TEST: Harley Benton C212 A

 The fact that the guitar amplifier market has undergone a fundamental realignment in recent years is unlikely to have gone unnoticed by anyone. The classic orientation in the form of integrated amplifiers plus optimized loudspeaker boxes or combo solutions have massively taken a back seat due to their feel, despite the still best sound results. Hardly any hobby musicians are still willing to drive corresponding components in their car to shows or rehearsals, and the modeling amp combination of good basic sounds combined with low travel costs is also highly valued in the professional sector. However, in order not to completely lose the experience of moving air on your ears, there are active full-range guitar speakers that specialize in amplifying modeling amps. The Harley Benton G212A-FR, which we have for testing, also belongs to this category.

Why active full range guitar speakers?

In order to understand the stubborn adherence of some musicians to an archaic technology, one must briefly consider the history of the origins of electric guitar amplification. Ultimately, all components that make up the “official” sound are due to the fact that they developed from the “inadequacies” of the amplifier technology of the time. The “invention” of the warm, distorted sound is thanks to the low-performance all-tube amplifiers in combination with the social upheaval of the sixties. Ultimately, everything that electric guitarists call excellent sound is based on a more or less technical accident.

Nevertheless, this “accident” has hooked the human ear to such an extent that even today the key discipline is “getting as close as possible to the original sound” and is unlikely to change. When it comes to copying functions, products such as the Kemper Profiler are quite close to the original, but what is missing in many modeling performances is the physical interaction with the loudspeaker. Anyone who has ever had the opportunity to stand at the edge of the stages while some artists are performing will have noticed that the majority of the artists (up to 80% or more in the heavy section) are only “silent stages”. “, where only the natural drum set can be heard on stage at natural volume. A mostly sad sound on stage, although the reason for this is the establishment of in-ear monitoring systems, which make any stage amplifiers plus floor monitors or sidefills obsolete.

However, it is often overlooked that the interaction of the instrument with the loudspeaker not only changes the resonance behavior of the guitar, but also that the artist adapts his playing style to the changed signal flow. It's not for nothing that guitarists with "real" stage amplifiers work significantly more with the guitar's volume control and, on average, offer a more dynamic performance than pure in-ear monitoring solutions. This is where the active full-range guitar speakers come into play, which are supposed to move the air and also have to be designed differently to accommodate the changed frequency pattern. Since the modeling amplifiers have already taken the special frequency response of a guitar speaker into account in their emulations, the same active speakers, as the name suggests, definitely also need appropriate tweeters, which in turn would produce a catastrophic sound in a classic electric guitar speaker.

Just for the sake of completeness, you can of course also use the Harley Benton G212A-FR as a “normal” guitar box together with a modeling amp without an earpiece.

The concept of the Harley Benton G212A-FR

Anyone who has switched to modeling mainly because of weight reasons will let out a real sigh when they first come into contact with the Harley Benton G212A-FR. 22.5 kg plus the dimensions (W x D x H): 706 mm x 356 mm x 518 mm make you think for a moment why you didn't stick with classic amplifier technology. If you can still warm to these values, you get a “high-performance stereo system” with 2x 100 watts on a 12-inch woofer and a 1-inch tweeter. It's not for nothing that the description is reminiscent of studio monitor boxes, as the way they work is basically the same.

However, the Harley Benton G212A-FR is designed to be much more stable for stage use and also has a few features that only make sense in live operation. For example, the base plate is shortened so that the box can also be used as a floor monitor at an approximately 60 degree angle. Unfortunately, this useful detail has the crucial disadvantage that the box only has a comparatively low resistance to tipping in standard upright operation. It would be worth considering whether an additional fold-out stand should be installed in the future to increase stability. If you can live with the “optical challenge”, you can also place the box upright if necessary, but then any stereo signal that may have been applied will be lost in its width.

The housing of the box is covered with black Tolex, 6 corner protectors protect the front plus the upper rear edge. The lower rear edge has no corner protectors due to the transitions not being at right angles. The box itself rests on 4 simple rubber feet, with a continuous black tension fabric protecting the speakers. The back wall is semi-open in the style of a 212 combo and therefore emits around 50% of the sound energy to the rear, at least in the bass range. This must be taken into account if, for example, the box is placed as a wedge behind the floorboard and the box also provides sound for the first row of the audience. Depending on the stage volume/PA ratio, this can lead to an unbalanced sound.

In the style of a typical guitar power amplifier, the Harley Benton G212A-FR has a volume, a presence and a resonance control per channel. The box can also be operated mono using a switch. There is an L/R jack or L/R XLR as an input, and there is also an XLR as an output for looping through to the FOH or monitor space. Unfortunately, the controls, which are subtly reminiscent of speed dome heads, are comparatively difficult to read, especially from a distance, so remember the setting or get very close. 5 LEDs provide information about an active signal, overloading and the mute function, which can be used to mute the power amplifiers. The power switch, on the other hand, is located on the far right of the panel. There is a ground lift switch on the outside left for any ground loops that may occur.

The Harley Benton G212A-FR in practice

To make things really difficult for the Harley Benton G212A-FR, I used a H&K floor amp from the BS200 series as a test setup and connected it to a cabinet that is also available in the Red Box emulation of the amplifier. I then connected it to the active box and was able to find out the advantages and weak points of the box in a direct A/B comparison.

To put it bluntly, I was surprised at how good the quality of the Harley Benton G212A-FR ended up being. As expected, the box cannot generate the resolution and dynamics of the original in a direct comparison with the 412 cabinet, but the basic sound is very close to the original in terms of basic sound. Especially in relation to the retail price, you can attest to the active speaker's really good results; the system sounds quite balanced and latently powerful despite no-name speakers.

However, a little caution should be exercised when positioning the speaker in relation to the bass range, as the speaker, which is open at the back, tends to drone a little depending on the room, but this can be mitigated somewhat using the resonance control. The only disadvantage of the box is the very beam-heavy radiation behavior of the box. Due to the tweeters, the speaker loses a lot of treble as soon as you move out of the speaker's direct radiation range. The sound of the Harley Benton G212A-FR is already 1 meter next to the speaker and is only marginally noticeable in the band context. For active musicians on stage, a combination with an in-ear system is therefore definitely recommended.

In addition, it should be noted that if you want to go directly into the active speaker with your Multi-FX or pedalboard, you should definitely have a high-quality speaker emulation installed internally, or have an external pedal in the style of the ENGL Cabloader at the start. Without appropriate frequency correction, distorted sounds are otherwise unbearable.

As expected, the Harley Benton G212A-FR also works very well with an acoustic guitar due to its design, although depending on the stage volume you should consider using a soundhole filter. The two 12-inch speakers actually produce a massive bass foundation, which poses the risk of feedback, especially when used with wedges in the direct radiation area.

Conclusion

With the Harley Benton G212A-FR, the Thomann house brand has a very inexpensive yet good-sounding full-range active speaker in its portfolio. The system generates an unexpectedly good basic sound for modeling amps of all kinds, or acoustic guitars with pickups.

If you want to add some feel to your in-ear sound or generally need an amplifier for your modeling amp, you should give the product a try.

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Additional Informations:

# The Evolution of Harley Benton: A Journey Through Time

Harley Benton, a name synonymous with quality musical instruments, has a rich and fascinating history. This article delves into the origins and evolution of this renowned brand.

## The Genesis

Harley Benton is the house brand for stringed instruments, their amplifiers, and harmonicas of **Musikhaus Thomann**, a large trader for instruments and audio equipment from Bavaria, Germany¹. The brand was developed and is distributed by the company **Thomann** from Germany². Thomann Music, based out of Bavaria, Germany, was founded in 1954 by Hans Thomann Sr³. It is currently managed by Hans Thomann Jr³.

## The Brand Philosophy

Harley Benton generally targets the budget market, striving to provide higher quality instruments than usually found at the respective price points¹. The brand stands for affordable and high-quality musical instruments, enabling both beginners and professional musicians to easily and uncomplicatedly enter the world of music².

## The Product Range

Most Harley Benton products are guitars of various kinds, including electric guitars, acoustic guitars, classical guitars, and bass guitars¹. The brand also includes banjos, mandolins, ukuleles, diatonic harmonicas, electric violins, electric violas, and lap steel guitars¹. Harley Benton also sells amplifiers, pedals, and strings¹.

## Manufacturing Process

Harley Benton guitars are manufactured in around 20 factories in China, Indonesia, and Vietnam¹. The first producer associated with Harley Benton is Saein Musical Instrument Co, Ltd². This South Korean OEM provider produces its guitars in China². Saein is a leading manufacturer that has been producing musical instruments for over 30 years².

## The Impact

Harley Benton guitars are known for their high quality and affordability. They are robust, durable, and very affordable². They offer a very good price-performance ratio and are a good choice for anyone looking for a high-quality guitar².

In conclusion, Harley Benton has made a significant impact on the music industry by providing high-quality, affordable instruments. The brand continues to innovate and expand its product range, catering to the needs of musicians worldwide. Harley Benton's journey is a testament to its commitment to quality and affordability, making music accessible to all.

## The Evolution Continues

As the brand continues to evolve, Harley Benton has expanded its product line to include a wide range of musical equipment. This includes amplifiers, effects pedals, and even PA systems. Each product is designed with the same philosophy in mind - to provide high-quality equipment at an affordable price.

## The Community

Harley Benton has cultivated a strong community of musicians and enthusiasts. The brand's commitment to quality and affordability has resonated with musicians worldwide, leading to a loyal customer base. Many online forums and social media groups are dedicated to discussing the brand's products, sharing experiences, and offering advice to fellow musicians.

## The Future

Looking ahead, Harley Benton shows no signs of slowing down. The brand continues to innovate, regularly releasing new products and updating existing ones. With a keen eye on market trends and a deep understanding of musicians' needs, Harley Benton is poised to remain a key player in the music industry.

In conclusion, the story of Harley Benton is one of continuous evolution and growth. From its humble beginnings as a house brand for Musikhaus Thomann, Harley Benton has grown into a globally recognized brand, synonymous with quality and affordability. As the brand continues to evolve and expand, one thing remains constant - its commitment to making music accessible to all. This is the legacy of Harley Benton, a legacy that continues to resonate with musicians around the world.

TEST: Harley Benton Drum'n'Loop

 Everything was better before. It wasn't a damn thing, at least when it came to aids for the personal training program in terms of finger exercises etc. In the early days of my career, in a desperate move, I taught myself rudimentary drumming so that I could record tracks for myself that I could practice on. Drum computer, hard disk recording, loop libraries? Nothing at all, just an annoying metronome with the name Dr. Beat, that was fun.

Thanks to digital technology, such feats of strength are no longer an issue. In order to specifically “play with yourself” (roar!), loopers of all abilities open up a colorful mix of live performance and personal practice assistants, often with an internally installed drum computer. The Harley Benton Drum n'Loop is just such a looper, which is in the basic class and, with a retail price of 99.00 euros, remains below the three-digit retail price.

The triple lottery

It is probably well known that Harley Beton is one of the house brands of the Thomann music store. However, it is rather unusual that the same product is offered by three different manufacturers at the same time in exactly the same version. The Harley Benton Drum n'Loop is also available as Rowin Beat Loop and Fame Beat Loop, only the color version varies. Therefore, you choose color.

Concept and structure

As already mentioned, the Harley Benton Drum n'Loop has an internally built-in drum machine with 40 different drum beats, the speed of which can of course be changed. Up to 30 loops can be saved, with a loop length of up to 5 minutes. The total recording time is up to 50 minutes.

In addition to the looper itself, the scope of delivery also includes a double foot switch, a stereo connection cable and a micro USB cable. The Harley Benton Drum n'Loop receives its operating voltage via the USB cable; you won't find a power supply for stage use. Theoretically, you can of course also install your iPhone power supply or comparable 5V power supplies on your floorboard, but I can only advise against it in terms of road suitability.

The construction of the Harley Benton Drum n'Loop is quickly dealt with. In addition to 2 foot switches (Stop / Clear and Play / Record), the product has 2 endless controllers with push function for menu navigation. On the right side of the housing there is the input socket for the instrument as well as the connection socket for the supplied external foot switch, on the left side there are 2 jack outputs for a right/left stereo image. On the front side, in addition to the USB input and the connection socket for an external power supply, there is also a headphone output and an AUX in for playing external sound sources.

The built-in metal housing and the foot switches used make a very stable impression and suggest a long service life. When it comes to footwork, a little sensitivity may be required, as the multi-function endless controllers are in line with the foot switches and can cause an unwanted switching function through the tip of the foot if there is uncontrolled “kicking”. A metal protective bar would have served a useful function here.

handling

Word has probably gotten around about what a looper does, but with simple devices you need a good sense of rhythm in order to make the recorded loop run “smoothly” in the truest sense of the word. A non-circular loop takes away all the joy of playing, which is probably also responsible for the high return rate of the products. In the case of the Harley Benton Drum n'Loop, the built-in drum machine helps to keep the tempo and sounds a lot more varied than a metronome.

However, anyone who thinks that they can now replace an experienced drummer will unfortunately be disappointed. Unfortunately, the demands of the internal clock only make it to the lowest level, i.e. the quantization is extremely hard, the sounds generated are of the simplest design and there is no thought of dynamics in the sound. However, the drum machine serves well as a metronome replacement. To record a loop that matches the drum beat, you can either rely on your personal count-in, or you can use the external footswitch to set an intro after the recording starts automatically. The same footswitch can also initiate an outro or play fills in the loop.

Unfortunately, the originality of the interjections is also at the level of a first-generation solo entertainer. Not that they don't fulfill their function, but if you want to use the Harley Benton Drum n'Loop drum machine for a stage presentation or recording, you should think twice about it. The pure looper function, on the other hand, works perfectly, especially since the total of 4 foot switches available enable comprehensive recording management.

The concept of the Harley Benton Drum n'Loop is based exclusively on recording loop sequences yourself and layering them up. Once loop tracks have been put together, they can no longer be picked apart and deleted or edited separately; they can only be deleted completely. It is also not possible to import external content in the form of pre-produced loops via memory cards or other interfaces and then access them as part of a song within a performance.

Once you have created a loop, you can change the drum beat as you wish within the saved beats. What you can't change afterwards, however, is the speed of the loop. Unfortunately, synchronization with other devices is also not possible due to a lack of interfaces. Everyone has to find out for themselves to what extent these restrictions are relevant for their personal use

Placement in the signal path

Like almost all loopers used by a guitarist, the Harley Benton Drum n'Loop also has the problem of placement in the signal path if you want to use the gain component from your amplifier. If you switch the looper between the guitar and the guitar amp and use the drum machine with more or less gain, you will hear a distorted beat that has an interesting lo-fi character, but usually drifts into the annoying after a short period of fascination .

Two separate outputs would be ideal, which would route the guitar signal to a regular P.A. System or similar as well as to an independent guitar amplifier. Anyone hoping to be able to use the two right/left outputs of the Harley Benton Drum n'Loop in this way will unfortunately be disappointed, unless they can live with an unbalanced drum set.

If you want to use the drum machine, the only option is to place a preamp / multi-FX plus speaker simulation in front of the Harley Benton Drum n'Loop and route the overall signal to a console with an amplifier system or similar. However, if you only want to use the looper function, you can use the pedal normally in the signal path.

Practice

Now that we've listed in detail what the Harley Benton Drum n'Loop can't do, let's turn to the segment for which it was made. Above all, the little kicker is fun! With the simplest means you have a reliable practice partner when it comes to practicing patterns. Especially the supreme discipline of boredom, the daily finger exercises, get significantly more momentum with the small pedal than with the metronome.

Once you get used to the way you work, you won't want to stop, even though you still feel a little empty with the layering of guitar tracks in the bass range. If you own an octaver or similar, you should also switch it in front of the looper in order to possibly create a suitable bass track. This comparatively small intervention immediately significantly improves the loop, as long as it has a minimum amount of groove.

It's a real shame that you can't configure the two outputs individually in terms of signal flow; it would give the product a clear step forward in terms of flexibility. When using the drum machine, you are forced to cleanly amplify the overall signal, which significantly limits its suitability for stage use in conjunction with a guitar amplifier.

Conclusion

With the Harley Benton Drum n'Loop you have a good practice partner when it comes to metronome replacement and harmonic layering of melodic arcs or chord patterns. In just a few simple steps you can stick together a rudimentary replacement band, which is an excellent way to practice and try out. In addition, your personal hearing when it comes to harmony structures is sharpened.

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Additional Informations:

## Harley Benton: A Brief History

Harley Benton is a German brand of musical instruments and equipment, owned by the Thomann Music Group, one of Europe's largest music retailers. The brand is known for its affordable and high-quality guitars, basses, amplifiers, and other accessories.

**The Early Years**

The Harley Benton brand was launched in 1998 by Hans Thomann, the founder of Thomann Music. Thomann saw a need for a brand of affordable musical instruments that would be of high quality and appeal to beginner and intermediate players. He named the brand after Harley Benton, a fictional American blues guitarist.

The first Harley Benton instruments were guitars, and they were quickly met with success. Musicians were impressed with the quality of the instruments for their price, and the Harley Benton brand quickly gained a reputation for value for money.

**Expansion and Growth**

In the early 2000s, Harley Benton expanded its product line to include basses, amplifiers, and other accessories. The brand also began to sell its products online, which further increased its reach.

By the mid-2000s, Harley Benton was one of the most popular brands of affordable musical instruments in Europe. The brand's products were being sold in over 100 countries around the world.

**Recent Developments**

In recent years, Harley Benton has continued to grow and innovate. The brand has introduced a number of new product lines, including the Harley Benton Pro Series, which is aimed at more experienced players. Harley Benton has also expanded its online presence, and now offers a wide range of products and services through its website.

Today, Harley Benton is one of the most respected brands of affordable musical instruments in the world. The brand's products are used by musicians of all levels, from beginners to professionals. Harley Benton is committed to providing high-quality instruments and accessories at affordable prices, and the brand continues to be a popular choice for musicians around the world.

**Here are some of the key factors that have contributed to Harley Benton's success:**

* **Focus on quality:** Harley Benton is committed to providing high-quality instruments and accessories at affordable prices. The brand's products are carefully crafted and undergo rigorous quality control testing.
* **Wide product range:** Harley Benton offers a wide range of instruments and accessories to suit all needs and budgets. The brand's product line includes guitars, basses, amplifiers, pedals, strings, and more.
* **Excellent customer service:** Harley Benton is known for its excellent customer service. The brand's customer service team is available to answer questions and provide support.
* **Strong online presence:** Harley Benton has a strong online presence, and the brand's website is a popular destination for musicians looking for information and products.

**Harley Benton is a true success story in the music industry. The brand has demonstrated that it is possible to provide high-quality musical instruments and accessories at affordable prices. Harley Benton is a popular choice for musicians of all levels, and the brand is sure to continue to be successful for many years to come.**

**In addition to the factors listed above, here are some other things that have contributed to Harley Benton's success:**

* **The rise of the internet:** The internet has made it easier for Harley Benton to reach a global audience. The brand's website and social media channels have been instrumental in its success.
* **The growing popularity of affordable musical instruments:** The market for affordable musical instruments has grown significantly in recent years. This has been driven by a number of factors, including the increasing popularity of music education and the rising cost of living.
* **Harley Benton's commitment to innovation:** Harley Benton is constantly innovating and developing new products. The brand is not afraid to take risks and experiment with new ideas.

**Harley Benton is a shining example of what can be achieved when a company is committed to quality, innovation, and customer service. The brand is an inspiration to other companies in the music industry, and it is sure to continue to be a major player in the years to come.**

TEST: Harley Benton CLD 15-CE

 Harley Benton CLD-15CE Flame Koa Exotic. Anyone who has placed an order from Thomann in their life knows the Harley Benton house brand. What was sometimes mentioned behind closed doors in its early days has now developed into one of THE money makers for the music store due to the consistently good to very good quality. OEM contracts in almost all music sectors ensure an extensive range and direct purchasing also means good batches are achieved at a comparatively low retail price. However, where the brand is comparatively less visible to the musician is in the area of the western guitar (as if a “real” cow driver could ever have played the guitar :-), or in other words, a fully acoustic acoustic guitar. In order to further reduce this lack of attention, Thomann has brought the Harley Benton CLD-15CE Flame Koa Exotic onto the market, which we have available for testing.

The construction of the Harley Benton CLD-15CE Flame Koa Exotic

Although not as common as it was a few decades ago, the predominant color of the swinging ceilings is usually the classic light spruce. Always popular because they are available in large quantities, very light and therefore very easy to vibrate and, with appropriate bracing, also stable enough to counteract the tensile forces of the strings. Here the Harley Benton CLD-15CE Flame Koa Exotic takes a completely different approach. All types of wood used in this instrument are in a darker tone. As the type name suggests, the top was made of Hawaiian Riegelkoa wood, the neck, back and sides are made of mahogany, and the fingerboard is made of the now popular rosewood alternative Pao Ferro. The fingerboard has the 20 frets often used on acoustic guitars, which have normal height and width dimensions. Due to these different source materials, a different basic sound can definitely be expected in advance.

The general workmanship of the instrument is carried out very cleanly; nowhere could the well-known points of uncleanliness such as streaks of paint or glue, sharp edges or excessive gaps be found. A look inside the body is also convincing. The Scalloed X-Bracing sits perfectly, glue residue has been completely removed, and the overall appearance offers no reason to complain. The neck/body transition was designed as a dovetail, which is probably the most stable wood/wood connection when properly executed. The Venetian version is used as a cutaway, in which the tip is rounded, in contrast to the pointed Florentine version.

The unusual dimension of 643 mm was chosen as the scale length, a dimension which is between the long scale length of 648 mm and the “medium” scale length (established at the time by Paul Reed Smith) of approx. 635 mm. However, in order to prepare the Harley Benton CLD-15CE Flame Koa Exotic for playing while standing, the buyer must do it themselves or have it done by a specialist. If you don't want to go to war in the best Salvation Army look with a cord on the headstock, you need to set two strap pins accordingly, as the individually pre-installed button on the lower part of the frame is also very small and only made of plastic. But be careful, always do a quick check in advance to see whether the instrument tends to be extremely top-heavy when it comes to two practical points. In contrast to the solid body, in which the body makes up a large part of the total weight and therefore ensures a completely different balance, the body tilts significantly faster when the strap pins are placed in the same place as with a solid wood guitar. A hole can be drilled quickly, but it takes a lot of effort to close it again in an optically acceptable way.

So-called “snowflakes” made of acrylic were used as fingerboard inlays, but only with a lot of imagination can they be considered snowflakes and could just as easily represent medieval knight’s crosses. On the back of the headstock there is the mandatory information “Made In China” in the form of a sticker, which can be removed, not without ulterior motives, but very easily and without leaving any adhesive residue. The built-in no-name mechanics are a little stiff, but still offer a consistent control path and do their job perfectly. As expected, the bronze strings from Daddario fit very well with the general appearance of the Harley Benton CLD-15CE Flame Koa Exotic due to their red-brown color. The guitar is not lacquered to a high gloss, but rather the lacquering was done in a natural matt finish. In order to allow the individual body components to be discreetly separated visually, a black binding was used, which was also given a white “eyeliner” on the top side. The rosette is quite simple in terms of its visual decoration and only consists of 2 circles, one of which has wider lines, the other with 2 fine lines.

The Fishman Presys II Preamp is used as a preamp for the instrument, a cheaper version of the Presys+, which, in contrast to the four-band tone control version of its big brother, only has a two-band version in the form of treble and bass. The advantage of the Presys II, however, is its very small dimensions, not least due to the fact that the 9V battery, which supplies the necessary operating voltage, was placed on a small base plate, which also contains the cable socket and is located on the lower outer part of an electric guitar Frame was installed. The Presys II preamp also has a phase switch to counteract possible phase cancellations, such as those that can occur when monitoring via wedges etc.


In practice

As expected, with this choice of wood, the basic tonal tone of the instrument is positioned differently than is generally expected from an acoustic guitar. The user can expect a very “lively” basic tone from the first notes, which means that the instrument has a slightly harder tone than the major spruce top competitors, along with a very fast attack behavior. The advantage of this sound character is the greater assertiveness within the band context, if you play in the context of a band at all. The disadvantage is a reduced “depth” of the sound, which makes it easier for both the player and the listener to immerse themselves in the sound. This sound description is not to be understood as a rating, it only serves as a guide. To what extent this basic tone of the Harley Benton CLD-15CE Flame Koa Exotic meets the customer's preference, everyone has to decide for themselves.

In terms of playability, the instrument also leaves a good impression, not least because the Harley Benton CLD-15CE Flame Koa Exotic was set up very well at the factory. The action of the strings is comparatively low, but still high enough to withstand corresponding fortissimo passages without rattling or buzzing. Thanks to the compensated bridge inlay, the octave purity is also comparatively good, although of course you always have to turn a blind eye/ear when you start playing chords beyond the ninth fret.

In principle, it is only the combination of the Sonicore pickup and the Fishman Presys II preamp that reminds us of the price category we are still in. The preamp is indeed easy to use and extremely clearly structured, but in direct comparison to higher quality products it sounds a bit “flat”, which means that the transmission of the guitar tone is slightly sterile and does not quite convey the dynamics of the instrument Validity as offered by the purely acoustic area. For the live area, the whole thing can still be easily optimized with appropriate peripherals such as a compressor and EQ, but in the studio area I would definitely work with high-quality microphones.

Due to the fact that the preamp only has a two-band tone control, the very important treble range cannot be drawn quite as finely as one would like. Of course it is nicer to have a separate presence control, but this is the next higher price level. I therefore recommend processing the treble range of the instrument again with an additional semi- or fully parametric EQ when recording the guitar; it's worth it.

Conclusion

With the Harley Benton CLD-15CE Flame Koa Exotic, Thomann has a visually high-quality and good-sounding acoustic guitar in the €500 league in its portfolio. The instrument is impeccably crafted, has a lively basic sound and offers a lot of quality for the money. If you can live with the spartan tone control of the Fishman Presys II Preamp, you should definitely give the instrument a try.

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Additional Informations:

In the world of musical instruments, Harley Benton stands out as a brand that has carved its own unique path, offering quality products at affordable prices. The story of Harley Benton is one of innovation, perseverance, and a deep understanding of musicians' needs. From humble beginnings to becoming a household name among musicians worldwide, the journey of Harley Benton is a fascinating tale worth exploring.

### Origins:

Harley Benton was founded by Hans Thomann Sr. in 1997, as part of Thomann GmbH, a family-owned music retailer based in Burgebrach, Germany. Thomann GmbH had been in the music business since 1954, initially specializing in harmonicas and later expanding its product range to include guitars and other instruments. Recognizing the demand for affordable yet reliable instruments, the idea for Harley Benton was born.

### Early Challenges and Innovation:

In its early years, Harley Benton faced the challenge of establishing itself in a market dominated by well-established brands. However, the company took a unique approach by focusing on direct sales through its online platform, bypassing traditional distribution channels. This allowed Harley Benton to offer its products at significantly lower prices compared to its competitors, without compromising on quality.

Another key factor in Harley Benton's success was its commitment to innovation. The company constantly sought feedback from musicians and used it to improve its products. This iterative process led to the development of instruments that not only met but often exceeded the expectations of their customers.

### Expansion and Diversification:

As Harley Benton gained traction in the market, it gradually expanded its product range to include a wide variety of instruments and accessories. From electric and acoustic guitars to basses, ukuleles, and even amplifiers, Harley Benton aimed to cater to the diverse needs of musicians across genres and skill levels.

Furthermore, the company diversified its offerings to include accessories such as strings, picks, cables, and cases, further establishing itself as a one-stop shop for musicians. This strategic expansion helped Harley Benton solidify its position in the industry and attract an even broader customer base.

### Quality Control and Assurance:

Despite its focus on affordability, Harley Benton never compromised on quality. The company implemented stringent quality control measures at every stage of production, ensuring that each instrument met its high standards before reaching the hands of customers. This commitment to quality earned Harley Benton the trust and loyalty of musicians worldwide, further fueling its growth.

### Global Reach and Community Building:

Over the years, Harley Benton's reach extended far beyond its home country of Germany. Through its online platform and strategic partnerships with distributors worldwide, the company made its products accessible to musicians in every corner of the globe. Additionally, Harley Benton actively engaged with its customer community through social media, forums, and events, fostering a sense of belonging among musicians and enthusiasts.

### Ongoing Innovation and Adaptation:

In the rapidly evolving music industry, staying ahead of the curve is essential, and Harley Benton understood this well. The company continued to innovate and adapt to changing trends and technologies, introducing new features and designs to meet the evolving needs of musicians.

For example, Harley Benton embraced advancements in digital technology by incorporating features such as built-in effects and USB connectivity into its amplifiers and recording equipment. This forward-thinking approach not only kept Harley Benton relevant but also positioned it as a leader in innovation within the industry.

### Conclusion:

The journey of Harley Benton is a testament to the power of innovation, quality, and customer-centricity in building a successful brand. From its humble beginnings as a small subsidiary of Thomann GmbH to becoming a global powerhouse in the music industry, Harley Benton has defied expectations and redefined the notion of affordability without compromise.

As the company continues to evolve and grow, one thing remains constant: its unwavering commitment to providing musicians with high-quality instruments and accessories at prices that won't break the bank. With its finger on the pulse of the industry and a passion for music at its core, Harley Benton looks set to continue shaping the future of music for years to come.

TEST: Hagström Suede Gold

 OK, of course we don't have all of our Scandinavian friends from Sweden first on our list when it comes to international electric guitar building, but the Nordic country has a company that has been in the electric guitar and electric guitar business for almost 73 years now -Bass building is active. We're talking about the Hagstrom company, which, among other things, brought out the first eight-string electric bass in series production at the time. Ever since Hagstrom started a collaboration with the one-man theater ensemble “GHOST”, the name has also gained popularity in the heavy music sector. The company, which comes from the accordion industry, has now given its strongest model, the “Swede”, a visual upgrade and now also has a model in its ranks that is completely painted in gold called the Hagstrom Swede Gold, which we have available for testing.

The construction of the Hagstrom Swede Gold

It is not difficult to see which model was the inspiration for the Hagstrom Swede Gold in terms of construction and appearance, but the Swede still has a few features that distinguish it from the Les Paul. Even though Gibson also had an LP on the market in the early 1950s that had not only the top but also the neck and back of the body painted gold, this striking form of paint is still comparatively rare. The craftsmanship of the lacquering of the instrument made in China is all the more impressive.

Let's briefly look at the two special features of Hagstrom instruments in general, which definitely want to be understood as a trademark. On the one hand we have the Dual Action H-Expander Trussrod, which is a kind of mini H-steel support that ensures extremely high stability of the neck as well as very good adjustment options and on the other hand the fingerboard made of Resinator wood, a composite material in which several thin layers of wood are used are glued together in a vacuum and which should be comparable to the resonance properties of the old Black Beauty ebony. Both structural elements are of course protected by trademark law and may only be used under license.

Otherwise, the Hagstrom Swede Gold has a very classic appearance, meaning a solid mahogany body and a glued-in mahogany neck, which allows the instrument to weigh an impressive 4 kg in total, plus a flamed maple top, which unfortunately is not visible under the opaque varnish. P.S. This was also the reason why Gibson came around the corner in 1958 with the LP Standards in Sunburst, initially a flop and today the most expensive electric guitars that you can (sometimes) buy.

Ivoroid is used as fingerboard inlays between the 22 stainless steel frets, a plastic that looks like ivory and has a stripy “grain”. Visually indicated is the Hagstrom “Crest” coat of arms plus a Hagstrom lion on the 12th fret. With a neck thickness of 21 mm at the 1st fret and 22.5 mm at the 12th fret, a fingerboard radius of 14.4", a nut width of 43 mm (GraphTech Black Tusq XL) and a short scale length of 628 mm (24.75 "), the Hagstrom Swede Gold moves within a moderate range, which is preferred by many Gibson players and should meet with open ears here.

The Swedes are also pursuing an independent course when it comes to hardware, with the Long Travel Tune-O-Matic Bridge in combination with the Sustain Block Tailpiece, in which each string has a solid brass block as a holder. The fluted 19:1 Gear Ratio Locking Machine Heads also offer a unique selling point in the tuner sector and have been an integral part of Hagstrom optics for some time.

The Hagstrom Swede Gold pickups

Another special feature can be found in the area of pickups. In contrast to many other players who work with the big names in the industry or develop their own pickups, the Hagstrom Swede Gold has a Lundgren Design AlNiCo-2 No. on the neck. 2 (Medium Output – Calibrated – 7.3K) humbucker and a Lundgren Design AlNiCo-2 No. on the bridge. 5 (High Output – Calibrated – 13.2K) humbuckers. Both humbuckers are splittable and enable single coil operation thanks to the push/pull function of the tone controls. The total of 4 pieces. Hagstrom “H” Barrel Knurled Brass Knobs (Chrome Plated) volume and tone controls are pleasantly stiff and allow for a consistent control path. Furthermore, the instrument is delivered in a high-quality case, which has a tweed look.

The Hagstrom Swede Gold in practice

When you pick up the Hagstrom Swede Gold for the first time, you get a familiar feeling. Even if a manufacturer understandably wants to integrate as many unique selling points as possible into their instrument, the visual and haptic inspiration is always present, although the Hagstrom Swede Gold does have some differences. For example, the transition to the high registers is much smoother than with the consistently angular and angular pioneer.

The short scale length combined with a classic, subtly extended circuit allows the typical midrange to emerge even in the unamplified state, which is also refined with a very high sustain level. The factory setting to the 010 set is good and does not require any further adjustment. By the way, due to the short scale length, you really shouldn't play a 009 set on guitars of this type, or perhaps less in standard tuning, as the string tension would simply be too low.

The “masculine” weight of the instrument, coupled with the sustain-supporting elements such as the Sustain Block Tailpiece, actually enable the instrument to have a very tasteful basic tone, which is also characterized by, among other things, very good vibration behavior. The instrument hangs well on the body thanks to the strap and, as expected, can also be played very well while sitting due to its shape.

But let's now come to the point in which the Hagstrom Swede Gold differs from many Paula bonds: the pickups. In fact, I'm relatively sure that I've only seen Lundgren Design pickups on Hagstrom guitars from the factory, probably due to the proximity. In the back of my mind I also remember a delivery of an Ibanez model, but the majority of users are artists who subsequently install the pickups into their instruments, which in itself is proof of the quality of the pickups.

If you look at the values of the pickups, you think you can determine the sound of them in advance, but in practice this turns out to be a mistake. Because of my bias based on the resistance information, I too had imagined that the pickup set could differ greatly in terms of sound, but I was proven wrong. In fact, the bridge pickup, which was quite powerful despite 13.2 K, turned out to be an optimal complement to the moderate neck pickup, so that there were no level jumps within the set, as you would otherwise find, especially if you are like in many vintage Sets have the same pickup installed several times.

The split circuit was also quite convincing for a humbucker. Even though the sound produced from the speakers was a little sharp and couldn't quite achieve the balance of a pure single coil pickup, it was still one of the best split sounds I've heard in a long time. The humbucker circuit, on the other hand, is significantly warmer and has less treble and offers very good results, especially in the crunch area, which extend all the way up to the lead area. This is where the pickups can show off their real strengths, ranging from defined riffs to tasteful leads. These types of pickups are less or not at all suitable for real high gain metal blasting, as they rely too much on independence due to individual peaks in the frequency response and less on assertiveness with very high overtone content.

Overall, with the Hagstrom Swede Gold you have an excellent rock guitar in your hands, which should also be a welcome guest in blues or jazz. If you are looking for an alternative to the classics and are happy about well-crafted detailed solutions and very good pickups, this instrument is the right choice.

Conclusion

With the Hagstrom Swede Gold, the traditional Swedish company has a hot iron in the fire when it comes to sound. The completely gold-plated instrument impresses with its very good workmanship, a fusion of tradition with independence and a familiar, yet individual sound, which is particularly impressive from clean to crunch to lead.

If you are looking for a classic sound that doesn't come from the USA, you should definitely give this guitar a try.

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Additional Informations:

Hagström Guitars is a Swedish company that has been producing high-quality instruments since 1925. The company is known for its innovative designs, meticulous craftsmanship, and dedication to quality. Hagström guitars have been played by some of the world's most famous musicians, including Jimi Hendrix, Elvis Presley, and Abba.

**Early Years**

The Hagström story began in 1919 when Albin Hagström opened a music shop in Gothenburg, Sweden. The shop was a success, and Hagström soon began to sell his own line of accordions and harmonicas. In 1925, Hagström founded his own company, Hagström & Co., and began to manufacture guitars.

**The Viking Model**

Hagström's first guitar was a solid-body electric guitar called the Viking. The Viking was released in 1932 and was one of the first of its kind. It was a popular model among Swedish musicians, and it helped to establish Hagström as a leading manufacturer of electric guitars.

**Post-War Expansion**

After World War II, Hagström expanded its production to include a wider range of guitars, including acoustic guitars, lap steels, and pedal steels. The company also began to export its guitars to other countries, and Hagström soon became one of the most popular guitar brands in Europe.

**The 1960s and 1970s**

The 1960s and 1970s were a golden era for Hagström Guitars. The company released a number of innovative new models, including the Swede, the Viking Deluxe, and the Condor. These guitars were popular among rock and blues musicians, and they helped to make Hagström a global brand.

**The 1980s and 1990s**

The 1980s and 1990s were a more challenging time for Hagström Guitars. The company faced increased competition from other guitar manufacturers, and it also struggled to adapt to the changing music scene. In 1997, Hagström was acquired by the Valmuska Music Group.

**The 21st Century**

In the 21st century, Hagström Guitars has made a comeback. The company has reissued a number of its classic models, and it has also released new models that have been praised by critics and musicians alike. Hagström Guitars is once again one of the leading manufacturers of guitars in the world.

**Hagström Guitars Today**

Today, Hagström Guitars is a subsidiary of the Finnish company SMS Ab. The company produces a wide range of guitars, including electric guitars, acoustic guitars, and bass guitars. Hagström guitars are sold in over 50 countries around the world.

**Legacy**

Hagström Guitars is a company with a rich history and a bright future. The company is known for its innovative designs, meticulous craftsmanship, and dedication to quality. Hagström guitars have been played by some of the world's most famous musicians, and they continue to be popular among musicians of all genres.

**Here are some of the factors that have contributed to Hagström Guitars' success:**

* **Innovation:** Hagström has a long history of innovation. The company was one of the first to produce solid-body electric guitars, and it has continued to release new and innovative models throughout its history.
* **Craftsmanship:** Hagström guitars are known for their high quality craftsmanship. The company's guitars are made with the finest materials and are assembled with meticulous care.
* **Dedication to quality:** Hagström is dedicated to producing high-quality guitars. The company has a rigorous quality control process, and it only uses the finest materials and components.
* **Reputation:** Hagström has a strong reputation for producing high-quality guitars. The company's guitars are popular among musicians of all genres, and they are known for their durability and playability.

**Hagström Guitars is a true Swedish treasure. The company has been producing high-quality guitars for over 90 years, and it continues to be a leader in the industry. If you are looking for a guitar that is both innovative and well-made, then Hagström is a brand that you should definitely consider.**

TEST: Hagström Super Swede

 If you wanted to list the number of companies that have at least one model in their portfolio that was influenced by the Les Paul, you would really get an impressive list. The Swedish company Hagström, which originally comes from accordion building and has a similar model in its ranks with the Super Swede, should also be on this list. However, the model differs greatly in some details from one of the forefathers of the electric guitar, which is included in the following test of the Hagstrom Super Swede XSOP.

The construction of the Hagstrom Super Swede XSOP

Although at first glance the Hagstrom Super Swede For example, the instrument manufactured in China has the Dual Action H-Expander Trussrod, which is a kind of mini H-steel support that ensures extremely high stability of the neck as well as very good adjustment options and, on the other hand, the fingerboard is made of Resinator wood, a composite material. in which several thin layers of wood are glued together in a vacuum and which is said to be comparable to the resonance properties of the old Black Beauty ebony. Both structural elements are of course protected by trademark law and may only be used under license.

Another special feature are the two belt pins, which are located behind the tailpiece of the bridge construction. They can be used to better position a guitar strap that is used on two different instruments for individual use, as well as to place the instrument on the floor without scratching the instrument's paint. Theoretically, left-handed operation would also be made easier by the lower strap pin, but who would use a Les Paul as a left-handed person without the body being adjusted accordingly? The lack of a cutaway alone would destroy any practicality. Addendum: After consulting with Hagstrom product manager Thomas Türling at the Guitar Summit, my suspicions were confirmed that the two strap pins were actually designed to safely place the instrument on the floor.

When it comes to workmanship, you really have to give the instrument top marks. All painting work, inlay work and adjustment work were carried out excellently and give no cause for complaint. Otherwise, the Hagstrom Super Swede In contrast to the LP, however, Hagstrom places greater emphasis on ergonomic shaping of the body. There are additional recesses at the base of the neck, in the cutaway and on the back of the body, which greatly improves the playability of the instrument.

In addition to the XSOP (“Old Pale”) finish, a kind of cherry sunburst, in which the test instrument is available, the instrument is also available in the finishes Crimson Flame, Dark Storm and Fall Sky Gloss. The top of the body and the fingerboard were additionally bordered with ivory-colored binding.

In terms of weight, the Hagstrom Super Swede XSOP is relatively moderate at just under 3.6 kilograms and remains well below the weight that other Hagstrom instruments occasionally have. Ivoroid is once again used as fingerboard inlays between the 22 frets made of stainless steel, a plastic that looks like ivory and has a stripy “grain”. Visually indicated is the Hagstrom “Crest” coat of arms plus a Hagstrom lion on the 12th fret. With a neck thickness of 20 mm at the 1st fret and 21.5 mm at the 12th fret, a fingerboard radius of 14.4" and a nut width of 43 mm (GraphTech Black Tusq XL), the instrument moves within a moderate range and should be of Most players accept it without any problems.

In contrast to regular Swede, the Super Swede has another special feature when it comes to scale length. In contrast to the normal short scale length that all Les Paul-style guitars usually have, the Hagstrom Super Swede XSOP has a long scale length, which allows it to have a higher bass content and better presence reproduction. When it comes to hardware, the Swedes are also pursuing their own independent course on the Super Swede, with the Long Travel Tune-O-Matic Bridge in combination with the Sustain Block Tailpiece, in which each string has a solid brass block as a holder. The fluted 19:1 Gear Ratio Locking Machine Heads also offer a unique selling point in the tuner sector and have been an integral part of Hagstrom optics for some time.

The Hagstrom Swede Gold pickups

Once again, Hagström is relying on its very own solution when it comes to pickups. In contrast to many other players who work with the big US names in the industry or sometimes develop their own pickups, the Hagstrom Super Swede XSOP has a Lundgren Design AlNiCo-2 No. on the neck. 2 (Medium Output – Calibrated – 7.3K) humbucker and a Lundgren Design AlNiCo-2 No. on the bridge. 5 (High Output – Calibrated – 13.2K) humbuckers. Both humbuckers are splittable and enable single coil operation thanks to the push/pull function of the tone controls. Both pickups sit in frames that visually match the binding. The total of 4 pieces. Hagstrom “H” Barrel Knurled Brass Knobs (Chrome Plated) volume and tone controls are pleasantly stiff and allow for an even control path, with the volume controls having an R/C circuit.

The Hagstrom Super Swede XSOP is delivered in a high-quality case with a tweed look.

The Hagstrom Super Swede XSOP in practice

When you pick up the Hagstrom Super Swede XSOP for the first time, you immediately notice the extraordinary vibration behavior. The sustain of the instrument is outstanding across the entire fingerboard, whether the low bass sides or the treble sides in the upper registers, the instrument has very good vibration behavior, swings in and out quickly and impresses with a long-lasting tone without any dropouts. It appears that the combination of a solid bridge bracket plus the choice of wood and the solid construction are responsible for this floating behavior.

For the long-established Les Paul player there will most likely be two points that differ significantly from the forefather from the USA. On the one hand, the combination of Les Paul haptics with a long scale length is an unusual experience at first grip, although I intentionally do not want to give any judgment here, as the grip behavior can have an effect in one direction or the other depending on your preferences. Anyone coming from the Stratocaster will feel a little more at home here, while players coming from the short scale may pause for a moment here. Ultimately, I estimate that the instrument's excellent playability will provide a balance for both types of players.

The second point, which is rather unusual for the typical Les Paul player, is the consistently subtle but very effective shaping on the body. In particular, the area at the base of the neck and in the cutaway contribute enormously to making the instrument extremely easy to play, especially in the higher registers. The famous fighting at the base of the neck, which is familiar from the blunt transition of the Les Paul, is completely missing here and makes it much easier for the player to implement his musical ideas, especially in the high treble range. As expected, the instrument hangs well on the body thanks to the strap and can also be played very well while sitting due to its shape.

Once again I am impressed by the Lundgren Design pickups, which impress with an independent, yet round and pleasing tone. Despite the relatively strong differences in the winding with the AlNiCo-2 No. 2 (Medium Output – Calibrated – 7.3K) humbucker on the neck and the AlNiCo-5 No. 5 (High Output - Calibrated - 13.2K) Humbucker on the bridge The set doesn't fall apart in terms of sound is due to the tasteful combination of the pickups. The split circuit for a humbucker also proved to be convincing. Although the sound produced came out of the speakers a bit sharper and didn't quite achieve the balance of a pure single-coil pickup, it was still one of the best split sounds I've heard in a long time. In contrast, the humbucker circuit produces a significantly warmer and less treble-emphasized tone and delivers very good results, especially in the crunch range, which extend into the lead range. This is where the pickups can show off their true strengths, from precise riffs to tasteful leads. These types of pickups are less suitable for extreme high-gain metal because, due to individual peaks in the frequency response, they rely more on their own character and less on assertiveness with very high overtones.

The Hagstrom Super Swede XSOP is indeed a first-class rock guitar that can also perform well in blues or jazz. It offers an attractive alternative to traditional models and is characterized by high-quality craftsmanship details and excellent pickups. Anyone looking for an instrument that impresses in terms of versatility as well as precision craftsmanship and first-class pickup solutions will be well served with the Hagstrom Super Swede XSOP.

Conclusion

The Hagstrom Super Swede XSOP is a sonic showcase from the workshop of the renowned Swedish company. The instrument impresses not only with its first-class workmanship, but also with its successful fusion of tradition and innovation. Their sound, although familiar in a certain way, is still unique and is particularly convincing in the areas of clean, crunch and lead.

For those looking for a classic sound that doesn't come from the United States, the Hagstrom Super Swede XSOP is definitely worth a thorough test.

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Additional Informations:

The World of Gibson Les Paul Guitar Copies: Exploring the Replicas

Introduction:
The Gibson Les Paul is an iconic electric guitar that has left an indelible mark on the world of music since its introduction in the early 1950s. Renowned for its rich tone, versatile sound, and timeless design, the Les Paul has become a symbol of excellence and innovation in the realm of electric guitars. However, alongside the original Les Pauls produced by Gibson, a thriving market of replicas and copies has emerged, offering musicians an alternative to the coveted vintage and modern Les Paul models. This article delves into the fascinating world of Gibson Les Paul guitar copies, exploring their history, craftsmanship, and impact on the music industry.

The Origins of Les Paul Copies:
The proliferation of Les Paul copies can be traced back to the 1960s and 1970s when guitar manufacturers in Japan and other countries began producing replicas of popular American electric guitars. Inspired by the success of brands like Gibson, Japanese companies such as Tokai, Greco, and Burny sought to capitalize on the demand for high-quality electric guitars at more affordable price points.

These early Les Paul copies sought to emulate the design, construction, and sound of the original Gibson models, often using similar materials and manufacturing techniques. While some were intended as budget-friendly alternatives for aspiring musicians, others aimed to replicate the premium feel and performance of the genuine Les Pauls.

Craftsmanship and Quality:
Over the years, the craftsmanship and quality of Les Paul copies have evolved, with many manufacturers refining their techniques and incorporating modern innovations. Today, guitar builders around the world produce Les Paul replicas that rival the craftsmanship of their American counterparts, offering musicians a wide range of options to suit their preferences and budgets.

High-end Les Paul copies often feature premium materials such as mahogany bodies, maple tops, and rosewood fingerboards, meticulously crafted to replicate the look and feel of vintage Gibson instruments. Attention to detail, including accurate neck profiles, fretwork, and hardware, is paramount in achieving the authentic Les Paul experience.

In addition to faithful reproductions, some guitar builders offer customized and modified Les Paul copies, allowing players to tailor their instruments to their individual tastes. Whether it's custom pickups, hardware upgrades, or unique finishes, these bespoke replicas offer a personalized touch while retaining the classic Les Paul sound and aesthetic.

The Impact on the Music Industry:
The availability of high-quality Les Paul copies has had a significant impact on the music industry, democratizing access to iconic guitar tones and designs. While purists may argue for the superiority of genuine Gibson Les Pauls, many musicians have found inspiration and satisfaction in playing well-crafted replicas that offer comparable performance at a fraction of the cost.

Les Paul copies have also played a role in shaping musical genres and styles, contributing to the sonic landscapes of rock, blues, jazz, and beyond. Countless artists, from amateur enthusiasts to professional performers, have embraced Les Paul replicas as versatile tools for creative expression, fueling innovation and pushing the boundaries of guitar playing.

Furthermore, the availability of Les Paul copies has fostered a vibrant community of guitar enthusiasts, collectors, and modders who share a passion for these iconic instruments. Online forums, social media groups, and dedicated events provide platforms for enthusiasts to connect, share knowledge, and showcase their prized replicas, further enriching the culture surrounding the Gibson Les Paul.

Conclusion:
The world of Gibson Les Paul guitar copies is a testament to the enduring legacy and influence of this iconic instrument. From humble beginnings as budget-friendly alternatives to premium originals, Les Paul replicas have evolved into finely crafted instruments that stand on their own merits. Whether faithfully reproducing vintage classics or offering customized creations, these replicas continue to inspire musicians and shape the sonic landscape of modern music. As the demand for high-quality electric guitars persists, the legacy of the Gibson Les Paul lives on through a diverse array of replicas that pay homage to its timeless design, legendary sound, and unparalleled craftsmanship.

TEST: Hagström F 200

 Guitarists are a very unique breed of musicians. In terms of their pronounced ego, they are always very much there at the core of the undisputed self-presentation leader “singer”. The six-string faction can be roughly divided into two layers in terms of their behavior towards their instrument.

Layer number one loves the detailed and sophisticated, in terms of fine wood structure that comes close to a living room table, multiple bindings, elaborate detail solutions and fingerboard inlays made of abalone until the doctor comes in the style of a PRS or a custom shop special order. Shift number two prefers the robust tool, with simple functionality without any frills, the screwdriver in the toolbox, inconspicuous but essential. Instruments such as the Tele, the Juniors from Gibson or the unspectacular SG can be mentioned here as a reference.

The F 200 from Hagstrom falls into this category. A typical “board guitar”, as the Solidbodies were called in a slightly disrespectful manner in the early 1950s before their resounding success. In the tradition of the working man tool, the simple exterior suggests an all-rounder in the pop-rock sector. Let us surprise.


Construction:

Well, it's obvious who was the inspiration for this instrument, especially since the version I have of the F 200 is also delivered in the classic cherry red, known internally as "Transparent Cherry". Even if the body shape varies a little, the classic SG horns immediately draw a parallel to the USA classic. But hey, don't forget, Hagstrom has also been on the market with slight breaks since 1958, so the Swedish company can undoubtedly be counted among the “startups” of the solid body guitar.

Neck, body, headstock, mahogany as far as the eye can see and completely covered in a polyester finish. The almost 4 cm thick two-part body is sanded at the edges and has been veneered with a continuous piece of mahogany on the top and bottom sides. It is remarkable how a slight contouring of the body improves the overall playing comfort. When the milling is tight, the right forearm always feels like it's resting against the edge of a door. Les Paul players know what I'm talking about. And no matter how much the paint may be worn down, the wood and the edge remain! ;-)

The headstock has always been something special on all Hagstrom guitars, a tradition that continues seamlessly with the F 200. The slightly backwards angled, tapered headstock has the slightly sweeping, characteristic shape that is common to all Hagstroms. Painted black and framed with pearloid (or perhaps mother of pearl....), it looks very decorative and stands out clearly from the otherwise very simple layout. In addition, a stylized lily was inserted between the tuning mechanisms. Six mechanics, which follow the outer edge of the headstock, form another visual peculiarity of the Hagstrom guitars. The tuning pegs appear in three superimposed waves, which run in a ratio of 18:1.

A small plastic cap covers the entrance to an in-house patent, the H-Trussrod, a special neck adjustment rod, which, due to its shape, is said to have higher torsional stiffness than the classic round rod.

The scale length is specified as 24.74 inches and with the resulting 62.83 cm it is to be understood as a classic shortscale guitar in the spirit of the Gibson tradition. Another special feature is the fingerboard of the guitar. Misinterpreted by many as Ebony due to its coloring and general visual appearance, it is an in-house invention, the Resinator fingerboard. These are several wooden sheets glued together under vacuum, which have good vibration behavior and are intended to minimize dead spots. Dots were used as fingerboard markings, and a variant with medium height and width was used as fret wire.

Der Sattel ist aus selbst-schmierendem Grafit gefertigt und minimiert so die Reibung der einzelnen Saiten. Die Brücke der F 200 ist mit sechs einzeln verstellbaren Reitern versehen und mittels zwei Schlitzschrauben in Höhe und Neigungswinkel einstellbar. Etwas ungewöhnlich ist das so genannte Block Stop Tailpiece, welches die Saiten in zwei versetzten Dreierreihen zur Brücke leitet. Dieses Tailpiece liegt nochmals auf einem Plexiglas Aufsatz auf, welcher zusammen mit einer relativ großen Chromabdeckung mittels zweier Schrauben auf der Decke der Gitarre verschraubt ist. Eine eher ungewöhnliche Detaillösung, jedoch könnte die somit deutlich größere Auflagefläche zu einer Erhöhung des Sustainverhaltens beitragen.

Als Tonabnehmer kommen zwei Custom 60 Alnico 5 zum Einsatz, welche einen etwas höheren Output und einen stärkeren Höhenanteil als der Custom 58 aufweisen. Beide Tonabnehmer sitzen in schwarzen Rähmchen und sind mit je einer Schraube pro Seite justierbar. Die Ausgangsbuchse ist wohl das einzige Merkmal was an ein Fender-typische Trademark erinnert, handelt es sich doch hierbei um die versenkte Ausführung, welche bei der Stratocaster zu Weltruhm gelangte. Ein Mastervolume- und ein Mastertonregler zuzüglich eines Dreiwegschalters runden das Gesamtbild des Instrumentes ab.



Praxis:

Was einem zunächst in die Augen, respektive Hände beim Erstkontakt fällt ist der ungewöhnlich stark D-förmige Hals des Instrumentes. Gegenüber dem erwarteten SG Ansatz fährt die F 200 eine völlig eigenständige Schiene. Ich hatte ein eher traditionelles Shaping mit ausgeprägteren Schultern erwartet, statt dessen kommt die Schwedin mit recht modernem, geradezu kräftigem skandinavischem Handling daher. Sowohl das Akkordspiel als auch das Solospiel lässt sich auf diesem Hals problemlos realisieren. Respekt.

Das Zweite was nahezu alle Soundnuancen des Instrumentes unterstreicht ist das ausladende Sustain. Es hat wirklich den Anschein als ob die im Prospekt mehrfach erwähnte Hinführung zur Schwingungsoptimierung in Sachen Stegkonstruktion und Griffbrettherstellung ihren Sinn erfüllt haben. Jede Note hat einen gleichlauten Ansatz und verreckt nicht in einer konstruktionsbedingten Auslöschung. Alle Töne haben zudem für eine Pure-Mahagony Konstruktion eine unerwartet hohe perkussive Grundauslegung. Funkige Sechzehntel und perlige Pickings lassen sich trotz der mittenlastigen Mahagoni Konstruktion sehr gut umsetzen.

Unterstützt wird dies nochmals durch die Custom 60 Pickups, denen man tatsächlich eine gewisse Eigenständigkeit attestieren muss. So wussten die Spulen gerade im cleanen Bereich mit einem Hauch von mangelnder Wärme sehr zu überzeugen, auch im Crunch Bereich konnte die F 200 mit einem hohen Durchsetzungsvermögen punkten.

Lediglich im High-Gain wurde schnell klar dass diese Gitarre ein anderes Spektrum bedient. Trotz der sehr guten Sustain Eigenschaften blieb die Kompression des Tons nur im Mittelfeld, was aber wie gesagt kein Problem darstellt, da die Ausrichtung der Gitarre eine völlig andere ist. Mit einer Gretsch spielt ja auch kein Mensch Metal, oder?



Fazit:

Schau an, Hagstrom gelingt es tatsächlich im der unendlichen Fülle des Marktes eine eigene Nische zu besetzen. Klanglich schafft es die F 200 einer klassischen Humbucker-Konstruktion einen Hauch von „Single-Coil“ zu spendieren, noch dazu zu einem sehr moderaten Preis. Lasst euch nicht von der unscheinbaren Roten in der Ecke täuschen, optisch mag es für den Einen oder Anderen exaltierten Heatseeker an Esprit fehlen, akustisch weiß der Schwedenhappen aber als Allrounder für Pop, Rock und Blues durchaus zu überzeugen.

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Additional Informations:

Introduction:
Hagstrom Guitars holds a unique position in the pantheon of musical instrument manufacturers, with a rich history steeped in innovation, craftsmanship, and a commitment to quality. From its humble beginnings in Sweden to its global acclaim, the story of Hagstrom guitars is a testament to the enduring legacy of creativity and passion in the world of music. This article delves into the fascinating journey of Hagstrom Guitars, tracing its origins, milestones, and contributions to the realm of musical instruments.

Early Beginnings:
The roots of Hagstrom Guitars can be traced back to the 1920s when Albin Hagström Sr., a Swedish accordion importer and manufacturer, recognized the growing popularity of guitars in the burgeoning music scene. In 1925, Hagström established the Hagström company in Älvdalen, Sweden, initially focusing on the production of accordions and other fretted instruments.

Expansion into Guitars:
In the years that followed, Hagstrom expanded its product line to include guitars, leveraging its expertise in instrument manufacturing and a keen understanding of market trends. The company's early guitar models reflected a blend of traditional craftsmanship and innovative design, earning praise for their quality and playability.

However, it was not until the 1950s that Hagstrom guitars gained widespread recognition, fueled by the rise of rock 'n' roll and the burgeoning demand for electric guitars. Hagstrom capitalized on this trend by introducing a range of electric guitars that combined sleek aesthetics with cutting-edge technology, setting the stage for its ascent in the global music industry.

Innovation and Distinctive Features:
One of the hallmarks of Hagstrom guitars was their innovative design features, which set them apart from their competitors. One notable innovation was the incorporation of a patented "Hagstroms Resinator" fretboard, made from a composite material that offered enhanced sustain, stability, and tonal clarity. This unique fretboard material became synonymous with Hagstrom guitars and contributed to their distinctive sound and feel.

Additionally, Hagstrom guitars featured ergonomic body shapes, slim neck profiles, and high-quality hardware, all designed to enhance playability and comfort for musicians. These innovations made Hagstrom guitars highly sought after by professional players and enthusiasts alike, cementing the brand's reputation for excellence.

Endorsements and Global Expansion:
Throughout the 1960s and 1970s, Hagstrom guitars gained popularity among renowned musicians, who appreciated their superior craftsmanship and versatility. Iconic artists such as Elvis Presley, Frank Zappa, and David Bowie were among the many who embraced Hagstrom guitars, showcasing their capabilities on stage and in the studio.

Buoyed by endorsements from prominent artists and a reputation for quality, Hagstrom guitars experienced a period of rapid global expansion. The company's instruments found favor among musicians in Europe, the United States, and beyond, solidifying its status as a leading player in the international guitar market.

Challenges and Revival:
Like many musical instrument manufacturers, Hagstrom faced challenges in the face of shifting market dynamics and economic pressures. In the late 1970s, the company ceased production due to financial difficulties, marking a temporary halt to its storied legacy.

However, the Hagstrom brand experienced a revival in the early 2000s, thanks to a group of dedicated enthusiasts and investors who sought to reignite its flame. Led by Swedish entrepreneur Per-Åke Olsson, the reinvigorated Hagstrom company resumed production of guitars, drawing inspiration from its rich heritage while embracing modern manufacturing techniques.

The relaunched Hagstrom guitars retained the essence of their predecessors while incorporating contemporary features and improvements. With a renewed focus on quality control, innovation, and customer satisfaction, the revived Hagstrom brand once again captured the attention of musicians worldwide, reaffirming its place in the annals of musical instrument history.

Legacy and Continued Innovation:
Today, Hagstrom Guitars stands as a testament to the enduring legacy of Swedish craftsmanship and innovation. The company's commitment to quality, playability, and sonic excellence continues to resonate with musicians of all genres, from seasoned professionals to aspiring artists.

With a diverse lineup of electric and acoustic guitars, basses, and amplifiers, Hagstrom remains at the forefront of musical instrument design and manufacturing. Its dedication to pushing the boundaries of creativity and technology ensures that each Hagstrom instrument upholds the brand's legacy of excellence while inspiring the next generation of musicians.

Conclusion:
The story of Hagstrom Guitars is one of resilience, ingenuity, and a deep passion for music. From its humble beginnings in Sweden to its global prominence, Hagstrom has remained a beacon of innovation and craftsmanship in the world of musical instruments. As the journey of Hagstrom guitars continues, one thing remains certain: the brand's commitment to quality, innovation, and musical excellence will continue to shape the sounds of generations to come.

TEST: Gretsch G5422 TDC

 At the beginning of the test, we'll have a little fun and see how strongly our association skills are calibrated to certain products, especially if it's an artificial expression. Complete? TWANG! Oh, did I hear individual voices proclaiming the word Telecaster? True, the Tele is also often included in the orbit of the strange-looking expression, but the top dog, or namesake, is undoubtedly the Gretsch company with its extensive range of fully acoustic and semi-acoustic electric guitars.

Now, what does Twäng mean? Completely different writers have already put their weapons down when it comes to putting into words a sound impression that is specifically shaped by the electric guitar. Only this much is certain: it is an undistorted sound, which works quickly in response without much sustain and with a characteristic midrange component.

Such instruments are very popular in the traditionally undistorted guitar sector, such as the many varieties of country or the large field of rockabilly. It's not for nothing that you find tons of Gretsch protagonists such as Chet Atkins or Brian Setzer in these musical segments. Anyone who comes to me with Malcolm Young from AC/DC should listen to the really subtle crunch on the Australians' studio albums.

In order to offer a price counterpoint to the high-price segment of the US-based company, which was founded by the German emigrant Friederich Gretsch, the company, which now belongs to the Fender Group, is relying on “Made In Korea” with the G5422TDCWS model. A little typology, “T” stands for tremolo (even if it should be “V” for vibrato), “DC” for double cutaway, “WS” for the color Walnut Stain.





construction

In contrast to the Gretsch models of the first hour, a double cutaway shape was chosen for the model mentioned above. This also generates a depth of only 57 millimeters in the hollow body, thus ensuring more comfortable handling than the full resonance models. The body wood used is linden, which is rarely used, while a maple neck with a rosewood fingerboard is a familiar choice. When it comes to scale length, Gretsch relies on the short Gibson version, meaning 62.2 centimeters.

The entire look exudes a massive vintage flair, from the framed F-holes to the double-sided binding on the body to the pearloid hump block fingerboard inlays. In order to support the acoustic character of the instrument, the bridge is only held in position by the pressure of the strings. You really need to be careful with a hard touch and thin strings, as it's all too easy to knock the bridge out of its sweet spot and ruin the intonation or playability. In my opinion, you should not put anything less than a 011 set on this instrument; 012 or the very heavy 013 ropes are welcome.

The open tuning mechanisms also seem to have been taken from an acoustic guitar, but this does not detract from their perfect mobility and precise handling. A frosted glass-like scratchboard and a licensed Bigsby Licensed B60 Vibrato also support the targeted clientele. When it comes to soft, wavering chord vibrati, the Bigsby is still the first choice; heavy dive bombs are only met with an out-of-control tuning and strings that break quickly due to the bridge construction. The guitar also has the classic control technology, which means 2 x volume, 1 x master volume, 1 x master tone.

There was something else there. What was the overarching trademark of Gretsch guitars, the ultimate epitome of the Twäng sound? Experts have long known what's coming, these are the legendary Filter Tron pickups developed by Ray Butts in 1954, here in the Black Top version. No Gretsch sound without Filter Tron pickups, it's that simple. The first double-coil pickup of its time is characterized by a hollow, throaty sound, which, in combination with the appropriate full-tube amp in the style of a Fender Bassman, Vibrolux or similar, creates the ultimate crunch gets a clean sound.

Do you want powerful crunch, possibly high-gain leads and standing artificial harmonics? Please change the guitar immediately! Do you want one of the most famous clean sounds in the world and lots of fifties and sixties esprit? You are right here!



Practice

When you pick up the guitar for the first time, you will notice how light the guitar is, as expected. Not that anyone would have expected a 5 kilo punch in the style of an eighties Les Paul, but the basswood body allows the weight to go down even further. Even if the maple neck comes into play slightly cheekily due to the weight distribution, the guitar still hangs well balanced on the strap. Despite the bridge being fixed solely by string pressure, it is astonishing how much sustain the instrument has.

The volume that the instrument produces without amplifying due to the hollow body is easily enough to complete daily finger exercises and still feel the resonance of the tone being played. The sound is crisp, quick to respond and even in unplugged mode it has the famous twang that brings tears of joy to the eyes of real disciples. The neck dimensions are practical and have the necessary dimensions without appearing bulky. There are no points of criticism when it comes to workmanship, although details that were worked on by hand, such as the edges of the F-holes, reveal slight unevenness. However, these are so small that they can be ignored and they have no influence on the sound.

Well, and on the amplifier the instrument shines with exactly the virtues that you can expect from this guitar. Wonderfully crisp, undistorted sounds with soft highs, thinned out basses and the characteristic high midrange that make up the sound of the instrument. It's nice to hear how the consistently hollow sound of the guitar penetrates the band structure perfectly even at low volumes and never lets you forget which instrument is currently in use.


Conclusion

Twäng as Twäng can, no matter how English this crude sentence structure may seem, it sums up the great flagship of the Gretsch G5422TDC. Even if everyone who has looked more closely into the history of guitars knows about this sound creation, it is still an experience again and again how characteristic the sound of the instruments from Gretsch forms its own niche.

The instrument is virtually predestined for everything that requires a crisp, undistorted attack and will become a pillar in the large area of country, western and rockabilly. It's also nice that Gretsch was able to transfer the most important trademarks from US production to the Asian area and bring a high-quality instrument with lots of twang to the market for a street price below the €800 mark.

A successful variation at an interesting price!

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Additional Informations:

Title: The Rich History of Gretsch Guitars: From Humble Beginnings to Iconic Legacy

Introduction:
Gretsch Guitars stands as a cornerstone in the realm of musical instruments, renowned for its distinctive sound, impeccable craftsmanship, and timeless design. The journey of Gretsch guitars traces back over a century, marked by a blend of innovation, perseverance, and a commitment to excellence. From its modest origins in Brooklyn, New York, to its global prominence, the story of Gretsch Guitars is a testament to the enduring power of creativity and passion in the world of music.

Early Beginnings:
The Gretsch story began in 1883 when Friedrich Gretsch, a German immigrant, founded a small musical instrument shop in Brooklyn. Initially, the company focused on manufacturing banjos, drums, and tambourines, catering to the burgeoning musical scene in New York City. Friedrich's dedication to quality and innovation soon earned Gretsch a reputation for excellence, laying the foundation for future success.

Expansion and Innovation:
Fred W. Gretsch, the great-grandson of Gretsch's founder, Friedrich Gretsch, played a pivotal role in revitalizing the brand during the 1980s. Born into the Gretsch family legacy, Fred's upbringing instilled in him a deep appreciation for the company's heritage and a commitment to preserving its legacy of excellence in musical instrument craftsmanship.

Fred W. Gretsch took the reins of the company during a challenging period marked by shifting market dynamics and changes in ownership. However, he approached these challenges with a vision to honor Gretsch's storied past while embracing the opportunities of the future. Under his leadership, Gretsch underwent a revitalization that saw the reintroduction of classic models and a renewed focus on quality and innovation.

One of Fred W. Gretsch's notable contributions was his dedication to fostering partnerships with artists and musicians. Understanding the importance of collaboration in driving brand visibility and product innovation, he worked closely with renowned musicians to develop signature Gretsch guitar models that captured the essence of their unique styles and sound preferences.

Moreover, Fred W. Gretsch's commitment to quality control and craftsmanship ensured that each Gretsch instrument met the highest standards of excellence. By investing in modern manufacturing techniques while preserving traditional craftsmanship methods, he ensured that Gretsch guitars continued to deliver the exceptional tone, playability, and aesthetic appeal that musicians had come to expect.

Fred W. Gretsch's leadership not only restored Gretsch's prominence within the music industry but also strengthened its connection with musicians and enthusiasts worldwide. His unwavering dedication to the brand's heritage, coupled with a forward-thinking approach to innovation, laid the groundwork for Gretsch's continued success in the decades to come.

Today, Fred W. Gretsch remains actively involved in the company as a custodian of its legacy, overseeing its operations and preserving its heritage for future generations. His enduring commitment to Gretsch Guitars serves as a testament to the enduring values of passion, creativity, and excellence that have defined the brand since its inception.

However, it was the introduction of the Gretsch "Broadkaster" guitar in the 1940s that truly propelled the company to prominence. With its rich tone and elegant aesthetics, the Broadkaster became a favorite among musicians across various genres, solidifying Gretsch's reputation as a premier guitar manufacturer.

The Rock 'n' Roll Era:
The 1950s witnessed the rise of rock 'n' roll, and Gretsch guitars found favor among pioneering artists who embraced their distinctive sound and style. Iconic musicians such as Eddie Cochran, Duane Eddy, and Chet Atkins became synonymous with Gretsch guitars, contributing to their widespread popularity.

One of the most significant endorsements came from rock legend Eddie Cochran, who famously wielded a Gretsch 6120 model, affectionately known as the "Gretsch G brand." Cochran's electrifying performances and innovative playing techniques showcased the versatility and sonic capabilities of Gretsch guitars, inspiring countless musicians to follow suit.

The Golden Age of Gretsch:
The 1960s marked a golden age for Gretsch guitars, as they became the instrument of choice for an array of legendary musicians. From George Harrison of The Beatles, who famously used a Gretsch Duo Jet on the band's early recordings, to rockabilly pioneer Brian Setzer, whose high-octane performances with the Stray Cats propelled Gretsch guitars to new heights of popularity.

During this period, Gretsch introduced several iconic models, including the White Falcon, Country Gentleman, and Jet Firebird, each adorned with ornate finishes and innovative features. These guitars not only captivated audiences with their visual appeal but also delivered unparalleled tone and playability, cementing Gretsch's status as an industry leader.

Challenges and Resurgence:
Despite its success, Gretsch faced challenges in the following decades, including changes in ownership and shifts in musical trends. However, the brand's legacy endured thanks to a dedicated community of musicians and collectors who cherished Gretsch guitars for their timeless appeal and unparalleled craftsmanship.

In the 1980s, Gretsch experienced a resurgence under the ownership of Fred W. Gretsch, great-grandson of the company's founder. Fred W. Gretsch revitalized the brand, reintroducing classic models and collaborating with artists to create signature instruments that honored Gretsch's heritage while embracing modern innovation.

Today and Beyond:
In the 21st century, Gretsch guitars continue to inspire musicians around the world, from seasoned professionals to aspiring artists. The company's commitment to quality, craftsmanship, and innovation remains unwavering, ensuring that each Gretsch guitar upholds the legacy of excellence established over a century ago.

With an ever-expanding lineup of instruments, including electric guitars, acoustic guitars, and drums, Gretsch continues to push the boundaries of creativity while staying true to its roots. Whether on stage, in the studio, or in the hands of collectors, Gretsch guitars stand as enduring symbols of musical craftsmanship and passion, embodying the spirit of innovation that has defined the brand since its inception.

Conclusion:
The story of Gretsch guitars is one of perseverance, innovation, and a deep passion for music. From its humble beginnings in Brooklyn to its global acclaim, Gretsch has remained at the forefront of musical instrument manufacturing, shaping the sounds of generations and leaving an indelible mark on the world of music. As the journey of Gretsch guitars continues, one thing remains certain: the timeless appeal and enduring legacy of these iconic instruments will continue to resonate with musicians and music lovers for years to come.