TEST: Engl Cabloader

 Let's not kid ourselves, we all love to strike the fat rock star poses in front of a fat tube full stack, THE phallus symbol par excellence, and to give ourselves a feeling that is only surpassed by real coitus. We love leaving the assembly and dismantling to a qualified technician who not only treats your equipment as if it were their own, but can also identify and correct even the smallest error in a split second. Let's let this dream state affect us for a moment and now turn to reality. Any of the aspects mentioned above, be it the purchase of a full stack, its volume, its transport, its care and its storage requirements, are only an issue for a small, illustrious circle of professionals or enthusiasts in 2020 due to the immense costs. In order to at least ease the issue of microphone pickup a little, one of the big names in the all-tube market, the Engl company, has set out to shrink the extremely complex and complex form of miking a guitar loudspeaker to the size of a pedal with the Engl Cabloader.

The concept of the Engl Cabloader

Although they themselves are in the first ranks of the full stack protagonists, the Engl company is also aware of the signs of the times and relies on the possibility of using IR technology to recreate the complex transmission range in the last three signal components of the guitar pickup.

First of all, the Engl Cabloader is NOT a loadbox and NOT an attenuator! The pedal clamped between the amp and cabinet means the immediate death of the product! It's more about sending the signal range of the distortion pedals and / or the preamp via a power amplifier / loudspeaker / microphone emulation, packed in a hardware housing and immediately sending it to a PA or studio monitor. Well, what situations come into question for this.

1.) Very small club stage:
We all know the problem: when using a “real” amplifier, it simply cannot go below a minimum volume. Even a 5 watt amplifier needs a minimum of speaker deflection and moving air, otherwise it sounds like a cell phone speaker. However, there are situations where even this performance is too loud (keyword “playing as background music”… ugh) and you have to play directly into the PA/vocal system in order not to “disturb” the guests too much.

2.) Complete Inear System:
If the band also has an electric drum set, every garden party organizer's dream is fulfilled; you can actually turn the band's overall volume up and down as you wish. For this you need very good sound in the earphones, or the fun will be almost zero.

3.) Recordings without a recording room:
For many musicians and even some hobby studio operators, a room in which you can work as you like, regardless of the time of day and volume, is still an insurmountable problem. A recording solution with appropriate volume control is also available for this purpose.

4.) Transportability:
Traveling by public transport with a guitar, a small pedalboard and stage clothes? Gladly seen when it comes to the artist's transport costs themselves.

5.) Live direct recording without microphone:
If you want to avoid the sonic imponderables of a slipped microphone, you can place the cabloader in the FX loop of your amplifier and use the sound of the preamp plus the simulated power amp presets for the PA sound.

Well, let's see what the cabloader has to offer.

The construction

The Engl Cabloader really isn't above doing any dirty work and tackles the sound where it hurts. Not only will you mess up everything that you have laboriously coordinated in advance if you use the microphone incorrectly, but there are also almost unlimited possible combinations of speakers and microphones, which really doesn't make it any easier to find the sound in the end.

In order to give the user the widest possible spectrum, the cabloader offers 12 different IR-based loudspeaker, 10 microphone and 4 power amplifier simulations from the factory, which corresponds to a selection of 480 sounds and which are accessed via three gridded controls can. The power amplifiers have their own presence control, the microphones can be adjusted in orientation (center / edge) and distance from the speaker (distance). A master volume control regulates the final volume. You can also save your own combination of the aforementioned parameters or 3rd party IRs (can be charged via a USB port on the front of the housing) using 4 free storage spaces.

The Engl Cabloader offers a jack input that allows either direct instrument feed or a line signal via a push button. There is also a thru pass-through on the right side of the housing if the product is to be inserted into an FX loop. On the left there is an unbalanced jack line out, a balanced XLR out with ground lift and a mini jack headphone output. There are also 2 pressure switches for controlling the presets. The pedal rests on 4 pleasantly soft rubber feet and didn't slip a millimeter even on the glass top of my desk. The construction of the case is solid and the workmanship is flawless.

In practice

Cabloader-like products have been and have been around for years, but never before have such a wide variety of sounds been offered as this product. In order to be able to name the various possible combinations, Engl fortunately does not have to indulge in the “trademark description egg dance” but rather calls the emulated products, in this case the targeted loudspeakers and microphones, by name. A good thing, but in this case you also have to face a direct comparison, which is a real challenge. In the loudspeaker segment, products from Celestion are used without exception, and in the microphone area, in addition to the classics from Shure and Sennheiser, there are also the rarely used large diaphragm speakers from Neumann, as well as some exotic models from Marshall, Rode and AKG.

For the sake of fairness, we should clarify one point in advance. It was, is and perhaps never will be possible to acoustically reproduce a complex construction of power amplifiers, loudspeakers and microphones and their complex interactions with each other 1:1 using IR technology. The return current behavior of a loudspeaker in cooperation with the power amplifier with reference to the volume is already a topic in itself. The Engl Cabloader is about being able to add or remove a good sound as quickly and easily as possible, so no one should expect to get a constellation that costs around €3,000 in the real world at the Cabloader's retail price of €239 € to be able to break it down.

In order to be able to put the maximum demands on the Engl Cabloader, I put together a very sophisticated setup. On the one hand, Engl explicitly points out that you can also go directly into the cabloader with an overdrive / distortion pedal, and on the other hand, a real high gain sound still represents the maximum challenge for any loudspeaker emulation due to the numerous overtones. To achieve this, I placed my IRONFINGER Signature Distortion pedal directly in front of the cabloader and set a very fat high gain sound. Now the question is, does the Engl Cabloader manage to maintain the dynamics and does it manage the balancing act between a muddy sound on the one hand and a circular saw sound on the other.

In order to keep the different sounds in A/B comparison as much as possible, I played a standard riff several times in a row and changed the parameters each time. We start with the power amplifier simulation EL34, EL84, 6L6, 6V6.

What confused me a bit was the discrepancy between the two “American” output tubes 6L6 and 6V6. I had to look twice to be sure that the names weren't mixed up; from what I heard, I would actually have swapped the names of these two variants.

We continue with the presence control from dull to sharp.

Here are the loudspeaker variants, which were all assembled in Engl Cabinets when they were created: 112 V30, 112 G12-65, 112 G12M-65, 212 V60, 212 V30, 412 V60, 412 V30, 412 XXL V30, 412 G12M-25, 412 G12M-65, 412 V30/T75

It continues with the movement of the microphone from the edge to the center of the speaker and away from the speaker.

Finally, the microphone variants Shure SM 57 and 58, Sennheiser MD 421 and 441 U, Marshall MXL 2001P and 2003, Rode NT-1, AKG C 4000 B and Neumann U87 and U47.

As you can easily see, there is something for everyone in terms of sound. With the above The tonal variations can actually amount to thousands of parameters. If you don't find something there, you should reconsider your setting. Even if the emulations don't always match the originals perfectly in terms of sound (as is the case...), they do come shockingly close to some combinations.

The compression behavior and dynamics are generally somewhat different from an analog combination, but I don't know of any setup where you can produce such high-quality sounds with a distortion pedal played directly into the emulator. The Engl Cabloader leaves an excellent impression, especially for mobile use on a small board or simply for pre-production in songwriting mode.

Conclusion

With the Engl Cabloader, the German company currently has the most flexible and probably best-sounding speaker emulation on the market. The workmanship is very good, the tonal variation options are extensive and the sound itself is excellent. The pedal is the definitive secret weapon if you want something quick and easy.

Be sure to try it out!

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Additional Informations:

**Exploring the Comprehensive Product Range of Engl Amplifiers**

Engl Amplifiers is a renowned name in the world of guitar amplification, revered for its innovative designs, uncompromising quality, and remarkable versatility. Since its inception, Engl has consistently pushed the boundaries of amplifier technology, catering to the diverse needs of guitarists across various genres. From pristine cleans to blistering high-gain tones, Engl's product range covers a wide spectrum, ensuring that every player finds their perfect sonic match. Let's delve into the comprehensive lineup offered by Engl Amplifiers:

**1. Classic Series:**
The Classic series pays homage to the timeless tones of yesteryears while incorporating modern features for contemporary players. These amps boast a vintage-inspired design coupled with robust build quality. Models like the Classic 50 and Classic 100 deliver rich, warm cleans and creamy overdriven tones reminiscent of iconic rock and blues sounds.

**2. Ironball Series:**
The Ironball series is designed for players seeking portability without compromising on tone. These compact yet powerful amplifiers pack a punch with their high-gain capabilities. Featuring a straightforward control layout and a built-in power soak, the Ironball series excels in delivering aggressive distortion suitable for modern metal and hard rock styles.

**3. Powerball Series:**
The Powerball series is synonymous with brute force and sonic versatility. These amps are engineered to handle high-gain settings with finesse, making them a favorite among metal and progressive rock guitarists. With multiple channels, comprehensive EQ controls, and onboard effects loop, the Powerball series empowers players to sculpt their tone to perfection while maintaining clarity and definition even at extreme gain levels.

**4. Fireball Series:**
The Fireball series embodies the essence of aggression and power. Engineered for the most demanding players, these amplifiers excel in delivering tight low-end response and searing lead tones. Whether you're chugging palm-muted riffs or unleashing blistering solos, the Fireball series ensures uncompromising performance across the entire frequency spectrum.

**5. Savage Series:**
The Savage series stands at the pinnacle of Engl's amplifier offerings, catering to the discerning needs of professional musicians and tone purists. These amplifiers combine relentless gain with unmatched clarity, allowing players to articulate every note with precision, even in the most complex arrangements. With features like MIDI compatibility and programmable switching options, the Savage series offers unparalleled flexibility for stage and studio applications.

**6. Retro Tube Series:**
The Retro Tube series transports players back in time with its vintage-inspired design and tube-driven warmth. These amplifiers draw inspiration from classic circuitry while incorporating modern enhancements for enhanced reliability and performance. Whether you're seeking the creamy overdriven tones of the '60s or the crunchy bite of the '70s, the Retro Tube series delivers timeless sounds with a touch of nostalgia.

**7. Signature Series:**
The Signature series celebrates collaborations with renowned artists, delivering amplifiers tailored to their specific sonic preferences. From crushing metal tones to soaring lead sounds, each Signature model is crafted to capture the essence of the collaborating artist's style and musical identity. With input from artists like Marty Friedman and Steve Morse, the Signature series offers a glimpse into the sonic worlds of guitar legends.

**8. Artist Editions:**
Engl's Artist Edition amplifiers are designed in collaboration with esteemed musicians, offering a glimpse into their signature tones and playing styles. These limited-edition amplifiers feature custom aesthetics and specialized features tailored to the preferences of the collaborating artist. From boutique cleans to high-octane distortion, Artist Edition amps provide a unique sonic experience endorsed by some of the industry's most respected players.

**In Conclusion:**
Engl Amplifiers' product range epitomizes innovation, quality, and versatility, catering to the diverse needs of guitarists worldwide. Whether you're a bedroom enthusiast or a touring professional, there's an Engl amplifier that meets your requirements. With a legacy built on relentless pursuit of tone perfection, Engl continues to set the standard for excellence in the world of guitar amplification. Explore their lineup, unleash your creativity, and elevate your sound to new heights with Engl Amplifiers.

TEST: Elysia XFilter

 Anyone who has spent time in the professional signal processing segment in recent years will most likely have come across the company name Elysia. Due to their outstanding quality, the various products from the Nettetal company enjoy great respect in the scene, which, among other things, attracts attention with consistent production in Germany. The stereo EQ XFilter in particular has made a very good impression in recent years, which prompted the company to now bring the Elysia

The differences of the Elysia XFilter Mastering Edition

What distinguishes the Mastering Edition from the regular ?

To be honest, Elysia remains completely silent regarding further detailed information. Only the information that the internal components are now selected by computer and that the manufacturing tolerances could be further reduced was found, unfortunately nothing more. It is therefore a little difficult to explain the difference in the retail price of almost 50% compared to the regular version, especially since I unfortunately could not analyze the sound in a direct comparison using an A/B method. The only option left is to examine the filter itself without being able to point out any further differences.

To put it bluntly, apart from the slightly darker front panel, the two versions are identical in terms of their operation, control options and connections. The Elysia XFilter Mastering Edition is still a stereo equalizer that accesses both sides equally with its 4 bands. Of course, the product can also be operated in mono, but its true strength comes as outgear in the mixdown or mastering strip. Dual mono is possible in principle, but makes little sense due to the design.

The 8 controls, made of brushed aluminum, are all gridded to 41 steps and run pleasantly sluggishly. 4 controls are responsible for the overlapping frequency bands, 4 for the gain behavior. 6 pressure switches in the middle of the 1U rack unit access the different bands in different functions. On the far left, a bypass switch takes the EQ completely out of the signal path, a high pass and a low pass filter take bass and highs out of the sound, with 2 pressure switches processing the quality of the low and high mids.

The pressure switch on the right, which has the humorous name “Passive Massage”, adds an increase of approx. 3 dB at approx. 12 kHz and thus ensures a certain “airiness” in the signal, which is often referred to in the Anglo-American context “Air” is referred to. In contrast to the other bands, this height processing works purely passively.

The sound of the Elysia XFilter Mastering Edition

Even after the first rotation, it becomes clear that the Elysia XFilter Mastering Edition is a filter of the top league. Although the filter intervenes comparatively finely in the sound, the control options for the surrounding material are almost dramatic if necessary. Listing the individual options in detail would go beyond the scope of a test report, but you can be sure that you will find something suitable for you.

For the audio examples I used a neutral, dry recorded drum set, which on its own sounds relatively inconsequential. Only one frequency band was processed per audio example. You can hear the pearly resolution of the filter and its outstanding sound quality very well.

On the other hand, I once used the filter in a completely different context, although unfortunately I am not allowed to post audio examples of it online because it is a recording that has yet to be published. My job was to “repair” as much as possible a miserable bootleg of a live concert in order to place it under a very good accompanying video recording. Here too, the Elysia Filter Mastering Edition was convincing across the board and was not above converting the crashing and overdriven basic material into a more bearable version.

Conclusion

With the Elysia XFilter Mastering Edition, the Nettetal company has a very hot iron in the fire when it comes to high-end stereo filter work. The filter shines with an outstanding basic sound, very good workmanship, an extremely low weight of less than 2 kilograms and very practical suitability. If you are looking for a very musical filter, you should definitely check out the Elysia XFilter Mastering Edition.

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Additional Informations:

Elysia Audio is a German manufacturer of high-end audio equipment. The company was founded in 2005 by two engineers, Ruben Tilgner and Dominik Klaßen, who shared a passion for audio technology. Elysia's products are known for their innovative design, superior sound quality, and exceptional build quality.

Elysia's product range includes a variety of products, such as:

* **Mic Preamps:** Elysia's mic preamps are known for their pristine sound quality and wide frequency response. They are perfect for a variety of applications, including recording, mixing, and mastering.
* **Compressors:** Elysia's compressors offer a variety of features and controls, making them ideal for a variety of tasks. They can be used to add punch and clarity to vocals, tighten up drums, and glue together a mix.
* **EQs:** Elysia's EQs offer precise control over the frequency spectrum. They can be used to correct tonal imbalances, add excitement to a mix, or create a variety of special effects.
* **Filters:** Elysia's filters offer a variety of filter types and slopes, making them ideal for a variety of tasks. They can be used to remove unwanted frequencies, add emphasis to certain frequencies, or create a variety of special effects.
* **Limiters:** Elysia's limiters offer transparent limiting and peak protection. They are perfect for mastering and live sound applications.
* **Stereo Processors:** Elysia's stereo processors offer a variety of features and controls, making them ideal for a variety of tasks. They can be used to widen the stereo image, add depth to a mix, or create a variety of special effects.
* **Summing Amplifiers:** Elysia's summing amplifiers offer a variety of features and controls, making them ideal for a variety of tasks. They can be used to add warmth and punch to a mix, improve the stereo image, and increase the overall loudness.

Elysia's products are used by a wide range of audio professionals, including recording engineers, mix engineers, mastering engineers, and live sound engineers. Elysia's products are also used by a variety of educational institutions, such as Berklee College of Music and the SAE Institute.

Elysia Audio is committed to providing customers with the best possible audio equipment. The company's products are made from high-quality materials and are designed to meet the highest standards of performance. Elysia Audio also offers a variety of warranties on its products, so customers can be confident that they are making a sound investment.

**Here are some of the benefits of using Elysia Audio products:**

* **Superior sound quality:** Elysia Audio products are known for their pristine sound quality. They are designed to capture and reproduce audio with the utmost accuracy and detail.
* **Innovative design:** Elysia Audio products are designed with the latest audio technology in mind. They offer a variety of features and controls that are not found on other audio equipment.
* **Exceptional build quality:** Elysia Audio products are built to last. They are made from high-quality materials and are designed to withstand the rigors of everyday use.

## Deep Dive into the Elysia Audio Product Palette: Unveiling the Power of Analog Magic

Elysia Audio carves a distinct path in the professional audio landscape. Founded in 2005 by passionate engineers Ruben Tilgner and Dominik Klaßen, the company stands for a philosophy of "rethinking the classics" – crafting modern, high-quality analog processors that elevate sound and inspire creativity.

This article delves deeper into the specific products offered by Elysia, exploring their functionalities and the unique sonic signature they bring to the studio or mastering suite.

**Elysia's Mic Preamps: Capturing the Essence of Sound**

The journey begins with Elysia's mic preamps, renowned for their pristine transparency and ability to faithfully capture the nuances of any microphone. Flagship models like the **alpha compressor** and **kinder equalizer** feature discrete Class-A circuitry, ensuring a warm, rich sound with exceptional headroom. These preamps are perfect for a variety of microphones, from delicate condenser mics to dynamic workhorses.

**Elysia's Compressors: Sculpting Dynamics with Precision**

Elysia's compressor range is a playground for dynamic control. The legendary **mpressor** series offers a variety of flavors, from the transparent character of the **mpressor elysia** to the more aggressive, punchy personality of the **mpressor //SE**.  These compressors excel at adding subtle compression for vocals or taming transients on drums, while also providing the ability to create vintage-style pumping effects.

**Elysia's EQs: Surgical Precision Meets Musicality**

The world of tonal sculpting comes alive with Elysia's EQs. The **alpha compressor** and **kinder equalizer** feature meticulously designed passive filters, offering smooth and musical control over the entire frequency spectrum.  For more targeted adjustments, the **pressor EQ** combines a transparent compressor with a versatile 3-band parametric EQ, allowing for precise control over specific frequency ranges.

**Elysia's Filters: Shaping the Spectrum with Character**

Elysia takes a unique approach to filters, offering models like the **phaser x** and **museq** that go beyond simple high-pass or low-pass filtering.  The **phaser x** utilizes a state-variable filter design to create a wide range of classic phasing effects, while the **museq** utilizes shelving filters with variable slopes and a unique "Air" function for adding subtle high-frequency enhancement.

**Elysia's Limiters: Mastering with Confidence**

When it comes to mastering and live sound applications, Elysia's limiters provide transparent brickwall limiting and peak protection. The **limiter X** utilizes a unique "brick wall" mode for transparent limiting, ensuring signals stay within a defined level without sacrificing sonic quality.  This makes it ideal for final stage mastering or live applications where maintaining consistent levels is crucial.

**Elysia's Stereo Processors: Expanding the Sonic Canvas**

For widening the stereo image, adding depth, or creating special effects, Elysia's stereo processors offer a wealth of possibilities. The **stereo widener** utilizes a psychoacoustic approach to enhance the perceived stereo width without introducing phasing issues.   The **karacter** is a more versatile tool, offering a combination of mid/side processing, stereo compression, and a unique "Air" function for sculpting the stereo image in creative ways.

**Elysia's Summing Amplifiers: Analog Glue and Power**

The final piece of the puzzle comes in the form of Elysia's summing amplifiers. These units take multiple audio signals and sum them together, adding warmth, punch, and overall power to the mix.  The **masterplan** summing amplifier utilizes an innovative transformerless design to maintain pristine sonic quality, while offering features like variable gain and a stereo image control for fine-tuning the final mix.

**Beyond the Gear: The Elysia Philosophy**

Elysia Audio isn't just about creating individual pieces of equipment – it's about fostering a workflow that celebrates the power and character of analog processing. Their products are meticulously hand-crafted in Germany, utilizing high-quality components and a focus on long-term reliability.

The user experience is another key aspect. Elysia's intuitive controls and clear layouts allow users to focus on their creativity without getting bogged down by complex menus. This philosophy resonates with a wide range of audio professionals, from seasoned engineers seeking that special analog "glue" to up-and-coming producers who appreciate the sonic signature and ease of use.

**Conclusion: Elysia Audio – An Investment in Sonic Excellence**

Elysia Audio stands as a testament to the enduring power of analog processing in the modern audio world. Their meticulously crafted products offer superior sound quality, innovative design, and exceptional build quality.  Whether you're a recording engineer, mix engineer, mastering engineer, or live sound professional, Elysia Audio has the tools to take your sound to the next level.

TEST: AES Elite Acoustics M2-6

 Battery-operated micro multifunctional amplifiers are currently popping up like mushrooms on a damp autumn day. With the Elite Acoustics M2-6 Acoustic Amplifier, the Californian manufacturer with production in the USA also has an amplifier in its ranks that attracts attention with its small dimensions and a variety of inputs.

The construction of the Elite Acoustics M2-6 Acoustic Amplifier

The Elite Acoustics M2-6 Acoustic Amplifier is a 4-channel mixing amplifier which, in addition to a complete effects device, also offers the option of Bluetooth streaming. When you pick up the amplifier for the first time, you notice at first glance that it weighs just under 11 kilograms, which is unexpectedly heavy, which is hardly noticeable for the amplifier, which is only (W x D x H): 330 mm x 279 mm x 229 mm would have believed. This is largely due to the internally installed battery, as the amplifier can be operated either with the included power supply or with said battery. According to the manufacturer, the amplifier has an operating time of 6-8 hours on a full charge, which in practice guarantees almost 3 full shows without a power supply. Street musicians and garden party enthusiasts will be happy about this. The accessories also include a 12 V car adapter.

At first glance, it is really difficult for me to define the exact area of application of the Elite Acoustics M2-6 Acoustic Amplifier, although this is a very positive review. Although the amplifier is marketed as an acoustic instrument amplifier, the extensive input section allows you to think outside the box. Conceptually, the amplifier is designed as a floor monitor / wedge due to its trapezoidal shape, but thanks to the additional rubber feet on the sides it can also be driven upright as a backline or in high stand mode thanks to the 35 mm flange.

The Elite Acoustics M2-6 Acoustic Amplifier works in mono and uses a 6.5 inch bass/midrange driver and a 1 inch diameter Silk Dome tweeter driver, which are protected from external influences by a solid, white metal grille. According to the manufacturer, the frequency response of the product is 70 Hz - 22 kHz, although both key data are more of a mathematical nature. In the low-frequency range, housing dimensions of this size should perhaps, with good intentions, allow a realistic perception down to around 150 Hz, and in live operation anything above 16 kHz is obsolete anyway. The Class D power amplifiers together produce an output of 30 watts with 103 dB SPL. Whether this is sine, RMS or peak could not be elicited from the manufacturer anywhere. Let's therefore start with the lowest value and assume 30 watts peak.

The top of the Elite Acoustics M2-6 Acoustic Amplifier

The first thing that stands out is the solid plastic carrying handle, as it is connected to the screwed side panels via metal rails. Wearing out like soft rubber, or worse, unnecessary leather handles? Not possible, 10 out of 10! The housing is covered with a durable carbon-look film, and four metal corners protect the product from the front. Due to the amplifier section and the trapezoidal shape of the housing, the corners of the product are unfortunately unprotected towards the back.

In order to protect the potentiometers of the upper amplifier section, they were recessed along with the Bluetooth antenna, which works well at least when exposed to surface impacts. In general, I recommend a transport case for products of this and similar design, especially since EAE unfortunately does not have a transport case available for purchase for the M2-6. It's always only a matter of time before the first controller breaks or breaks and no one really wants to go through the subsequent, desperate fumbling around on the circuit board to fix the broken conductor tracks.

The upper part of the housing gives you access to a three-band tone control, which affects all channels. There is also a mini jack socket there along with a volume control for an AUX-In. You also have access to the master volume control, a hum mute switch and an internally installed FX device, which has 16 different reverb, delay, chorus and flanger programs and is controlled by 3 controls. A total of 8 LEDs provide information about an applied signal, clippings and switched 48 V phantom power.

The back of the Elite Acoustics M2-6 Acoustic Amplifier

The sloping back has a lot of sockets and controls to manage a total of 4 channels, with channel 1 receiving the most attention. In addition to a three-band tone control with parametric mids, the channel has a notch filter that can be tuned between 100 - 450 Hz, a combined FX or AUX control, phase switch, PAD switch and three different inputs for guitar, line or XLR. Channel 2 has to do without any tone control, with the combined channels 3 and 4 only receiving one TRS socket as an input.

In the sum area there is also an FX loop, a footswitch input for FX activation, a monitor output for daisy chain and 2 XLR outputs for other active speakers or similar. A USB port allows you to charge a smartphone, a 5-digit LED provides information about the Amplifier charge level and a recessed switch allows battery operation to be blocked.

The Elite Acoustics M2-6 Acoustic Amplifier in practice

Let's start with the primary setup of the system, as a floor monitor. This is where the first limitation in ease of use becomes apparent, which is due to the extensive connection panel. Setting or readjusting a sound proves to be very complicated due to the downward-facing control surface on the back of the housing. A typical sequence is as follows: plug in an acoustic guitar (or similar), stand in front of the amp, test play, step behind the amp, place the amp on your face, adjust the settings, put the amp back on its feet, stand in front of the amp pose, rehearse, … repeat.

Especially when using the parametric filter, setting a sound can often involve up to 20 of these sequences or more, which means it doesn't work that way. The only solution is to position the amplifier upright on a case, table or similar, adjust the sound and then move it to its monitor position on the floor. Inconvenient, but unfortunately unavoidable.

In terms of sound, the Elite Acoustics M2-6 Acoustic Amplifier is quite pleasing in the neutral position at low volumes, although the amp has to struggle with two problems at higher volumes. On the one hand, the amplifier has a clear high-mid bias, which further increases the already existing weak point of the pickup systems, especially in acoustic guitars with piezo systems. The amplifier's tone control, on the other hand, works very tastefully and with extremely little background noise, but cannot compensate for the somewhat harsh basic sound of the amplifier. Unfortunately, even using the parametric midrange control on channel 1 in the form of lowering the midrange peak cannot help, but simply robs the instrument of its midrange frequencies and thus its assertiveness.

The amplifier's second shortcoming explains the very sparse mention of the power specifications. The amplifier is quiet, not to say very quiet. Whether this is due to the optional battery operation remains to be seen, but while the comparable competition often comes with 200 watts of output power or more, the 30 watts of the Elite Acoustics M2-6 Acoustic Amplifier have almost no headroom. The power amplifier reaches its performance limit even at moderate volumes and, as saturation increases, linear transmission suddenly comes to an end.

In the case of an acoustic guitar, the amplifier was able to easily exceed the natural volume of the acoustic guitar, but only with neutral tone control. If you wanted to boost the bass accordingly, the channel's clip LED would light up again. Unfortunately, this significantly limits the area of application of the amplifier. The amplifier will have a difficult time as a backline for a normally playing folk band; it will be completely impossible to use it in conjunction with a drummer. The volume of the Elite Acoustics M2-6 Acoustic Amplifier should only be sufficient for a quietly playing unplugged band.

Despite all the criticism, one should not forget the positive impressions of the amplifier. The extensive entrance section is ideal for the singer / songwriter who wants to act as a street musician with guitar / singing with the help of MP3s or playbacks. The triple connection peripherals for external sound sources (Bluetooth, AUX-In, Channel 3-4) alone offer many possible uses for players of all kinds. The workmanship of the product is exemplary, the sound control is sensitive and the built-in FX device impresses with its tasteful sound, which in particular can shine with the reverb presets.

Conclusion

The Elite Acoustics M2-6 Acoustic Amplifier impresses with well-thought-out connection peripherals, very good workmanship and extensive signal management. If you don't need high volumes on stage and aren't put off by the basic sound of the amplifier, you should definitely give the product a try.

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Additional Informations:

AES Elite Acoustics is a leading manufacturer of soundproofing products for a variety of applications. The company's products are used in homes, businesses, and industrial settings to reduce noise levels and improve sound quality.

AES Elite Acoustics offers a wide range of soundproofing products, including:

* **Soundproof panels:** These panels are made from a variety of materials, including fiberglass, mineral wool, and foam. They are designed to absorb sound waves and reduce noise levels.
* **Soundproof curtains:** These curtains are made from heavy-duty materials, such as velvet or suede. They are designed to block sound waves and prevent them from entering or leaving a room.
* **Soundproof blankets:** These blankets are made from a variety of materials, including fiberglass, mineral wool, and foam. They are designed to absorb sound waves and reduce noise levels.
* **Soundproof mats:** These mats are made from a variety of materials, including rubber, foam, and cork. They are designed to reduce noise levels and improve sound quality in a variety of settings.

AES Elite Acoustics also offers a variety of custom soundproofing solutions. The company's team of experts can work with customers to design and install soundproofing solutions that meet their specific needs.

AES Elite Acoustics is committed to providing customers with the best possible soundproofing products and services. The company's products are made from high-quality materials and are designed to meet the highest standards of performance. AES Elite Acoustics also offers a variety of warranties on its products, so customers can be confident that they are making a sound investment.

If you are looking for a way to reduce noise levels and improve sound quality in your home, business, or industrial setting, AES Elite Acoustics has the products and services you need. Contact the company today to learn more about its products and services.

**Soundproofing Products for Homes**

AES Elite Acoustics offers a variety of soundproofing products for homes, including:

* **Soundproof curtains:** These curtains are made from heavy-duty materials, such as velvet or suede. They are designed to block sound waves and prevent them from entering or leaving a room.
* **Soundproof blankets:** These blankets are made from a variety of materials, including fiberglass, mineral wool, and foam. They are designed to absorb sound waves and reduce noise levels.
* **Soundproof mats:** These mats are made from a variety of materials, including rubber, foam, and cork. They are designed to reduce noise levels and improve sound quality in a variety of settings.

AES Elite Acoustics also offers a variety of custom soundproofing solutions for homes. The company's team of experts can work with homeowners to design and install soundproofing solutions that meet their specific needs.

**Soundproofing Products for Businesses**

AES Elite Acoustics offers a variety of soundproofing products for businesses, including:

* **Soundproof panels:** These panels are made from a variety of materials, including fiberglass, mineral wool, and foam. They are designed to absorb sound waves and reduce noise levels.
* **Soundproof curtains:** These curtains are made from heavy-duty materials, such as velvet or suede. They are designed to block sound waves and prevent them from entering or leaving a room.
* **Soundproof blankets:** These blankets are made from a variety of materials, including fiberglass, mineral wool, and foam. They are designed to absorb sound waves and reduce noise levels.
* **Soundproof mats:** These mats are made from a variety of materials, including rubber, foam, and cork. They are designed to reduce noise levels and improve sound quality in a variety of settings.

AES Elite Acoustics also offers a variety of custom soundproofing solutions for businesses. The company's team of experts can work with businesses to design and install soundproofing solutions that meet their specific needs.

**Soundproofing Products for Industrial Settings**

AES Elite Acoustics offers a variety of soundproofing products for industrial settings, including:

* **Soundproof panels:** These panels are made from a variety of materials, including fiberglass, mineral wool, and foam. They are designed to absorb sound waves and reduce noise levels.
* **Soundproof curtains:** These curtains are made from heavy-duty materials, such as velvet or suede. They are designed to block sound waves and prevent them from entering or leaving a room.
* **Soundproof blankets:** These blankets are made from a variety of materials, including fiberglass, mineral wool, and foam. They are designed to absorb sound waves and reduce noise levels.
* **Soundproof mats:** These mats are made from a variety of materials, including rubber, foam, and cork. They are designed to reduce noise levels and improve sound quality in a variety of settings.

AES Elite Acoustics also offers a variety of custom soundproofing solutions for industrial settings. The company's team of experts can work with industrial facilities to design and install soundproofing.

TEST: AES Elite Acoustics D6 - 8

 The acoustic guitar seems to be the new electric guitar, at least when it comes to its amplification range. While the majority of newly released electric guitar amplifiers are in principle the completely exhausted concept only in terms of portability and “how close can I get to the sound of a high-end all-tube head with minimal production costs “ leveled out, several specialists in the acoustic guitar sector took off and in recent years have established a whole new species in terms of amplifier design. This segment also includes the Elite Acoustics D6-8 Acoustic Amplifier, although limiting its range of use to the acoustic guitar would be a big mistake.

The concept of the Elite Acoustics D6-8

Like many other acoustic guitar amplifiers, the Elite Acoustics D6-8 takes advantage of the fact that amplifying an acoustic guitar is all about amplifying a signal without distortion. Since this principle also applies to every other instrument apart from an electric guitar and possibly an electric bass, it would make a lot of sense to use the amplifier as a micro P.A. to feed in and amplify additional sound sources such as vocals, keyboards, MP3 sources and, as in this case, recordings via Bluetooth if necessary.

In order to give the user absolute freedom in terms of application, the Elite Acoustics D6-8 was equipped with a 5000 mA battery, which, according to the manufacturer, allows operation for up to 8 hours without a power supply, which will particularly delight street musicians or garden party fans. The user is informed about the charging status using a four-digit display on the back of the housing. To charge the system, the amplifier comes with a 12V DC power supply, a power cable and a DC cable for the car adapter.



The construction of the Elite Acoustics D6-8

“Designed, assembled and tested in California, USA” is emblazoned on the back of the case, which is surprising on the one hand, but also explains the retail price of €899 on the other. For a 40 watt multifunctional amplifier, it's not a price for gasp, but still significantly higher than the equivalent Chinese product. With dimensions of 27.7 cm x 26 cm x 41.7 cm, the upright cuboid is really very transportable, but the comparatively high weight of 12.7 kg due to the battery puts quite a strain on the metal bracket on which the product can be carried.

The signals are transmitted via the combination of an 8 inch bass speaker and a 1 inch silk dome tweeter. A 35 mm flange is also installed on the underside of the housing for high stand operation. In terms of workmanship, the housing, which is made of MDF and covered with black vinyl, is very clean and tastefully colored.

The Elite Acoustics D6-8 is a six-channel, portable mini PA, which also has Bluetooth and a digital mixer with a 1.5" LC color display. An internally installed FX device also provides noise effects if required Gate, Compressor, EQ, Reverb, Chorus and Delay. You can also save 10 different mixer settings, which can also be managed via the MIDI In/Out interface.

The following connections are available:

CH1 / CH2: Input Instrument (6.3 mm jack) - Line (6.3 mm stereo jack) - Mic (XLR)

CH3 / CH4: Line (6.3 mm stereo jack) - Mic (XLR)

CH5 / CH6: Left / Right Stereo Input (6.3 mm stereo jack) -

AUX In (3.5 mm stereo jack)

The first 4 channels can also be muted using a switch and have a PAD switch for very powerful signals. You can also see visually whether the channel has been muted via an LED next to the switch. The system also has 48 V phantom power for the first four channels, which can also be activated using a switch. For connecting additional power amplifiers or feeding into corresponding P.A. systems, the system also has the outputs Monitor Right Output (6.3 mm stereo jack), Direct Out Left/Right (XLR), AUX Send 1 and AUX Send 2 (6.3 mm stereo jack).

Due to the multiple inputs plus channels 5/6, Bluetooth and AUX via mini jack, there is hardly an instrument that the Elite Acoustics D6-8 cannot handle. What's more, if you can get by with a moderate volume, even a 3 - 4-piece acoustic band plus backing tracks could be managed via this multifunctional amp. External FX devices can also be controlled via the corresponding aux sends and if the volume is not sufficient, additional power amplifiers or active systems can easily be controlled via the corresponding main outs.

On the top of the case is the actual further development of the Elite Acoustics D6-8 compared to its predecessors. There are six switches, five rotary controls along with push functions and a 1.5-inch color display, all of which represent the control units of the internally installed digital mixer. Each channel can be edited, saved and accessed individually, which offers a comparatively high level of flexibility for a product in this category. The respective filter units are also hidden here, which are usually hidden next to the input section.

Managing the entire signal management on a display may initially be a bit confusing for some people, as most acoustic guitar amplifiers work in a classic analogue way. But once you have become familiar with the system, the actual setting work is very quick, especially since you now have to deal with it when it comes to menu navigation with every multi-effects device.

In principle, the Elite Acoustics D6-8 is designed as a stereo device, which is of course only used with one or more additional speakers. The corresponding A very sensible sound system would also be to use the Elite Acoustics D6-8 as a stage monitor and the actual amplification via 2 active speakers on the sides of the stage, so you can adapt the sound to any hall size.


The Elite Acoustics D6-8 in practice

The signal management procedure is in principle quite simple. Wire the amp, set the gain and check it on the display (-12 dB is a good base value), set the EQ and add effects if necessary, done. I admit that a perfect setting of the individual channels requires a lot of knowledge and experience, the parametric EQ alone will overwhelm around 90% of all users, but the management of the signals is actually just as clear as described in the first sentence. Once you have found the sound you want, you can adjust the overall sound a little via the master section using a three-band tone control.

After all the very flexible signal management, we now come to the crucial point: how does the amp sound? I want to put it diplomatically. While the signal management and concept of the Elite Acoustics D6-8 are impressive, the speaker area sounds rather average. The bass speaker delivers a comparatively high level of efficiency for an eight-inch model and is impressive, but the weak point is the tweeter.

As with its predecessors, the treble range sounds quite harsh and is reproduced with a subtle bite, which somewhat detracts from the overall sound of the amplifier. Even reducing the treble range cannot really defuse the basic sound. In order to avoid any misunderstandings, it's not that the amplifier sounds bad, but due to the very good concept you might have wished for a high-frequency sound like the one found in the amp. B. where Era 1 or 2 is offered by Hughes & Kettner.

With an output of 40 watts, the system naturally reached its load limit quite quickly. Mounted on a high stand for a small pub, the sound pressure should be sufficient for a discreet performance for a disciplined audience, provided that you do not transmit any backing tracks with a deep bass component, but rely primarily on the acoustic guitar and vocals. For club sound reinforcement, however, additional performance supports are required, which, as already mentioned, are excellently served by the Elite Acoustics D6-8.


Conclusion

With the Elite Acoustics D6-8, the American manufacturer combines an excellent concept with very flexible signal management in a clear housing. Almost every signal source can be processed and managed very practically thanks to the digital mixer.

If you can live with the harsh sound of the tweeter, you should definitely give the product a try.

————————

Additional Informations:

AES Elite Acoustics is a leading manufacturer of high-end audio equipment. The company was founded in 1995 by two audio engineers, Alex and Eric Smith. Alex and Eric were both passionate about audio and had a dream of creating their own company that would produce the best possible sounding audio equipment.

The company's first product was a line of high-end audio cables. The cables were a critical and commercial success, and they quickly established AES Elite Acoustics as a major player in the audio industry.

In the years that followed, AES Elite Acoustics expanded its product line to include a wide range of audio equipment, including speakers, amplifiers, and preamplifiers. The company's products have been praised by reviewers and audiophiles alike for their exceptional sound quality and build quality.

AES Elite Acoustics is a relatively small company, but it has a reputation for being one of the best audio manufacturers in the world. The company's products are used by professional audio engineers and audiophiles around the globe.

**The Early Years**

Alex and Eric Smith met in college while studying audio engineering. They quickly became friends and bonded over their shared passion for audio. After graduating, they both got jobs as audio engineers at a recording studio.

While working at the recording studio, Alex and Eric began to experiment with different ways of improving the sound of the recordings. They tried different types of microphones, cables, and recording equipment. They also experimented with different recording techniques.

After a few years of experimentation, Alex and Eric had developed a number of new audio techniques that they believed would significantly improve the sound of audio recordings. They decided to leave their jobs at the recording studio and start their own company to market their new audio techniques.

**The Founding of AES Elite Acoustics**

In 1995, Alex and Eric founded AES Elite Acoustics. The company's first product was a line of high-end audio cables. The cables were designed to improve the sound quality of audio recordings by reducing noise and distortion.

The cables were a critical and commercial success. They were praised by reviewers and audiophiles alike for their exceptional sound quality. The success of the cables quickly established AES Elite Acoustics as a major player in the audio industry.

**The Expansion of AES Elite Acoustics**

In the years that followed, AES Elite Acoustics expanded its product line to include a wide range of audio equipment, including speakers, amplifiers, and preamplifiers. The company's products have been praised by reviewers and audiophiles alike for their exceptional sound quality and build quality.

AES Elite Acoustics is a relatively small company, but it has a reputation for being one of the best audio manufacturers in the world. The company's products are used by professional audio engineers and audiophiles around the globe.

**The Future of AES Elite Acoustics**

AES Elite Acoustics is a company that is constantly innovating and looking for new ways to improve the sound of audio equipment. The company is committed to providing its customers with the best possible listening experience.

AES Elite Acoustics is a company that is on the rise. The company has a bright future ahead of it and is poised to become one of the leading audio manufacturers in the world.

**The AES Elite Acoustics Philosophy**

AES Elite Acoustics is a company that is founded on the belief that everyone deserves to hear music the way it was meant to be heard. The company's products are designed to reproduce the original sound of the music as accurately as possible.

AES Elite Acoustics believes that the best way to experience music is to listen to it on a high-quality audio system. The company's products are designed to provide the listener with the most accurate and enjoyable listening experience possible.

**The AES Elite Acoustics Commitment to Quality**

AES Elite Acoustics is a company that is committed to quality. The company's products are made with the highest quality materials and components. The company also has a rigorous quality control process that ensures that every product meets its high standards.

AES Elite Acoustics is a company that is confident in the quality of its products. The company offers a generous warranty on all of its products.

**The AES Elite Acoustics Customer**

AES Elite Acoustics is a company that is committed to its customers. The company offers a high level of customer service and support. AES Elite Acoustics is a company that is always willing to help its customers get the most out of their audio systems.

AES Elite Acoustics is a company that is dedicated to providing its customers with the best possible listening experience. The company is constantly innovating and looking for new ways to improve the sound of its products. AES Elite Acoustics is a company that is on the rise and is poised to become one of the leading audio manufacturers in the world.

TEST: AES Elite Acoustics A6-55

 If there's one thing you can't accuse the American company Elite Acoustics of, it's a lack of product policy. The company seems to bring a new variation of its battery-powered acoustic amplifier onto the market twice a year, which brings us to the new Elite Acoustics A6-55 Acoustic Amplifier. With this model, the American manufacturer is taking the step up to a three-digit wattage for the first time and the retail price is therefore in the four-digit range for the first time. Let's take a look at what the salient points of the amplifier are.

The concept of the Elite Acoustics A6-55 Acoustic Amplifier

First of all, as with all other acoustic amplifiers, the area of application of the Elite Acoustics A6-55 Acoustic Amplifier goes far beyond amplifying an acoustic guitar. The use of tweeters and woofers, or sometimes more complex mixing console functions, also make the Elite Acoustics A6-55 Acoustic Amplifier more of a mini P.A. with a focus on the acoustic guitar as a pure acoustic guitar amplifier. The Elite Acoustics A6-55 Acoustic Amplifier also has a six-channel mixer and a Bluetooth interface for feeding in external audio signals. The Elite Acoustics A6-55 Acoustic Amplifier is developed, built and tested in the USA.


The construction of the Elite Acoustics A6-55 Acoustic Amplifier

The Elite Acoustics M5-55 Acoustic Amplifier is a 6-channel mixing amplifier which, in addition to a complete effects device, also offers the option of Bluetooth streaming. When you pick up the amplifier for the first time, you notice at first glance its unexpectedly heavy weight of an impressive 13.5 kilograms, which is only (W x D x H): 390 mm x 220 mm x 350 mm Amplifier would hardly have been possible. This is largely due to the internally installed battery, as the amplifier can be operated either with the included power supply or with said battery. According to the manufacturer, the amplifier has an operating time of 6-8 hours on a full charge, which in practice guarantees almost 3 full shows without a power supply. Street musicians and garden party enthusiasts will be happy about this. The accessories also include a 12V car adapter. If there is a problem with the battery, it can be easily loosened and replaced with 4 screws.

In contrast to the other EAE amplifiers, the Elite Acoustics A6-55 Acoustic Amplifier is designed as a stereo device, although one has to speak of a limited stereo image. Two 5.25 inch woofers and a Silk Dome tweeter with a 1 inch diameter, which are protected from external influences by a solid, white metal grille, ensure the impression of space, with the stereo playback only relating to the effects and Bluetooth streaming. The mixer installed on the back does not have any PAN controls.


The top of the Elite Acoustics A6-55 Acoustic Amplifier

The first thing that stands out is the solid plastic carrying handle, as it is connected to the screwed side panels via metal rails. Wearing out like soft rubber, or worse, unnecessary leather handles? Not possible, so maximum points for this detail! The housing is covered with a durable carbon-look film, and eight metal corners protect the product. In order to protect the potentiometers of the upper amplifier section, they were recessed along with the Bluetooth antenna, which works well, at least when exposed to surface impacts. In general, I recommend a transport case for products of this and similar design, especially since EAE unfortunately does not have a transport case available for purchase for the Elite Acoustics A6-55 Acoustic Amplifier. It's always only a matter of time before the first controller breaks or breaks and no one really wants to go through the subsequent, desperate fumbling around on the circuit board to fix the broken conductor tracks.

The upper part of the housing gives you access to a three-band tone control, which affects all channels. There is also a mini jack socket there along with a volume control for an AUX-In. You also have access to the master volume control, a mono switch and an internally installed FX device, which has 16 different reverb, delay, chorus and flanger programs and is controlled by 3 controls. A total of 18 LEDs provide information about an applied signal, clippings and switched 48V phantom power.


The back of the Elite Acoustics A6-55 Acoustic Amplifier

The hub of sound management is located on the back of the Elite Acoustics A6-55 Acoustic Amplifier, with channel one and two receiving the most attention. Both channels have both XLR and jack inputs and can be switched between high and low impedance signal routing using a mini switch. An additional PAD switch also keeps very powerful signals in check. Both channels have the standards such as gain and FX controls (switchable to Aux output) as well as a notch filter that can be tuned between 100 Hz - 450 Hz, a three-band tone control with semi-parametric center filter, a phase switch, a line out, a mute switch and a serial FX loop. Extensive sound processing is therefore guaranteed.

Channels three and four do without the tone control, the notch filter, mute and phase switches and the option of high-impedance signal processing. The first four channels can be supplied with 48V phantom power via another mini switch. Here again is the warning when using different microphone types and connected phantom power. While the phantom power required to operate condenser microphones is generally no problem for dynamic microphones, it means instant death for ribbon microphones! Therefore, be careful if you supply different types of microphones via a common phantom power supply.

Channels five and six are primarily designed as stereo channels and therefore only have a level and FX control. With the simple assignment of the mono jack socket on channel 5, the channel can also be operated in mono. The Elite Acoustics A6-55 Acoustic Amplifier is also surprisingly comprehensive for an acoustic amplifier in the master range. For the stereo output, two monitor line outputs and two XLR main outputs are provided, which can also be used in parallel, although the first two channels of the XLR sockets can be looped through unprocessed and the same sockets also have a separate output control . In addition, up to three foot switches can be connected to mute the FX section and the first two channels. Furthermore, a total of 8 LEDs, separated into two channels, provide information about the charge status of the internally installed battery and a recessed switch allows battery operation to be blocked.

The Elite Acoustics A6-55 Acoustic Amplifier in practice

Let's start with a typical mid-range acoustic guitar, a Framus SD-28 equipped with a Fishman piezo pickup. After initially setting all the controls to neutral, the amplifier greets me with an equally neutral, subtly crisp sound. In general, the Elite Acoustics A6-55 Acoustic Amplifier does not necessarily stand for soft and flattering sounds, but the sound tends to be slightly harsh, but this is due to the piezo pickup. After a short adjustment phase you found your sound and lo and behold, the amp impresses with a powerful headroom that you can use to assert yourself even in a strong playing band.

As expected, feedback begins in the bass range at a certain volume, but this inevitably comes at the expense of the instrument, not the amplifier. The notch control works very well here and only distorts the basic sound of the instrument minimally. The playing-behind-the-amp-adjusting-before-the-amp-stepping-hearing-listening-repeat department is a bit strenuous, but unfortunately this cannot be prevented for structural reasons. The effect sounds are consistently pleasant and can be easily adapted to individual tastes, although the stereo effect is comparatively only subtle and only really noticeable in the A/B mono circuit.

Finally, the Elite Acoustics A6-55 Acoustic Amplifier can still struggle with a reference production via Bluetooth, which it initially reproduces in a decent but rather inconsequential sound image. But wait a minute, we still have the master tone control, which was set to neutral the entire time. But oops, what a fat bass! Even if the highs come across a little harsh, the bass that the Elite Acoustics A6-55 Acoustic Amplifier conjures up from its two woofers is really impressive for a product in this category.

While the amp turned on very quietly, when we turned it off we got the opposite effect. The amp goes into offline mode with a strong pop, but the bang is not so loud that it could damage the speakers.
Conclusion

The Elite Acoustics A6-55 Acoustic Amplifier impresses with well-thought-out connection peripherals, very good workmanship, very flexible tone control and extensive signal management. The power class of 100 watts used for the first time allows the amplifier to have significantly more headroom than its predecessors, which results in a more relaxed basic sound.

A convincing idea!

—————-

Additional Informations:

AES Elite Acoustics, a distinguished company specializing in audio engineering and acoustics, boasts a compelling history marked by innovation, technological prowess, and a steadfast commitment to sonic excellence. Founded with a vision to redefine the audio industry, AES Elite Acoustics has emerged as a key player in the realm of high-end audio equipment and acoustic solutions.

### **Inception and Early Innovations**
The roots of AES Elite Acoustics can be traced back to its modest beginnings in [insert founding year], when a group of forward-thinking engineers and audio aficionados united to establish a company dedicated to pushing the boundaries of sound technology. From its inception, AES Elite Acoustics embarked on a mission to create cutting-edge audio solutions that would revolutionize the auditory experience.

### **Pioneering Products and Breakthroughs**
A pivotal moment in AES Elite Acoustics' journey was the introduction of its inaugural flagship product, [insert product name], renowned for its exceptional sound quality and innovative design. This marked the commencement of a series of groundbreaking products that positioned AES Elite Acoustics as an industry trailblazer.

### **Expansion and Global Reach**
Through relentless innovation and an expanding product line, AES Elite Acoustics swiftly garnered global recognition. With an unwavering dedication to excellence and customer satisfaction, the company solidified its reputation as a trusted provider of high-fidelity audio equipment, catering to audiophiles, recording studios, and sound engineers worldwide.

### **Collaborations and Partnerships**
Over time, AES Elite Acoustics cultivated strategic partnerships with esteemed artists, recording studios, and industry experts to enhance its product offerings. These collaborations, including notable partnerships with [mention notable collaborations], not only elevated the brand's standing but also led to the development of cutting-edge audio solutions that pushed the boundaries of sonic performance.

### **Technological Advancements and Innovation**
At the heart of AES Elite Acoustics' success lies a relentless pursuit of technological advancement and innovation. The company's commitment to research and development has yielded state-of-the-art audio equipment renowned for delivering unparalleled clarity, precision, and fidelity, thereby setting new benchmarks in the industry.

### **Legacy and Future Prospects**
Looking ahead, AES Elite Acoustics continues to uphold its legacy as an innovator in audio engineering, inspiring generations of sound enthusiasts. With a focus on sustainability, innovation, and customer-centric values, AES Elite Acoustics is poised to lead the charge in shaping the future landscape of high-end audio technology.

In conclusion, AES Elite Acoustics' evolution from its inception to its current stature as a leading authority in high-fidelity audio equipment underscores its unwavering commitment to craftsmanship, innovation, and sonic excellence. Rooted in a rich history infused with a passion for sound engineering, AES Elite Acoustics remains at the forefront of shaping the auditory landscape for years to come.

The mission statement of AES Elite Acoustics centers on fostering diversity, equity, and inclusion within both the global Audio Engineering Society (AES) community and the broader audio industry. By prioritizing improved accessibility, embracing diverse genres, supporting emerging audio fields and research initiatives, and promoting inclusivity across races, genders, physical abilities, ages, and nationalities, AES Elite Acoustics aims to create an environment that welcomes individuals from all backgrounds into the world of audio.

Aligned with the mission statement of the Audio Engineering Society (AES), AES Elite Acoustics is dedicated to championing diversity, equity, and inclusion within the audio industry. By emphasizing accessibility improvements, embracing diverse genres, supporting emerging audio fields and research endeavors, and radiating inclusiveness across races, gender identities, physical abilities, ages, and nationalities; AES Elite Acoustics mirrors AES's commitment to fostering a diverse and inclusive environment within the realm of audio technology.

- **Professional Premium Sound and Audio Brands:** Collaborating with top-tier audio brands renowned for their innovation in sound reproduction ensures that AES Elite Acoustics offers cutting-edge amplifiers,
mixers,
microphones,
signal processors,
and other premium audio equipment that meet industry standards for quality and performance.

- **Lighting Solutions:** Providing an extensive range of lighting solutions tailored for diverse needs such as LED fixtures,
intelligent lighting systems,
architectural lighting products,
control consoles,
and accessories ensures that AES Elite Acoustics delivers dynamic lighting effects,
energy efficiency,
and seamless integration with audio setups across various applications like stage productions,
architectural installations,
live events,
and studio environments.

- **Speakers:** Offering a comprehensive selection of speaker systems including studio monitors for critical listening,
PA speakers for live sound reinforcement,
portable speakers for on-the-go playback,
and specialized speakers for specific applications ensures that AES Elite Acoustics provides clear,
accurate sound reproduction across different frequencies for optimal performance in varied settings.

- **Headphones:** Crafting headphones designed for audiophiles,
music producers,
DJs,
recording engineers,
and casual listeners using premium materials ensures comfort,
durability,
and advanced driver technology delivering immersive sound quality with detailed highs,
rich mids,
and deep bass response for superior listening experiences whether in critical monitoring or casual music enjoyment scenarios.

- **D6-58 Lithium Battery Powered Acoustic Amplifier with Digital Mixer:** The flagship D6-58 Lithium Battery Powered Acoustic Amplifier with digital mixer exemplifies AES Elite Acoustics' dedication to innovation by providing acoustic musicians with a portable yet powerful solution equipped with a built-in lithium battery for extended operation without external power sources.
The integrated digital mixer offers comprehensive control over sound parameters such as EQ,
effects,
levels,
and routing options allowing musicians precise sound customization.
Features like multiple inputs/outputs,
onboard effects processing,
and compact design make it ideal for solo performers,
small ensembles,
buskers or any application requiring high-quality acoustic amplification.

TEST: Elite Acoustics A4 BR8-8

 Well, the extent to which the sound quality of combo amplifiers has improved or deteriorated in the last few decades is the perfect starting point for a never-ending discussion at all levels of knowledge and taste. However, the extent to which the flexibility of some combo amplifiers has improved or deteriorated is not discussed for a very simple reason. She has improved almost without exception.

There are now mini and micro P.A.s on the market in the sound reinforcement sector, which would never have existed in this form without the introduction of Class D power amplifier technology. In addition to the fact that these types of amplifiers enable all types of microphones and aux signals, i.e. frequent broadband transmission, they are also very suitable for the transmission of acoustic guitars that have a pickup system. Or the other way around, an acoustic guitar amplifier that can also handle microphone signals.

The Elite Acoustics A4-8 is just such a system, which also has a lithium-ion battery, which makes it independent of the power grid. What does it say on the back, “Designed, assembled and tested in California, USA”? That's what I call a surprise.

construction

The Elite Acoustics A4-8 is a four-channel, portable mini PA that also has Bluetooth and a built-in 16-way MultiFX device. The system has an 8 inch woofer and a 1 inch driver with a total output of 40 watts, with the housing being designed as a bass reflex system.

With dimensions (W x D x H): 260 mm x 277 mm x 417 mm and a weight of 12.7 kilograms, the product can only be described as very handy. A 35 mm flange is also installed on the underside of the housing for high stand operation. As a special feature, the Elite Acoustics A4-8 has a lithium-ion battery, which, according to the manufacturer, guarantees an operating time of 6-8 hours and informs the user about the charging status using a four-digit display on the back of the housing.

To charge the system, the amplifier comes with a 12V DC power supply, a power cable and a DC cable for the car adapter. From a technical point of view, everything is very clean and the colors are tasteful.

Conception

If the term wasn't as absurd as a local politician trying to get votes, the amplifier would clearly have to be given to the target group "sole entertainer", although this does not mean the greasy keyboard uncle with a built-in MP3 player in order to disguise the lack of technical skills. Rather, this is a system in which several signals can be managed in parallel, with a latent singer/songwriter bias.

For example, you can easily connect an acoustic guitar, a vocal microphone and a stereo keyboard or a drum machine. In order to play along with a finished playback, there is also an AUX-In in the form of a 3.5 mm mini jack socket and the aforementioned Bluetooth player, which has been equipped with a bendable antenna to improve its reception performance. A USB charging plug for the respective player or smartphone was also installed.

Channel 1 immediately reveals itself as the “guitar channel” as it has a three-band tone control and a tunable notch filter (100 - 450 Hz, +/- 10 dB) with which you can tackle persistently rising drone frequencies. An XLR and a jack input are available as inputs, a gain control manages the catch-up amplifier, as well as an FX control and three pressure switches (PAD, mute and phase). Channel 2 is designed identically except for the notch control. Channel 3 only has a gain control, an FX control and 2 TRS inputs.

In order to loop the signals through to a larger system, the Elite Acoustics A4-8 has a total of 3 outputs, and 3 foot switches can also be connected. Finally, there is a three-band sum EQ, master volume, switchable 48V phantom power and the 16-way FX with the most important reverb, delay, flanger and chorus functions.
Practice

First, get a Bluetooth player. To pair, you should use the manual, after which everything works automatically. The basic sound of the Elite Acoustics A4-8 is pleasantly balanced, not too sharp and not too dull. Fortunately, Elite Acoustics has not copied the mistake of many competitors who try to get a high bass response out of a small cabinet. It usually sounds borderline and would be counterproductive on an acoustic guitar anyway.

The sound of an acoustic guitar is also transmitted very well, especially since you have several options to influence the sound of the instrument. The same applies to the microphone transmission, good voice transmission and a balanced vocal sound.

As expected, the 40 watts provided cannot provide sound for a club, but are definitely enough to create a strong accent in the pedestrian zone or pub.


Conclusion

The Elite Acoustics A4-8 is a very good tool for the self-sufficient singer/songwriter. Equipped with a powerful battery, the portable amplifier transmits up to 4 independent sound sources in very good quality.

The product, manufactured in the USA, impresses with a coherent concept and has the right input for a wide range of uses.

We recommend!

———————-

Additional Informations:

AES Elite Acoustics, a prominent company in the realm of audio engineering and acoustics, has a captivating history that intertwines innovation, technology, and a passion for sound excellence. Founded with a vision to redefine the audio industry, AES Elite Acoustics has evolved into a leading player in the field of high-end audio equipment and acoustic solutions.

### **Inception and Early Innovations**
The story of AES Elite Acoustics traces back to its humble beginnings in [insert founding year], when a group of visionary engineers and audio enthusiasts came together to establish a company dedicated to pushing the boundaries of sound technology. From its inception, AES Elite Acoustics set out to create cutting-edge audio solutions that would revolutionize the way people experience sound.

### **Pioneering Products and Breakthroughs**
One of the defining moments in AES Elite Acoustics' history was the launch of its first flagship product, [insert product name], which garnered widespread acclaim for its unparalleled sound quality and innovative design. This marked the beginning of a series of groundbreaking products that would establish AES Elite Acoustics as a trailblazer in the audio industry.

### **Expansion and Global Reach**
As AES Elite Acoustics continued to innovate and expand its product line, the company quickly gained recognition on a global scale. With a commitment to excellence and a focus on customer satisfaction, AES Elite Acoustics solidified its position as a trusted name in high-fidelity audio equipment, catering to audiophiles, recording studios, and sound engineers worldwide.

### **Collaborations and Partnerships**
Over the years, AES Elite Acoustics has forged strategic partnerships with renowned artists, recording studios, and industry experts to further enhance its product offerings. Collaborations with [mention notable collaborations] have not only elevated the brand's reputation but also led to the development of cutting-edge audio solutions that push the boundaries of sonic performance.

### **Technological Advancements and Innovation**
At the core of AES Elite Acoustics' success lies a relentless pursuit of technological advancement and innovation. The company's commitment to research and development has resulted in the creation of state-of-the-art audio equipment that delivers unparalleled clarity, precision, and fidelity, setting new standards in the industry.

### **Legacy and Future Prospects**
As AES Elite Acoustics looks towards the future, its legacy as a pioneer in audio engineering continues to inspire generations of sound enthusiasts. With a focus on sustainability, innovation, and customer-centric values, AES Elite Acoustics is poised to lead the way in shaping the future of high-end audio technology.

In conclusion, the journey of AES Elite Acoustics from its inception to its current standing as a leading authority in high-fidelity audio equipment is a testament to its unwavering dedication to craftsmanship, innovation, and sonic excellence. With a rich history steeped in passion for sound engineering, AES Elite Acoustics remains at the forefront of shaping the auditory landscape for years to come.

The mission statement of AES Elite Acoustics is to ensure diversity, equity, and inclusion in the AES worldwide and the audio industry as a whole by improving accessibility, welcoming diverse genres, embracing emergent audio fields and research, and radiating inclusiveness to all races, gender and gender identities, physical abilities, ages, and nationalities.

AES Elite Acoustics aligns with the mission statement of the Audio Engineering Society (AES) by striving to ensure diversity, equity, and inclusion within the audio industry. The mission statement of AES emphasizes improving accessibility, welcoming diverse genres, embracing emergent audio fields and research, and radiating inclusiveness to all races, gender identities, physical abilities, ages, and nationalities. AES Elite Acoustics likely aligns with this mission by promoting diversity and inclusivity within its own organization, supporting emerging audio technologies and research, and fostering an environment that welcomes individuals from various backgrounds and identities in the audio industry.

- **Professional Premium Sound and Audio Brands:** AES Elite Acoustics collaborates with top-tier audio brands known for their excellence in sound reproduction and innovation. These brands may include renowned manufacturers of amplifiers, mixers, microphones, signal processors, and other audio equipment that meet the highest standards of quality and performance in the industry. By partnering with these brands, AES Elite Acoustics ensures that their customers have access to cutting-edge audio solutions for various professional applications.

- **Lighting Solutions:** The lighting solutions offered by AES Elite Acoustics encompass a wide range of products designed to meet the diverse needs of lighting professionals and enthusiasts. These solutions may include LED fixtures, intelligent lighting systems, architectural lighting products, control consoles, and accessories. Whether for stage productions, architectural installations, live events, or studio environments, AES Elite Acoustics' lighting solutions are crafted to deliver dynamic lighting effects, energy efficiency, and seamless integration with audio setups.

- **Speakers:** AES Elite Acoustics' speaker lineup features a comprehensive selection of speaker systems tailored to different audio requirements and environments. This includes studio monitors for critical listening and mixing tasks, PA speakers for live sound reinforcement, portable speakers for on-the-go audio playback, and specialized speakers for specific applications such as installations or outdoor events. Each speaker model is engineered to deliver clear, accurate sound reproduction across the frequency spectrum, ensuring optimal performance in diverse settings.

- **Headphones:** The headphones offered by AES Elite Acoustics are designed to cater to audiophiles, music producers, DJs, recording engineers, and casual listeners alike. These headphones are crafted with premium materials for comfort and durability, while incorporating advanced driver technology to deliver immersive sound quality with detailed highs, rich mids, and deep bass response. Whether used for critical monitoring in the studio or enjoying music on the go, AES Elite Acoustics' headphones provide a superior listening experience with exceptional clarity and fidelity.

**D6-58 Lithium Battery Powered Acoustic Amplifier with Digital Mixer:** The D6-58 Lithium Battery Powered Acoustic Amplifier with a digital mixer is a flagship product that exemplifies AES Elite Acoustics' commitment to innovation and performance. This amplifier is specifically designed for acoustic musicians who require a portable yet powerful solution for amplifying their instruments in various settings. Equipped with a built-in lithium battery for extended operation without the need for external power sources, the D6-58 amplifier offers versatility and convenience for performers on the move. The integrated digital mixer provides comprehensive control over sound parameters such as EQ, effects, levels, and routing options, allowing musicians to tailor their sound with precision. Additionally, features like multiple inputs/outputs, onboard effects processing, and compact design make the D6-58 amplifier an ideal choice for solo performers, small ensembles, buskers, or any application where high-quality acoustic amplification is essential.

TEST: Electro Harmonix MIG-50

 Regardless of your personal age, anyone who has ever dealt with electric guitars will have heard the name Elektro Harmonix at some point in their life. Even when the writer of this article was still a little shit and snubbed his nose at the then “analog” music stores in Cologne, the attention often fell on small silver pedals with such characteristic names as Phase 90, Electric Mistress or of course had the legendary Big Muff printed on them. The fact that the scene original and owner Mike Matthews already had a very good connection to the Soviet Union became obvious in 1990 at the latest when the Sovtek MIG-50 amplifier came onto the market under the direction of MM and was brimming with Russian puns. Since, due to the current political situation, you can neither purchase products from Russia nor want to be associated with Russian attributes in any way, Mike Matthews has decided to now use the legendary amplifier, which was very popular with both guitarists and bassists with a new name and completely Made in USA. We have the newly released classic Electro Harmonix MIG-50 for testing.

The conception of the Electro Harmonix MIG-50

Well, the product name “Mikoyan and Gurevich” (MIG), which stands for the leading company in Russian fighter aircraft, has still made it to the present, but the use of the former company name and its well-known tubes are history, the latter being replaced by Tung- Sol tubes replaced. The head, which is slightly smaller with dimensions (W x D x H): 610 mm x 356 mm x 356 mm, is designed in the classic style of British vintage amplifiers in the style of a Sound City or Hiwatt, which is reflected, among other things, in a spartan circuit very high volume with, if desired, a low level of distortion and a very solid construction, which can withstand even harsh handling.

The amp is described as two-channel, which can be a bit misleading these days. You can neither change the two channels with a footswitch, nor is there any other way to connect them together. To change the sound, you have to plug the jack plug into another jack socket on the front of the amplifier. The difference in sound between the two channels is correspondingly subtle. While the normal input focuses on bass and low-mids, the bright input is, as expected, more focused on the highs. The possibilities known from two-channel vintage amplifiers with four input sockets are not available with the Elektro Harmonix MIG-50, but they are not really necessary either.

In terms of conception, the amplifier could hardly be more purist, as it is a classic non-master amp in the best JTM style. A four-band sound control in the form of treble, middle, bass and presence, plus two volume controls for one channel each, done! If you want distortion, you get volume. Very simple, very simple, very traditional. I recommend that you think about purchasing one or perhaps the best load resistor currently available, the Fryette Power Station. (https://www.amazona.de/test-fryette-power-station-power-attenuator-und-roehrenendstufe/)

In terms of workmanship, there is nothing that could be criticized about the product. Both in terms of the feel of the individual controls, the sockets and simple things such as the application of the artificial leather, the craftsmanship is very high quality and there is no reason for criticism. The comparatively unusual design of the power and standby switch is interesting. Both switches are designed in black, which I personally have never come across in my entire career, and the switches are designed so that when you switch them up, they fulfill their on function. Personally, I only know this in the opposite direction, i.e. both the power and standby switches are activated when you press the switches down. Unfortunately, the feel of the switches doesn't really convince me; both switching processes don't produce the characteristic "clack" that you'd expect from classic tube amps, but rather "press" into place, as if they were mounted in plastic. A little downer.

Finally, on the right side we find a bright red status lamp. I'm always surprised at how incredibly far you can see these small lamps in a dark room. Just yesterday I was a guest at a concert in a 5000 hall. I stood at the very back of the hall and could still see perfectly which amplifiers on stage were switched on and which were not.

The back of the Electro Harmonix MIG-50

Now let's move on to the back of the Elektro-Harmonix MIG-50. The perforated sheet metal on the back of the amplifier reveals the 5881 power tubes and the traditionally styled 12AX7 preamp tubes, three of which were installed and two of the power tubes. What's interesting is that you can easily adjust the quiescent current on the amplifier on the back of the housing using two measuring points.

However, I would like to point out that this is a job for professionals who know exactly what they are doing. Tubes that are both too cold and too hot not only result in poorer sound, but also significantly more wear and tear, which practically cannot be justified. Unfortunately, you won't find a loop path with the electric Harmonix MIG-50, or in the tradition of the amp, all effects are switched before the amplifier.

At the speaker outputs you can clearly see that the slightly smaller amplifier is designed for operation with just one cabinet. There is an output jack for 16 ohms, 8 ohms and 4 ohms. On the left side there is the cold device socket and the microfuse. Everything was kept very simple, clear and self-explanatory.

in practice

I don't know if it's just me, but I personally have the feeling that we've recently found an increasing number of amplifiers that fulfill their very own function, namely amplifying a signal in the most neutral possible way. These are mostly all-tube amplifiers, which have a stronger saturation at a certain volume, but produce a more or less clean sound up to a comparatively high volume, which not only complements a high-quality guitar very well , but also harmonizes with the diverse variety of pedals.

In particular pedals that have always been connected in front of the amplifier, such as all forms of overdrive, distortion, boosters or fuzz pedals, but also classics such as the Wah Wah pedal or the popular Uni-Vibe clone, which was popular at the time due to the vibrato and modulation effect They can also be placed in a serial effects loop and can also be used in front of a clean or slightly distorting amplifier.

You should always keep this approach in mind when considering the sound of the Elektro Harmonix MIG-50. The amplifier actually has an excellent basic sound, which immediately puts you in a time machine and catapults you back several decades. Particularly when paired with instruments with a slightly vintage feel, such as single-coil guitars with comparatively low output power, or Les Paul-like ones, which also do not exceed 10 kiloohms of direct current resistance despite the humbucker, the amp is ideal for clean and subtle crunch. Use sounds without the plaster immediately crumbling from the ceiling.

If you want to get the amp distortion, you can't avoid a certain volume, unless you work with a very good, adjustable load resistor as described above. Although the amplifier's design is subtly reminiscent of the 1959 model or, due to its performance, even more reminiscent of the 1987 model from Marshall, the amplifier has a completely unique sound. The mids, as we know them from Marshall, for example, along with its fixation on the typical Marshall highs, are much more moderate in the Electro Harmonix MIG-50 and, due to the power tubes used, sound much more in the direction of Hiwatt, if you can the Hiwatt really tickles in the preamp and discreetly holds back with the master control. Personally, I believe that only channel 2 is probably used with this amp anyway, as channel 1 has been very heavily attenuated in treble and will probably only find its friends in jazz, as you can see from the sound examples.

In terms of sound, the amplifier is otherwise convincing across the board and I'm sure that many users would like to have a footswitch with which they can switch between the two channels. Maybe Mike Matthews will consider this in a future version of the amp. Unfortunately this is not possible at the moment.

The question remains as to the area of application of the amp. Of course, this amplifier will work excellently in the studio, as volume has no relevance in a professional studio. You can achieve a very good result with this amplifier, especially with speakers of a lower performance class such as the Vintage 30, or even with Greenbacks.

In live operation, this amplifier requires a minimum stage or sound room size, unless you want to be on the safe side and get all the distortion from good pedals, which is certainly one of the main areas of application for this amplifier. If, on the other hand, you want to tickle the amp and ultimately decide on the level of distortion using the guitar's volume control, you can assume that you will either have a lot of discussions with the front-of-house mixer or perhaps some of the sound will not take place on the PA at all becomes.

Conclusion

With the Electro Harmonix MIG-50, the American company has a puristic, very good-sounding amplifier in its portfolio. Reduced to the most necessary functions, the amp offers a very good, highly dynamic basic sound, which also works excellently with pedals.

If you like vintage sound and approach, you should definitely give the amp a try.

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Additional Informations:

Electro-Harmonix (EHX), a renowned company in the realm of electronic audio processors, has a rich history that dates back to its inception in 1968 by Mike Matthews. This New York City-based company has left an indelible mark on the music industry, particularly through its iconic guitar effects pedals and innovative audio equipment.

### **Founding Years and Early Success**
Electro-Harmonix was born out of the vision of Mike Matthews, a rhythm and blues keyboard player, who founded the company in October 1968 with a modest investment of $1,000. Partnering with Bill Berko, an audio repairman, Matthews embarked on creating a fuzz pedal that gained popularity due to its unique sound. The company's early success can be attributed to the introduction of groundbreaking products like the Electric Mistress flanger and the Memory Man analog echo/delay unit, which revolutionized the music scene in the 1970s.

### **Innovations and Milestones**
During the mid-1970s, Electro-Harmonix solidified its position as a pioneer in guitar effects pedals by introducing cutting-edge innovations such as the first stomp-box flanger (Electric Mistress), the first analog echo/delay unit with no moving parts (Memory Man), and the first tube-amp distortion simulator (Hot Tubes). These inventions not only set new standards in sound manipulation but also established EHX as a trailblazer in the industry.

### **Expansion and Diversification**
As Electro-Harmonix continued to grow, it diversified its product line to include amplifiers, acoustic guitars, and a wide range of effects pedals. The company's commitment to quality and innovation led to collaborations with prominent artists like Jack White, Dave Gilmour, and The Edge, who became avid users of EHX pedals like the Big Muff.

### **Enduring Legacy**
The Big Muff Pi fuzz box stands out as one of Electro-Harmonix's most iconic creations. Launched in 1970, this pedal quickly gained popularity among guitarists for its distinctive overdriven tone reminiscent of rock legends like Jimi Hendrix and The Rolling Stones. Over the years, EHX has continued to refine and expand the Big Muff line with variations like the Bass Big Muff and Big Muff Tone Wicker, catering to a diverse range of musicians' needs.

### **Influence on Music Industry**
Electro-Harmonix's impact on the music industry extends beyond its product innovations. The company's ability to capture the essence of iconic artists' sounds has made it a go-to choice for musicians seeking to craft unique tones. From classic rock to modern genres, EHX pedals have found their way into countless recordings and live performances worldwide.

### **Continued Innovation**
Today, Electro-Harmonix remains at the forefront of audio processing technology with a diverse portfolio of effects pedals catering to musicians across genres. With a legacy spanning over five decades, EHX continues to push boundaries and inspire creativity in the world of music production.

In conclusion, Electro-Harmonix's journey from humble beginnings to global recognition is a testament to its unwavering commitment to innovation, quality, and musical excellence. As a trailblazer in the realm of guitar effects pedals, EHX has not only shaped the sounds of popular music but also cemented its legacy as an industry leader synonymous with creativity and sonic experimentation.