TEST: Eventide Timefactor

 It's really interesting to see and hear how our brain reacts to the effect of an echo. While our entire life is shaped by the auditory impression of reverberation and the same is even existential (in a darkened, anechoic room without auditory impression you go crazy within a very short time, the world record is just under 20 minutes!), the hearing reacts to echoes more subtly .

The repetition of one or more tones in rhythmic and non-linear sequences appears to us as a “supplement” to the source material, sometimes as a “refinement”. It is not for nothing that this effect has made it to second place on the effect popularity scale after the distortion, especially among guitarists. Is it any wonder that you can choose from a wide selection of products.

In order to stand out from the crowd, you have to come up with unusual ideas or explicit quality in order to get the customer on your side. In the second area in particular, there is a company that has been convincing in studio technology for years - we are talking about the American manufacturer Eventide. Famous worldwide for their monopoly position in the field of harmonizers over several decades, New Jersey's Finest is preparing to conquer the highly competitive area of floor pedals, but not without cultivating the previous trademarks in this area as well.

As part of the “Factor” triumvirate, Eventide comes up with, among other things, a digital delay, which, as expected, specializes in repeating the output signal in general, along with a few specifications in particular. We'll see what has escaped from the 19 inch department into the floor pedal.


construction

Like its two brothers, the TimeFactor comes in the same solid steel housing with dimensions of 12.2 cm x 19 cm x 5.4 cm and a weight of just under one kilogram. Conceptually, we once again find the philosophy “Designed in the USA, assembled in China” at Eventide.

There is nothing wrong with the workmanship, the housing and especially the on/off switches, which also meet very high quality standards, speak for a long life. Only the total of 11 rotary controls at the top edge of the housing are at the mercy of footwear. It's important to tread carefully here if you don't want to prematurely end the uncountered potentiometer axes with the toe of your shoe.

Like its sister models Pich and ModFactor, the product, which can be designed in true stereo if required, has two different input sensitivity presets (Guitar / Line), respectively outputs, plus the possibility of connecting an expression pedal and an AUX switch. The device can also be managed externally via the MIDI In/Out (Thru) sockets on the side. The connection socket of the included 9V power supply and a USB port for firmware updates round off the connection peripherals on the front of the product.


The TimeFactor offers a total of nine different echo configurations plus a twelve-second looper, which are staggered as follows:

DigitalDelay: a standard digital delay up to 3000 ms

VintageDelay: simulates analog and digital delays from the early days of processor-controlled delay

TapeEcho: simulates a tape echo device including the well-known side effects such as eggs, noise and phase cancellations of the tape

ModDelay: generates delays plus modulation effects

DuckedDelay: controls the volume of the delay depending on the artist's playing style (reduction during playing, increasing the FX volume during breaks in playing)

BandDelay: Delay with filter functions

FilterPong: Stereo ping-pong delay plus filter functions

MultiTap. 10 different tap delays with control for delay time, tap volume and tap distance

- Reverse: self-explanatory


Each delay is configured as a twin delay, so two independent delay times can be set and mixed to taste. The device has 20 presets with 2 sounds per preset, making a total of 40 factory-set sound suggestions. The device also has 20 storage spaces for your own sound ideas.


Practice

As is well known, guitarists in particular belong to the sometimes quite crude breed of instrumentalists, who sometimes search for and cultivate sounds in an esoteric manner with the most crazy constructions and settings, although delay itself is a very special area. Anyone who has ever had the “pleasure” of listening to digital delay advocates argue with the tough vintage tape delay department knows what I’m talking about.

To put it bluntly, the TimeFactor is and remains a digital delay, which can emulate the anachronistic forefathers from the beginning of the effects age very nicely, but cannot compete with the interaction of tape artifacts, tube preamplification and booster functions of old tape echo devices to face competition.

Once you are aware of this, you can actually only win with the TimeFactor. The device delivers an all-round successful range spanning several decades of echo technology, combined with a rich selection of bonus material. It's exciting to see how small corrections in the frequency response or the enrichment of the material with sound artifacts evoke associations with various sound eras or events in the listener.

Sound tinkerers in particular can use a combination of preparation and spontaneity to generate interesting effects during their live shows and incorporate them into their performance. Using functions such as the looper, which can be overdubbed as well as functioning as a pure loop, you can easily “play with yourself on stage”, a rogue if you think evil of it ;-)



Conclusion

The TimeFactor Stompbox from Eventide is truly a top-class digital delay. In terms of processing technology, sound and concept, the device scores well across the board and is particularly appealing to musicians who like to experiment.

Once you've familiarized yourself with the complex editing options of the device, you have to pull yourself together to avoid spending entire afternoons succumbing to your personal instinct to play, which in my opinion is always a good sign of an interesting product.

The only thing that will deter some interested parties is the price, which, although almost consistent with the quality offered, seems a bit high, especially since the product is manufactured in China.

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Additional Informations:

In the realm of music and audio processing, the development of digital echo pedals stands as a testament to the relentless pursuit of sonic innovation. From humble beginnings as rudimentary tape delay units to the sophisticated, feature-rich pedals of today, digital echo pedals have left an indelible mark on the landscape of music production and performance. This article embarks on a detailed journey through the origins, key milestones, and enduring impact of digital echo pedals, tracing their evolution from analog predecessors to indispensable tools in modern music-making.

Early Experiments with Tape Echo:
The history of echo effects predates the digital era, with the first echo units relying on mechanical and analog technologies. One of the earliest echo devices was the tape delay, which utilized loops of magnetic tape to capture and replay audio signals with a delay. Inventors and engineers experimented with tape delay systems in the mid-20th century, leading to the development of iconic units such as the Roland Space Echo and the Echoplex.

Tape echo units offered musicians a means to introduce repeat echoes and spatial effects into their performances, enhancing the depth and texture of their sound. However, these devices were bulky, prone to mechanical issues, and limited in terms of delay time and fidelity, prompting researchers to explore alternative technologies for echo processing.

The Advent of Digital Signal Processing:
The transition to digital audio processing in the late 20th century paved the way for a new generation of echo effects pedals. Digital signal processing (DSP) technology offered unparalleled flexibility, precision, and fidelity compared to analog circuitry, opening up a world of possibilities for echo processing and manipulation.

One of the earliest digital echo pedals to gain widespread acclaim was the Boss DD-2 Digital Delay, introduced in the early 1980s. Developed by the Japanese company Roland, the DD-2 utilized digital circuitry to generate pristine, repeatable echoes with precise control over delay time, feedback, and modulation. The compact size, reliability, and versatility of the DD-2 quickly made it a staple on pedalboards around the world, setting a new standard for echo effects in the digital age.

Advancements in Delay Algorithms and Features:
As digital audio technology continued to evolve, so too did the capabilities of digital echo pedals. Manufacturers began to explore new delay algorithms and features, pushing the boundaries of creativity and sonic exploration.

One significant advancement came with the introduction of multitap delay algorithms, which allowed users to create complex, rhythmic echo patterns by specifying multiple delay taps with individual timing and feedback settings. Pedals like the Line 6 DL4 and the TC Electronic Flashback X4 showcased the power of multitap delay processing, empowering musicians to craft intricate, evolving soundscapes with ease.

Furthermore, digital echo pedals began to incorporate a range of additional features and effects, including modulation, filtering, and reverse playback. These enhancements expanded the sonic palette of echo effects, enabling users to create ethereal, otherworldly sounds that transcended traditional delay processing.

Integration with Digital Audio Workstations and MIDI:
The rise of digital audio workstations (DAWs) in the late 20th and early 21st centuries further expanded the capabilities of digital echo pedals. Pedals with USB or MIDI connectivity could synchronize with DAWs, allowing for seamless integration into studio setups and live performance rigs.

MIDI-enabled echo pedals offered extensive control options, allowing users to automate parameters, switch presets, and synchronize tempo with other MIDI-compatible devices. This level of integration and control empowered musicians to explore new creative possibilities and streamline their workflow in both studio and live settings.

Modern Innovations and Connectivity:
In recent years, digital echo pedals have continued to evolve, incorporating advanced features and connectivity options to meet the demands of modern musicians and producers. Wi-Fi and Bluetooth connectivity allow pedals to communicate wirelessly with smartphones, tablets, and computers, facilitating remote control, firmware updates, and cloud-based preset sharing.

Furthermore, manufacturers have embraced the trend towards integration with software-based effects processing and amp modeling platforms. Pedals like the Strymon Timeline and the Eventide H9 offer seamless integration with software plugins and virtual effects processors, allowing users to access a vast library of echo algorithms and presets directly from their pedalboard.

Conclusion:
The evolution of digital echo pedals represents a remarkable journey of innovation, creativity, and technological advancement. From the early experiments with tape delay to the sophisticated, feature-rich pedals of today, digital echo pedals have transformed the way musicians approach echo processing and sound design.

As we look to the future, the legacy of digital echo pedals continues to inspire new generations of musicians, engineers, and innovators to push the boundaries of creativity and expression. Whether crafting ambient soundscapes in the studio or adding depth and dimension to live performances, digital echo pedals remain indispensable tools for musicians seeking to shape their sonic identity and captivate audiences around the world.


In the landscape of audio technology, few companies have left as profound an impact as Eventide Audio. Renowned for its innovative approach to audio processing and groundbreaking effects units, Eventide has shaped the sound of music across genres and generations. This article delves into the rich history and evolution of Eventide Audio, tracing its origins, key milestones, and enduring legacy in the world of professional audio.

Founding and Early Innovations:
The story of Eventide Audio begins in the late 1960s when two friends, Richard Factor and Herb Deutsch, founded the company in New York City. Originally named Eventide Clock Works, the company initially focused on manufacturing precision timing devices for scientific and industrial applications.

However, it wasn't long before Factor and Deutsch turned their attention to the burgeoning field of audio processing. Drawing upon their expertise in electronic engineering, they began developing innovative effects units that would soon revolutionize the world of music production.

One of Eventide's earliest breakthroughs came with the release of the Instant Phaser in 1971. This groundbreaking device, which utilized analog phase-shifting techniques, introduced a new dimension of movement and depth to audio recordings, earning widespread acclaim from musicians and engineers alike.

Expanding Horizons with Digital Technology:
As digital audio technology began to emerge in the 1970s, Eventide embraced the potential of this new frontier. In 1975, the company introduced the H910 Harmonizer, a pioneering digital effects processor that would become synonymous with the Eventide name.

The H910 Harmonizer was a revolutionary device that offered unprecedented control over pitch shifting, time manipulation, and harmonization. Its innovative algorithms allowed musicians and producers to create otherworldly effects and transform the sound of vocals, guitars, and synthesizers with unparalleled precision.

The success of the H910 paved the way for a series of iconic Harmonizer units from Eventide, including the H949, H3000, and H8000. These devices pushed the boundaries of audio processing, introducing advanced features such as dynamic pitch shifting, modulation, and multi-effects processing, and solidifying Eventide's reputation as a leader in the field of digital audio technology.

Impact on Music and Sound Design:
Eventide's innovative effects units have had a profound impact on the world of music and sound design, shaping the sound of countless recordings across a wide range of genres. From rock and pop to electronic and experimental music, Eventide effects have become synonymous with creativity, innovation, and sonic exploration.

Artists and producers have embraced Eventide's effects units as essential tools for sculpting their sound and pushing the boundaries of conventional music production. From iconic guitar tones to ethereal vocal textures and immersive soundscapes, Eventide effects have left an indelible mark on the sonic landscape of modern music.

In addition to its contributions to music production, Eventide has also played a significant role in the world of film, television, and multimedia. Its effects units have been used to create immersive soundtracks, shape cinematic sound design, and enhance the audio experience of video games and virtual reality applications.

Continued Innovation and Expansion:
Despite its rich history and legacy, Eventide Audio continues to innovate and evolve in the 21st century. The company remains at the forefront of audio technology, developing new effects units, software plugins, and hardware processors that push the boundaries of creativity and sonic possibility.

Eventide's commitment to innovation is exemplified by its H9 Harmonizer, a compact effects pedal that incorporates the power of its legendary rackmount processors into a portable, user-friendly format. The H9 offers a vast array of effects and presets, including reverbs, delays, modulation effects, and pitch shifting, making it a versatile tool for musicians and producers in any setting.

In addition to its effects units, Eventide has also expanded its product lineup to include audio interfaces, recording software, and other tools for music production and audio processing. The company continues to collaborate with artists, engineers, and developers to push the boundaries of audio technology and inspire creativity in the digital age.

Conclusion:
The story of Eventide Audio is one of innovation, creativity, and technological excellence. From its humble beginnings as a precision timing company to its status as a pioneering force in the world of audio processing, Eventide has consistently pushed the boundaries of what is possible in music production and sound design.

As the company continues to evolve and innovate in the 21st century, its legacy remains firmly entrenched in the fabric of modern music. Eventide effects units have become essential tools for musicians, producers, and sound designers around the world, shaping the sound of countless recordings and inspiring new generations of artists to explore the boundless possibilities of audio technology.