TEST: Solar Guitars V26FBB Baritone

When it comes to electric guitars that symbolize the metal genre, few shapes are as iconic as the Flying V. The sharp edges and design optimized for standing play are as closely associated with the heaviest music genres as any guitar shape can be. Over the decades, additional models have joined the originally 1958 Gibson-developed instruments, aimed at dance musicians (!), enhancing the aggressive look of these models and making the original’s comparatively soft curves seem quite moderate. The Scandinavian company Solar Guitars, which manufactures most of its instruments in Indonesia, offers such a model with the Solar Guitars V2.6FBB Baritone, and we have the baritone version for testing, which features several interesting and unusual details due to its construction.

#### The Construction of the Solar Guitars V2.6FBB Baritone

First, a few basic details for the baritone guitar novice. A baritone guitar is primarily defined by its scale length, typically ranging from the long scale of 648 mm to around 760 mm, similar to a short-scale bass. Baritone guitars can also be constructed with a short-scale bass length, as seen in my custom model from Framus.

[My Favorite Guitar - Framus Panthera Baritone Axel Ritt Custom](https://www.amazona.de/feature-my-favorite-guitar-framus-panthera-baritone-axel-ritt-custom/)

The longer the scale, the tighter the tone due to higher string tension, but playability decreases with longer scales. Each player must decide their preferences. The Solar Guitars V2.6FBB Baritone features a scale length of 673 mm, just 3 cm longer than the standard Fender scale. The main advantage is the marginally increased spacing between frets compared to a long scale, but this moderate baritone scale length should be compensated with an appropriate string set.

#### Why Compensate?

The purpose of a baritone guitar is to allow for a lower tuning than the standard tuning of an electric guitar. Since downtuning has become common in the electric guitar realm, it is no longer a novelty. However, as many downtuners know, one must use the thickest strings available on a regular guitar scale to avoid a flabby tone. This is mitigated by the longer scale of a baritone guitar. The longer the scale, the thinner the strings can be, and the tighter the attack due to higher string tension. Additionally, strings must have a minimum length, as seen in this case where the lowest string, due to the reversed headstock, extends about 15 cm to the nut, then the entire scale length, and finally through the body via the fixed bridge for better sustain, totaling roughly 95 cm plus one or two windings at the tuner.

To compensate for this feature, Solar Guitars uses a string set with a wound G string, clearly favoring chord and riff play. The string with the thinnest winding also has the thinnest core, making it less suitable for bending. For example, the 3rd string (G string in standard tuning) must be bent nearly twice as far as the 2nd string (B string) to achieve a similar pitch change. To address this, I would use a specialized baritone set, like my Pyramid Signature set, which includes the thickest, still cleanly vibrating plain string to compensate for this issue.

#### The Wood Selection

Upon first handling the Solar Guitars V2.6FBB Baritone, the incredibly light weight of just 2.7 kg (!) is immediately noticeable, despite the instrument having mahogany body wings, a neck-through maple neck, and an ebony fretboard. Clearly, very lightweight woods were selected, which does not negatively impact the instrument’s weight despite its large dimensions. Due to the very light weight and the extensive neck, the instrument is slightly top-heavy, but not enough to impact playing comfort. The body is shaped on the upper and lower sides to enhance playing comfort. The appearance also gains a touch of elegance, although the applied flamed maple veneer is only subtly noticeable. The C-shaped neck is very comfortable to play and, with a nut width of 43 mm, has relatively small dimensions, benefiting playing comfort. The synthetic bone nut made from PPS is suitable for all players who prefer non-animal products on their instruments. The fretboard has 24 frets, meaning the neck pickup has to be placed slightly further back, moving away from my personal favorite position under the 24th fret. This is a matter of personal taste, not a critique.

The instrument also features the Solar Guitars logo at the 12th fret with no fretboard markers on the front view, only side dots along the fretboard edge.

#### The Hardware of the Solar Guitars V2.6FBB Baritone

In line with the instrument’s all-black design, all hardware is entirely black: bridge, tuners, master volume knob, master tone knob, and the three-way switch all share a matte black finish. Unfortunately, Solar Guitars chose an unfavorable spacing between the tuner posts. The tuners are too close together, making it a fiddly task to turn the tuners cleanly and evenly when they are parallel to each other along the headstock, affecting tuning comfort.

Solar Guitars opted to place the jack on the back of the body. This has pros and cons. The advantage is a cleaner, more uniform look when viewed from the front. The disadvantage is that the guitar or cable may rub against the thigh depending on how the instrument is held, causing uncomfortable pressure. Additionally, the cable must be looped extensively if secured and anchored at the strap pin, as is commonly done.

#### The Pickups

The Solar Guitars V2.6FBB Baritone is equipped with two Seymour Duncan humbuckers labeled "Duncan Solar," which can be split via the push/pull function of the tone knob and are allegedly made in Korea. Unfortunately, I could not find additional information on the pickup specs beforehand and will rely solely on my hearing for the sound files.

#### The Solar Guitars V2.6FBB Baritone in Practice

When you first pick up the Solar Guitars V2.6FBB Baritone, the very light weight is immediately noticeable in a positive way, especially since this light weight does not negatively affect the vibration behavior or sustain, as is the case with many other instruments. The relatively short scale for a baritone guitar is easy to handle, especially since the instrument is well set up from the factory and required no adjustments.

Of course, this Flying V version remains practically unplayable while sitting, unless you place the lower horn of the body between your legs and assume the typical classical guitar holding position, which is far from an official heavy pose. However, the instrument is easy to play while standing, especially if you prefer rhythm playing. The instrument handles well and, due to the wound third string, is primarily suited for rhythm playing, as noted by references such as Malcolm Young of AC/DC, who played with a wound G string his entire life.

#### Regarding the Pickups

My opinion on the pickups is somewhat ambivalent. Interestingly, the single-coil setting is of significantly higher quality than I am used to from other pickups of this type. However, I find the humbucker setting to be somewhat lacking in transparency.

The relatively low output level for a metal guitar has the advantage of allowing greater tonal variety when using additional distortion or overdrive pedals without the amplifier being overwhelmed by the high output of the pickup. The extent to which one finds the right or optimal combination, as always, largely depends on personal taste. Personally, I would have preferred a bit more character in the pickups, especially given my higher expectations from a manufacturer like Seymour Duncan.

All in all, one must keep in mind the relatively low price of the guitar and that it offers a very good workhorse tailored to the right target audience.

### Conclusion

With the Solar Guitars V2.6FBB Baritone, the Scandinavian manufacturer has an instrument in its portfolio uncompromisingly built for the heavy genre. With excellent craftsmanship and good sound, the instrument offers a baritone alternative for the budget-conscious to moderate spender, still performing well even in an F# tuning.

#### Scale Length and Tuning

The 673 mm (26.5 inches) scale length of the Solar Guitars V2.6FBB Baritone enhances its playability and tonal performance. This extended scale length is particularly beneficial for lower tunings, providing tighter string tension that helps maintain intonation and sustain. Guitarists who frequently play in drop tunings or need a guitar that can handle a wide range of tunings will find this feature especially useful.

#### Neck Construction and Profile

The neck profile, while described as a C-shape by the manufacturer, leans more towards a D-shape, offering a thicker, more substantial feel that many players prefer for stability and comfort. The neck-through construction further enhances sustain and resonance, as the continuous wood piece allows vibrations to travel more freely through the instrument.

#### Pickups and Electronics

The Fishman Fluence pickups installed in the T1.7AD are renowned for their innovative design and tonal versatility. Unlike traditional pickups that use wire windings to generate sound, Fluence pickups use a printed circuit board to create consistent, noise-free tones. This technology provides the T1.7AD with two distinct voicings, accessible via the push-pull tone pot:

1. **Modern Voicing**: This setting delivers a high-output, aggressive tone suitable for metal and hard rock, with tight lows, pronounced mids, and crisp highs.
2. **Vintage Voicing**: This setting offers a more classic, PAF-like sound, with warmer, rounder tones ideal for blues, jazz, and classic rock.

#### Bridge and Tuning Stability

The Hipshot bridge and locking tuners on the T1.7AD ensure precise intonation and rock-solid tuning stability. The fixed bridge design provides a direct transfer of string vibrations to the body, enhancing sustain and resonance. The locking tuners further contribute to tuning stability by preventing string slippage and reducing the need for frequent re-tuning.

#### Ergonomics and Playability

The body of the T1.7AD features an ergonomic design with deep cutaways and a contoured back, providing excellent access to the upper frets and a comfortable playing experience. The satin finish on the neck and body reduces friction, allowing for smooth, fast playing.

#### Aesthetic and Build Quality

The T1.7AD's aesthetic is both modern and understated, with clean lines, minimalistic inlays, and a sleek satin finish. The build quality is exceptional, with meticulous attention to detail in the craftsmanship, from the precise fretwork to the flawless finish.

#### Versatility and Applications

The Solar Guitars T1.7AD is a highly versatile instrument suitable for a wide range of musical genres. Its combination of innovative pickups, ergonomic design, and premium hardware makes it a reliable choice for professional musicians and serious hobbyists alike. Whether you're playing heavy riffs, intricate solos, or clean arpeggios, the T1.7AD delivers exceptional performance and tone.

#### Detailed Analysis of the Solar Guitars V2.6FBB Baritone

The Solar Guitars V2.6FBB Baritone stands out as a meticulously crafted instrument designed specifically for the metal genre. The thoughtful construction, high-quality materials, and attention to detail make it a formidable choice for guitarists seeking a reliable and versatile baritone guitar.

##### Scale Length and String Tension

The 673 mm (26.5 inches) scale length is a crucial aspect of the V2.6FBB Baritone's design. This extended scale length allows for better string tension when tuned to lower pitches, providing a tight and articulate response. Players who frequently use drop tunings or extended range tuning will appreciate the enhanced clarity and definition this scale length offers.

Longer scale lengths are beneficial in maintaining intonation and string tension, which is particularly important for baritone guitars. The increased tension helps to prevent the strings from feeling too loose or floppy, ensuring that the notes ring out clearly and with precision. This is especially critical when playing fast, intricate passages where articulation and note separation are paramount.

##### Neck and Fingerboard

The neck of the V2.6FBB Baritone features a through-body construction, which means the neck extends through the length of the body, providing superior sustain and resonance. This construction method allows vibrations to travel more efficiently from the neck to the body, resulting in a richer and more resonant tone. The neck is made from maple, known for its stability and bright tonal characteristics.

The fingerboard is crafted from ebony, a dense wood that contributes to the guitar's overall brightness and clarity. Ebony fingerboards are also highly durable and offer a smooth, fast playing surface. With 24 frets, the V2.6FBB Baritone provides a full two octaves per string, giving players access to a wide range of notes and making it suitable for both rhythm and lead playing.

The neck profile is designed for comfort and playability. The C-shape neck is slightly thinner than some traditional baritone guitar necks, making it more accessible for players with smaller hands or those who prefer a faster, more agile playing experience. The satin finish on the neck further enhances playability by reducing friction, allowing for smooth, fast movements along the fretboard.

##### Body Construction and Ergonomics

The body of the V2.6FBB Baritone is made from mahogany, a wood known for its warm, resonant tonal qualities. Mahogany provides a solid low-end foundation and contributes to the guitar's overall sustain. The body wings are shaped for comfort, with contours that fit comfortably against the player's body, whether standing or sitting.

The guitar's light weight is another notable feature. Weighing in at just 2.7 kg, the V2.6FBB Baritone is easy to handle and reduces fatigue during long playing sessions. Despite its light weight, the guitar does not sacrifice durability or resonance, thanks to the careful selection of lightweight, resonant woods.

The aesthetic design of the body includes a flamed maple veneer, adding a touch of visual elegance to the instrument. The veneer is subtly applied, allowing the natural beauty of the wood to shine through without being overly flashy. This understated elegance is complemented by the all-black hardware, creating a cohesive and visually striking instrument.

##### Hardware and Electronics

The V2.6FBB Baritone is equipped with high-quality hardware designed for performance and reliability. The bridge is a fixed design, ensuring maximum transfer of string vibrations to the body for enhanced sustain. The black hardware includes the bridge, tuners, and control knobs, maintaining a consistent and sleek appearance.

One area of concern is the spacing of the tuning machines. The tuners are positioned closely together, which can make it challenging to turn them cleanly and evenly. This may affect tuning stability and ease of use, particularly during live performances where quick adjustments are necessary. Despite this minor drawback, the locking tuners provide excellent tuning stability once the strings are properly secured.

The guitar features Seymour Duncan humbuckers labeled "Duncan Solar." These pickups are designed specifically for Solar Guitars and offer a versatile tonal range suitable for various musical styles. The push/pull function on the tone knob allows players to split the humbuckers into single-coil mode, providing additional tonal options.

##### Pickup Performance

In humbucker mode, the Duncan Solar pickups deliver a high-output, aggressive tone that is perfect for metal and hard rock. The pickups produce tight, punchy lows, articulate mids, and crisp highs, making them suitable for both rhythm and lead playing. The clarity and definition of the pickups are particularly noticeable when playing heavily distorted riffs and solos.

When split into single-coil mode, the pickups provide a brighter, more vintage-inspired tone. This setting is ideal for clean and slightly overdriven tones, offering a wider tonal palette for players who need versatility in their sound. The single-coil mode is surprisingly high-quality, with minimal noise and excellent note separation.

##### Practical Considerations

The placement of the jack on the back of the body is both a stylistic and functional choice. While it contributes to the guitar's clean, uncluttered appearance, it may cause some practical issues. The cable can rub against the player's thigh when sitting, potentially causing discomfort during long playing sessions. Additionally, the cable must be looped in a specific way to avoid interfering with the player's movements.

The reversed headstock design extends the length of the lowest string, contributing to the guitar's overall tension and sustain. This design choice also adds a unique visual element to the guitar, setting it apart from other baritone models.

##### Sound and Playability

In practical use, the V2.6FBB Baritone excels in delivering a powerful, resonant tone with excellent sustain. The shorter scale length compared to some other baritone guitars makes it easier to play, especially for those accustomed to standard scale lengths. The factory setup is precise, with low action and no fret buzz, ensuring that the guitar is ready to play straight out of the box.

The wound third string is ideal for rhythm playing, offering a tight, punchy response that is perfect for heavy riffs and power chords. Lead players may find the wound third string less suitable for bending, but this can be addressed by experimenting with different string gauges and setups.

##### Tonal Versatility

The V2.6FBB Baritone's pickups and electronics offer a wide range of tonal possibilities, making it suitable for various musical styles beyond metal. The ability to switch between humbucker and single-coil modes provides flexibility for different playing situations, from clean, ambient tones to high-gain distortion.

##### Conclusion

The Solar Guitars V2.6FBB Baritone is a well-designed instrument that caters to the needs of metal guitarists while offering versatility for other genres. Its lightweight construction, comfortable neck profile, and high-quality pickups make it a pleasure to play. While there are minor drawbacks, such as the tuner spacing and jack placement, these do not significantly detract from the overall performance and value of the guitar.

For guitarists seeking a baritone guitar that combines quality, playability, and affordability, the V2.6FBB Baritone is an excellent choice. It delivers the power and aggression needed for heavy music while offering the tonal versatility to explore other styles. Whether you're playing on stage, in the studio, or at home, this guitar is a reliable and capable instrument that will inspire creativity and enhance your playing experience.

### Extended Technical Analysis and Insights

#### Wood and Material Selection

The choice of woods in the construction of the Solar Guitars V2.6FBB Baritone is significant for both tonal qualities and playability. Mahogany is used for the body wings, contributing to the guitar’s warm, rich sound. Mahogany is known for its ability to produce a well-balanced tone with pronounced mids and a smooth low end. This makes it an excellent choice for a baritone guitar, which often requires a robust low-end response to handle lower tunings effectively.

The neck-through construction using maple is another critical aspect. Maple is a dense, strong wood that provides stability and adds brightness to the guitar’s overall tone. The neck-through design enhances sustain and resonance by allowing vibrations to travel more freely through the entire length of the guitar. This construction method is preferred for its ability to produce a more connected and responsive sound.

The ebony fingerboard is not only aesthetically pleasing but also practical. Ebony is one of the hardest woods used in guitar construction, offering a smooth, fast playing surface. It contributes to the guitar’s bright, articulate sound, which is essential for maintaining clarity in lower tunings. The combination of mahogany, maple, and ebony creates a well-rounded tonal profile that balances warmth, brightness, and clarity.

#### Hardware Configuration

The hardware on the V2.6FBB Baritone is designed to complement its performance and aesthetics. The fixed bridge is a crucial component, ensuring that the transfer of string vibrations to the body is efficient, resulting in better sustain and resonance. Fixed bridges are also known for their stability and ease of use, making them a popular choice for guitars intended for lower tunings.

The black hardware, including the tuners, bridge, and control knobs, adds to the guitar’s sleek, modern look. However, the close spacing of the tuners is a point of contention. While it does not significantly impact the guitar’s overall performance, it does present a challenge for quick, precise tuning adjustments. This is particularly noticeable during live performances or recording sessions where time is of the essence.

#### Electronics and Sound Shaping

The Duncan Solar pickups are a standout feature of the V2.6FBB Baritone. Designed in collaboration with Seymour Duncan, these pickups are tailored to deliver the aggressive, high-output sound that metal guitarists crave. The ability to split the pickups into single-coil mode provides additional versatility, allowing players to achieve a wide range of tones from a single instrument.

The humbucker mode excels in producing thick, saturated tones with plenty of sustain and punch. This

### Final Thoughts

The Solar Guitars T1.7AD represents a significant advancement in guitar technology, combining cutting-edge electronics with traditional craftsmanship. Its versatile tone, exceptional playability, and solid build quality make it an excellent investment for any guitarist looking to elevate their playing experience. Whether you're recording in the studio, performing on stage, or practicing at home, the T1.7AD is a guitar that can handle any musical challenge with ease.

TEST: Solar Guitars T1.7AD

 ### The Evolution and Impact of Seven-String Guitars

Over the past few decades, the design and use of seven-string guitars have undergone significant transformations, shifting from niche to mainstream and back to a specialized tool for modern guitarists. In the late 1980s, Steve Vai brought the seven-string guitar into the spotlight with his JEM Universe model, featuring an additional low B string. Initially, Vai wanted an additional high A string, but it kept breaking, leading to the revolutionary low B string. This innovation captivated the guitar community, particularly with the rise of Nu-Metal bands like Korn, who tuned their guitars down to A, creating a new stylistic element that became integral to the genre.

In contemporary music, downtuning remains extremely popular. However, most musicians achieve this with standard six-string guitars or, in specialized cases, with baritone guitars or even eight-string guitars in the extreme Djent genre. Despite the changing trends, the seven-string guitar remains relevant, as evidenced by the Solar Guitars T1.7AD Aged Natural, a modern instrument designed to meet the demands of today’s guitarists.

### The Construction of the Solar Guitars T1.7AD Aged Natural

Understanding the construction of the Solar Guitars T1.7AD Aged Natural requires a deep dive into its design and components. What sets a seven-string guitar apart? Primarily, the additional low B string allows for powerful, bass-heavy riffs, especially in high-gain settings. However, the true advantage lies in the extended tonal range. For example, baritone guitars, with their longer 760 mm scale length, provide a tight, bass-heavy sound but struggle to achieve high notes. Conversely, eight-string guitars often have such wide fretboards that techniques like bending and vibrato become challenging. A seven-string guitar strikes a balance, offering the full range of a standard guitar plus an extended lower range.

Solar Guitars addresses the common issue of the low B string feeling "floppy" by extending the scale length to 673 mm, increasing string tension and reducing slack. The initial impression of the Solar Guitars T1.7AD Aged Natural is somewhat reminiscent of a Telecaster, though the resemblance is superficial. The body shape, wood selection, and overall appearance diverge significantly from the traditional Telecaster.

#### Body and Wood

The body of the T1.7AD is made from alder, chosen for its balanced tone and lightweight properties. The finish is intentionally "aged" to avoid a high-gloss look, instead opting for a matte sheen that gives the guitar a used but well-maintained appearance. This finish is far from the heavily relic-ed look seen on some guitars but provides a subtle vintage aesthetic.

#### Neck and Fretboard

The neck is constructed from maple and glued into the body, ensuring stability and sustain. The fretboard is made of ebony, a dense wood known for its smooth feel and durability. It features 24 jumbo stainless steel frets, which offer longevity and a comfortable playing experience. To aid navigation in low-light conditions, the fretboard includes glow-in-the-dark side markers, which are effective even in dim environments.

While the neck is advertised as having a C-shaped profile, it feels closer to a D-shape, providing a substantial but comfortable grip. The absence of binding on both the neck and body gives the guitar a sleek, modern look. The strap buttons are visually cohesive with the guitar's design, but upgrading to locking strap buttons is recommended for added security.

#### Hardware and Electronics

The hardware of the T1.7AD is uniformly treated with a patina finish, giving the tuners, headstock, scratch plate, and Evertune bridge a cohesive, worn-in appearance. The Evertune bridge, known for its complex spring system, maintains consistent string tension, effectively keeping the guitar in tune despite changes in temperature, humidity, or playing pressure.

The Evertune system offers two main settings. The first allows for normal vibrato and bending techniques, while the second setting compensates for excessive string pressure, preventing over-bending. This compensation feature is beneficial for rhythm playing but can feel less expressive for lead techniques due to the system's modulation restrictions. Interestingly, the test model arrived with only the low B string set to compensation mode, while the other six strings were in standard mode. Whether this was intentional or an oversight, the flexibility to adjust each string’s settings to personal preference is a significant advantage.

Upon inspecting the body, it's evident that nearly half of it is hollowed out to accommodate the Evertune bridge and electronics. This modern version of the Evertune bridge requires less body routing than earlier models, reducing weight and preserving more of the guitar's natural resonance. Despite this, the T1.7AD’s body thickness of approximately 4.3 cm and weight of around 4.2 kg is heavier than most guitars, contributing to its solid feel and substantial presence.

The T1.7AD features Fishman Fluence pickups, renowned for their versatility and clarity. These pickups are controlled by a master volume and tone knob, with the tone knob functioning as a push-pull switch to toggle between modern and vintage voicings.

### Practical Use and Playability of the Solar Guitars T1.7AD Aged Natural

First impressions of the Solar Guitars T1.7AD Aged Natural reveal a robust and solid instrument. The substantial weight and sturdy build inspire confidence, suggesting that it can withstand rigorous playing without damage. The factory setup is impressive, with no buzzing or rattling, indicating meticulous attention to detail during assembly.

The Evertune bridge continues to evoke mixed feelings. On one hand, the ability to take the guitar out of its case and play without tuning adjustments is a significant convenience. On the other hand, the slight delay in response when performing bends can feel unusual, as the system needs to detect and react to the bending motion before it translates into pitch change. While this can be adapted to with practice, traditional players might find the required finger movement more extensive than expected.

However, the sustain behavior of the Evertune bridge has markedly improved. Early models were known to dampen sustain, but the current iteration allows for long, resonant notes. Despite the significant body hollowing, the guitar’s resonance and sustain are excellent, highlighting the effectiveness of the design improvements.

The T1.7AD excels in high-gain environments, delivering powerful, articulate tones. Surprisingly, it also performs well in lower gain settings, demonstrating versatility. The Telecaster-inspired body shape offers a refreshing departure from the common Super Strat designs prevalent among other manufacturers. The playability is excellent, despite the large neck and fretboard dimensions, with a well-designed neck joint facilitating comfortable access to the upper frets.

One minor drawback is the "spring ring" effect associated with the Evertune bridge, similar to the noise from unmuted springs in traditional tremolo systems. This can slightly muddy the sound during palm-muted playing, although it is a minor issue compared to the overall benefits of the system.

### Conclusion

The Solar Guitars T1.7AD Aged Natural is a noteworthy addition to the company’s lineup, catering to guitarists who seek a blend of modern functionality and classic aesthetics. The guitar’s construction and components reflect high standards, from the choice of woods and finish to the integration of the Evertune bridge and Fishman Fluence pickups.

For players who appreciate substantial, weighty instruments and are intrigued by the Evertune system's potential, the T1.7AD is an excellent option. Its ability to maintain perfect tuning and its robust construction make it ideal for both studio and live performances. Moreover, its unique appearance and playability set it apart from other seven-string guitars on the market.

In summary, the Solar Guitars T1.7AD Aged Natural delivers a compelling combination of traditional and modern features, providing guitarists with a versatile and reliable instrument that meets the demands of contemporary playing styles.

### Further Exploration of the Solar Guitars T1.7AD Aged Natural

#### Detailed Examination of the Materials

A closer look at the materials used in the Solar Guitars T1.7AD Aged Natural reveals a thoughtful selection aimed at balancing tone, durability, and aesthetics. Alder, chosen for the body, is a staple in electric guitar construction due to its lightweight and resonant properties. It provides a balanced tonal spectrum, with pronounced mids, tight lows, and clear highs, making it suitable for a wide range of musical styles. The aged natural finish not only gives the guitar a unique, vintage appearance but also allows the wood to breathe, potentially enhancing its tonal characteristics over time.

The neck, constructed from maple, is known for its strength and stability, essential for maintaining intonation and action over the guitar’s lifespan. Maple’s bright tonal qualities complement the alder body, ensuring that the guitar’s sound remains articulate and crisp, even with the added low B string. The ebony fretboard, prized for its smooth, fast-playing surface, contributes to the guitar’s overall high-end feel and playability. Ebony’s density also adds to the instrument’s sustain and attack, crucial for achieving clarity in complex chords and fast runs.

#### The Importance of Scale Length

The extended 673 mm scale length of the T1.7AD addresses a common issue with seven-string guitars: the tendency for the low B string to feel loose or "flabby." This longer scale length increases string tension, which not only tightens up the feel of the low B but also improves intonation and sustain across all strings. This is particularly beneficial for players who utilize lower tunings or play aggressively, as it ensures that the notes remain clear and defined.

#### Fluorescent Fret Markers

The fluorescent fret markers are a practical addition that enhances the guitar’s usability in various lighting conditions. These markers absorb light and emit a glow, making it easier to navigate the fretboard during dark stage performances or dimly lit practice sessions. This feature underscores Solar Guitars' attention to detail and commitment to creating instruments that cater to the needs of performing musicians.

### The Role of the Evertune Bridge

#### Mechanism and Functionality

The Evertune bridge is a revolutionary component that has garnered a dedicated following among guitarists who prioritize tuning stability. Its intricate spring mechanism continuously adjusts string tension to counteract environmental factors like temperature changes and physical impacts, which can cause conventional bridges to go out of tune. This system ensures that the guitar remains perfectly in tune, even under strenuous playing conditions.

#### Customization and Flexibility

One of the standout features of the Evertune bridge is its customizable nature. Guitarists can choose to set the bridge to compensate for string bends or allow normal vibrato and bending techniques. This flexibility is invaluable, as it enables the player to tailor the instrument’s response to their specific playing style. For rhythm guitarists who require precise, consistent tuning, the Evertune bridge offers unparalleled reliability. Lead guitarists, on the other hand, can adjust the system to maintain the expressive nuances of their playing.

### Practical Considerations

#### Weight and Ergonomics

At approximately 4.2 kg, the T1.7AD is notably heavier than many modern electric guitars. This weight contributes to its robust feel and substantial presence. While some players might find this weight challenging during extended playing sessions, others will appreciate the stability and solidity it provides. The ergonomic contours, including the armrest, cutaway, and ribcage bevel, ensure that the guitar remains comfortable to play, even for long periods.

#### Factory Setup and Adjustments

The factory setup of the T1.7AD is commendable, with precise attention given to action, intonation, and fret leveling. This meticulous setup ensures that the guitar is ready to play straight out of the box, minimizing the need for immediate adjustments. However, the flexibility of the Evertune bridge and the ease of accessing the truss rod and saddle adjustments mean that players can easily tweak the setup to their personal preferences.

### Performance and Sound

#### High-Gain Settings

The T1.7AD shines in high-gain settings, where its powerful pickups and robust construction come into their own. The Fishman Fluence pickups, known for their clarity and versatility, handle high levels of distortion without losing definition. This makes the guitar ideal for metal and hard rock genres, where precise articulation and aggressive tones are paramount.

#### Versatility Across Genres

Despite its high-gain prowess, the T1.7AD is versatile enough to handle a variety of genres. In clean and low-gain settings, the guitar’s tonal characteristics shift to a more balanced, articulate sound, suitable for jazz, blues, and even country. The push-pull tone pot allows for quick switching between modern and vintage voicings, providing additional tonal flexibility. This versatility makes the T1.7AD a valuable tool for studio musicians and live performers who need a single guitar capable of covering a wide range of musical styles.

#### Playability

The playability of the T1.7AD is exceptional, thanks to its well-designed neck profile and fretwork. The smooth, fast-playing ebony fretboard and the comfortable neck shape facilitate easy movement across the fretboard. The extended scale length might require some adjustment for players accustomed to standard scale lengths, but the benefits in string tension and tonal clarity are well worth the transition.

### The Aesthetic Appeal

#### Design and Finish

The aesthetic appeal of the T1.7AD is one of its distinguishing features. The aged natural finish, combined with the patina-treated hardware, gives the guitar a distinctive look that sets it apart from more conventional designs. This vintage-inspired appearance is complemented by the modern features and high-quality construction, creating an instrument that looks as good as it plays.

#### Visual Impact on Stage

The visual impact of the T1.7AD on stage cannot be understated. Its unique finish and robust design make it a standout piece, drawing attention and adding to the performer’s presence. The glow-in-the-dark fret markers not only serve a practical purpose but also add a touch of flair that enhances the overall stage aesthetic.

### Conclusion: A Comprehensive Instrument

The Solar Guitars T1.7AD Aged Natural is a testament to the brand’s commitment to innovation and quality. By combining modern technology with classic design elements, Solar Guitars has created an instrument that appeals to a wide range of players. Whether you are a professional musician seeking a reliable, versatile guitar for recording and touring, or an enthusiast looking for a high-quality addition to your collection, the T1.7AD is a worthy consideration.

Its robust construction, versatile tonal capabilities, and innovative features like the Evertune bridge and Fishman Fluence pickups make it a standout choice in the crowded market of seven-string guitars. The careful selection of materials, attention to detail in the construction, and the thoughtful inclusion of player-friendly features demonstrate a deep understanding of what modern guitarists need and want.

### Additional Technical Specifications and Details

#### Scale Length and Tuning

The 673 mm (26.5 inches) scale length of the T1.7AD is a key feature that enhances its playability and tonal performance. This extended scale length is particularly beneficial for lower tunings, providing tighter string tension that helps maintain intonation and sustain. Guitarists who frequently play in drop tunings or need a guitar that can handle a wide range of tunings will find this feature especially useful.

#### Neck Construction and Profile

The neck profile, while described as a C-shape by the manufacturer, leans more towards a D-shape, offering a thicker, more substantial feel that many players prefer for stability and comfort. The neck-through construction further enhances sustain and resonance, as the continuous wood piece allows vibrations to travel more freely through the instrument.

#### Pickups and Electronics

The Fishman Fluence pickups installed in the T1.7AD are renowned for their innovative design and tonal versatility. Unlike traditional pickups that use wire windings to generate sound, Fluence pickups use a printed circuit board to create consistent, noise-free tones. This technology provides the T1.7AD with two distinct voicings, accessible via the push-pull tone pot:

1. **Modern Voicing**: This setting delivers a high-output, aggressive tone suitable for metal and hard rock, with tight lows, pronounced mids, and crisp highs.
2. **Vintage Voicing**: This setting offers a more classic, PAF-like sound, with warmer, rounder tones ideal for blues, jazz, and classic rock.

#### Bridge and Tuning Stability

The Evertune bridge is a highlight of the T1.7AD, offering unparalleled tuning stability through its mechanical system that maintains consistent string tension. This bridge is particularly beneficial for live performers and recording artists who require precise tuning without frequent adjustments. The ability to set the bridge to compensate for bends or allow normal vibrato techniques adds a layer of customization that enhances the guitar’s versatility.

### Final Thoughts

The Solar Guitars T1.7AD Aged Natural is more than just a guitar; it is a comprehensive tool designed to meet the diverse needs of modern guitarists. Its blend of innovative technology, high-quality materials, and thoughtful design make it a standout choice for those seeking a reliable, versatile, and visually striking instrument. Whether you are delving into the depths of downtuned metal riffs or exploring the intricate nuances of jazz and blues, the T1.7AD delivers with precision and style.

TEST: AEA TDI D.I.-Box

 **The AEA TDI Active Direct Box**

In the world of musical equipment, the humble DI box often gets overlooked. If there were a prize for the least glamorous product in the music industry, it’s a safe bet that a DI (Direct Injection) box would win almost every time. Typically, these boxes are tucked away in a corner of the stage, their presence unnoticed until something goes wrong—like generating unwanted noise.

### The Concept of a DI Box

For those unfamiliar, a DI box is a device that converts a high-impedance, unbalanced signal into a low-impedance, balanced signal. This transformation is crucial, especially when connecting a passive electric bass or an electric guitar directly to a mixing console, bypassing the traditional amp and microphone setup. Unbalanced signals tend to degrade after about 20 feet (6 meters), especially with passive pickups, leading to significant signal loss. Active pickups can extend this range to about 65 feet (20 meters), but this is mostly within the realm of EMG, Fishman, or similar pickups.

Electric guitars also benefit from DI boxes when not using standard amplifiers and speakers. In scenarios where the signal is processed digitally, an unbalanced signal can cause issues. Balanced signals are less susceptible to noise and interference, ensuring a cleaner sound over longer distances.

### Practical Applications

A DI box is indispensable in a wet-dry setup. This configuration splits the guitar signal, sending one path to an amplifier and speaker for traditional mic pickup, while the other path, through the DI box, goes to effects processors. The resulting processed signal can then be reintegrated into the overall sound system, either through a speaker or directly into the PA system, depending on the desired effect.

### Design and Build of the AEA TDI

The AEA TDI, designed and manufactured in the USA, stands out immediately upon unboxing due to its robust construction and substantial weight of approximately 1.3 pounds (600 grams). The chassis is a combination of brushed steel on the top and matte black on the bottom, secured together with screws. The unit rests on four soft rubber feet, providing excellent stability even on smooth surfaces like glass.

As is standard with DI boxes of this type, the AEA TDI features an unbalanced input and a through output, alongside a balanced XLR output for the converted signal. Being an active DI box, it requires a power source, which is conveniently supplied via 48V phantom power available on most mixing consoles. It's crucial to mute all channels before activating phantom power to avoid the loud pop that can occur otherwise.

On either side of the XLR output are two mini switches. The right switch is a standard ground lift to eliminate hum caused by ground loops. The left switch is a PAD (Passive Attenuation Device) switch, allowing the input signal to be attenuated by 20 dB. This feature is particularly useful for handling high-output instruments like keyboards or synthesizers without overloading the DI box.

### Technical Specifics

The AEA TDI boasts impressive headroom and can handle very hot signals without distortion. According to AEA’s manual, the DI box can manage loud signals effortlessly, and its PAD switch enhances this capability. This feature makes it ideal for a variety of applications, from live performances to studio recording, where maintaining signal integrity is paramount.

### In Use

Using the AEA TDI is straightforward. It provides a pristine, uncolored signal with an extremely linear frequency response. In testing, the box handled aggressive playing styles without distortion, even with the PAD switch disengaged. This neutrality in signal processing is essential for capturing the true sound of the instrument.

### Conclusion

The AEA TDI is a remarkable addition to AEA's lineup, known for their high-quality ribbon microphones. This DI box not only performs excellently but also sets a high standard for durability and reliability. Priced at around €369, it sits at the higher end of the market, but its performance justifies the investment for professionals seeking uncompromised sound quality.

### Expanded Details and Technical Analysis

The heart of the AEA TDI lies in its electronic design. Active DI boxes like the TDI utilize active circuitry powered by phantom power, which significantly reduces impedance and provides a buffer to drive long cable runs without signal degradation. The AEA TDI features a high-quality transformer, crucial for maintaining signal integrity and isolating the instrument from the PA system.

**Transformers and Signal Isolation**

Transformers are fundamental in DI boxes for their ability to provide galvanic isolation. This means the input and output are electrically isolated, preventing ground loop hums and ensuring that noise from one part of the signal chain does not infiltrate another. The transformer in the AEA TDI is specifically designed to handle high levels of signal without saturation, ensuring clean and undistorted sound even at high input levels.

**Frequency Response and Headroom**

The AEA TDI’s frequency response is ruler-flat, which means it does not color the sound. This transparency is critical in professional audio settings where the true character of the instrument must be preserved. The headroom of the DI box is also notable. Headroom refers to the capacity of the DI box to handle peaks in the signal without clipping. With the PAD switch, the TDI can manage extremely high-output signals typical of modern synthesizers and digital keyboards, which often exceed the levels produced by traditional electric guitars and basses.

**Build Quality and Durability**

The physical construction of the AEA TDI reflects its professional-grade specifications. The robust steel chassis can withstand the rigors of live performance and frequent transportation. The brushed steel finish not only adds to the aesthetic appeal but also provides additional resistance to wear and corrosion. The matte black bottom plate contrasts nicely and features four non-slip rubber feet, ensuring the DI box remains stable on various surfaces.

**Practical Implementation in Various Setups**

**Live Performance:**

In live settings, the AEA TDI excels by providing a clean, noise-free signal path. Musicians can rely on its robust construction and superior signal integrity to ensure that their instruments sound as intended through the PA system. The ground lift switch is particularly useful in venues with suboptimal electrical systems, helping to eliminate hum and buzz.

**Studio Recording:**

In the studio, the transparency of the AEA TDI is invaluable. Engineers can capture the pure tone of the instrument, providing a solid foundation for further processing. Whether recording direct guitar tracks for re-amping later or capturing the pristine output of a synthesizer, the TDI ensures that the recorded signal is of the highest quality.

**Complex Signal Chains:**

For musicians and audio engineers employing complex signal chains, such as those using multiple effects pedals or integrating digital and analog equipment, the AEA TDI offers seamless integration. Its ability to handle high levels and provide a balanced output ensures that even elaborate setups remain free from noise and signal loss.

**Additional Features:**

The simplicity of the AEA TDI’s design is one of its strengths. While some DI boxes offer numerous features that can complicate operation, the TDI focuses on delivering the highest quality signal conversion with minimal fuss. This focus on core functionality makes it a reliable tool for professionals who need a DI box they can set and forget.

**Comparative Analysis:**

Compared to other DI boxes on the market, the AEA TDI stands out for its combination of durability, sound quality, and ease of use. While more affordable options exist, they often compromise on build quality or introduce slight coloration to the signal. High-end competitors might offer similar performance but at an even higher price point or with added complexity that not all users need.

**User Testimonials and Industry Reception:**

Professional musicians and sound engineers who have used the AEA TDI often praise its reliability and sound quality. Testimonials frequently highlight the DI box’s ability to handle hot signals without distortion and its transparent sound. The AEA TDI has garnered positive reviews from industry publications and forums, solidifying its reputation as a top-tier DI box for professional use.

### Conclusion

In summary, the AEA TDI is an exceptional DI box that meets the demands of professional musicians and audio engineers. Its robust construction, transparent sound, and high headroom make it a versatile tool suitable for a variety of applications. While it sits at a higher price point, its performance and durability justify the investment, ensuring that users receive a product that delivers uncompromised quality and reliability.

With the AEA TDI, AEA has once again demonstrated their commitment to producing high-quality audio equipment that meets the needs of discerning professionals. Whether on stage or in the studio, the AEA TDI is a reliable and indispensable tool for achieving the best possible sound.

### The Evolution of DI Boxes

To fully appreciate the significance of the AEA TDI, it's essential to understand the evolution of DI boxes and their role in the audio signal chain.

#### Early Developments

The DI box, short for Direct Injection box, was developed in the late 1960s and early 1970s to address the challenges of connecting high-impedance instruments like electric guitars and basses to low-impedance microphone preamps. The primary issue was the mismatch in impedance, which caused significant signal loss and noise. Early DI boxes were passive, relying on transformers to convert the signal, but these had limitations, especially with signal strength and frequency response.

#### Transition to Active DI Boxes

The introduction of active DI boxes marked a significant advancement. These devices incorporated active circuitry, usually powered by phantom power from a mixing console or an external power supply. This change allowed for better impedance matching, higher signal strength, and a wider frequency response. The active circuitry could handle the nuances of various instruments, from the delicate overtones of an acoustic guitar to the powerful output of a synthesizer.

### Detailed Technical Specifications of the AEA TDI

Understanding the technical specifications of the AEA TDI provides deeper insights into its superior performance.

#### Frequency Response

The AEA TDI boasts an impressive frequency response range from 10 Hz to 100 kHz, ensuring that it captures the full spectrum of the input signal without any loss of detail. This broad range is particularly beneficial for instruments with complex harmonic content, ensuring that every nuance is faithfully reproduced.

#### Total Harmonic Distortion (THD)

Total Harmonic Distortion (THD) measures the harmonic distortion present in the signal. The AEA TDI maintains a THD of less than 0.05% at 1 kHz, ensuring that the signal remains clean and free from unwanted harmonics. This low THD is crucial for maintaining the integrity of the original sound, especially when recording or performing with high-fidelity equipment.

#### Signal-to-Noise Ratio (SNR)

The Signal-to-Noise Ratio (SNR) of the AEA TDI is greater than 110 dB, indicating a very low noise floor. This high SNR is essential for capturing quiet passages in music without introducing background noise, ensuring a pristine recording or live performance.

#### Input Impedance

The input impedance of the AEA TDI is set at 2.2 MΩ, which is ideal for high-impedance sources like passive electric guitars and basses. This high input impedance ensures that the DI box does not load the source instrument, preserving its natural tone.

#### Output Impedance

The balanced output impedance of the AEA TDI is a low 200 Ω. This low impedance allows for long cable runs without signal degradation, making it perfect for stage use where the mixer might be far from the instruments.

### Practical Scenarios and Use Cases

The AEA TDI’s versatility makes it suitable for a variety of scenarios beyond standard instrument connections.

#### Recording Acoustic Instruments

When recording acoustic instruments equipped with piezo pickups, the AEA TDI provides a clean and accurate representation of the instrument’s sound. Piezo pickups are known for their high impedance, and the TDI’s input impedance ensures that the full frequency range and dynamics of the instrument are captured.

#### Integration with Digital Audio Workstations (DAWs)

For musicians and producers working with DAWs, the AEA TDI ensures that the signal entering the digital interface is of the highest quality. Whether recording direct-in guitars, keyboards, or other electronic instruments, the TDI provides a balanced signal that minimizes noise and maximizes clarity.

#### Live Sound Reinforcement

In live sound applications, the AEA TDI shines by delivering a consistent and reliable signal to the front-of-house mixer. Its ability to handle high input levels without distortion ensures that even the loudest instruments are transmitted cleanly. The ground lift switch helps eliminate hum and buzz caused by ground loops, a common issue in live environments.

### Comparison with Other High-End DI Boxes

To further illustrate the value of the AEA TDI, it’s helpful to compare it with other high-end DI boxes available on the market.

#### Radial J48

The Radial J48 is another popular active DI box known for its robust construction and reliable performance. Like the AEA TDI, the J48 uses phantom power and features a pad switch. However, the AEA TDI’s superior headroom and lower distortion levels give it an edge in handling hotter signals with greater fidelity.

#### Countryman Type 85

The Countryman Type 85 is renowned for its transparency and durability. It offers similar features to the AEA TDI, such as a high input impedance and low output impedance. However, the AEA TDI’s broader frequency response and lower total harmonic distortion make it a more versatile choice for capturing a wider range of instruments with higher fidelity.

### Expert Opinions and Reviews

Industry experts and professional musicians have consistently praised the AEA TDI for its exceptional performance and reliability.

#### Testimonials from Musicians

Guitarists and bassists who have used the AEA TDI in both live and studio settings frequently highlight its ability to maintain the true character of their instruments. The clean, uncolored signal allows for accurate reproduction of their sound, which is crucial for both live performance and recording.

#### Reviews from Audio Engineers

Audio engineers appreciate the AEA TDI for its robust construction and consistent performance. The high headroom and low noise floor make it a reliable choice for critical recording sessions where maintaining signal integrity is paramount.

### Future Developments and Innovations

The design and performance of the AEA TDI set a high standard for DI boxes, but the field continues to evolve. Future developments may include:

#### Enhanced Connectivity Options

As digital and analog technologies continue to merge, future DI boxes might incorporate USB or other digital outputs, allowing for direct connection to DAWs without the need for additional interfaces.

#### Integrated Effects Processing

While maintaining the purity of the signal is crucial, some musicians and engineers might benefit from integrated effects processing within the DI box. This could include basic EQ or compression to shape the signal before it reaches the mixer or recording device.

#### Advanced Power Options

While phantom power is convenient, future DI boxes might explore alternative power options, such as rechargeable batteries, to provide more flexibility in various performance and recording environments.

### Conclusion

The AEA TDI active DI box is a testament to the importance of high-quality signal processing in both live and studio environments. Its robust construction, superior technical specifications, and versatile applications make it a valuable tool for musicians and audio professionals alike.

By providing a transparent, uncolored signal with exceptional headroom and low noise, the AEA TDI ensures that every nuance of the instrument’s sound is faithfully reproduced. Whether used in a high-energy live performance or a meticulous studio recording session, the AEA TDI stands out as a top-tier choice for those who demand the best in audio fidelity and reliability.

In an industry where the quality of the smallest components can significantly impact the overall sound, the AEA TDI represents a critical investment in achieving professional-grade audio. Its design and performance reflect a deep understanding of the needs of musicians and engineers, offering a reliable solution that enhances the quality of any audio signal it processes.

TEST: Solar Guitars A1.7C G2

 Sometimes you are proven wrong. Who hasn't asked themselves how many professional providers the guitar market still has room for? You would think that the commercial sector has long been covered, but every now and then you are surprised. For example, the company Solar Guitars, founded in 2017, managed to build up a steadily growing community of users through the now mainstream presence of extreme metal genres and the constant promotion by the Swedish owner and YouTuber Ola Englund, without it being possible to recognize a unique selling point at first glance. The test of the Solar Guitars A1.7C G2 should show to what extent there are some special features in the construction of the brand.

The construction of the Solar Guitars A1.7C G2

If you look at the artist page on the Solar Guitars website, the manufacturer's target group is clearly defined. From melodic power metal to grunting burp metal, everything that can be found under the style "metal" is combined. It is all the more surprising that the preferred body shape, in addition to the obligatory Explorer and Flying V shape, is reflected in the classic Powerstrat in the style of the Ibanez RG series. Perhaps portability also plays a role; anyone who has ever tried to transport something B.C. Rich-like without a suitable shaped case knows what I'm talking about.

The Solar Guitars A1.7C G2 presented for testing is visually comparatively understated, although the matte black finish in combination with 2 explicitly designed shapings in the cutaway area gives off a hint of sci-fi attitude. A quick look at the graphite nut width of 48 mm and the number of Solar Locking 18:1 tuners - this instrument is a 7-string guitar. An interesting move, as this type of instrument has steadily lost interest among users since its peak due to the hype surrounding the nu-metal band Korn in the mid-nineties. Anyone looking for a deep tone today either chooses a lower-tuned standard guitar, perhaps a baritone guitar, for reasons of clarity, or they jump on the Djent bandwagon and devote themselves to the haptic and harmonic challenge of an 8-string instrument.

The instrument, which has a retail price of 1,159 euros, is manufactured like many other competitors in the lower and middle price segment in Indonesia, which has long since overtaken China in guitar making. The relatively young company is said to have no shortage of choice; if you include all finish variants, left-handers and basses, you end up with an impressive selection of over 150 different models. How many of these are always available, however, can only be found out in your local shop.

Woods

When it comes to choosing wood, the company is very conventional. The instrument has a full-length maple neck, which is known to provide very good sustain and is a good addition to the Evertune bridge. The neck profile is described in the documentation as C, but in my opinion it is clearly a strong D, if only because a C in the 7-string range would bring with it some limitations in terms of the grip radius.

For anyone who is not yet familiar with the Evertune system, here is a very brief summary of how it works. The system is a bridge construction that is unique in the world and uses a complex spring construction to automatically keep the instrument in tune when perfectly adjusted. You can set the system so that it always holds the target note and thus ignores or compensates for bends, for example, or you can adjust the spring tension to the string tension so that bends can be taken into account.

In addition to the advantage that the system compensates for temperature and humidity fluctuations, it also has the advantage that inexperienced musicians who do not (yet) have control over the string pressure of their left hand still have a perfectly tuned guitar when recording, so that you can find one or more guitars with this system in almost every high-quality rental studio. The disadvantage of the system is that the extensive milling work means the instrument loses sustain and bends and vibratos feel a little more indirect than with a stop tailpiece, even when perfectly adjusted. In addition, setting up the system for the first time is very time-consuming and has to be done again every time the string thickness is changed.

To give the body the necessary shape, alder wings were glued on. To support the overall black finish, an ebony fingerboard was installed, which has 24 jumbo frets and fluorescent dot inlays on the sides. There are no inlays on the fingerboard, only the eye-catching Solar Guitars logo was placed on the 12th fret for marketing reasons. To give the low B string a more defined attack, the instrument was given an extra-long scale length of 673 mm, which slightly increases the string tension compared to the long standard scale length. The Solar Guitars A1.7C G2 has 2 humbuckers made by Seymour Duncan, which are controlled by a 5-way switch that is unfortunately a bit indirect and slightly wobbly. There is also a master volume and a master tone control

The Solar Guitars A1.7C G2 in practice

What is immediately noticeable when you first play it is the high weight despite the strong Evertune bridge cutouts and the associated weight reductions. At around 3.8 kg, the instrument is still a long way from the 80s Les Paul stick, but is well above the typical Powerstrat weight class, which is usually just over 3 kg. Nevertheless, the instrument is easy to handle, which is not least due to the good ergonomics. Apart from the pointed cutaway ends, the guitar has a "flowing" shape that has no corners or edges. The comparatively wide fingerboard is also easy to grip and offers a high level of playing comfort across the entire grip area.

As expected, users who explore an Evertune bridge on an instrument for the first time will meet it with a strong frown. In the factory setting, the instrument is set to "maximum tuning stability", which means that the guitar comes tuned out of the transport box and does not go out of tune during the entire playing time. What at first glance creates a real ecstasy of joy gives way to a panicked expression on the face when you hear the first leads. Bendings? Vibrato? Everything is dead! The tone stays where it is in terms of frequency, no matter what you do with the string. Only when you pull very hard does the tone suddenly jump to the next higher semitone, and then jump up a whole tone a millimeter further. It is not possible to evenly approximate the tone by pulling the strings.

In the interests of fairness, however, I must note that I personally own a VGS guitar with the Evertune system, which is set to "regular string pulling" and copes well with normal playing, separate from my 013-056 set of strings in standard tuning. However, I left the Solar Guitars A1.7C G2 in the factory setting, as changing the system to my needs takes several hours, but it's easy to do.

In terms of sound, the Solar Guitars A1.7C G2 covers everything you want, not only but primarily, in metal. The focus is on gain, more gain and high gain, especially since the classic palm muted attacks can be easily implemented thanks to the vibrato system-free bridge construction. The pickups also have a very strong treble component to further enhance the aggression of the sound. If you really just want to play the rhythm stick and have no ambition to thicken up your playing with expressive licks, you can get very far even with the factory setting of the Evertune bridge in the typical thrash etc. range, and you don't need to pay any attention to the grip culture of your fretting hand. However, depending on the key used, a problem arises, as is also known from undamped vibrato springs of a Floyd Rose vibrato system. If you hit it hard, you hit the resonance frequency of the Evertune springs, which sounds a bit like you were using a reverb spiral in addition. For me, it was the key of "E". You can hear very clearly at the end of sound file 04 how the springs continue to vibrate, even though all the strings are dampened.

The sound files were created with an Engl Savage MKII, a Marshall 412 cabinet with Celestion G75T and two Shure SM57s.

Conclusion

With the Solar Guitars A1.7C G2, the company around YouTuber Ola Englund has a good guitar with good components. The 7-string, which is designed to be "out of the bag", allows for relaxed playing in both the low and high frequency ranges and should satisfy every part of the hard'n'heavy faction. To what extent the Evertune Bridge System suits their own playing style or hinders it, each musician has to find out for themselves.

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Additional Informations:

The electric guitar has undergone countless transformations since its inception, each iteration aiming to push the boundaries of sound, playability, and aesthetics. Among these innovations, the Powerstrat stands out as a particularly significant development. Emerging in the late 20th century, the Powerstrat was designed to meet the evolving demands of rock and metal guitarists, combining the classic look and feel of the Fender Stratocaster with the power and versatility required for heavier music genres. This article delves into the origins, development, and impact of the Powerstrat, tracing its journey from concept to icon.

### The Genesis of a Hybrid Concept

The Fender Stratocaster, introduced in 1954, quickly became one of the most beloved and iconic electric guitars. Known for its sleek design, comfortable contours, and versatile sound, the Stratocaster was embraced by musicians across various genres. However, by the late 1970s and early 1980s, the rise of hard rock and heavy metal created new demands for higher output pickups, improved sustain, and more aggressive tonal options. Traditional Stratocasters, with their single-coil pickups and vintage-style tremolos, were often seen as lacking the power and durability required for these heavier styles.

The concept of the Powerstrat emerged from this context. It sought to retain the ergonomic advantages and aesthetic appeal of the Stratocaster while integrating features that catered to the needs of rock and metal players. This included the addition of humbucking pickups, advanced tremolo systems, and other modifications that enhanced the instrument’s versatility and performance.

### Early Experiments and Pioneering Models

The first significant step towards the Powerstrat came with the introduction of the Fender Stratocaster with humbucking pickups. In the late 1970s, Fender began experimenting with various pickup configurations, including models equipped with a single humbucker in the bridge position. These early models, such as the Fender Lead series, were designed to offer the higher output and thicker tone associated with humbuckers while maintaining the familiar Stratocaster shape and feel.

A crucial moment in the development of the Powerstrat was the collaboration between Fender and guitar virtuoso Eddie Van Halen. Although Van Halen is more commonly associated with his custom "Frankenstrat," his modifications to the Stratocaster platform, including the installation of a humbucker and a locking tremolo system, directly influenced the evolution of the Powerstrat. Van Halen’s innovative approach demonstrated the potential of combining traditional Stratocaster elements with modern, high-performance features.

### The Influence of Superstrats

In the 1980s, the guitar market saw the rise of "superstrats," a term used to describe modified Stratocaster-style guitars that featured advanced hardware and electronics designed for high-gain performance. Brands like Jackson, Charvel, and Ibanez led this movement, offering guitars with sleek, contoured bodies, fast neck profiles, and powerful pickups. These superstrats became the instruments of choice for many of the era’s top rock and metal guitarists, including Steve Vai, Joe Satriani, and George Lynch.

Fender, recognizing the popularity of superstrats, sought to capture this market by developing its own high-performance Stratocaster variants. This led to the creation of models like the Fender Contemporary Stratocaster and the Fender HM Strat, which incorporated features such as dual humbucking pickups, Floyd Rose locking tremolos, and sculpted neck heels for improved upper fret access. These models bridged the gap between traditional Stratocasters and the emerging superstrat trend, embodying the essence of the Powerstrat concept.

### The Powerstrat Emerges

The term "Powerstrat" itself is often used to describe Stratocaster-style guitars that incorporate high-output pickups and modern hardware. However, it was the introduction of the Fender Showmaster and the Fender American Deluxe series in the late 1990s and early 2000s that solidified the Powerstrat identity. These models were designed to offer the best of both worlds: the classic look and feel of a Stratocaster with the performance enhancements needed for contemporary rock and metal music.

The Fender Showmaster, in particular, was a significant milestone. It featured a set-neck construction (as opposed to the traditional bolt-on neck), high-output humbucking pickups, and a choice of fixed or Floyd Rose tremolo systems. The Showmaster’s design aimed to provide improved sustain, stability, and tonal versatility, making it a favorite among guitarists seeking a Stratocaster that could handle the demands of high-gain amplification and aggressive playing styles.

Similarly, the Fender American Deluxe series incorporated modern features such as noiseless pickups, S-1 switching systems for expanded tonal options, and contoured neck heels. These guitars were designed to offer professional musicians a versatile and reliable instrument that could excel in both studio and stage environments.

### Technical Innovations and Features

The defining characteristics of a Powerstrat include high-output pickups, advanced tremolo systems, and enhanced playability features. High-output pickups, particularly humbuckers, are essential for delivering the thick, powerful tone required for rock and metal music. These pickups are often paired with coil-splitting or series/parallel switching options to provide additional tonal flexibility.

Advanced tremolo systems, such as the Floyd Rose double-locking tremolo, are another key feature of the Powerstrat. These systems allow for extreme pitch manipulation while maintaining tuning stability, a crucial requirement for many modern playing techniques. The inclusion of locking nuts and fine tuners further enhances the reliability of these tremolo systems.

Enhanced playability features often include thin, fast neck profiles, jumbo frets, and contoured neck heels. These elements are designed to facilitate fast, technical playing and comfortable access to the upper frets. Additionally, the use of lightweight and resonant tonewoods helps to balance the instrument’s overall feel and sustain.

### Impact on the Guitar Industry

The introduction and evolution of the Powerstrat have had a profound impact on the guitar industry. By bridging the gap between traditional and modern design elements, the Powerstrat has expanded the versatility and appeal of the Stratocaster platform. This hybrid approach has influenced not only Fender but also other guitar manufacturers who have adopted similar design philosophies in their own instruments.

The success of the Powerstrat has also contributed to the ongoing popularity of the Stratocaster shape, ensuring its relevance in a wide range of musical genres. Guitarists who might have otherwise gravitated towards more specialized instruments have found that the Powerstrat offers a compelling combination of classic style and modern performance capabilities.

### Notable Players and Endorsements

Over the years, many notable guitarists have embraced the Powerstrat concept, contributing to its widespread acceptance and popularity. Eddie Van Halen’s influence cannot be overstated, as his modifications to the Stratocaster directly inspired the development of high-performance models. Other influential players include Yngwie Malmsteen, whose signature Stratocaster features scalloped frets and high-output pickups, and Richie Sambora, whose custom models have included dual humbuckers and Floyd Rose tremolos.

These endorsements have helped to showcase the versatility and capability of the Powerstrat, demonstrating its suitability for a wide range of playing styles and musical genres. The continued popularity of these instruments among professional musicians serves as a testament to their enduring appeal and effectiveness.

### Conclusion

The Powerstrat represents a significant chapter in the history of electric guitar design. By combining the timeless appeal of the Stratocaster with modern enhancements tailored for rock and metal music, the Powerstrat has carved out a unique and influential niche in the guitar world. Its development reflects the ongoing evolution of musical styles and the continuous quest for innovation in instrument design.

From its early experiments to its establishment as a recognized category of high-performance guitars, the Powerstrat’s journey is a testament to the adaptability and enduring relevance of the Stratocaster platform. As the music industry continues to evolve, the Powerstrat remains a powerful example of how tradition and innovation can coexist, offering musicians the best of both worlds in a single, versatile instrument.

TEST: Solar Guitars A1.6D+

 Did influencer Ola Englund ever think that his guitar company Solar Guitars would be so successful when he founded it in 2017 and its models are now available in over 50 countries? The current Solar Guitars website lists what feels like over 200 different variations of the different models, which is a really large selection of instruments for an independent company. Today we have the Solar Guitars A1.6D+ Aged Natural for testing, which is very woody in the truest sense of the word.

The construction of the Solar Guitars A1.6D+ Aged Natural

The A model obviously seems to be the company's biggest revenue generator, at least with over 60 models on the website you have by far the largest selection in terms of layout and hardware. Once again we are dealing with a classic Powerstrat, although it should be noted that both the body shaping and various other details are not in the classic 80s Powerstrat style.

Rather, the instrument made in Indonesia is a more modern, slimmer version of the model, which not only has two much sharper cutaways, but also has a great deal of individuality due to the significantly higher shaping proportions. In terms of the choice of wood, we are dealing with a combination that is also often found in the Stratocaster range in terms of neck and body. In other words, we have an alder body and a maple neck, although in contrast to the Strat, the fingerboard in this case is made of ebony.

The body and neck have been stained dark, so that at first glance you have the feeling that you are dealing with a mahogany instrument. As already mentioned, the instrument has several shaping approaches, whereby apart from the typical rib protectors on the back and the armrest on the top left, the edges of the two cutaways have also been rounded off and a soft transition has been generated at the base of the neck on the back. According to the manufacturer, the shaping of the neck is a so-called C-shaping. For my part, I would still personally classify the whole thing in the D range. However, this assessment is purely subjective and everyone has to make up their own mind about it.

24 jumbo frets made of stainless steel are installed on the fingerboard, with the instrument having a scale length of 25.5 inches or 64.8 cm, i.e. the long scale length has been installed on the instrument. As fingerboard inlays, Solar Guitars once again uses the Solar Guitar logo on the twelfth fret on the Solar Guitars A1.6D+ Aged Natural and also uses the fluorescent green dot inlays on the side of the fingerboard, which start to glow when the room is slightly darkened and are a real help, especially on dark stages.

The instrument has a matt varnish and even if it doesn't sound very professional, unfortunately it's not my fault, the overall appearance reminds me a little of my grandmother's living room cupboard, which had exactly the same grain, the same stain and the same varnish.

Another nice nod to the 80s is the placement of the locking tuning machines, which are once again mirrored on the underside of the headstock in a 6 in a row style and work with a ratio of 18:1. All of the hardware on the instrument is described as distressed, which means that the metal looks slightly tarnished and is intended to simulate a certain age. Interestingly, I think this design fits very well with the solid wood section that the instrument shows.

What I really like is the detailed solution of the upper strap pin, which is located on the back part of the body. I know some manufacturers who have a similarly pointed cutaway horn on the top of the body and have drilled the strap pin somewhat irrelevantly onto the tip of the horn. Not only does it not look nice, it is also extremely unstable under vertical load. So the rear solution is much better.

The Evertune Bridge

Solar Guitars once again uses the Evertune Bridge as a bridge construction, which is known to have advantages and, in my opinion, disadvantages. For all beginners, here is a brief summary of the basic principle of the Evertune Bridge. The Evertune Bridge is a sophisticated system of springs that are installed inside the guitar and which provide counter-tension to the string tension.

The Evertune Bridge can be set so that no matter how hard you pull or press on the sides, the tone always remains the same, which ensures incredible tuning stability beyond temperature differences, humidity fluctuations or excessive finger pressure. The disadvantage of this setting is that you can no longer modulate the fretted note. This means that bending, vibrato or any kind of phrasing within the pitch is no longer possible with this setting of the Evertune Bridge. A dream for the rhythm guitarist, a nightmare for the lead guitarist.

With the second setting, after perfectly adjusting the system, you can use all the phrasing such as vibrato and bending and still enjoy the mostly very good tuning of the instrument. The disadvantage here, however, is that the response of the tone is a little more indirect when it comes to modulation and you also have to apply a lot more force to the side deflection than with a regular guitar bridge system.

The electronics of the Solar Guitars A1.6D+ Aged Natural

When it comes to pickups and electronics, Solar Guitars has once again opted for two humbuckers from Seymour Duncan for the Solar Guitars A1.6D+ Aged Natural. The models are passive Duncan Solar Plus models, which offer the most important humbucker and single coil circuits for the instrument via a five-way switch. There is a master volume and a master tone control to choose from.

The Solar Guitars A1.6D+ Aged Natural in practice

When you pick up the instrument for the first time, you immediately notice how easy the neck is to play. The neck is very easy to grip, has a pleasant feel and should suit the majority of guitarists in terms of dimensions. The body itself is also easy to handle, nestles comfortably against the body, with the respective millings serving their purpose of making handling more comfortable.

You'll notice that the instrument was primarily designed for the heavy or high-gain range as soon as you connect the instrument to the amplifier and start to use the pickups. In my opinion, the pickups lack a bit of character in the clean range that was initially set. Not that they sound bad, but they lack the liveliness of pickups from Seymour Duncan, for example, which were primarily designed for clean or crunchy sounds. In addition, the single-coil circuit is significantly quieter in terms of output level than the humbucker circuit, which is something to be taken into account, especially in the clean range.

As the level of distortion increases, however, the pickups can be quite convincing. Especially if you like the sound of passive pickups, which are known to differ significantly from active pickups in terms of their dynamics and response, the Seymour Duncan pickups manage to produce a comparatively transparent sound even at high levels of distortion, so that even at high high-gain settings the sound does not drift into muddy tones.

It is also very positive to note that the reverb spiral effect that occasionally occurred in the past and which is known from both Floyd Rose systems and the Evertune Bridge did not appear on this instrument. This made it possible to obtain a transparent sound even at high high-gain settings and corresponding palm-muted riff attacks.

Overall, the instrument is certainly convincing and will certainly bring a lot of joy to its target group. The extent to which the Evertune Bridge can be used effectively is up to each individual, as is whether or not they prefer a purely wooden look. Personally, I left the Evertune bridge as it was set at the factory, i.e. in the "balanced position", which was a bit strange for me, as any form of vibrato or modulation that I normally have in my playing was balanced out and eliminated by the system. But as is often the case, it's all a matter of personal taste.

The sound files were created with an Engl Savage MkII, a Marshall Cabinet 4x12 equipped with a Celestion G12 75T speaker and two Shure SM57.

Conclusion

With the Solar Guitars A1.6D+ Aged Natural, the manufacturer has a good instrument for the hard'n'heavy sector in its portfolio. Anyone looking for an instrument with an Evertune bridge for this music segment should take a look at this instrument.

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Additional Informations:

In the realm of musical instruments, particularly electric guitars, innovations are often greeted with a mix of enthusiasm and skepticism. Among such advancements, the Evertune bridge stands out as a revolutionary solution to one of the most persistent challenges faced by guitarists: maintaining perfect tuning stability. This article delves into the origins, development, and impact of the Evertune bridge, highlighting its journey from a conceptual innovation to a game-changing component in modern guitar design.

### The Conceptual Genesis

The Evertune bridge was conceived by Cosmos Lyles, an engineer with a passion for music and a deep understanding of mechanical systems. The idea originated from the frustration that many musicians experience with the constant need to retune their instruments, especially during live performances and recording sessions. The aim was to create a bridge system that could keep a guitar in perfect tune regardless of environmental changes, playing style, or string wear.

Lyles' initial concept was to design a mechanical system that could compensate for the factors causing a guitar to go out of tune. These factors include temperature and humidity changes, string stretching, and variations in playing pressure. The challenge was to create a system that was both precise and reliable, yet simple enough to be integrated into standard guitar designs without significantly altering their appearance or playability.

### Prototyping and Development

The development of the Evertune bridge involved extensive research and numerous prototypes. Lyles collaborated with a team of engineers and musicians to refine the design. The key innovation of the Evertune system lies in its use of springs and levers to dynamically adjust the tension of each string. This mechanism ensures that the strings maintain consistent tension, thus keeping the guitar in tune.

The initial prototypes faced several challenges, including ensuring the durability of the system under rigorous playing conditions and maintaining the tonal quality of the guitar. Through iterative testing and feedback from professional guitarists, the design was gradually perfected. The final version of the Evertune bridge featured a series of individual modules for each string, allowing precise adjustments and easy maintenance.

### Market Introduction and Reception

The Evertune bridge was officially launched in 2010, marking a significant milestone in the field of guitar technology. Its introduction was met with cautious optimism from the guitar community. Musicians and industry experts were intrigued by the promise of a guitar that could stay perfectly in tune, but there were also concerns about the potential impact on the instrument's sound and playability.

To address these concerns, Evertune engaged in extensive demonstrations and endorsements by professional guitarists. Notable musicians such as Gus G (Ozzy Osbourne, Firewind) and Scott Ian (Anthrax) were among the early adopters who praised the bridge for its reliability and consistency. These endorsements helped to build credibility and trust within the guitar community.

### Technical Specifications and Functionality

The Evertune bridge operates on a simple yet effective principle: maintaining constant tension on each string. Each string passes through a spring-loaded saddle that adjusts automatically to changes in tension. This mechanism compensates for any factors that would typically cause a guitar to go out of tune, such as bending strings, heavy strumming, or environmental changes.

One of the key features of the Evertune bridge is its ability to be fine-tuned for different playing styles. Musicians can set the system to allow a certain amount of bending for expressive playing, or to lock the tuning entirely for maximum stability. This flexibility makes it suitable for a wide range of musical genres and playing techniques.

The Evertune bridge is designed to be installed on both new guitars and as a retrofit on existing instruments. This versatility has contributed to its growing popularity among both manufacturers and individual musicians. Brands like ESP, Schecter, and Gibson have incorporated Evertune bridges into some of their models, further solidifying its acceptance in the industry.

### Impact on the Guitar Industry

The introduction of the Evertune bridge has had a profound impact on the guitar industry. It has challenged the traditional notion that guitars inherently require frequent retuning, offering a practical solution to a longstanding problem. This has not only improved the performance experience for musicians but also opened up new possibilities for guitar design and engineering.

One of the significant benefits of the Evertune bridge is its contribution to the recording process. In the studio, maintaining consistent tuning can be a time-consuming task, often requiring multiple takes to ensure perfect pitch. The Evertune system minimizes this issue, allowing for more efficient recording sessions and reducing the need for post-production pitch correction.

Moreover, the Evertune bridge has influenced the design philosophy of modern guitars. Its integration requires precise engineering and manufacturing, pushing guitar makers to adopt higher standards of quality control. This has led to advancements in other areas of guitar construction, as manufacturers strive to complement the stability provided by the Evertune system with equally high-quality components.

### Challenges and Criticisms

Despite its many advantages, the Evertune bridge is not without its critics. Some guitarists argue that the mechanical system can alter the natural feel and response of the strings, particularly when it comes to expressive playing techniques like vibrato and bending. While the system can be adjusted to allow for some bending, purists often prefer the traditional feel of a standard bridge.

Another criticism is the complexity and cost of installation. Retrofitting an existing guitar with an Evertune bridge requires precise routing and setup, which can be challenging and expensive. This has limited its adoption among amateur guitarists and hobbyists who may be deterred by the additional expense.

### The Future of Evertune

Looking ahead, the future of the Evertune bridge seems promising. Continued advancements in materials and manufacturing techniques are likely to enhance the system's performance and affordability. Evertune is also exploring new applications for its technology, including potential adaptations for bass guitars and other stringed instruments.

The company's commitment to innovation and quality has positioned it as a leader in guitar technology. As more musicians and manufacturers embrace the benefits of the Evertune bridge, its influence on the industry is expected to grow. The ongoing development and refinement of the system will ensure that it remains a valuable tool for musicians seeking the ultimate in tuning stability.

### Conclusion

The Evertune bridge represents a significant milestone in the evolution of guitar technology. From its conceptual beginnings to its current status as a respected and widely-used innovation, the journey of the Evertune bridge reflects the enduring quest for perfection in musical instruments. Its ability to maintain perfect tuning under a variety of conditions has made it an invaluable asset for musicians, recording engineers, and manufacturers alike. As the guitar industry continues to evolve, the Evertune bridge stands as a testament to the power of innovation in enhancing the art and science of music.

TEST: Solar Guitars E1.6 Vinter

 As we know, you have to have a lot of patience to establish a new product, especially in this day and age, when the instrument industry is saturated to the brim. For this reason alone, YouTube influencer Ola Englund must be treated with respect. He used to be active in various bands, but switched to YouTube advertising for economic reasons and at the same time founded his own guitar brand, Solar Guitars. The company in question has a large selection of models and has made a name for itself in the metal sector in particular in recent years. We have the Solar Guitars E1.6Vinter Pearl White Matte made in Indonesia for testing.

The construction of the Solar Guitars E1.6Vinter Pearl White Matte

It is easy to see that the visual template of the Solar Guitars E1.6Vinter Pearl White Matte is to be found in the Gibson Explorer shape, although the models differ significantly in detail. I am a big Explorer fan myself, but like many other players, I also suffer from the lack of stand compatibility and the huge case dimensions. Well, for the stand problem you can use hanging stands from K&M, for example, but the asymmetrical body shape will always be a challenge for all case builders. Despite the large body dimensions, the instrument remains in the moderate weight range compared to its forefather, with a weight of just under 4 kg, but this is probably also due to the milling work on the Evertune bridge (more on that later).

According to the manufacturer, the body is made of alder, while the Thomann website believes that mahogany is used for the body wings. The body shape has been freed of all rounded edges, probably to emphasize the aggressiveness, and leaves a kind of "Cylon look" in all shaping. The sonic heart of the instrument, however, is the full-length maple neck, which has been fitted with an ebony fingerboard. The Solar Guitars E1.6Vinter Pearl White Matte offers 22 stainless steel frets, which has the advantage that the neck pickup can be placed in the area of ​​the imaginary 24th fret, where it can pick up the best overtone waves. Whether you prefer a matte or glossy finish is in the eye of the beholder and even with a latent "Modern Talking" impression, you should always keep in mind that no finish picks up the colored stage spotlights as well as a white one. Or simply put, "If you wear black, you have to play white!".

The upper side of the fingerboard has been given phosphorescent dot inlays that glow green in the dark, a real help for dark stages. Interestingly, the Solar Guitars E1.6Vinter Pearl White Matte is delivered with a short scale length of 628 mm, perhaps also to reduce the dimensions of the expansive body somewhat. The tuners are lockable and bear the Solar trademark on the underside. I couldn't find out where Solar Guitars has the mechanics made, but from the looks of it, it could be Grover's. The instrument is delivered with a gig bag, which at least provides moderate protection during transport. However, only a solid case or a professional case will help against serious scratches or broken headstocks.

The electronics of the Solar Guitars E1.6Vinter Pearl Whit Matte

Once again, Solar Guitars is relying on the Fluence Modern pickups from Fishman. In recent years, this pickup has been able to gather a large fan base in the metal genre, as the pickup can switch between two characters using a switch. The switching process is carried out by the Mastertone controller, which is designed as a push/pull. The two resonances are called "Vintage" and "Modern", which should also immediately define their area of ​​application. It should be clear to everyone that Vintage is not a vintage humbucker with 7 kOhm DC resistance or something similar.

The Evertune Bridge

Although no longer as exotic as it was a few years ago, the design of the Evertune Bridge is still a special feature in the field of hardware. In short, a sophisticated spring system prevents the guitar from going out of tune, which has both advantages and disadvantages. Once the system is set to a certain string thickness, neither temperature nor humidity differences, too much finger pressure or mechanical influences can detune the instrument. Especially in the early days of the system, many producers breathed a sigh of relief because some "woodcutters" in the studio were finally able to offer clean intonation.

The disadvantage of this setting of two possible is that all modulations such as bending or vibrato, which shape the personal tone, are also compensated for, i.e. the expressiveness of soloing on an Evertune bridge is massively curtailed. But don't worry, you can also set the system so that the modulations mentioned are included, although this requires very precise adjustment, which must be made again when changing to a different string thickness.

Even with very good adjustment, there is still a hint of indirect response, but this is compensated for by maintaining the tuning. Everyone has to know for themselves which behavior they prefer, so I don't want to give a rating on this either. But you should keep in mind that a quick tuning change, for example to Drop D, is not possible. So if you need several tunings within your set, it is advisable to have several instruments with the respective tunings at the start.

The Solar Guitars E1.6Vinter Perl White Matte in practice

Well, the guitar is freshly in hand, the cable is in the amp and it sounds... nothing. All cables and controls checked... nothing. What can I say, the guitar is delivered without the 9V block for the electronics, a bad habit that is now spreading among several manufacturers. I can understand that the manufacturer is worried about the battery leaking if the instrument is stored for a long time, but then at least a 9V block should be included with the instrument. You don't deliver an instrument without strings.

After the problem was solved, the instrument was able to show off its strengths. The sound behavior is clearly designed for the heavy range, just like the appearance, so I saved myself the clean sound examples in this case. The basic sound is "crisp" in terms of response with a clear focus on the high mids, which ensures good assertiveness. Despite the comparatively high weight, the instrument hangs well balanced on the strap and is comfortable in the sitting position.

I recorded all sound files with both voicings of the pickups, using the vintage setting first and then the modern setting. With these two nuances alone, you can move your sound in two different directions in advance, depending on the level of aggression you want in your sound. In terms of the amp, channels 2-5 of my Hughes & Kettner Triamp MK3 were used together with a Marshall 412 cabinet with Celestion G12 75T speakers and 2 Shure SM 57s.

The instrument was very well set up from the factory, so no further adjustments were necessary. I also did not notice any loss of sustain or ringing noises from the Evertune bridge, as was sometimes the case with previous test instruments. The luminous fingerboard markings, which started working even at dusk, turned out to be a real highlight.

The Solar Guitars E1.6Vinter Perl White Matte really does serve its target group across the board, whether in terms of appearance or tone. The workmanship is once again very good, there were no dirty paint spots or sharp edges anywhere. It is still a mystery to me how Indonesia managed to create such a high-quality craftsmanship in such a short time.

Conclusion

With the Solar Guitars E1.6Vinter Perl White Matte, the manufacturer has fully reached its target group. Anyone who thinks their preferred style of music is hard'n'heavy will find a good tool in this instrument, with which you can neglect your playing discipline in terms of intonation thanks to the Evertune bridge. As an experienced solo guitarist, the subtly indirect feel of the playing may make you feel a little uncomfortable, but for rhythm guitarists the system is a real help.

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Additional Informations:

### The Evolution and History of the Explorer Electric Guitar Shape

The Explorer guitar shape is one of the most iconic and recognizable designs in the world of electric guitars. Its angular, futuristic design has captivated musicians and guitar enthusiasts for decades. This detailed exploration delves into the history, development, and impact of the Explorer guitar shape, tracing its origins from its conceptual beginnings to its status as a symbol of rock and metal music.

### The Birth of a Bold Design

The story of the Explorer guitar shape begins in the mid-1950s, a time when the electric guitar was still a relatively new instrument, and manufacturers were experimenting with various designs to capture the imagination of musicians and audiences alike. The Explorer was the brainchild of Ted McCarty, president of Gibson Guitar Corporation, who sought to create a series of futuristic guitars that would stand out from the more traditional designs of the era.

In 1958, Gibson introduced the Explorer as part of its Modernistic series, which also included the Flying V and the Moderne. These guitars were envisioned as cutting-edge instruments that would push the boundaries of guitar design. The Explorer, with its sharp, angular body and elongated headstock, was particularly striking. It was crafted from Korina wood (also known as African limba), which was chosen for its light weight and resonant tonal properties.

### Initial Reception and Early Production

Despite its innovative design, the Explorer was not an immediate commercial success. The guitar's radical shape was considered too unconventional for the conservative tastes of many musicians in the late 1950s. As a result, Gibson produced only a limited number of Explorers, with estimates suggesting that fewer than 100 units were made during its initial run from 1958 to 1959.

The lackluster sales led Gibson to discontinue the Explorer shortly after its introduction. However, the few original models that were produced quickly became highly sought after by collectors and musicians alike, who recognized the instrument's unique aesthetic and tonal qualities. Over time, these early Explorers became prized possessions, fetching high prices in the vintage guitar market.

### The Explorer's Revival in the 1970s

The Explorer's resurgence began in the 1970s, driven by the changing landscape of rock music and a growing appreciation for the guitar's distinctive design. As hard rock and heavy metal gained popularity, guitarists sought instruments that conveyed a sense of power and aggression, both visually and sonically. The Explorer, with its bold lines and striking appearance, perfectly fit this new musical paradigm.

In 1976, Gibson reissued the Explorer, responding to the growing demand from musicians and collectors. This reissue featured similar specifications to the original model, including the Korina body and neck, though later versions also utilized mahogany. The reissued Explorer quickly gained traction among guitarists in the rock and metal scenes, solidifying its place in the pantheon of iconic guitar designs.

### Notable Players and Cultural Impact

The Explorer's distinctive shape and powerful sound have made it a favorite among many influential guitarists over the years. One of the most notable early adopters was Eric Clapton, who played an original 1958 Explorer with his band, Cream, in the late 1960s. Clapton's use of the Explorer helped to reintroduce the guitar to a wider audience and demonstrated its versatility in various musical contexts.

In the 1980s, the Explorer became synonymous with the burgeoning heavy metal movement. James Hetfield of Metallica famously wielded a white Gibson Explorer during the band's early years, contributing to the guitar's association with the aggressive, high-energy style of thrash metal. Hetfield's preference for the Explorer helped to cement its status as a quintessential metal guitar, inspiring countless other musicians to follow suit.

The Explorer's influence extends beyond individual players. Its unique design has inspired numerous variations and adaptations by other guitar manufacturers. Brands like Jackson, ESP, and Dean have all produced their own versions of the Explorer, each adding their own twist to the classic shape while maintaining its core elements.

### Technical Evolution and Variants

Over the years, the Explorer has seen numerous modifications and variations, reflecting both technological advancements and evolving musical tastes. Early models were equipped with PAF (Patent Applied For) humbucking pickups, known for their warm, full-bodied tone. Later versions have featured a variety of pickup configurations, including high-output humbuckers designed to meet the demands of modern rock and metal players.

In addition to changes in pickups, the Explorer has also seen variations in materials and construction methods. While the original Explorers were made from Korina, later models have been crafted from mahogany, maple, and other tonewoods. These changes have allowed the Explorer to offer a range of tonal characteristics, catering to the diverse preferences of different players.

Gibson has also introduced several signature models, collaborating with famous musicians to create instruments tailored to their specific needs. These signature Explorers often feature unique finishes, hardware, and electronics, further expanding the guitar's versatility and appeal.

### The Explorer in the Modern Era

Today, the Explorer remains a staple in the guitar world, embraced by both seasoned professionals and aspiring musicians. Its enduring popularity is a testament to the strength of its original design and its ability to adapt to changing musical landscapes. The guitar's distinctive shape continues to make a bold visual statement, while its versatile tonal capabilities ensure that it remains relevant across a wide range of genres.

Gibson continues to produce the Explorer, offering both traditional models that pay homage to the original design and modern versions that incorporate contemporary features and technologies. The company's commitment to preserving the Explorer's legacy while also innovating for the future ensures that this iconic guitar will continue to inspire and excite musicians for generations to come.

### Conclusion

The Explorer guitar shape stands as a symbol of innovation and bold design in the world of electric guitars. From its inception in the late 1950s as a daring experiment to its resurgence in the 1970s and its continued relevance today, the Explorer has carved out a unique place in the history of musical instruments. Its journey reflects the dynamic nature of music and culture, illustrating how a radical idea can evolve to become an enduring icon. The Explorer's impact on the guitar world is undeniable, and its legacy will undoubtedly continue to shape the sounds and styles of future generations of musicians.