TEST: Olympus LS-14

 Years ago, the class of digital portable recorders was observed with some suspicion, but now it has become a permanent fixture in the field of "fast and uncomplicated recording". The possibility of directly archiving an idea, a phrase, a beat or even a whole rehearsal room passage is simply too tempting to ignore the product group with a touch of impertinence.

I remember all too well the shortcomings of a rehearsal room recording not so long ago. Either one was lucky enough to rehearse in a rehearsal studio, but then had to take off the individual instruments with elaborate miking of a live show and place a man in the control room, or due to a lack of alternatives (once again no one cared...) the universally hated Nordmende radio recorder from Grandma Erna was used for the hundred thousandth time. Result: a droning, musty cassette recording, either completely overdriven or mangled beyond recognition by the internal hard-knee compressor. Horrible!

Anyone who has ever had to endure artistic humiliation of such a caliber will be delighted every time they see a handheld recorder, since this is precisely where the devices come in. Or generate a usable live recording in a hurry? Turn on the camcorder for pictures, turn on the portable recorder for sound, edit together in the editing program, and you're done. Joy to the gods! So it's hardly surprising that there's no reason to complain about a lack of competition in this segment. The Japanese manufacturer Olympus will also have been aware of this when it launched its Chinese-made LS-14 recorder. What could be included in the recording process that the competition doesn't necessarily have at the start. How about a third microphone?


Design

The recorder is small and handy. 170 grams without batteries is truly one of the absolute lightweights, and if it weren't for the microphone-related depth of 23 mm, the product's dimensions of 138 mm x 52 mm would easily pass for a new smartphone. The LS-14 is powered by 2 pcs. AA batteries (alternatively rechargeable batteries), a mains adapter operation or even charging AA batteries is unfortunately not provided for. According to the manufacturer, however, an operation of almost 50 hours compensates for the lack of connection options. Recording is done with the values 24Bit/96kHz.

The scope of delivery also includes a carrying bag, which can be completely closed with a zipper, and a mounting clip, which can be used to attach the device to a tripod. The product also comes with a USB cable. Internally, the device has 4 GB of memory, which generates a safe cushion in the MP3 or WMA recording format, but can be used up faster than one would like in the WAV format, which is also offered. Therefore, the device has an additional card slot that can be fed with SD / SDHC memory cards, which are not included in the scope of delivery.

Let's move on to the LS-14's peculiarities, whereby the focus here is on the use of 3 microphones, which seems unusual at first glance. The manual does not reveal too much about the components used. Presumably, electret microphones were used, which were attached at a 90 degree angle to the upper sides of the case at a distance of just under 3 centimeters. Olympus has thus decided against a real XY miking, but in return brings another microphone between the capsules to the start, which primarily takes care of the bass range. This additional microphone is not necessary for the stereo image, it only has the function of a better bass foundation. If you do not like this option, you can deactivate the microphone.

If you want to use external recording sources, you can connect line signals, for example in the form of mixer signals, as well as external microphones as signal generators via 2 mini-jack inputs, whereby the latter can be supplied with phantom power if required. The internal speaker serves as playback, or a headphone jack in mini-jack format. The product can also be managed via the company's RS30W remote control if required, an input jack for which is located on the side of the unit. The LS-14 is switched on via a side-mounted slide control, which can be locked via a hold function if required and secures against accidental switch-off.

After activation, a monochrome display guides the user through the menu. There are also two LEDs on the surface of the housing, which warn of overdriving or are integrated into the additionally offered metronome and tuner functions. Various pushbuttons also provide direct access to the Play, Stop and Record, Erase and menu selection functions. A menu cross, as known from almost all Apple players, manages the internal settings and a discreetly toothed wheel manages the recording modes Smart, Quick and Manual, or activates the tuner.



Practice

If you activate the LS-14 for the first time, you have the option of having the individual menu areas read aloud in English. Nice feature. If you start the recording process, you can only choose whether to activate or deactivate the middle pressure receiver, a separate recording option in different tracks is unfortunately not possible.

For a quick start, you can use the Smart Record mode, which analyzes the level for a maximum of 30 seconds before starting the recording and then selects the optimal level. This is a useful feature if you want to get started quickly, but it requires a bit of haptic practice if you don't want to confuse the different modes in the heat of the moment. The menu navigation is clear and almost self-explanatory, whereby the slightly teacher-like voice guidance of the internal lady additionally comments on the personal actions.

The display itself is kept simple and conveys a light first-generation cell phone touch, but can be read well even with a minimal number of pixels due to the simple construction. Both the metronome and the built-in tuner do a good job and support the artist in his performance when needed, but rather take a back seat in terms of practical use.

Sound-wise, I was surprised by the unexpectedly strong bass content of the recordings. As expected, the recordings in three-microphone mode have a slightly stronger bass content, but this is particularly distinguished by the fact that a high-pass filter is applied to the stereo capsules, which leads to better spatial definition. Overall, the sound can be described as balanced, especially high sibilants are filtered out very nicely in the recording process and suppressed in a practical way.


Conclusion

With the LS-14, Olympus now also places a portable recorder on the market and takes a seat directly in the front rows. The handy product impresses with simple handling, user-friendly menu navigation and a neutral sound, which can be used equally well for different recording situations.

The optional use of a third center microphone can both improve the spatial resolution and significantly increase the bass content. A very good product, which is also sold at an attractive price.


Additional Informations:

Comprehensive Report on Olympus Corporation
Introduction: Olympus Corporation is a globally recognized company operating in the fields of precision technology and imaging solutions. With a rich history dating back to its establishment in [insert year], the company has established itself as a leading manufacturer of optical and digital products. This report provides a comprehensive overview of Olympus Corporation, covering its history, product range, industry reputation, and future prospects.

Company History: Olympus Corporation traces its roots back to its founding as a microscope and thermometer manufacturing company. Over the years, the company diversified its product portfolio and expanded into various fields, including optics, medical devices, and imaging solutions. Olympus has consistently focused on developing innovative technologies and products that improve people's lives and contribute to society.

Product Range: 3.1 Medical Systems: Olympus is widely recognized for its cutting-edge medical systems. The company offers a comprehensive range of endoscopy equipment, including endoscopes, surgical tools, and imaging systems. Olympus' medical devices are known for their exceptional image quality, advanced features, and reliability, making them the preferred choice for healthcare professionals worldwide. Additionally, the company provides innovative diagnostic systems and therapeutic solutions that contribute to advancements in medical treatments.

3.2 Imaging and Audio Products: Olympus has a strong presence in the imaging industry, offering a diverse range of digital cameras, lenses, and accessories. The company's cameras, such as the OM-D and PEN series, are renowned for their exceptional image quality, compact designs, and advanced features. Olympus' lenses provide exceptional optical performance, catering to the needs of professional photographers and enthusiasts alike. In addition, the company produces high-quality audio recording devices, including voice recorders and dictation systems.

3.3 Scientific Solutions: Olympus Corporation also provides scientific solutions, including microscopes, industrial testing equipment, and non-destructive testing systems. The company's microscopes are known for their precision, optical clarity, and advanced imaging capabilities, catering to various scientific and research applications. Olympus' industrial testing equipment and non-destructive testing systems are widely used in fields such as materials science, manufacturing, and quality control, ensuring accurate analysis and reliable results.

Industry Reputation: Olympus Corporation has established a strong reputation within the industries it operates in. The company is recognized for its commitment to technological innovation, product quality, and customer satisfaction. Olympus' products have received numerous awards and accolades for their performance, design, and user-friendly features. The company's long-standing presence in the medical field, in particular, has earned it a trusted reputation among healthcare professionals globally.

Research and Development: Olympus Corporation prioritizes research and development (R&D) to drive innovation and maintain its competitive edge. The company invests significantly in R&D activities to develop new technologies, enhance product performance, and explore emerging markets. By collaborating with academic institutions, medical professionals, and industry experts, Olympus stays at the forefront of technological advancements, continuously introducing new products that address evolving market needs.

Sustainability and Corporate Social Responsibility: Olympus Corporation is committed to sustainability and corporate social responsibility (CSR). The company aims to minimize its environmental impact through eco-friendly manufacturing processes, product design, and recycling initiatives. Additionally, Olympus actively engages in philanthropic activities, supporting initiatives in education, healthcare, and environmental conservation. The company's commitment to CSR enhances its reputation and strengthens its relationship with customers, employees, and stakeholders.

Market Presence and Future Prospects: Olympus Corporation has a global presence, with a well-established distribution network spanning various regions. The company's products are sold in numerous countries, and it maintains strategic partnerships with distributors, retailers, and healthcare institutions worldwide. As the demand for advanced medical equipment, imaging solutions, and scientific instruments continues to grow, Olympus is poised to capitalize on these opportunities and expand its market share.
Looking ahead, Olympus Corporation aims to leverage its expertise in precision technology and imaging to drive further growth. The company plans to invest in research and development, exploring new applications of its technologies and expanding into emerging markets. Additionally, Olympus aims to enhance its digital imaging and audio product lines, embracing advancements such as artificial intelligence and connectivity to meet the evolving needs of consumers.

Conclusion: Olympus Corporation has established itself as a leading provider of precision technology and imaging solutions. With a rich history, diverse product portfolio, and strong industry reputation, the company is positioned for continued success. Through its dedication to innovation, quality, and corporate social responsibility, Olympus remains committed to improving people's lives through its advanced products and solutions. As technology advances and market demands evolve, Olympus is poised to remain at the forefront of the industries it serves, driving further advancements and shaping the future of precision technology.

TEST: Nowsonic Stage Router

 To be honest, I could never have imagined writing a review about a router a few years ago. Yes, in the studio at home perhaps as a mediator between the worlds in the form of a Fritzbox and consortia, but as a stand-alone test device in the hard everyday life on stage? Well, you can see for yourself.

In the meantime, tablets, smartphones and digital consoles have long since found their way into the environment on small and large stages and demand secure yet simple access to the Internet. Since in this Neanderthal environment the office plasticheims of the usual manufacturers and even shapely base stations from Apple are hopelessly overtaxed in terms of conception and stability, the company Nowsonic has brought a product onto the market with its Nowsonic Stage Router, which opens up all important LAN and WLAN utensils in road suitability.

Design

To start with, the Nowsonic Stage Router is basically a full-fledged router, which would also find its place in a private office environment. However, to what extent the fair wife can be convinced to place a 1U 19" rack in the hallway is up to each person to decide according to their private hierarchy. Nevertheless, the Nowsonic Stage Router has DHCP, VPN access and a NAT firewall, which makes it look good in other environments than just the stage. Conceptually, the device has two WiFi standard frequency bands working in parallel: 2.4 GHz up to 802.11g and 5 GHz corresponding to the 802.11n standard.

All common smartphones, tablets or laptops can log into these bands and perform their service. Especially in times where various iPads manage and remotely control docking stations such as Mackie's DL series, the Nowsonic Stage Router can act as an access point and open up a secure wireless connection beyond the local promoter's home network. However, using the internal tools, you can also run the router as a repeater to extend the range of an existing WLAN network.

However, in this case, as with all other repeaters, the data throughput is halved. Just by the way, this is also the reason why most manufacturers prevent you from setting up a series connection of repeaters. In contrast to the star variant, already with the second repeater in series connection from a 50,000 line only a scarce 10,000 network arrives.

In terms of stability, there is nothing to complain about, the standardized 1 U body is made of sturdy sheet metal. Fortunately, the on/off switch is located on the front of the device and saves the annoying fumbling in rack operation. At first glance, the four movable antennas on the front of the case are noticeable compared to an office router. If you try to hide these in the private sector, the signal can still be transmitted well when the router is in the rack. Two receiving antennas each take over a frequency range and guarantee the True Diversity format per band, which automatically routes the signal to the second antenna in case of dropouts.

Both frequency bands can be operated independently of each other. For example, the 2.4 GHz range can be deactivated so as not to interfere with the operation of wireless microphones. In order to assign the antennas to the correct screw connections, they have been labeled according to the frequency band.

As expected, the router can be installed with both PC and Mac, and this can be done via an automatic setup or manually in expert mode. The imprint of the Mac and IP address on the back of the case is very nice, so you always have all the relevant data at hand and don't have to tediously search for it in the manual or in Internet forums.

All of the device's connections are also found on the back, which are primarily made up of RJ45 sockets. Besides the cold-device plug, you'll find 5 of these sockets, whereby 4 sockets are assigned to the LAN network and one to the WAN network. LAN 4 and the WAN socket are also designed in a locked Neutrik socket for maximum stability. Standard CAT5 cables are used as suitable connection cables.

On the front, a total of nine blue LEDs provide information about the operating status of the Nowsonic Stage Router. Indicator 1-4 shows the assignment of the rear LAN ports, if a CAT5 cable is in the socket, the LED lights up. A WAN LED works the same way, but it also flashes during data transmissions. The LEDs 5Ghz, 2.4GHz, CPU and PWR inform according to their designations. A small pin, such as a paper clip, is used to reach the recessed RST/WPS push button, which restores the factory settings when pressed for longer than 5 seconds during operation. A short press, on the other hand, initializes a secure connection between the various clients.



Practice

When you screw the Nowsonic Stage Router into the rack, you are faced with a choice. Either unscrew the antennas during transport, or leave some space above the rack. If you fold the antennas to the side, the two pairs of antennas interfere with each other in the transverse axis, unless you have nine centimeters of depth to the rack lid. On the one hand, this doesn't look good and could have been easily solved by simply moving the holes.

Manually configuring the router was just as easy, or difficult depending on how much experience you have in setting up a network. After connecting the Nowsonic Stage Router to my DSL router and my MacBook, I was able to configure both networks easily after entering the IP number via the computer's HTML page. Both networks were immediately recognized by my iPhone, iPad and all computers that were connected to the network via WLAN.

However, there is also the option of running the Nowsonic Stage Router via automatic configuration, in which the Stage Router gets the essential information from the DSL router. Again, there were no problems whatsoever with the setup. The overwhelming selection of encryption methods offered by the Nowsonic Stage Router is interesting. In addition to WEP64 and WEP128, TKIP, AES and TKIP/AES are also available.

In terms of transmission performance, I compared the Nowsonic Stage Router with my Fritzbox 7390 and an Apple Airport Extreme of the penultimate generation. To be honest, I had expected in the short term that Nowsonic would have built an above-average power transmitter that would also penetrate the classics of the data brake like reinforced concrete ceilings or load-bearing solid walls more easily than the usual Customer parts.

In the same train of thought, however, I also remembered the German telecommunications system, which imposes strong restraints on devices for private use in terms of transmitting power. I'm sure that Nowsonic could have easily come up with a transmitting power of over 100 meters distance through 3 floors like the illegal Asian goods from the Internet, but then the nice gentlemen with the antennas on their van roof will be at your door in the foreseeable future.

Therefore, I could attest the Nowsonic Stage Router the same values as Apple and AVM regarding the faraday cage. In terms of distance, it was 10 meters more than Apple and 5 meters more than AVM, all in the 2.4 GHz range. The data transfer rate was also the same.



Conclusion

The Nowsonic Stage Router is a professional WLAN router on the market that has it all. Due to its rack-mountable design, it is easy to transport and guarantees a crisis-proof access point between all kinds of smartphones, tablets, fablets or digital mixers that are used on stage nowadays.

The setup is very consumer-friendly, the measurement values very good, the interfaces above average. A clear recommendation as soon as it comes to wireless communication at the venue.


Additional Informations:

Comprehensive Report on Nowsonic Audio

Introduction: Nowsonic Audio is a prominent company operating in the audio technology industry. Established in [insert year], the company has positioned itself as a leading provider of professional audio solutions for musicians, recording studios, and live sound applications. This report aims to provide a comprehensive overview of Nowsonic Audio, covering its history, product range, industry reputation, and future prospects.

Company History: Nowsonic Audio was founded with the vision of providing high-quality audio equipment that meets the needs of professionals in the music industry. The company's founders, [insert names], recognized the importance of reliable and innovative audio solutions in delivering exceptional sound experiences. Since its inception, Nowsonic Audio has remained committed to offering cutting-edge technology, superior craftsmanship, and unmatched performance.

Product Range: 3.1 Audio Interfaces: Nowsonic Audio is widely recognized for its exceptional range of audio interfaces. Their audio interface lineup, including the [insert model names], offers high-resolution audio conversion, low-latency performance, and extensive connectivity options. These interfaces provide musicians and producers with professional-grade audio recording and playback capabilities, ensuring pristine sound quality in their projects.

3.2 Studio Monitors: Nowsonic Audio's studio monitors are highly regarded in the industry for their accuracy and clarity. Their monitor series, such as the [insert model names], deliver precise sound reproduction, making them ideal for critical listening and mixing applications. These monitors incorporate advanced technologies and ergonomic designs, allowing audio professionals to make informed decisions during the production process.

3.3 Wireless Audio Systems: Another notable product line by Nowsonic Audio is their wireless audio systems. The wireless microphone systems, in particular, offer reliable and interference-free wireless transmission for live performances, events, and installations. These systems boast robust build quality, extended range, and user-friendly features, ensuring seamless and professional audio transmission in various environments.

3.4 Accessories and Signal Processors: Nowsonic Audio also offers a range of accessories and signal processors to complement their main product categories. These include microphone stands, pop filters, cables, and headphone amplifiers, among others. Additionally, their signal processors, such as DI boxes and headphone distribution amplifiers, provide essential tools for audio signal routing, amplification, and monitoring.
Industry Reputation: Nowsonic Audio has earned a strong reputation within the audio technology industry. The company is well-regarded for its commitment to excellence, reliability, and customer satisfaction. Nowsonic Audio's products have received accolades for their superior sound quality, innovative features, and durable construction. The company's dedication to meeting the demands of audio professionals has contributed to its positive industry reputation.

Research and Development: Nowsonic Audio emphasizes research and development (R&D) to drive continuous innovation and maintain a competitive edge. The company invests in exploring new technologies, refining manufacturing processes, and improving product performance. By actively engaging with professional users and closely monitoring market trends, Nowsonic Audio strives to deliver solutions that address evolving industry needs and exceed customer expectations.

Market Presence and Future Prospects: Nowsonic Audio has a global presence, with a strong distribution network in key markets worldwide. The company has successfully established partnerships with renowned artists, studios, and audio professionals. As the demand for high-quality audio solutions continues to grow, Nowsonic Audio is well-positioned to expand its market reach and cater to a diverse range of customers.
Looking ahead, Nowsonic Audio aims to capitalize on emerging technologies and trends within the audio industry. The company plans to introduce innovative products that leverage advancements such as immersive audio, networked audio systems, and remote control capabilities. Furthermore, Nowsonic Audio seeks to deepen its engagement with the professional audio community through educational initiatives, customer support, and collaborations, solidifying its position as a trusted and respected brand.

Conclusion: Nowsonic Audio has emerged as a leading provider of professional audio solutions, offering a wide range of products that cater to the needs of musicians, recording studios, and live sound applications. With a strong history, diverse product portfolio, and a well-established reputation, the company is poised for continued success and growth. Through its unwavering commitment to innovation, research, and customer satisfaction, Nowsonic Audio continues to elevate the audio experience for professionals worldwide, setting new standards in sound quality and performance.

TEST: Novation Audiohub 2x4

 In this age of mobile recording devices, you're bound to run into the problem of overflowing desks at some point. Keyboards, laptops, hubs, controllers, power supplies, and all sorts of useful and gadgety things quickly turn the desktop into a hopelessly cluttered mess, which sometimes takes away rather than enhances the joy of producing. Especially in the field of electronic music, where the high-quality microphone preamplifier is often not needed at all, a compact interface with additional hub function would perform a more than useful service.

This is exactly where the British company Novation comes in with its Novation Audiohub 2x4 from Chinese production, which sets out to manage and organize as many of the above-mentioned components as possible with very small dimensions and maximum connection options in a minimum of space.

Construction

In order to ensure the highest possible compatibility and to fulfill the listed requirements, an interface needs three different components in addition to the hub function:


1.) It must be as compact as possible in construction.

Here the Novation Audiohub 2x4 does very well. With the dimensions (W x H x D): 134 mm x 51 mm x 150 mm it fits into every transport bag and can also be stored in every rack drawer. Moreover, with a weight of less than 600 grams, you really can't talk about a burden. In terms of stability, the Novation Audiohub 2x4 comes up with a sturdy, black sheet steel construction in brushed aluminum look, which connects the three components with each other via Allen screws. A useful detail for anyone who has had to watch their Phillips screws start to grind themselves off at the edges after the third use at the latest. By the way, British manufacturer, it could be that the Allen screws are not in the metric system, but in the inch format.


2) It must connect as many devices as possible.

To ensure this, both the front and the back of the Novation Audiohub 2x4 are covered with connectors. On the front, the product provides three USB 2.0 ports, which once again underlines that budget productions have almost completely moved away from Firewire. Besides an input monitor switch, the only hardware inputs are two RCA jacks with a low / high switch on the front, followed by a 6.3 millimeter headphone jack, which can switch between outputs 1-2 and 3-4. The RCA input can optionally handle the low output of a phono player.

One should be aware, based on the above features, that the Novation Audiohub 2x4 was primarily designed to manage software-based sound generation, more than a drum machine or hardware synthesizer cannot be connected here from the factory.

At the rear, there are two balanced TSR jacks representing outputs 1-2, two mirrored RCA outputs along with an additional 3-4 RCA output. To make theft of the little helper more difficult, a Kensington theft protection is additionally milled directly into the steel plate on the back.


3) It has to contribute to a de-cluttering of the peripherals.

This is where the Novation Audiohub 2x4 really comes into its own. Using an included 12V power supply that delivers a powerful 1.5A, less power-hungry USB devices can be co-powered via the front-facing hub, significantly reducing board bugs on the multi-plug strip. In an emergency, the product can also be operated without an external power supply, but then you will no longer be able to enjoy the hub function.

In order to be able to oppose the tugging of the different cabling, the entire underside of the Novation Audiohub 2x4 is covered with a medium-hard, bright yellow rubber pad, which provides a comparatively stable stand even on smooth surfaces. However, anyone hoping to be able to plug a connector into the interface with just one hand with a contact pressure of less than 600 grams will unfortunately be disappointed, as the device is simply too light for this.

The top side of the housing is shared by the most important controls along with a few status LEDs, as there are two output controls for the outputs 1-2, or 3-4, a volume control for the headphones and a total of 7 green LEDs, which provide information about the hub assignment and audio management. The controls all run pleasantly heavy, which prevents accidental adjustment in the heat of the live battle. As mentioned, no balanced input, no microphone management, no phantom power, line and digital management in pure culture.

A voucher for the download of the software Ableton Live Lite and one GB of samples from the company Loopmaster is included. As system software, everything except Android is accepted in the form of iOS, OSX and Windows. Not without pride, Novation points to the use of Focusrite components inside the case. Even though this suggests a decent basis, you should not directly revel in the sonic regions of the Red or Blue Series. Conversion takes place in the nowadays usual ranges of 24 bit word width at 96 kHz sample rate.


Practice

Every manufacturer likes to have a main selling point, which distances their product from the big competition. Well, that the Novation Audiohub 2x4 is primarily suitable for the DJ area and here again for the live area, most of you have probably already thought. So, what does the freelance knob-turner need above all if he wants to get the place shaking in a controlled way? Output! Especially on the headphone output.

No sooner said than done, Novation thought, and gives the headphone output an output that's quite something. It's not for nothing that the product comes with a warning label that warns the user against excessive volume and absolves the company of any possible consequential damages. It is really recommended to ramp up the operation slowly and not to start somewhere in the middle of the control path. If you want to enjoy this extra boost, however, you have to rely on the included external power supply, which is the basic requirement for the baller sound. Without the power supply, the output is moderate.

Besides the usual desktop or laptop department, the Novation Audiohub 2x4 also works very well with the iOS variant in the form of i-Pads, -phones or -pods. Connecting the Novation Audiohub 2x4 and supplying it with an operating voltage is comparatively easy via the Camera Connection Kit. There is really nothing to criticize about the interface in terms of sound. The components used leave a good impression and work almost latency-free.


Conclusion

The Novation Audiohub 2x4 is a specialized product on the market that has found its niche. With the clear focus on software-based signal routing, one has a compact product at hand whose individual components reveal a coherent concept.

The combination of very high output in cooperation with clear signal management offers a good basis for an uncomplicated live performance, especially in live DJ operation.


Additional Informations:

Comprehensive Report on Novation Audio

Introduction: Novation Audio is a renowned company operating in the audio technology industry. Founded in 2012, the company has established itself as a leading provider of innovative audio equipment and software solutions for musicians, producers, and DJs. This report aims to provide a comprehensive overview of Novation Audio, covering its history, product range, industry reputation, and future prospects.

Company History: Novation Audio was established with the goal of revolutionizing the way musicians create and perform music. The company's founders, [insert names], recognized the need for accessible and user-friendly audio equipment that would empower musicians of all skill levels. Since its inception, Novation Audio has strived to combine cutting-edge technology with intuitive design, ensuring that musicians can focus on their creativity rather than complex technicalities.

Product Range: 3.1 Synthesizers and Controllers: Novation Audio is widely recognized for its exceptional range of synthesizers and controllers. Their flagship synthesizer series, such as the [insert model names], offers a powerful and versatile sound engine coupled with intuitive controls, making them a popular choice among both beginners and professionals. Additionally, Novation Audio's controller range, including the [insert model names], provides seamless integration with popular software platforms, enhancing workflow efficiency for producers and performers.
3.2 Launchpad: Another standout product line by Novation Audio is the Launchpad series. The Launchpad controllers are specifically designed for creating and performing music in real-time. These grid-based controllers offer a tactile and visual interface that allows users to trigger and manipulate loops, samples, and effects with ease. Novation Audio's Launchpad products have gained widespread popularity in electronic music production and live performances.

3.3 Software Solutions: Novation Audio also offers a range of software solutions that complement their hardware offerings. The Novation Components software allows users to customize and configure their Novation hardware to suit their specific needs. Additionally, Novation Audio's software synthesizers, such as the [insert software names], provide virtual instruments with high-quality sound and extensive modulation capabilities.

Industry Reputation: Novation Audio has built a strong reputation within the audio technology industry. The company is renowned for its commitment to quality, innovation, and user-friendly design. Novation Audio's products have received numerous awards and accolades for their exceptional performance and functionality. Moreover, the company has established strategic partnerships with renowned artists and producers, further solidifying its position as a trusted brand in the industry.

Research and Development: Novation Audio places a strong emphasis on research and development (R&D) to drive innovation and stay at the forefront of the industry. The company invests significant resources in exploring new technologies, enhancing sound quality, and improving user experience. By closely monitoring market trends and customer feedback, Novation Audio continuously strives to develop products that meet the evolving needs of musicians and audio enthusiasts.

Market Presence and Future Prospects: Novation Audio has a global presence, with a strong distribution network in key markets worldwide. The company has successfully captured a significant market share in the music production and performance segment. As the demand for innovative audio equipment continues to grow, Novation Audio is well-positioned to expand its market presence further.

In terms of future prospects, Novation Audio aims to continue pushing the boundaries of audio technology. The company plans to introduce new products that leverage emerging technologies, such as artificial intelligence and machine learning, to enhance musical creativity and performance. Additionally, Novation Audio is committed to fostering a vibrant user community through online forums, tutorials, and workshops, further strengthening its brand and customer loyalty.

Conclusion: Novation Audio has emerged as a leading player in the audio technology industry, delivering innovative and user-friendly products to musicians, producers, and DJs worldwide. With a rich history, diverse product range, and a strong reputation, the company is poised for sustained growth and continued success in the future. Through its dedication to quality, research, and development, Novation Audio remains at the forefront of technological advancements, empowering musicians to create and perform music with unparalleled creativity and ease.

TEST: Neunaber Illumine Stereo Reverb

 In addition to the parameters of sound and handling, the aspect of dimensions has also become increasingly important in the field of pedals in recent years. In view of the fact that the majority of musicians have to manage and transport their equipment themselves, a low weight with the smallest possible space requirement is an increasingly strong argument for the successful placement of a device in the personal workflow or transport flow. The American manufacturer Neunaber therefore has a comparatively small true stereo delay in its portfolio with its Neunaber Illumine Stereo Reverb, which in terms of functionality goes far beyond what a “normal” guitarist delay offers. Keyboard players should therefore read through this test if they are looking for a new hardware delay, especially since the gain structure of the pedal also enables line signals to be processed.

The concept of the Neunaber Illumine Stereo Reverb

As already mentioned, the Neunaber Illumine Stereo Reverb takes up very little space with dimensions of only (L x W x H) 121 mm x 99 mm x 62 mm and the metal housing also weighs just under 400 grams Scale. Nevertheless, the product has a large range of functions, but Neunaber had to make a few compromises when it came to the connection sockets.

Since the reverb pedal is a true stereo reverb, you get a corresponding peripheral of 2 pieces each. Input and output jack sockets cannot be avoided, which are conveniently located on the front of the pedal. If you don't want to use up the space gained on the pedalboard with the appropriate connections on the side panels, you will try to accommodate the remaining connections on the front side. However, since the 4 jack sockets already take up approx. 75% of the front surface with regard to the available space, Neunaber uses an adapter solution with regard to the MIDI and expression pedal connections.

The expression pedal input is set down to a 3.5 mm TRS socket, the two MIDI inputs / outputs even use the comparatively rare 2.5 mm TRS sockets, of which 2 adapter cables to 5-pin MIDI sockets included in the delivery are. Personally, I'm not a fan of mini-jack sockets / plugs in a professional environment, as the danger of kinking / bending over is simply too great, but with a well-fixed cable routing and appropriate strain relief on the pedalboard, this circumstance can also be managed reasonably well .

In terms of power supply, the Neunaber Illumine Stereo Reverb follows the currently popular specifications of pedals in general. The time of the fat power consumption of 500 mA and more for modulation and room effects seems to be over, the Neunaber pedal is content with a power consumption of only 85 mA with a connection of 100 mA otherwise only used for overdrive / distortion pedals and accepts one more Voltage between 9 and 12 volts. Unfortunately, no suitable power supply is included in the scope of delivery, but a free 100 mA socket should be easy to find in any multi-power supply for the floorboard. Battery operation is not intended for the pedal. As with most pedals, the mains adapter connection is a standard barrel connector 5.5 mm x 2.1 mm with a negative pole on the inside.

The pedal is controlled via 2 foot switches and 2 multifunction controllers. The two foot switches can be operated in 2 functions. They either act as up / down switches within the presets, or their function enables on / off and A / B operation. A / B operation enables expression control without additional pedals. The A/B footswitch is not a controller with a corresponding range, but instead activates a transition between a parameter set “A” and a set “B” for a selectable period of time. Basically, this feature doubles the number of presets.

By the way, the on / off operation is designed as either a true bypass or a buffered bypass. There is a small haptic problem with the two multifunction controllers. In order not to restrict the appearance of the pedal display, which is also easy to read from a lateral viewing angle, the two controls are located on the right side of the housing, with the lower control being very close to the right foot switch. Since the multifunction controller also has a pressure function, you run the risk of activating the lower multifunction controller at the same time if you do not consistently pay attention to the accurate use of the tip of your foot during the shifting process. A small metal bracket between the footswitch and controller, which blocks accidental activation of the controller, would be very helpful here.

Incidentally, the pedal comes with a very detailed and very well-written manual in German, which goes far beyond the usual, sometimes very inferior "press here, turn there" operating instructions from other manufacturers. As a further bonus, the manufacturer provides four stick-on rubber feet, a nine-button sticker and a pair of high-quality earplugs for stand-alone operation :-)

The sound concept

The Neunaber Illumine Stereo Reverb has a total of 17 selectable Stereo Reverb effect modes, with the pedal having 50 factory presets and 50 user presets each. The modes have labels with the names Wet Plugin, Wet v3, Wet v1, Plate, Hall, Vintage Digital, Spring, Shimmer, Rumble, Octaves, Wet+Echo, Wet+Detune, Bloom, Swell, Infinite Hold, Sustain and Gated Plate guess in which segments the Neunaber Illumine Stereo Reverb moves. All sounds can be extensively edited via mixing ratios, pre-delays, modulation parameters, highpass, lowpass and damping settings and saved in the user presets if required. The pedal has selectable trails, which are responsible for whether the effect fades away naturally or stops abruptly after the effect has been bypassed.

The Neunaber Illumine Stereo Reverb in action

Even with the first reverb tail you can see that the algorithms of the Neunaber Illumine Stereo Reverb are of very high quality, especially when it comes to the ambient area. The reverberation intensity is very intense, but never intrusive. Of course, you can also let the instrument drown in the reverberation, but it is precisely the subtle mixing of the FX component with the instrument's dry signal that produces a very high-quality reverberation, which, however, also needs its place to have an effect. Thus once again the arrangement of a title has a very special meaning, which in this case should be as "airy" and "tidy" as possible.

Even in the mono version, the pedal convinces with a very tasteful basic sound that knows how to convince in many styles. Even in percussive passages, for example, the plate reverb can provide very good service, but you shouldn't set the decay rate too long, otherwise the reverberation will interfere too much with the respective attacks. The Neunaber Illumine Stereo Reverb attaches less importance to the most detailed reproduction of a real existing room than to an atmospheric introduction of the listener to a depth effect, as known from film music. Especially with a subtle background use, the pedal convinces with an unobtrusive, but still present resolution of the FX signal.

In conjunction with the appropriate MIDI management, you can also make complex and longer-lasting show arrangements interesting over the entire period without having to rush through the presets with the corresponding tap dance, especially if you want to change a preset while a song is running. A word about the corresponding stereo management. In principle, everyone will know, but it is still important to pay attention to the respective mono compatibility of the signal when using stereo in the final mix. Nobody has grandma's kitchen radio on their screens anymore, but most boomboxes or construction site radios work almost all with mono summation. You should definitely pay attention to this if you want to protect yourself from unpleasant surprises.


Conclusion

With the Neunaber Illumine Stereo Reverb, the American manufacturer has a very good reverb pedal in its portfolio. The very compact device impresses especially in the ambient area with very warm and round algorithms, which convince in sound even without major editing. Opinions can be divided about the MIDI management using a 2.5 mm adapter, but in return you get complete signal routing and management via the front of the pedal, which saves a lot of space on a small floorboard.

A very successful reverb pedal!


Additional Informations:

Neunaber Audio: Innovating Reverberation and Modulation Effects
Introduction: Neunaber Audio is a renowned company that has made a significant impact on the world of guitar effects pedals, particularly in the realm of reverberation and modulation. Founded by Brian Neunaber in the early 2000s, the company has garnered a reputation for its exceptional sound quality, innovative designs, and dedication to craftsmanship. With a commitment to pushing the boundaries of sonic exploration, Neunaber Audio has become a go-to brand for musicians seeking to enhance their soundscapes.

Vision and Philosophy: Neunaber Audio was founded with the vision of creating effects pedals that deliver pristine, studio-quality sound in a compact and user-friendly format. Brian Neunaber's philosophy revolves around the belief that superior sound quality should not be compromised for the sake of convenience or size. This dedication to audio excellence is reflected in every product that Neunaber Audio offers.

Reverberation Effects: Neunaber Audio has gained significant recognition for its groundbreaking reverberation effects pedals. Their reverbs are renowned for their natural, ambient soundscapes, providing musicians with a range of versatile options to shape their guitar tones. From subtle room ambience to lush, expansive reverbs, Neunaber Audio offers a diverse selection of reverberation effects to suit a variety of musical styles and preferences.

The company's flagship pedal, the Neunaber Immerse, stands out as a versatile and feature-rich reverb pedal that has garnered widespread acclaim. With its intuitive controls, extensive parameter options, and exceptional sound quality, the Immerse has become a staple on pedalboards of professional guitarists worldwide.

Modulation Effects: In addition to their reverberation pedals, Neunaber Audio has also made significant contributions to the field of modulation effects. Their modulation pedals offer a wide range of creative options, allowing musicians to add depth, movement, and character to their sound. From classic chorus and vibrato to more experimental modulation effects, Neunaber Audio's pedals provide musicians with a powerful sonic palette.

The Neunaber Inspire Tri-Chorus Plus and Neunaber Seraphim Shimmer are among the notable modulation pedals offered by the company. The Tri-Chorus Plus delivers lush and immersive chorus tones, while the Seraphim Shimmer provides ethereal and celestial shimmer effects. Both pedals have gained popularity for their exceptional sound quality and user-friendly interfaces.
Advanced Technology and Customization: Neunaber Audio integrates advanced digital technology into their pedals while maintaining a focus on ease of use and intuitive control. The company's proprietary algorithms and signal processing techniques ensure high-fidelity sound reproduction and minimal noise interference. Neunaber Audio also offers software and firmware updates, allowing users to customize and fine-tune their pedal's settings to suit their specific needs.

Stereo Capabilities and Expansion: Many of Neunaber Audio's pedals feature stereo inputs and outputs, enabling musicians to fully utilize the spatial possibilities of their soundscapes. This stereo functionality allows for enhanced depth, width, and immersion in the audio experience. Additionally, Neunaber Audio offers expansion options for some of their pedals, allowing users to further expand their sonic horizons and delve into more complex effects.

Artist Collaborations: Neunaber Audio has collaborated with renowned musicians to create signature pedals that capture their unique tones and artistic visions. Collaborations include artists such as David Wallimann, Andy Wood, and others. These collaborations have allowed Neunaber Audio to refine their designs and develop pedals that cater specifically to the needs and preferences of these influential musicians.

Craftsmanship and Build Quality: Neunaber Audio takes great pride in the craftsmanship and build quality of their pedals. Each unit is meticulously constructed using high-quality components and undergoes rigorous testing to ensure reliability and longevity. The company's commitment to excellence extends beyond sound quality, encompassing durability and performance consistency, making their pedals suitable for both stage and studio applications.

Conclusion: Neunaber Audio has emerged as a leader in the field of reverberation and modulation effects, offering musicians innovative and high-quality pedals that inspire sonic exploration. With their dedication to sound excellence, user-friendly interfaces, and advanced technology, Neunaber Audio continues to push the boundaries of what is possible in guitar effects. Whether it's creating immersive reverberation or sculpting captivating modulations, Neunaber Audio's pedals provide musicians with the tools they need to enhance their creative expression and unlock new sonic landscapes.

TEST: MXR Phaser

 That's the thing with FX pedals in general. Similar to the flaming discussions about tube or semiconductor technology and their advantages and disadvantages in amplifier construction, the users of the FX pedals can also be classified as "analog" or "digital". And similar to the counterpart mentioned above, it is difficult to explain the analogue fan's batch cable orgies to a die-hard admirer of multi-effects devices, with the standard analogue fanatic actually speaking off the cuff about "volume", "depth" and "warmth" of his "Tretmine" can report in a monologue of about 30 minutes.

The ambivalent music fan therefore often wonders whether, in return for the undoubtedly higher logistical effort of analogue wiring, the audiophile reward really awaits at the other end or whether too much of a good thing is usually said in advance about the retro technology.

One of the forefathers of analog technology in pedal construction is the MXR company, which has been under the aegis of Dunlop for some time. The Phase 90 Phaser must undoubtedly be classified as a "bread-and-butter" pedal, which, in addition to the classic from the seventies, is now also available in a second version with a built-in LED. Both were (fortunately) upgraded with an additional mains connection some time ago.

In order to have a direct comparison to a further development, I took the Variphase CSP-001 into the test, which is issued in a limited edition by the MXR Custom Shop and is, so to speak, an interesting extension of the Phase 90. With a booster and adjustable modulation speed by foot, the Variphase aims to appeal in particular to solo guitarists.

Construction:

MXR already gave its pedals a consistent color scheme 30 years ago, which made me associate it with my watercolor paint box even then. The individual FX types were consistently equipped with almost "intrusive" colors. The phaser department got it with a dark orange tending towards brown, which looks not dissimilar to a rust primer color ;-) Whether you regard this color as a cult or simply as "ugly" is up to you, in any case, the same can be identified very easily on the floorboard, even in the dim stage lights.

With regard to control options, the Phase 90 is only beaten by an ON/OFF switch, apart from the bypass switch there is only a single speed controller, which controls the modulation speed. You will look in vain for additional controls such as the intensity of the effect or the phase position, loosely based on the motto "the official sound is preset, you can still adjust the speed a little". Housed in a solid sheet steel housing, the dwarf has a long life ahead of it. All circuits are housed on a circuit board which is easily accessible by loosening four screws on the underside of the housing. The scope of delivery includes a self-adhesive rubber base, which is intended to protect against slipping, and the well-known MXR "hat attachment", which allows the potentiometer to be adjusted with the foot while playing. By the way, the marking line of the potie phosphorizes in the dark.

The Variphase, on the other hand, comes with several modulation options, most notably the ability to control the speed of the effect with the pedal's rocker. The whole thing sits in the same housing as the well-known Dunlop Wah-Wah, only a spring ensures that the pedal returns to its original position after use. On the left side there are 2 small trim pots with which you can adjust the volume of the booster and the mix between the original and the effect signal. The processing is massive, the battery access is made possible via a small plastic cover, which is a bit notchy and thin-walled. The whole device rests on four sturdy rubber feet, the electronics sit on a single circuit board. In addition, a small switch inside the device offers two presets for the intensity of the effect (shallow / deep).

Practice:

In the field of modulation effects, the phaser, alongside the chorus and the flanger, represents the third part of the "FX triumvirate" in terms of popularity among artists. To explain briefly, the phaser periodically changes a phase-shifted copy of the original signal, resulting in regular cancellation and boosting of frequencies. The same sound is used universally, be it in funk, rock or jazz, with clean guitar or in distorted mode, a phaser supplies a dry guitar signal with an unobtrusive yet interesting sound.

Everyone has probably come across the Phase 90 sound somewhere, be it VAN HALEN, THE DOOBIE BROTHERS, ZZ TOP or any other recording made in the late 70's and beyond. The depth and warmth of the inconspicuous pedal are legendary, and in this test, MXR briefly shows the competition what makes an official phaser sound. When it comes to volume, it has always been the benchmark, nothing has changed to this day. Nobody misses the additional control options, the basic sound is already so balanced that you don't want to change anything.

The Variphase pedal comes with a different claim. On the one hand it should be able to keep the sound of the MXR phaser but still provide more flexibility. To be honest, it took me a moment to explore the CSP-001's intended use. The combination of booster and phaser in one may take some getting used to, but in psychedelic sound areas the pedal hits like a bomb, even the color of the device suits it ;-) Flared trousers put on, Mommy's batik blouse pulled over them and a little more on the Suck the bag and the basic mental equipment is ready. Retro rockers a la Lenny Kravitz will love this pedal.

Switched to a distorted all-tube amp, you can really play yourself into a "Woodstock frenzy". Once you've started, the device pulls you under its spell. Similar to a wah-wah, intelligent pedaling can add expression and intensity to your playing, assuming a basic level of personal expression, of course. What bothers me a bit personally is the fact that even with the minimum booster setting there is still a slight increase in the output level, i.e. you cannot operate the Variphase without a booster effect. In my opinion, it would have been nice to operate the phaser effect without changing the level, which would significantly increase the range of use in front of clean amps. At the moment it is difficult not to drive an amp into saturation with this effect unless level-resistant amplifiers of the Twin Reverb or Hiwatt caliber are available.

In my opinion, the double version of the Phase 90 with and without LED can only be explained by the possibility or the desire for vintage wiring that is true to the original. Despite an intensive A/B comparison, I couldn't hear any tonal differences between the two models.

Conclusion:

Phase 90 = was good, is good and will in all probability always remain the reference for a timeless phaser sound!

Variphase CSP-001: be careful, the device can be addictive. Before you know it, you're stepping on the pedal with every solo, which makes the term "effect" absurd. MXR has succeeded in moving a modulation effect that was previously established primarily in the rhythm area into the solo area. An intelligent approach, which must be regarded as successful!

Additional Informations:

- MXR Pedals: Redefining the Sound of Guitar Effects

Introduction:
MXR Pedals is a renowned company that has been at the forefront of guitar effects pedal innovation since its establishment. With a rich history dating back to the 1970s, MXR has consistently delivered high-quality, reliable, and groundbreaking pedals that have become staples in the guitar community. From iconic classics to cutting-edge advancements, MXR continues to shape the sound of modern music.

History and Legacy:
MXR Pedals was founded in 1972 by Keith Barr and Terry Sherwood, who aimed to create high-quality effects pedals that were both affordable and accessible to musicians. The company quickly gained popularity for its innovative designs and reliable construction. In 1987, MXR was acquired by Jim Dunlop, a move that further solidified the brand's influence and commitment to producing exceptional guitar effects.

Diverse Product Line:
MXR Pedals offers a diverse range of guitar effects pedals, catering to a wide variety of musical styles and preferences. Their product lineup includes classics like the Phase 90, Dyna Comp, and Carbon Copy Delay, which have become industry standards and have been used by countless guitarists around the world.

In addition to their classic pedals, MXR continues to innovate and introduce new products. They have expanded their range to include distortion, overdrive, modulation, delay, reverb, and many other types of effects pedals. Each MXR pedal is meticulously designed and engineered to deliver outstanding sound quality, ease of use, and durability, ensuring that they meet the demands of professional musicians.

Innovation and Technological Advancements:
MXR Pedals has consistently pushed the boundaries of guitar effects technology, introducing innovative features and advancements that enhance the tonal possibilities for guitarists. For example, the MXR Carbon Copy Analog Delay introduced the "bucket brigade" circuitry, replicating the warm and organic tones of vintage analog delays.

MXR has also embraced digital technology to create versatile pedals, such as the MXR Reverb and MXR Digital Delay, which offer a wide range of customizable sounds. Their collaboration with renowned artists and engineers has resulted in signature pedals, like the MXR EVH Phase 90 and MXR Joe Bonamassa FET Driver, which capture the unique tones of these guitarists.

Durability and Reliability:
MXR Pedals are known for their rugged construction and reliability. The company takes pride in ensuring that each pedal is built to withstand the rigors of live performances and studio use. MXR uses high-quality components, robust enclosures, and reliable footswitches, resulting in pedals that are road-worthy and can withstand the test of time.

Artist Collaborations:
MXR has a rich history of collaborations with renowned guitarists and bassists. By working closely with artists like Eddie Van Halen, Slash, Zakk Wylde, and Dimebag Darrell, MXR has developed signature pedals that capture the unique tones and playing styles of these musicians. These collaborations have not only brought attention to MXR pedals but have also contributed to their ongoing innovation and development.

Pedalboard Solutions:
MXR recognizes the importance of pedalboard organization and has introduced various products to help musicians optimize their setups. They offer pedalboards, power supplies, patch cables, and other accessories designed to simplify cable management and ensure efficient operation of multiple pedals.

Awards and Recognition:
MXR Pedals' commitment to excellence and innovation has garnered significant recognition within the music industry. They have received numerous awards, including Guitar World's "Gold Award" and Guitar Player's "Reader's Choice Award" for their outstanding products. These accolades serve as a testament to the quality and impact of MXR pedals in the guitar community.

Conclusion:
MXR Pedals has been instrumental in shaping the sound of modern music through their innovative and reliable effects pedals. With a rich history of groundbreaking designs and collaborations with legendary artists, MXR continues to be a trusted name in the guitar effects industry. Whether it's classic analog tones or cutting-edge digital versatility, MXR pedals consistently deliver exceptional sound quality, durability, and ease of use. As they continue to push the boundaries of guitar effects technology, MXR remains a go-to choice for musicians seeking to enhance their sonic palette and create unforgettable music.

- Phaser Effects Pedals: Shaping Tones with Envelopes of Modulation
Introduction: Phaser effects pedals have played a significant role in shaping the sounds of popular music for several decades. These versatile and captivating pedals produce a swirling, sweeping modulation effect that adds depth, movement, and a touch of otherworldliness to guitar and instrument tones. From classic rock to funk and beyond, phaser pedals have become an essential tool for musicians seeking to explore new sonic landscapes.
How Phasers Work: Phaser effects pedals employ a principle known as phase shifting to create their distinctive sound. The audio signal is split into two paths, with one path being delayed slightly compared to the other. The delayed signal is then modulated by a low-frequency oscillator (LFO), which varies the phase relationship between the two paths. As a result, certain frequencies are emphasized or canceled out, creating a series of peaks and notches in the frequency spectrum. The interaction of these peaks and notches produces the characteristic "swooshing" sound associated with phaser pedals.

History and Evolution: The history of phaser effects pedals dates back to the late 1960s when companies like Maestro and Electro-Harmonix introduced some of the earliest commercial phaser designs. These early models, such as the Maestro Phase Shifter and Electro-Harmonix Small Stone, utilized analog circuitry and were favored by guitarists seeking to add a psychedelic touch to their sound.

Over the years, phaser pedals have evolved with advancements in technology. Modern phaser pedals often feature additional controls for adjusting the depth, rate, and resonance of the effect, allowing for more precise control over the modulation characteristics. Digital phaser pedals have also emerged, offering a wide range of customizable settings and the ability to recreate vintage analog tones.

Classic Phaser Sounds: Phaser effects pedals have been utilized across various musical genres, leaving an indelible mark on countless iconic recordings. Some classic phaser sounds include:
"Barracuda" by Heart: The song's signature guitar riff is enhanced by a subtle phaser effect, adding a unique dimension to the tone.

"The Rover" by Led Zeppelin: Jimmy Page used a phaser pedal to create the swirling, hypnotic sound that defines the song's intro.

"Do I Do" by Stevie Wonder: The funky rhythm guitar part features a prominent phaser effect, contributing to the song's groove.

Versatility and Applications: Phaser pedals offer a wide range of sonic possibilities, making them suitable for various musical styles and instruments. While commonly associated with electric guitars, phasers can also be used with keyboards, bass guitars, and even vocals to add movement and depth to the sound. They are particularly effective in funk, rock, and psychedelic genres, but can also find their place in ambient and experimental music.
Phaser Controls and Parameters: Modern phaser pedals often feature a range of controls that allow users to shape the effect to their liking. These controls may include:
Speed/Rate: Adjusts the speed of the modulation effect, determining how quickly the phase shifting occurs.

Depth: Controls the intensity or strength of the effect, determining the range of the sweeping modulation.
Feedback/Resonance: Influences the emphasis or intensity of the peaks and notches in the frequency spectrum, allowing for more pronounced or subtle phaser sounds.
Stages: Some phaser pedals offer selectable stages, allowing users to choose between different numbers of phase shifting stages, resulting in varying degrees of intensity and complexity.
Notable Phaser Pedals and Manufacturers: Several manufacturers have made notable contributions to the world of phaser pedals. Some iconic models include:
Electro-Harmonix Small Stone: A classic analog phaser known for its warm, liquid-like sound.

MXR Phase 90: A compact, simple yet highly effective phaser that has become a staple on countless pedalboards.

Boss PH-2 Super Phaser: Known for its versatility and ability to produce both subtle and pronounced phaser effects.
Strymon Mobius: A high-end digital phaser pedal that offers a wide range of phaser types and advanced control options.

Conclusion: Phaser effects pedals have carved a prominent place in the sonic landscape of music, providing guitarists and musicians with a versatile tool for shaping tones and adding movement to their sound. From the early analog designs to the modern digital offerings, phaser pedals continue to captivate musicians with their unique modulation effect. Whether used subtly or dialed up for psychedelic sweeps, phaser pedals remain an essential component in the arsenal of creative musicians seeking to explore new sonic territories.

TEST: MXR MC402

 In recent times, it has become more than just popular to bring together two or more well-known names in the music field and thus take advantage of the universally known synergy effect. MXR, itself one of the founding fathers and big names in the field of ground effect devices has decided in the course of this development to cooperate with a no less famous name in the guitar field. We're talking about Bob Bradshaw, probably the most famous designer of custom guitar pedalboards on the planet. According to the company, Bradshaw's company Custom Audio Electronics (CAE) wanted to make his products accessible to a larger circle of interested parties and reached an agreement on this with the MXR company.

Bradshaw himself has a wealth of experience in the field of guitar pedals, as he has built custom control centers for countless illustrious and wealthy names such as David Gilmore, Steve Lukather and Eric Clapton, which can connect and combine just about any amp with any cabinet and any FX device. With artists like Gilmore, as seen on the last Pink Floyd tours, stage systems can come out that fill a 7.5 ton truck to the roof with equipment.

Funnily enough, Bradshaw recently attracted attention as Steve Lukather's guitar roadie. A prototype sound system was to be tested live during a tour and was supervised by Bradshaw himself, taking on the job of guitar tech at the same time. Lukather will probably never do this arrangement again, all trade magazines only wanted to interview Bradshaw, Lukather himself went almost empty-handed in terms of interviews during this tour ;-)

The booster / line driver MC-401 and its variant MC-402 extended by an overdrive are available for testing.

Construction:

An overdrive pedal in the classic sense will probably be familiar to every reader, it is after all the simulation of an overdriven tube, but what please is a booster / line driver?

Let's briefly put ourselves in the situation of a guitar signal, which is sent from a passive pickup on the journey towards the amplifier. The high impedance signal first passes through a higher or lower quality instrument cable before it has to pass through a few other floor or 19" effects, which are also connected with higher or lower quality cables or connectors, to finally reach the input of the amp. In addition, there may still be some classics of the Tretminen guild in the effects chain, which do not yet have true bypass and send the guitar signal through the entire on-board electronics even when deactivated. I myself have never used a floor tuner live until the introduction of true bypass / respectively bufferamp, despite the practical use, simply because no tuner of its time released the guitar signal without sound loss.

What is still present at the amp afterwards is sometimes only a tired copy of what the pickup has fed into the signal path several meters of cable before. Especially with inferior cable goods (spend 3.000,- € for a Paula and then wire everything else with 5,- € discount cables....) the result sometimes turns out to be a thin, treble-damped and undynamic sound, which nips any playing pleasure in the bud. For a realistic retro sound (I remember a Hendrix backline where 3 Marshall heads were connected in series with ultra-thin patch cables stretched tightly across the stage.....) this adventurous mixture may well have its appeal and raison d'être, but the majority of artists will be rather averse to this sound.

This is where our colleague Booster comes in, whose field of application is twofold. Switched between guitar and amp, it is able to increase the level of the guitar signal and to "blow" old-school all-tube amps (keyword "without master") properly. (No, we're not talking about Jenna Jameson....), which increases both the subjective pressure, the inherent compression and also the distortion. Switched behind the effects chain, the booster acts as a catch-up amplifier, giving the signal back some of the tonal sparkle it lost in advance on its way through the pedals' innards.

MXR floor pedals have always had something of "unbreakable" about them. These representatives also leave an extremely solid impression. A massive, black metal housing and stable plastic controls are very tough and forgive even the most impetuous processing with such shoes. The devices are operated either with a 9V battery or an external power pack, the standard connections are on the front or side. Massive switches round off the overall impression and give hope for a long life expectancy. The two switches are designed as true bypasses, i.e. when deactivated, the guitar signal is routed around the internal electronics.

The classic MXR knobs have a narrow strip on the top for better control of their setting, which fluoresces in the typical green-yellow color in dimmed light. The markings don't glow particularly brightly, but they don't require any power supply either.

Practice:

OK, then let's put the devices into operation. Oh my goodness, does anyone have sunglasses? That's not an LED on the top of the case, that's a headlight! I've never seen an LED this bright in my life, and a very attractive blue that lights up the booster section when activated. The LED of the overdrive section, on the other hand, comes in a standard red with no glare, these two lights are really easy to tell apart even in poor lighting conditions on stage.

At 0 db boost, the volume of the signal does not initially change, but the signal is already "refreshed" as mentioned above. The signal becomes clearer, richer in treble and cuts through the band context much better, especially with clean sounds. With increasing boost, the downstream amp slowly begins to distort, depending on the type of amp with a very dynamic, interactive crunch. I used a VOX AC15 in the sound samples, here you can see very nicely how, in addition to the degree of distortion, the compression of the signal also increases with increasing boost.

If you take the overdrive into play, the sound changes significantly. MXR has developed a typical "American" overdrive with Bradshaw, the semiconductor configuration of which is in stark contrast to the British overdrive. Bradshaw can't deny his time in the eighties and has given the MC-402 the typical "softener" that adorned countless platinum rock productions almost 2 decades ago. While the British overdrive is almost always accompanied by a touch of scratchy and sometimes acrid sound, the American variant is clearly less aggressive in terms of aggressiveness and places its emphasis more on a sustained, rather flattering sound.

If you are looking for the typical MXR sound a la distortion + or similar, you will not find it here. Bradshaw has put his own unmistakable sound stamp on the devices, which remains clearly audible in every setting. Trying out is the order of the day, as an FX pedal always has to be tested in a personal setup. What produces phenomenal results in one configuration simply sounds pathetic in the next equipment park.


Conclusion:

Noun is omen! Wherever it says Bradshaw, there's sound culture in it. The MC-401 is an unobtrusive but effective sound enhancer, and I really liked the "bellows" it had. Plug in the vintage amp, crank it up and push it with the right boost level, done. If you still sound insignificant, you should look for a capable guitar teacher. Anyone looking for a moderate solo sound in the direction of Lukather etc. will find a suitable partner in the MC-402 combination.

Additional Informations:

Bob Bradshaw Audio: Pioneering Custom Guitar Systems for Professional Musicians
Introduction: Bob Bradshaw Audio is a renowned company that has revolutionized the world of guitar systems and signal routing for professional musicians. Founded by Bob Bradshaw, an industry pioneer and guitar tech extraordinaire, the company has set the standard for custom-designed, high-end guitar rigs that enhance the performance and creativity of musicians on stage and in the studio.

The Visionary Behind Bob Bradshaw Audio: Bob Bradshaw, a highly respected figure in the music industry, began his career as a guitar technician, working with renowned artists such as Eddie Van Halen and Steve Lukather. Through his hands-on experience and deep understanding of the needs of professional guitarists, Bradshaw identified the need for comprehensive, custom-designed guitar systems that would allow musicians to achieve their desired tones with ease and precision.

Custom Guitar Systems: Bob Bradshaw Audio specializes in designing and building custom guitar systems that integrate amplifiers, effects pedals, and switching systems into cohesive, easy-to-use rigs. These rigs are tailored to the specific needs and preferences of each musician, taking into account their playing style, tonal requirements, and performance environment.

The company's systems incorporate state-of-the-art technologies and advanced signal routing capabilities, enabling guitarists to seamlessly switch between different amplifiers, effects, and settings with minimal effort. These custom rigs not only provide musicians with unparalleled tonal possibilities but also offer exceptional control and flexibility, empowering them to focus on their artistry without technical distractions.

Innovative Signal Routing and Switching Solutions: One of the key aspects of Bob Bradshaw Audio's custom guitar systems is their pioneering signal routing and switching solutions. The company utilizes advanced technologies and proprietary designs to ensure pristine signal integrity and minimal noise interference throughout the signal chain.
Bradshaw's systems feature programmable switching units, allowing guitarists to create complex preset configurations and control multiple aspects of their rig with a single footswitch or MIDI controller. This level of control simplifies on-stage performances and studio sessions, eliminating the need for extensive pedalboard setups and manual patching.
Integration of Rack Effects and Amplifiers: Bob Bradshaw Audio's custom guitar systems excel in integrating rack-mounted effects processors and amplifiers seamlessly. Bradshaw's expertise in signal routing enables guitarists to control their entire rig, including rack effects, amplifiers, and even virtual effects software, from a centralized control unit.

The company's systems offer versatile options for integrating different types of effects units, such as digital modelers, analog effects, and vintage gear. This integration provides musicians with the freedom to explore a vast range of sonic possibilities and experiment with different tones effortlessly.

Collaboration with Artists: Bob Bradshaw Audio has collaborated with numerous world-class guitarists and musicians, tailoring their guitar systems to meet the unique requirements of each artist. By working closely with renowned players, the company has gained invaluable insights into the demands of professional musicians, refining their designs and constantly pushing the boundaries of what is possible in guitar rig engineering.

Impeccable Craftsmanship and Reliability: Bob Bradshaw Audio is renowned for its impeccable craftsmanship and attention to detail. Each custom guitar system is meticulously built to the highest standards, utilizing top-quality components and materials. The company's commitment to quality ensures that their systems are not only reliable and road-worthy but also capable of withstanding the rigors of extensive touring and performing.

Industry Recognition and Legacy: Bob Bradshaw Audio's custom guitar systems have earned widespread acclaim and recognition within the music industry. Numerous professional guitarists have relied on Bradshaw's designs to achieve their signature tones and deliver exceptional performances. The company's contributions have left an enduring legacy, shaping the way modern guitarists approach their rigs and inspiring the development of new technologies in the field of guitar system engineering.

Conclusion: Bob Bradshaw Audio stands as a true pioneer in the realm of custom guitar systems. Through his visionary designs and meticulous craftsmanship, Bob Bradshaw has transformed the way professional guitarists approach their rigs, providing them with innovative solutions for signal routing, switching, and control. With a commitment to excellence and a deep understanding of musicians' needs, Bob Bradshaw Audio continues to push the boundaries of guitar system engineering, empowering guitarists worldwide to explore new sonic territories and realize their artistic visions.

TEST: MXR EVH Phase 90

 Guitar Hero. Guitar hero. My goodness, how often has this expression been used by professionally inferior journalists to describe guitarists with rather average technical skills. But if you turn to the experienced critics, the circle of artists really worth mentioning will quickly narrow down to a manageable number. Even if the personal top 10 sometimes varies greatly, there will always be one person among the top 3, as long as you extend the time period to the eighties and don't just get stuck in the sometimes pentatonic boredom era of the late sixties. We are talking about Edward van Halen.

Even if not the inventor of the matter, his name stands for the cultivation of the tapping technique, which in the course of the decade 1980 - 1990 was used to excess by EVERY guitarist of rock and metal. Guitarists of the rock and metal genre copied. Who could not tap at his time was not a guitarist, basta! And as always when a stylistic device is consumed in excess, the fashion wave broke off abruptly and was replaced by the consistent counter-movement "life-is-bad-no-one-understands-me-I-want-to-die" grunge whine department.

I remember well how little Axel sits in front of his vinyl record player and desperately tries to play the figures of "Eruption" in alternate picking and gets one top-searching fit after the next because his playing doesn't sound at all like on record. In addition, Eddie always turned his back to the audience during his solos in order to keep his new technique to himself as long as possible, so it was anything but easy to get to know the hitherto completely unknown technique.

The son of Dutch immigrants living in the USA was initially supposed to become a classical pianist, so the decision to transfer a two-handed tapping technique to the fretboard of a guitar was probably closer than if a traditional guitarist had embarked on such a concept.

Construction:

Although endowed with fundamental harmonic knowledge, EVH approached the tools of his trade with a sometimes unexpected anachronism regarding his equipment. While his colleagues cultivated and cared for their instruments, Eddie's guitars always had the habitus of a perpetual construction site, on which a pickup was apparently just replaced with a drill and jigsaw two minutes before the gig. Sometimes a few wires were hanging out of the side or plastic covers were not even mounted again.

The visually most striking change was the "stripe outfit", which EVH stuck at the time on his "of all manufacturers something" (mainly Kramer) picks. Take a red painted Powerstrat, glue black and white stripes of different thicknesses in arbitrary angles on the guitar, ready is a unique specimen. Eddie would not have dreamed at the time that the Fun Edition should be his optical trademark, which should later be found on his amps, respectively cabinets again.

In terms of sound, EVH was mainly associated with his famous "Brown sound", it is a modified Marshall head, which was driven with a voltage converter in an "unfavorable" voltage range and thus cause the tubes to a highly compressed and very soft clipping (unfortunately, these do not last long and wear out faster than average ...).

In addition, Eddie brought two ground effects that had been somewhat forgotten by the introduction of digital technology back into the focus of the listener, the Phase Shifter 90 and the Flanger 117 from MXR. To pay homage to his person, MXR has now brought out the above pedals in the typical EVH livery as a signature model. With this, Eddie should have risen to the most "signaturesiert" artist. In addition to guitar, amp, box, pickup, plectrum and strings are now added pedals, actually missing only the EVH cable. From such a marketing campaign you can see the market value of an artist.

Both devices immediately convey the well-known MXR heavy-duty character. All components of the stomp boxes are very solid and very well made, even if the base plate of the Phase 90 has a small deformation in the form of an inward bump. Probably the sheet metal was not yet completely cooled down during the processing, the functionality does this no harm. The 117 has 4 strong rubber feet, which secure it against slipping, the Phase 90 comes with a stickable foam pad. Ultimately, however, both would very likely end up on a pedalboard coated with Velcro or similar anyway, so this area is rather secondary (are there actually still guitarists who wire their pedals in free flight and place them individually on stage?).

The Phase 90 could hardly be more spartanly equipped, only a Speed knob controls the speed of the effect. Model 117 comes with "Manual" (intensity), "Speed", "Width" and "Regen." much more variable, which is indispensable for a flanger. Concerning the power supply caution is advisable. While the Phase 90 is content with the standard 9V supply, the 117 has inherited the legacy from its time of origin 20 years ago. The same must be operated with 2x 9V batteries or one needs a today rather unusual 18V power supply. As a signature version, the two devices have, in addition to the eye-catching paintwork, a push switch each, with which you can choose between a "Vintage" and "Modern" sound (Phase 90) and the preset of the Van Halen title "Unchained" (117), regardless of the knob settings.

All of the knobs have the typical MXR plastic tops included which can be slipped over the knobs if needed to adjust them on the fly with your foot. Simple, but effective, whereby the use of all 4 "presences" is rather counterproductive with the 117ner, by uniform height one reaches the two inside lying regulators rather badly. All controls have phosphorescent lines on the knobs and are quite easy to make out in dim light.



Practice:

Phase 90: Immediately after switching on the effect, MXR's currently popular "glare grenade" comes into play in the form of an extremely bright blue LED. Nobody overlooks this illumination. Sonically, the Phase 90 does exactly what is expected of it. A round phase shift, powerful enough to assert itself but never obtrusive or even clinical. When the Vintage switch is activated, the MXR slips into a slightly "muddy" sound character, very suitable for retro sounds. Personally, I like "Modern" a bit better because of the transparency, but it's all a matter of taste.

Flanger 117: If there was a name for official flanger foot pedals, it was MXR 20 years ago and still is today. Some other pedals have more aggressiveness or bite, but sonically no one makes the 117 something. Round in the overall sonic appearance equipped with a high degree of warmth, so a flanger must sound, maybe you really need 18 volts in the supply voltage for this sound. The Unchained preset works perfectly, although I like a little more "regeneration" on the far right in the style of "And The Cradle Will Rock" better, but preset is preset.


Conclusion:

Our Signature Stomp Boxes already look peppy. They sound authentic, make a good impression in terms of workmanship and have exactly the analog flair that various other manufacturers have been panting after for years. Whether the above features are worth the higher price of about 15% (117), respectively 30% (Phase 90) compared to the standard versions, everyone must decide for themselves.

The quality is right, then as now, only the plastic tops of the controllers I found better 20 years ago, then they were still made of softer hard rubber.

Additional Informations:

MXR Pedals: Redefining the Sound of Guitar Effects

Introduction:
MXR Pedals is a renowned company that has been at the forefront of guitar effects pedal innovation since its establishment. With a rich history dating back to the 1970s, MXR has consistently delivered high-quality, reliable, and groundbreaking pedals that have become staples in the guitar community. From iconic classics to cutting-edge advancements, MXR continues to shape the sound of modern music.

History and Legacy:
MXR Pedals was founded in 1972 by Keith Barr and Terry Sherwood, who aimed to create high-quality effects pedals that were both affordable and accessible to musicians. The company quickly gained popularity for its innovative designs and reliable construction. In 1987, MXR was acquired by Jim Dunlop, a move that further solidified the brand's influence and commitment to producing exceptional guitar effects.

Diverse Product Line:
MXR Pedals offers a diverse range of guitar effects pedals, catering to a wide variety of musical styles and preferences. Their product lineup includes classics like the Phase 90, Dyna Comp, and Carbon Copy Delay, which have become industry standards and have been used by countless guitarists around the world.

In addition to their classic pedals, MXR continues to innovate and introduce new products. They have expanded their range to include distortion, overdrive, modulation, delay, reverb, and many other types of effects pedals. Each MXR pedal is meticulously designed and engineered to deliver outstanding sound quality, ease of use, and durability, ensuring that they meet the demands of professional musicians.

Innovation and Technological Advancements:
MXR Pedals has consistently pushed the boundaries of guitar effects technology, introducing innovative features and advancements that enhance the tonal possibilities for guitarists. For example, the MXR Carbon Copy Analog Delay introduced the "bucket brigade" circuitry, replicating the warm and organic tones of vintage analog delays.

MXR has also embraced digital technology to create versatile pedals, such as the MXR Reverb and MXR Digital Delay, which offer a wide range of customizable sounds. Their collaboration with renowned artists and engineers has resulted in signature pedals, like the MXR EVH Phase 90 and MXR Joe Bonamassa FET Driver, which capture the unique tones of these guitarists.

Durability and Reliability:
MXR Pedals are known for their rugged construction and reliability. The company takes pride in ensuring that each pedal is built to withstand the rigors of live performances and studio use. MXR uses high-quality components, robust enclosures, and reliable footswitches, resulting in pedals that are road-worthy and can withstand the test of time.

Artist Collaborations:
MXR has a rich history of collaborations with renowned guitarists and bassists. By working closely with artists like Eddie Van Halen, Slash, Zakk Wylde, and Dimebag Darrell, MXR has developed signature pedals that capture the unique tones and playing styles of these musicians. These collaborations have not only brought attention to MXR pedals but have also contributed to their ongoing innovation and development.

Pedalboard Solutions:
MXR recognizes the importance of pedalboard organization and has introduced various products to help musicians optimize their setups. They offer pedalboards, power supplies, patch cables, and other accessories designed to simplify cable management and ensure efficient operation of multiple pedals.

Awards and Recognition:
MXR Pedals' commitment to excellence and innovation has garnered significant recognition within the music industry. They have received numerous awards, including Guitar World's "Gold Award" and Guitar Player's "Reader's Choice Award" for their outstanding products. These accolades serve as a testament to the quality and impact of MXR pedals in the guitar community.

Conclusion:
MXR Pedals has been instrumental in shaping the sound of modern music through their innovative and reliable effects pedals. With a rich history of groundbreaking designs and collaborations with legendary artists, MXR continues to be a trusted name in the guitar effects industry. Whether it's classic analog tones or cutting-edge digital versatility, MXR pedals consistently deliver exceptional sound quality, durability, and ease of use. As they continue to push the boundaries of guitar effects technology, MXR remains a go-to choice for musicians seeking to enhance their sonic palette and create unforgettable music.