TEST: db Technologies Flexsys FS10

 The days of specialists in the consumer sector seem to be numbered. Nowadays, anyone in the semi-professional or hobby sector who comes around with a purely isolated solution when it comes to sound reinforcement can actually pack their bags again straight away. Particularly in the wedge sector, there no longer seem to be any solutions that do not also provide sidefill or even vocal system functions for small events, and of course the same goes the other way around. There is hardly a 12/1 or 15/1 box that is not stretched as a trapezoid and therefore also takes on wedge functions. The dB Technologies Flexsys FM10 is the former variant, which performs its main function as a floor monitor.

About the usefulness of floor monitors

“Floor monitors, does that still make sense in times of in-ear systems?” Some people will ask themselves in advance. You could also ask, “All-tube amplifiers, does that still make sense in the age of Kemper?” or, more provocatively, “Playing live, does that still make sense in the age of backing tracks?” This game can be continued as you wish with all sorts of modifications, but the bottom line is that there are two main points in favor of floor monitors: operational reliability and sound.

Of course, radio links are now standard right down to the amateur level, but they differ massively in terms of operational reliability and sound. There is hardly an artist who hasn't been plagued by dropouts and has exposed at least one ear in annoyance to hear what's going on tonally on stage. From the chaos regarding released frequencies at large festivals to the sometimes massive interference from stage radio, what is freely transmitted through the air is always in danger of being disrupted, be it by visitors' cell phones.

Here you can sit back and relax with wedges, interference or dropouts are a foreign concept for (well-maintained) floor monitors. Added to this is the physicality of the signal. Very few artists would want to play with earphones and cables hanging down their necks if it weren't for the independence of the beam angle of a speaker construction. But if you stand at the perfect angle to the speaker, any form of playback has a more natural feeling, which cannot be reproduced even with the best in-ear systems.

The construction of the dB Technologies Flexsys FM10

The dB Technologies Flexsys FM10 is the middle version of the Flexsys trio in terms of performance and features. The system is based on coaxial technology and combines a 10 inch woofer with 160 watts RMS and a 1 inch compression driver with 40 watts in the axis, with the crossover frequency being 1950 Hz. Both speakers are protected by a massive grille that runs across half the housing construction. With dimensions of 370 mm x 290 mm x 410 mm, the box is very handy due to the coaxial arrangement and, weighing just under 12.8 kg, is comparatively light. In order to transport the system, a carrying handle was embedded on the front bottom. In principle, a single handle is sufficient for this weight, but the side edges have been cut relatively sharply, so you should pay attention to the outside of your index and little fingers when applying lateral force.

The beam angle is 60 x 90 degrees in the horn area, the transmission range is, according to factory specifications, 70 Hz - 20 kHz, the maximum SPL is 120 dB. The box can be set up at two angles and can therefore be placed both close and further away. The housing structure of the system is interesting. The actual housing is made of multiplex wood, which was covered with PVC for better protection against moisture etc., the two side parts are made of polypropylene. In order to fulfill the extended function in terms of sound reinforcement, there is a standard 35 mm flange on the left side of the housing so that the dB Technologies Flexsys FM10 can also be used in high stand operation if necessary. The entire system rests on 4 rubberized feet, which offer very good stability even on smooth surfaces due to the lower ribbing of the box.

When it comes to amplification, a DSP was installed in the preamp, which constantly monitors frequency response, internal clipping and phase position. Unfortunately, the dB Technologies Flexsys FM10 does not have a multi-voltage power supply, so make sure that when buying abroad you do not accidentally purchase the overseas version with 110 V operating voltage. The entire control and connection area is offset inwards in the housing by approx. 2.5 cm in an exemplary manner, so that the controller or plug runs significantly less risk of being broken off by external influences during transport.

In general, the housing, which was screwed exclusively with Allen screws except for the carrying handle, makes an excellent impression, which suggests a long service life. When it comes to input, the Italian manufacturer, which is manufactured in China, relies on a single, lockable XLR socket, which also loops the signal through an XLR output for daisy chain operation if necessary. Regarding the pre-amplification, you can use a slider to choose between a microphone or line level, which can then be continuously regulated between 0 and +4dB using a rotary potentiometer. Incidentally, the rotary control has no effect on the applied level; it is looped through without changing the level. 2 LEDs (green / red) monitor the switch-on process and any clipping that may occur. On the outside on the right, next to the cold appliance plug, there is the ON/Off switch and a main fuse that is accessible from the outside.

The most interesting part of the dB Technologies Flexsys FM10 is the preset department controlled via the DSP. A total of 8 different presets help with the optimal setting for the respective area of use. In detail:

1.) LIVE MONITOR. - Used for live applications as a stage monitor, suitable for instrumentalists and singers

2.) PLAYBACK MONITOR. - For playing music recordings. Boosts low and high frequencies in a kind of loudness curve.

3.) COUPLED MONITORS - For using multiple FM monitors at the same time. Compensates for the woofer coupling effect at low frequencies.

4.) MALE SINGER - Specially developed for male voices, the low mids are amplified and the risk of feedback in the lower frequencies is reduced to a minimum.

5.) FEMALE SINGER - Specially developed for female voices, the high mids are amplified and the voice is positioned much better in the sound. Voice feedback is also reduced to a minimum.

6.) ANTIFEEDBACK - Specially designed for cardiodid and hypercardiodid microphones. Also intended to reduce feedback specifically for these types of microphones.

7.) LIVE ON STAND - For using the FM monitor on a high stand, optimized for vocal operation

8.) PLAYBACK ON STAND - For using the FM monitor on a high stand, particularly suitable for music playback (MP3 player, CD, etc.).

The dB Technologies Flexsys FM10 in practice

The first setup that I carry out for the purpose of a practical check is of a very simple nature. Vocal microphone via XLR into the monitor box, done! This setup will probably find favor in most rehearsals where it's just a matter of checking your own vocals without a desk or advanced mixes and what can I say, the result is excellent. Even in preset 1, the vocals are very clear, the relevant frequencies are transmitted very well, and unnecessary power guzzlers such as deep bass are radically cut off. The result is a loud sound that does not provide any feedback even at the limit. Although a few more power reserves would be desirable compared to a drummer playing dynamically in close proximity, this volume should easily be sufficient for normal music use.

For music transmission, however, you have to accept compromises if you want to experience real physicality via the wedge. The design cannot guarantee a loud kick or a powerful bass either as a floor monitor or in high-stand operation; this type of deep bass transmission is not designed for that. In return, the system reproduces the same instruments very well in terms of sound, i.e. H. The dB Technologies Flexsys FM10 performs its actual function, monitoring, excellently.

The bottom line is an outstanding vocal monitor for very little money with great flexibility. A convincing idea!

Conclusion

With the dB Technologies Flexsys FM10, the Italian company has a very portable, yet excellent floor monitor in its range. The wedge, which is primarily optimized for singing, is characterized by an excellent basic sound in combination with excellent feedback control.

The workmanship is very good, the concept is coherent, and the flexibility is very high. For anyone looking for a handy wedge as a main monitor or as a backup solution, be sure to check it out!

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Additional Informations:

db Technologies stands tall as a prominent figure in the realm of professional audio, renowned for its cutting-edge products, unwavering commitment to quality, and relentless pursuit of sonic excellence. In this detailed narrative, we embark on a journey through the captivating history and evolution of db Technologies, tracing its humble beginnings to its current stature as a global leader in sound reinforcement technology.

**Genesis: Founding and Early Years**

The saga of db Technologies commenced in Italy during the vibrant musical landscape of the 1970s. Founded in 1974 by Adriano De Bernardi, the company originally bore the name "De Bernardi" and focused on crafting high-quality audio equipment for the burgeoning live music scene.

From its modest beginnings in a small workshop in Bologna, Italy, De Bernardi quickly gained recognition for its innovative designs, superior craftsmanship, and uncompromising dedication to sound quality. Drawing upon Italy's rich tradition of artistry and engineering prowess, De Bernardi's products found favor among musicians, sound engineers, and audio enthusiasts seeking top-tier performance and reliability.

**Innovation and Evolution: Pioneering Technologies**

As the company continued to grow and evolve, it rebranded itself as db Technologies, reflecting its commitment to pushing the boundaries of audio technology and innovation. Throughout the 1980s and 1990s, db Technologies cemented its reputation as an industry trailblazer, introducing a slew of groundbreaking products and pioneering new approaches to sound reinforcement.

One of db Technologies' earliest breakthroughs was the development of active loudspeakers, which integrated amplification and signal processing directly into the speaker cabinets. This innovative approach not only simplified setup and configuration but also delivered unparalleled performance and efficiency, setting a new standard for sound quality and versatility in live sound applications.

Moreover, db Technologies was among the first companies to embrace digital signal processing (DSP) technology, leveraging its power to optimize sound reproduction, mitigate acoustic anomalies, and achieve precise control over every aspect of the audio signal. This commitment to innovation and excellence earned db Technologies a reputation as a trusted partner for professionals in the live sound, installation, and touring industries.

**Global Expansion and Influence: Building a Worldwide Presence**

Armed with a portfolio of innovative products and a reputation for excellence, db Technologies embarked on a journey of global expansion, establishing a network of distributors and partners spanning every continent. From Europe and North America to Asia, Africa, and beyond, db Technologies' products became synonymous with uncompromising quality, reliability, and performance.

In venues ranging from intimate clubs and theaters to stadiums and arenas, db Technologies systems delivered pristine sound quality, seamless coverage, and immersive audio experiences that captivated audiences and performers alike. Whether powering a rock concert, a corporate event, a worship service, or a sporting event, db Technologies' presence was felt in every corner of the globe, leaving an indelible mark on the world of professional audio.

**Looking Ahead: Innovation, Excellence, and Beyond**

As db Technologies charts a course for the future, its founding principles of innovation, excellence, and customer focus remain steadfast. With a diverse lineup of products designed to meet the evolving needs of the professional audio market, the company is poised to continue shaping the future of sound reinforcement for years to come.

Whether developing state-of-the-art line array systems for large-scale events, compact portable speakers for small venues, or innovative software solutions for system optimization and control, db Technologies remains at the forefront of audio technology, pushing the boundaries of what's possible and inspiring industry-wide innovation and advancement.

In conclusion, the journey of db Technologies from its humble beginnings in Italy to its current status as a global leader in professional audio is a testament to the power of passion, perseverance, and innovation. By staying true to its core values and continually pushing the boundaries of audio technology, db Technologies has earned its place as a true pioneer and trailblazer in the world of sound reinforcement.