a melody that continues to evolve with each passing year.
Creating a comprehensive list of all products ever released by Behringer is a monumental task, given the company's prolific output since its inception in 1989. Behringer has produced a wide range of audio equipment, including mixers, amplifiers, loudspeakers, synthesizers, digital audio processors, and a variety of studio and recording equipment. Below is an overview of product categories and examples of products within those categories, rather than an exhaustive list, reflecting the diversity and breadth of Behringer's offerings over the years.
### Mixers
- **XENYX Series**: Analog mixers with USB connectivity, ranging from compact to large formats.
- **EURODESK Series**: Large-format mixing consoles designed for studio and live applications.
- **X32 Series**: Digital mixing consoles that revolutionized the market with their features and affordability.
### Audio Interfaces
- **UMC Series**: USB audio interfaces providing a range of input/output options for home recording.
### Amplifiers
- **iNUKE Series**: Lightweight, high-power amplifiers for live and installed sound.
- **EUROPOWER Series**: Portable power amplifiers suitable for musicians, DJs, and small venues.
### Loudspeakers
- **EUROLIVE Series**: A wide range of powered and passive loudspeakers for live sound reinforcement.
- **B215D**: Active 2-way loudspeakers known for their performance and value.
### Microphones
- **C-1**: A large-diaphragm condenser microphone suitable for studio recording.
- **XM8500**: Dynamic vocal microphone designed for live and studio applications.
### Headphones
- **HPS3000**: Studio headphones offering high-resolution audio reproduction.
- **BH 770**: Professional-grade studio reference headphones.
### Studio Processors
- **DEQ2496**: Ultra-high precision digital 24-bit/96 kHz EQ/RTA mastering processor.
- **MDX4600**: Reference-class 4-channel expander/gate/compressor/peak limiter.
### Synthesizers
- **Model D**: A modern reproduction of the classic analog synthesizer with a distinctive fat sound.
- **DeepMind 12**: A 12-voice analog polysynth with deep editing capabilities and effects.
### Drum Machines
- **RD-8**: A recreation of the classic analog drum machine, known for its characteristic sound and sequencing capabilities.
### Digital Processors and Effects
- **VIRTUALIZER 3D FX2000**: Multi-engine effects processor with 3D surround.
- **ULTRA-DI DI100**: Direct injection box for stage and studio applications.
### DJ Equipment
- **DJX750**: Professional 5-channel DJ mixer with advanced digital effects and BPM counter.
### Musical Instruments
- **UMX610**: A 61-key USB/MIDI controller keyboard with a separate audio interface.
### Recording Equipment
- **CONTROL2USB**: High-end studio control and communication center with VCA control and USB audio interface.
This overview captures the essence of Behringer's product lines, highlighting the company's versatility and commitment to providing affordable solutions across the spectrum of audio production and performance needs. Given the dynamic nature of Behringer's product development, their portfolio continues to evolve, embracing both analog traditions and digital innovations.
Montag, 29. Januar 2024
TEST: Behringer Europower EPQ 2000
How spoiled you are now. When the parcel service handed me the Behringer Europower EPQ 2000 for testing, I was actually surprised at first by its relatively high weight. Thanks to switching power supplies, competing products tend to be in the 4 kilogram range, so the EPQ 2000 is a bit surprising with its 7 kilograms.
How much I would have appreciated 7 kilograms in the days of conventional toroidal transformer equipment, which was the standard a few years ago. Today something like that is almost considered heavy. Let's see, maybe it's due to the massive design of the product.
construction
The EPQ 2000, built in China, comes with standard 2U dimensions and leaves a robust impression at first glance. The solid sheet steel is neatly screwed together, has screwing options on the back of the rack and has double sheet metal guides on the front of the rack wings. In terms of performance, the stereo power amplifier offers RMS information of 2x 700 watts/4 ohms, 2x 500 watts/8 ohms and in bridge mode 1400 watts at 8 ohms. Unfortunately, 2 ohm stereo operation or 4 ohm bridge operation is not provided. Even though this impedance is relatively rarely used in the consumer sector, I think it's a shame to have to do without this feature.
As with other Europower power amplifiers in the higher power range, Behringer also uses Accelerated Transient Response (ATR) technology for the EPQ 2000, which promises better power output in relation to the components used and an accelerated transient response. Visually, Behringer adapts to the general trend of recent years. The brushed aluminum frame used on the front, in combination with the flawless workmanship, has almost no resemblance to the sometimes coarse black of the earlier power amplifier decades. The main sheet metal frame was finished in anthracite.
The solid screwed side wings and the 19 inch screw options on the back, which are common with powerful power amplifiers, give the product the necessary stability in the rack. Even if the product is primarily operated in a rack, it is still possible to use the power amplifier in stand-alone operation. Four soft rubber feet ensure good slip resistance on flat surfaces.
The front of the product is characterized by two intake openings, which are responsible for cooling the product. The power amplifier is cooled exclusively via air circulation, which sucks in the air from the back and removes it from the front. In addition to two level controls and a three-digit LED display, which provides information about the signal display functions, -10 dB, -20 dB, 0 dB (white LEDs) and the use of the internal limiter (blue LED), there are no other displays on the front. The on/off switch, which is surrounded by a blue ring during startup, is also located on the front.
On the back, the product has all standard inputs and outputs with small deductions. On the output side, only Speakon and bare wire are used; you won't find any jack sockets. The screw caps of the bare wire are protected with a plastic cover when the product is delivered.
On the input side, however, in addition to the standard jack or XLR, RCA plugs (one per channel) are also available. The product is delivered in stereo mode from the factory. Of course, operation in bridge mode or crossover mode is also possible, with the latter separating at a fixed frequency of 100 Hz. Channel 1 supplies the frequency range below the specified crossover frequency, channel 2 supplies the range above.
The internally installed limiter can be deactivated using a slider on the back. The product also has amplifier protection against short circuits, open outputs and thermal overload. Furthermore, the connected loudspeaker is protected against direct current.
Practice
Behringer assumes that the buyer of the EPQ 2000 is familiar with the operation and connection of power amplifiers; there is no other explanation for the lack of any operating instructions. The 13-language leaflet marked as “operating instructions” is limited to warranty descriptions and performance data, which in my opinion is too thin a basis when performance in the kilowatt range is required. At least a simple formulation of Ohm's law and error-free handling of the bare wire should be described in a supplementary sheet, otherwise damage to the components used may occur.
When you start using the product, you will first notice the loud fan noise in standby mode. This is negligible in rack operation under or behind the stage of a rock club, but in sensitive areas such as theater operations, voice recordings or studio operations, this noise may be a few levels too loud. Everyone should test in advance to what extent this point is relevant. There were no problems with the product in test operation. Handling and functionality were all within the acceptable range, and there were no misfires or problems of any kind.
Conclusion
With the Europower EPQ 2000, Behringer is bringing a very inexpensive consumer amplifier with good performance data onto the market. The product, built in China, is well made, looks good and will find its buyers if you can live with one or two limitations.
The lack of 2 ohm operation and a loud fan noise are a few negative points that each user has to decide for themselves whether these are relevant to them or not. In any case, it should be a reasonably experienced user who is not connecting a power amplifier for the first time. A simple operating manual costs cents and, in my opinion, should not be missing from any power amplifier delivery.
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Additional Informations:
Behringer, established in 1989 by Uli Behringer, has made a significant impact in the audio industry by creating high-quality, budget-friendly audio equipment. This approach was groundbreaking, as it filled a vital gap in the market where professional audio equipment was typically expensive and out of reach for many aspiring musicians and audio engineers.
Uli Behringer's vision was to make professional audio equipment more accessible. He began this journey with the Behringer Studio Exciter Type F, a product designed to enhance audio quality without breaking the bank. This product set the tone for what Behringer would become known for: good quality audio gear at an affordable price.
Behringer's range of products expanded rapidly. The company began producing mixers, amplifiers, loudspeakers, and microphones, each characterized by affordability and functionality. For example, Behringer's mixers were particularly well-received in the market. They offered features that were typically only available in high-end equipment, such as multiple input and output options, advanced equalization controls, and robust build quality, all at a fraction of the cost of their competitors.
The key to Behringer's success has been its continuous innovation. The company has invested heavily in research and development, leading to the creation of new technologies that reduce production costs while maintaining quality. This focus on innovation has not only kept Behringer's products affordable but also ensured they meet the evolving needs of their customers.
Manufacturing in China was another strategic move that allowed Behringer to keep its prices low. By leveraging the cost efficiencies available in China, Behringer was able to compete aggressively in terms of pricing, making its products even more accessible to a global audience.
Beyond manufacturing and innovation, Behringer's marketing strategies have played a crucial role in its success. The company has been adept at using the internet and social media to reach and engage with its customer base. This direct line of communication has enabled Behringer to gather valuable feedback, which has been instrumental in shaping both current and future product offerings.
Despite its successes, Behringer has faced challenges, including legal disputes over intellectual property and criticisms regarding the quality of some of its products. However, the company has been proactive in addressing these issues, often using customer feedback as a guide to improve and refine its products.
Recently, Behringer has expanded into synthesizers and electronic music equipment. They have recreated classic synthesizer models, making them available at more affordable prices. This move has been met with mixed reactions. Some in the industry appreciate Behringer's effort to make vintage technology accessible to a wider audience, while others view it as a lack of innovation.
Behringer's impact on the audio industry is profound. By making professional audio equipment more accessible, Behringer has opened doors for a diverse array of users, from hobbyists and amateur musicians to professional recording studios and live sound engineers. Their products are now staples in various audio setups, and the company's commitment to affordability and quality continues to resonate with a broad customer base.
Looking to the future, Behringer shows no signs of slowing down. The company's dedication to innovation, quality, and affordability suggests that it will continue to play a pivotal role in the audio industry. Behringer's ability to adapt to market trends while staying true to its mission of democratizing audio technology positions it as a brand that will continue to shape the landscape of audio equipment for many years to come.
**Behringer Product Pricing: A Comprehensive Overview**
Behringer is a German audio equipment manufacturer that is known for its affordable products. The company offers a wide range of products, including mixers, amplifiers, speakers, microphones, effects pedals, and synthesizers.
**Mixers**
Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues.
**Mixer Price Range**
Behringer mixer prices range from around $20 for a 2-channel mixer to around $1,000 for a 64-channel mixer.
**Factors that Affect Mixer Prices**
The price of a Behringer mixer is affected by a number of factors, including:
* **Number of channels:** More channels generally means higher prices. A 2-channel mixer is a good option for a small home studio or for basic live sound applications. A 16-channel mixer is a good option for a larger home studio or for more complex live sound applications. A 32-channel or more mixer is a good option for a professional studio or for large live sound applications.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices. A mixer with a variety of inputs and outputs is a good option for musicians who need to connect a variety of devices, such as microphones, instruments, and effects pedals.
* **Features:** Mixers with built-in effects or digital control are generally more expensive than mixers without these features. Built-in effects can be a great way to add effects to your sound without having to purchase external effects pedals. Digital control can make it easier to control your mixer, especially for complex applications.
**Popular Behringer Mixers**
Some of Behringer's most popular mixers include:
* **Xenyx QX1202USB:** This 12-channel mixer with USB audio interface is a great option for small home studios or live sound applications. It costs around $100.
* **X32:** This 32-channel digital mixer offers a wide range of features and is a popular choice for live sound and studio recording. It costs around $2,000.
* **Midas M32:** This 32-channel digital mixer is a high-end option that offers professional-grade features and performance. It costs around $6,000.
**Amplifiers**
Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.
**Amplifier Price Range**
Behringer amplifier prices range from around $100 for a 100-watt amplifier to around $10,000 for a 10,000-watt amplifier.
**Factors that Affect Amplifier Prices**
The price of a Behringer amplifier is affected by a number of factors, including:
* **Power output:** More power output generally means higher prices. A 100-watt amplifier is a good option for small speakers or for small live sound applications. A 1,000-watt amplifier is a good option for larger speakers or for larger live sound applications. A 10,000-watt amplifier is a good option for very large speakers or for very large live sound applications.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices. An amplifier with a variety of inputs and outputs is a good option for musicians who need to connect a variety of devices, such as speakers, microphones, and effects pedals.
* **Features:** Amplifiers with built-in effects or a DI box are generally more expensive than amplifiers without these features. Built-in effects can be a great way to add effects to your sound without having to purchase external effects pedals. A DI box can be a useful tool for connecting microphones or other instruments to an amplifier.
**Popular Behringer Amplifiers**
Some of Behringer's most popular amplifiers include:
* **Europower EP4000:** This 4000-watt power amplifier is a powerful option for live sound applications. It costs around $500.
* **Ultradrive DDM4000:** This digital mixer with a built-in amplifier is a versatile option for both live sound and studio use. It costs around $1,000.
* **Inuke 1000MP:** This 1000-watt power amplifier is a compact and affordable option for small live sound applications. It costs around $200.
TEST: Behringer Europower EP 4000
Aha, at some point it had to go the other way again. Which direction? We're talking about the weight of a product. When it was time to test the Behringer Europower EP 4000 and the parcel delivery person handed me the same parcel, I realized for a brief moment that in the area of higher power outputs there can sometimes be higher weight dimensions.
Not that the product mentioned above is a real heavyweight of the past decades, but in times of single-digit kilogram figures, the EP 4000, with a weight of just under 17 kilograms, requires a powerful, male forearm. According to the manufacturer, there are also 2x 2000 watts available for under €300 street price. Under €300? We need to dig into this a little more closely.
construction
The Europower EP 4000, built in China, like most of its competitors, has 2 HE dimensions and an installation depth of 402 millimeters and leaves a good impression at first glance in terms of workmanship. The anthracite-colored sheet steel is solid, has rack brackets on the back and is also designed with double sheet metal guides on the front of the rack wings for stability reasons.
However, you shouldn't be blinded by the 2x 2000 watts printed on the housing, they only correspond to a peak level at 2 ohms and are irrelevant in practice. In terms of performance, the stereo power amplifier offers RMS information of 2x 1250 watts / 2 ohms, 2x 950 watts / 4 ohms, 2x 550 watts / 8 ohms and in bridge mode 2400 watts / 4 ohms, 1750 watts / 8 ohms. It's nice that the power amplifier also offers 2 ohm operation, which is not always the case in this price range.
As with many other Europower power amplifiers in the higher power range, Behringer also uses Accelerated Transient Response (ATR) technology for the EP 4000, which promises better power output in relation to the components used and an accelerated transient response.
Visually, Behringer relies on traditional anthracite color for this product. All outer panels have a discreet color; you won't find the currently very hip brushed aluminum in this series. Due to its weight, this power amplifier will probably find its preferred application in the rack of a permanent installation, but it is also possible to use the power amplifier in stand-alone operation. Four glued-on rubber feet ensure good slip resistance on flat surfaces.
On the front of the product there is a large, grooved opening, which is responsible for cooling the product. The power amplifier is cooled exclusively via air circulation, which sucks in the air from the back and removes it from the front. In addition to two level controls, there is an operating LED, a signal and a clip LED as well as the on/off switch on the front of the housing. On the back, the product has the standard inputs (jack, XLR) and outputs (Speakon, bare wire); jack output sockets have rightly been omitted due to the power outputs used. The screw caps of the bare wire are protected with a plastic cover when the product is delivered.
Using a mini switchboard you can choose between different operating modes, such as stereo operation, parallel operation or mono bridge operation. In parallel operation, a signal is present at both power amplifier blocks at different volumes if necessary; in bridge operation, the output power of both blocks is switched together, for example to operate a powerful subwoofer. The remaining second input can be used in parallel operation to loop the applied signal through to another output stage block.
In addition, various low cuts at 30 Hz or 50 Hz and a limiter can be activated using the mini switches. The EP 4000 also includes a circuit breaker that replaces the fuse. In general, with such power outputs, it is important to ensure that the connected speakers can withstand the currents. Particularly in bridge operation, it is important to have appropriate loudspeaker equipment.
The low cut mentioned above ensures that sub-bass, which is more beneficial to the body feeling than to the ear, does not kill weaker speakers and should generally always be activated in full-range systems. Better transparency of the sound and an apparent increase in volume will be recorded on the plus side.
Practice
Countless tomes have already been written about the inner values of a power amplifier, not least of which involve real trench warfare over the value of the individual components. However, with a selling price of less than €300 and performance data in the kilowatt range, a serious error in the operational safety or durability of the product must occur in order for a product to be rated sustainably negatively.
Neither can be checked in a regular test; this requires some long-term studies. A review of some forums resulted in a consistently good rating in terms of operational safety. During the test, the EP 4000 also completed all tasks without any complaints or complaints; no failures or other problems occurred.
Mechanically everything is fine, even the level controls have been countered on the front panel and give a sturdy impression. Only the rather loud fan disturbs the good overall impression. Even if fan noise plays a minor role in the rehearsal room or on a loud stage, in sensitive areas such as theater operations, voice recordings, studio operations or when several power amplifiers of this type are operated in parallel, this noise may be a few levels too loud.
Conclusion
With the Europower EP 4000, Behringer is once again bringing a very inexpensive consumer amplifier with good performance data onto the market. The product, built in China, is impeccably manufactured and meets all the requirements for easy handling in the rehearsal room, on stage or in permanent installations. Thanks to its design for 2 ohm operation, the maximum power output can be achieved by intelligently connecting the speaker systems in parallel.
Only the relatively loud fan noise represents a negative point, where each user or the area of application of the product has to decide whether this is relevant for them or not.
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Additional Informations:
Behringer, founded in 1989 by Uli Behringer, is a company known for making audio equipment that's both good quality and affordable. This was something new at the time, as most professional audio gear was pretty expensive.
Uli Behringer, who knew a lot about sound and music, saw that musicians and people working with sound needed better-priced gear. So, he started with a product called the Behringer Studio Exciter Type F, which was made to improve how audio sounds, and it didn't cost a lot.
Over time, Behringer started making more types of audio equipment like mixers, amplifiers, speakers, microphones, and even digital stuff like digital mixers. Their mixers, especially, became popular because they had features usually found in expensive gear but were much cheaper.
One big reason Behringer did well was because they always tried to make new and better things. They put a lot of effort into creating new ideas and technology that made their products good but not too pricey.
Behringer also made a smart move by making their products in China. This helped them keep prices low and reach more people, especially in Asia.
The way Behringer advertised their products was different too. They used the internet and social media a lot to talk to their customers. This helped them build a community of people who liked and used their products.
Of course, Behringer faced some problems too. They had some legal issues and some people weren't happy with the quality of some products. But Behringer listened to what people said and worked to make their products better.
Recently, Behringer has been making synthesizers and electronic music equipment, including recreating old synthesizers in a way that more people can afford. This move was a bit controversial, with some people liking it and others thinking it lacked originality.
In summary, Behringer has had a big effect on the audio industry by making professional equipment more accessible to a lot of people. Whether it's for a small home studio or a big concert, Behringer's products are used by many. As they keep focusing on making good, affordable audio gear, Behringer is likely to stay important in the world of sound and music.
**Behringer Product Pricing:
**Mixers**
Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues.
**Mixer Price Range**
Behringer mixer prices range from around $20 for a 2-channel mixer to around $1,000 for a 64-channel mixer.
**Factors that Affect Mixer Prices**
The price of a Behringer mixer is affected by a number of factors, including:
* **Number of channels:** More channels generally means higher prices.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices.
* **Features:** Mixers with built-in effects or digital control are generally more expensive than mixers without these features.
**Popular Behringer Mixers**
Some of Behringer's most popular mixers include:
* **Xenyx QX1202USB:** This 12-channel mixer with USB audio interface is a great option for small home studios or live sound applications. It costs around $100.
* **X32:** This 32-channel digital mixer offers a wide range of features and is a popular choice for live sound and studio recording. It costs around $2,000.
* **Midas M32:** This 32-channel digital mixer is a high-end option that offers professional-grade features and performance. It costs around $6,000.
**Amplifiers**
Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.
**Amplifier Price Range**
Behringer amplifier prices range from around $100 for a 100-watt amplifier to around $10,000 for a 10,000-watt amplifier.
**Factors that Affect Amplifier Prices**
The price of a Behringer amplifier is affected by a number of factors, including:
* **Power output:** More power output generally means higher prices.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices.
* **Features:** Amplifiers with built-in effects or a DI box are generally more expensive than amplifiers without these features.
**Popular Behringer Amplifiers**
Some of Behringer's most popular amplifiers include:
* **Europower EP4000:** This 4000-watt power amplifier is a powerful option for live sound applications. It costs around $500.
* **Ultradrive DDM4000:** This digital mixer with a built-in amplifier is a versatile option for both live sound and studio use. It costs around $1,000.
* **Inuke 1000MP:** This 1000-watt power amplifier is a compact and affordable option for small live sound applications. It costs around $200.
**Speakers**
Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.
**Speaker Price Range**
Behringer speaker prices range from around $50 for a 10-inch speaker to around $10,000 for a 18-inch speaker.
**Factors that Affect Speaker Prices**
The price of a Behringer speaker is affected by a number of factors, including:
* **Speaker size:** Larger speakers generally mean higher prices.
* **Power output:** More power output also generally means higher prices.
* **Features:** Speakers with built-in amplifiers or Bluetooth connectivity are generally more expensive than speakers without these features.
**Popular Behringer Speakers**
Some of Behringer's most popular speakers include:
* **Eurolive B215D:** This 15-inch PA speaker is a powerful and versatile option for small live sound applications. It costs around $200.
* **Truth B215A:** This 15-inch powered speaker is a high-quality option for both live sound and studio use. It costs around $500.
**XLS1500P:**
TEST: Behringer X18
The Behringer X18 in the test for Amazona. OK, let's talk plainly. Hands up if you could have seen this development coming. What development? Now that we are slowly but surely moving away from the classic, analog potentiometer in whatever form, little by little, and putting the management of our signals in the hands of “swiping gestures”. Mind you, there is not a hint of melancholy or even suspicion in this sentence. On the contrary, the digital era opens up possibilities that would have consumed enormous amounts of space, money and transport energy in the analogue age and can now be transported in a briefcase.
Aware of this, the Behringer company developed the X series, which consistently relies on the control of FOH or monitor consoles using mobile devices. Right off the bat, the company is launching the Behringer .
construction
As with Mackie's DL series, the Behringer While Mackie connects the tablet to the mixer in a fixed form using a dock if necessary, Behringer only offers a rubberized storage area of 29.5 x 19.5 cm for the tablet. Advantage: different tablets with different sizes can be used. The disadvantage is that the tablet is not supplied with power from the dock during operation. The overall dimensions of the product are 409 x 357 x 110 mm and the weight is a manageable 4.0 kilograms.
WIRELESS INTERNET ACCESS
In order to connect the tablet and desk with each other, Behringer has installed its own WLAN access point, the antennas of which are located inside the device. Unfortunately, they only transmit on 2.4 GHz and only have WEP encryption. Even though this design minimizes any clutter of cables and ensures a tidy appearance, this design carries several risks.
I would like to point out that relying solely on this data exchange during a live show represents a risk that should not be underestimated. In particular, the high traffic on smartphones may lead to a reduction in reliability. It therefore remains to be considered whether you should use an external 5 GHz router for data transmission. WEP encryption can also be hacked by a specialist within seconds and you can vividly imagine what that will do to your mix if you have the right inclinations.
In/Out
In the entrance area, 16 XLR/TSR combination sockets allow clear access, with the first two channels also being designed as a high-impedance version to ensure the direct connection of an electric guitar or electric bass. An R/L RCA pair allows the connection of an external stereo source on channels 17/18, while a matching pair reproduces the main mix or the control/headphone mix. In order to connect corresponding monitor paths or in-ear systems, the Behringer X18 has six symmetrical TSR connectors on the back. Practice shows that there may be space problems with massive plugs because the sockets are comparatively close to each other. In addition, the majority of monitor components use XLR connectors, so you should also get a minimum set of appropriate adapters.
You can also connect the P16 personal monitor mixer via Ultranet, so that the artist can also create his own monitor mix. A corresponding computer, usually a notebook, can now be connected via the USB port for recording purposes. In order to make maximum use of the cooperation between the different components, it is recommended to get the X Air software from the respective online stores, which not only takes over the pure mixer functions, but also coordinates the management of various presets.
Practice
Right from the start, the Behringer X18 impresses with everything running smoothly. Docking the respective devices is easy and access is intuitive. When it comes to effects, the Behringer The collection of effects is impressive, for example a six-fold fully parametric filter is available for each output. Of course, there is also massive equipment in terms of dynamics, separate compressors and gates per channel allow very extensive management of the signals. The FOH / monitor man has a total of 61 effect algorithms at his disposal, which is probably unique in this price range.
In terms of sound, all algorithms are truly convincing. Of course, there may always be one or two people who prefer analogue sound management and the fact that all surfaces of the emulated effects are a copy of the analogue original speaks for itself. Nevertheless, it is not even remotely possible to achieve such a variety of sounds in an analog design with these dimensions. The Behringer X18 opens up new horizons in implementation, especially for smaller bands that can set up a complete routing with 16 channels.
According to Behringer, up to four devices can be remotely controlled at the same time, which greatly expands flexibility in terms of FOH and monitor man. At some point you'll probably just see some sound technicians running around the concert hall with their tablets, always looking for the perfect sound. The FOH space can also be made correspondingly small. A mix at the city festival, private party or other events where technology is always a “visually annoying evil”? No problem, you don't even have to pull a multicore.
When it comes to handiness, there is of course the problem that the Behringer X18 eludes the typical flight case solutions due to its shape. 19 inch solutions cannot be implemented due to the lack of side wings and the “grandma’s suitcase from the storage” solution is really only for school bands. In order to transport the product appropriately, you should think about a case solution in good time. Even if there are no parts protruding from the housing, which are always the first to die, the product still contains a lot of electronics inside, which poses a risk to functionality if exposed to external influences.
Conclusion
With the Behringer The product has a well thought-out concept that will cause a sensation, especially at small to medium-sized shows.
Outsourcing the control units of a mixer to a tablet is no longer that new, but it has not yet been implemented with this price/performance ratio. In conjunction with a corresponding active system and corresponding monitor boxes or in-ear monitor systems, after a comparatively short training period, all that is required is a capable ear to manage the sound of a corresponding show.
The Behringer
An excellent product in the truest sense of the word!
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Additional Informations:
Behringer, established in 1989 by Uli Behringer, has carved out a significant niche in the audio technology industry with its focus on engineering and manufacturing cost-effective audio equipment. This Germany-based company was a response to the market's demand for affordable yet professional-grade audio gear, a sector largely monopolized by high-priced products.
Uli Behringer, combining his expertise as an audio engineer with his background as a classical pianist, perceived a gap in the market for budget-friendly audio solutions. This led to the debut of Behringer's first product, the Behringer Studio Exciter Type F. This initial offering was a signal processor, engineered to enhance audio output, symbolizing Behringer's dedication to delivering professional audio quality at a significantly reduced cost.
Behringer's expansion into various audio equipment segments was marked by its continuous innovation. The company's portfolio grew to include an array of products such as mixers, amplifiers, loudspeakers, microphones, and later, cutting-edge digital audio processing tools like digital mixers and interfaces. Behringer’s mixers, such as the EURODESK and X32 digital mixer, garnered attention for integrating professional features at an accessible price point, a move that democratized high-end audio equipment for a broader user base.
The company’s innovation trajectory is underscored by substantial investments in research and development. This commitment has led to several patents and the development of unique technologies. These technological advancements were primarily focused on reducing production costs while maintaining high-quality standards, aligning with Behringer’s mission to democratize access to professional audio tools.
Behringer's strategic expansion included establishing manufacturing units in China, a decision that capitalized on lower production costs to offer more competitive pricing. This expansion not only streamlined production but also provided easier access to the burgeoning Asian markets, enhancing Behringer's global footprint.
In terms of marketing, Behringer adopted unconventional approaches, notably embracing the internet and social media platforms for customer engagement. This direct interaction fostered a community-centric approach, providing invaluable user feedback and building a loyal customer base.
However, Behringer's journey has not been without challenges. The company faced legal disputes concerning intellectual property and encountered criticism regarding the quality of certain products. Behringer has actively addressed these issues, often utilizing customer feedback to refine and improve its offerings.
In its recent ventures, Behringer has delved into synthesizers and electronic music equipment, notably reproducing classic synthesizer models at more accessible price points. This move has sparked debate in the industry, balancing between making vintage technology available to a wider audience and the critique of a perceived lack of originality.
Behringer's impact in the audio technology sector is marked by its commitment to making professional audio equipment more accessible. This approach has broadened opportunities for a diverse range of users, from amateur artists to professional sound engineers. Behringer's products are now a common feature in various audio setups, from home studios to professional concert venues.
As it progresses, Behringer continues to stay true to its founding ethos of offering high-quality, affordable audio equipment. This ongoing dedication to innovation and quality improvement positions Behringer to maintain its influential role in the audio technology landscape for the foreseeable future.
**Behringer: A Comprehensive Overview of Their Products**
Behringer is a German audio equipment manufacturer that was founded in 1989. The company is known for its affordable and high-quality products, which are used by musicians and audio professionals all over the world. Behringer offers a wide range of products, including mixers, amplifiers, speakers, microphones, effects pedals, and synthesizers.
**Mixers**
Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues. Behringer mixers are known for their reliable performance and intuitive controls.
**Mixer Features**
Behringer mixers offer a variety of features to suit the needs of different users. Some of the most common features include:
* **Number of channels:** Behringer mixers come in a variety of channel counts, from 2-channel mixers for small home studios to 64-channel mixers for large concert venues.
* **Inputs and outputs:** Behringer mixers offer a variety of inputs and outputs, including XLR, TRS, RCA, and USB.
* **Effects:** Many Behringer mixers include built-in effects, such as reverb, delay, and compression.
* **Digital control:** Some Behringer mixers offer digital control, which allows users to control the mixer from a computer or mobile device.
**Popular Behringer Mixers**
Some of Behringer's most popular mixers include:
* **Xenyx QX1202USB:** This 12-channel mixer with USB audio interface is a great option for small home studios or live sound applications.
* **X32:** This 32-channel digital mixer offers a wide range of features and is a popular choice for live sound and studio recording.
* **Midas M32:** This 32-channel digital mixer is a high-end option that offers professional-grade features and performance.
**Amplifiers**
Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.
**Amplifier Features**
Behringer amplifiers offer a variety of features to suit the needs of different users. Some of the most common features include:
* **Power output:** Behringer amplifiers offer a variety of power outputs, from 100 watts to 10,000 watts.
* **Inputs and outputs:** Behringer amplifiers offer a variety of inputs and outputs, including XLR, TRS, and RCA.
* **Features:** Some Behringer amplifiers offer additional features, such as built-in effects or a DI box.
**Popular Behringer Amplifiers**
Some of Behringer's most popular amplifiers include:
* **Europower EP4000:** This 4000-watt power amplifier is a powerful option for live sound applications.
* **Ultradrive DDM4000:** This digital mixer with a built-in amplifier is a versatile option for both live sound and studio use.
* **Inuke 1000MP:** This 1000-watt power amplifier is a compact and affordable option for small live sound applications.
**Speakers**
Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.
**Speaker Features**
Behringer speakers offer a variety of features to suit the needs of different users. Some of the most common features include:
* **Speaker size:** Behringer speakers come in a variety of speaker sizes, from 10-inch speakers to 18-inch speakers.
* **Power output:** Behringer speakers offer a variety of power outputs, from 100 watts to 10,000 watts.
* **Features:** Some Behringer speakers offer additional features, such as built-in amplifiers or Bluetooth connectivity.
**Popular Behringer Speakers**
Some of Behringer's most popular speakers include:
* **Eurolive B215D:** This 15-inch PA speaker is a powerful and versatile option for small live sound applications.
* **Truth B215A:** This 15-inch powered speaker is a high-quality option for both live sound and studio use.
* **XLS1500P:** This 15-inch passive speaker is a durable and affordable option for small live sound applications.
TESZ: Behringer Nekkst K8
Anyone who deals with the topic of music production for the first time will sooner or later be faced with the annoying issue of their monitor system. You somehow heard from friends that your home stereo system or your favorite headphones are not enough to mix a balanced sound.
But what if you only have a small budget and still don't want to be fobbed off with a PC speaker class monitor? The customer can be helped. It is not for nothing that many providers have a special segment dedicated to the so-called budget class. One of the market leaders in this segment is the company Behringer, which with the Behringer Nekkst K8 loudspeakers wants to give ambitious young people a near-field monitor with which they can gain their first experience.
In order to give the product an additional incentive to buy, KRK mastermind Keith R. Klawitter was brought on board as a designer. This test should show whether his design only focuses on the optics or whether his expertise covers the entire concept of the monitor.
construction
The Behringer Nekkst K8, manufactured in China, is the most voluminous version of the Nekkst class, which is supplemented further down by the products K6 and K5. As expected, the number after the K stands for the inch diameter of the woofer. There is also a subwoofer called K10 on offer. In terms of processing, there are no defects, everything is glued cleanly, no protrusions or anything similar.
The designer's KRK touch can be seen at first glance, as the woofer also has a deformation-resistant fiberglass membrane. His cooperation partner in the tweeter range is a 1" silk dome tweeter, which was recessed in an oval recess for better side radiation. The Class D power amplifier delivers a maximum of 150 watts, the crossover frequency is 3 kHz. According to the data sheet, the maximum sound pressure is 102 dB SPL at 1 m.
With dimensions of 393 x 261 x 315 mm and a weight of 8.7 kg, we are dealing with the normal dimensions of an 8" near-field monitor. However, you should clarify in advance whether you have enough space in your work area for this design. Loudspeakers of this performance class will probably never make it into professional recording studios with acoustically optimized rooms, so it must be clarified in advance whether the study or bedroom even has the space for these dimensions.
Behringer, on the other hand, is aware of its area of application and, in addition to a few other setting options, offers a so-called “room compensation”, which reduces the frequency from -2 dB to -6 dB at 300 Hz in order to counteract drone frequencies in unfavorable placement.
Setting options
In order to provide access to MP3 players or comparable devices, the Behringer Nekkst K8 also has RCA inputs in addition to XLR and TRS, which makes a lot of sense considering the target group. The input level can be reduced or increased by 6 dB using a trim pot set at 0 dB.
In order to simulate the sound on a smaller monitor, you can also use a mini switch to reduce the range below 60 Hz to -6 dB in -2 dB steps. If necessary, the high frequency range can be boosted by 2 dB or reduced by -2 dB or -4 dB. Attention, the boosting or lowering takes place with a slider in the same direction; here it would be better to set the 0 dB point in the middle rather than at the left end.
First impression
First of all everything is good, no hissing, no humming, the speakers are characterized by a barely perceptible amount of background noise. The glowing Nekkst K8 logo provides information about the operating status of the box.
Sound
Of course, with a retail price of 179 euros, you shouldn't expect miracles, but what Behringer offers here with neutral sound control takes some getting used to. The sound offered is very high-mid-heavy, not to say shrill. In addition, the 8-inch woofer has far less bass reproduction than what its size would suggest. Although the construction is very faithful to impulses and allows a generous design of the stereo triangle due to the tweeter concept, sound culture works differently.
Unfortunately, by lowering the treble (starts at 8 kHz) I was unable to get the problem, which is around 4-5 kHz, under control. Rather, the sound was now robbed of its “shine”, meaning the box sounded comparatively dull. Vocals, guitars, drums, all “natural” instruments were only rudimentarily reproduced acoustically in the quality in which they were recorded.
However, the whole thing changed when it came to “artificial” instruments. The Behringer Nekkst K8 handled hard techno beats or heavy sampler clatter much better, especially since the power of almost 150 watts had some power reserves. The only thing that clouded the sound here was the comparatively weak bass reproduction.
Conclusion
With the Behringer Nekkst K8, the manufacturer offers a near-field monitor in which light and shadow go hand in hand. For a retail price of 179 euros, the customer receives a powerful listening device that can show its strengths in DJ use, but unfortunately is not really convincing in regular studio use due to the shrill sound and low bass reproduction, especially with natural instruments.
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Additional Informations:
Behringer, founded by Uli Behringer in 1989, has become a significant player in the world of audio technology. Originally based in Willich, Germany, the company began its journey focusing on the design and manufacture of affordable audio equipment, which was then a niche in the market largely dominated by high-cost products.
Uli Behringer, an audio engineer and classical pianist, recognized the need for more affordable equipment for musicians and audio professionals. This insight led to the creation of the company's first product, the Behringer Studio Exciter Type F. This product, a signal processor designed to enhance audio quality, was a testament to Behringer's commitment to providing professional audio solutions at a fraction of the cost of competitors.
As the company grew, Behringer expanded its product range to include a wide array of audio equipment. This included mixers, amplifiers, loudspeakers, microphones, and later, digital audio processing equipment like digital mixers and interfaces. Behringer's mixers, in particular, gained widespread popularity for their affordability and functionality. Products like the EURODESK and the X32 digital mixer revolutionized the market by making professional features accessible to a broader range of users.
Innovation has been a key factor in Behringer's success. The company has consistently invested in research and development, leading to numerous patents and proprietary technologies. These innovations often focused on reducing costs without compromising quality, which aligned perfectly with Behringer's mission to democratize professional audio equipment.
The global expansion of Behringer was marked by the establishment of manufacturing facilities in China. This strategic move allowed Behringer to leverage lower production costs, resulting in more competitive pricing for its products. The company's presence in China also facilitated easier access to emerging markets in Asia, further boosting its global reach.
Behringer's marketing strategies have been as unconventional as its business model. The company has often been at the forefront of utilizing the internet and social media to engage with its customers. This direct engagement has not only provided valuable feedback but has also created a community of loyal Behringer users.
The company has also faced its share of controversies and challenges. It has been involved in legal disputes over intellectual property and has faced criticism over the quality of some of its products. However, Behringer has addressed these issues head-on, often using customer feedback to improve and refine its product offerings.
In recent years, Behringer has ventured into new territories, such as synthesizers and electronic music equipment. The company's reproduction of classic synthesizer models at affordable prices has been both praised and criticized. While some see this as making vintage technology accessible to the masses, others view it as a lack of originality.
Behringer's impact on the audio industry is undeniable. By making professional audio equipment more affordable, the company has opened up opportunities for a wider range of artists, producers, and audio engineers. Whether it's a home studio or a professional concert setting, Behringer's products have found a place in numerous audio setups around the world.
As Behringer continues to evolve, it remains committed to its founding principle of providing high-quality, affordable audio equipment. This commitment, coupled with a continuous drive for innovation and improvement, suggests that Behringer will remain a key player in the audio industry for years to come.
**Behringer: A Comprehensive Overview of Their Products**
Behringer is a German audio equipment manufacturer that was founded in 1989. The company is known for its affordable and high-quality products, which are used by musicians and audio professionals all over the world. Behringer offers a wide range of products, including mixers, amplifiers, speakers, microphones, effects pedals, and synthesizers.
**Mixers**
Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues. Behringer mixers are known for their reliable performance and intuitive controls.
Some of Behringer's most popular mixers include the Xenyx QX1202USB, which is a 12-channel mixer with USB audio interface, and the X32, which is a 32-channel digital mixer with a wide range of features.
**Amplifiers**
Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.
Some of Behringer's most popular amplifiers include the Europower EP4000, which is a 4000-watt power amplifier, and the Ultradrive DDM4000, which is a digital mixer with a built-in amplifier.
**Speakers**
Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.
Some of Behringer's most popular speakers include the Eurolive B215D, which is a 15-inch PA speaker, and the Truth B215A, which is a 15-inch powered speaker.
**Microphones**
Behringer microphones are a great option for musicians and audio professionals who are looking for affordable and high-quality microphones. Behringer offers a wide range of microphones to suit every need, from vocal microphones to drum microphones.
Some of Behringer's most popular microphones include the XM1800S, which is a dynamic vocal microphone, and the C-1U, which is a condenser microphone.
**Effects pedals**
Behringer effects pedals are a great option for musicians who are looking for affordable and high-quality effects pedals. Behringer offers a wide range of effects pedals to suit every need, from distortion pedals to delay pedals.
Some of Behringer's most popular effects pedals include the Ultra Metal, which is a distortion pedal, and the VD400, which is a delay pedal.
**Synthesizers**
Behringer synthesizers are a great option for musicians who are looking for affordable and high-quality synthesizers. Behringer offers a wide range of synthesizers to suit every need, from analog synthesizers to digital synthesizers.
Some of Behringer's most popular synthesizers include the DeepMind 12, which is an analog synthesizer, and the Crave, which is a digital synthesizer.
**Other Products**
In addition to the products mentioned above, Behringer also offers a wide range of other products, including headphones, cables, and accessories. Behringer is a great option for musicians and audio professionals who are looking for affordable and high-quality audio equipment.
**Conclusion**
Behringer is a leading manufacturer of audio equipment that offers a wide range of products to suit every need. Behringer products are known for their affordable price, reliable performance, and intuitive controls. If you're looking for affordable and high-quality audio equipment, Behringer is a great option to consider.