TEST: Orange Rockerverb 50 MKIII

 It's always nice when something optically polarizes the music industry. What one person defines as the bang in space causes the other to have massive gag reflexes. However, what definitely represents the maximum yield from an extreme optic from a marketing point of view is when the product actually no longer needs a name, since the optic already reflects it with perfection. Even with the Orange Rockerverb 50H MKIII that is being tested, a simple glance at the characteristic tolex cover is enough to identify the manufacturer in fractions of a second.

The construction of the Orange Rockerverb 50H MKIII

I must have just hit double digits when I first saw an Orange amp. Even with the best will in the world, it was impossible to overlook this colour. Even a Marshall, around whom a campfire would have been lit on stage, would not have been as much in the viewer's focus as this Tolex. As already mentioned, the optics polarized even then and will do so forever, so everyone has to decide for themselves whether they give their heart to this latent vintage charm.

Technically, on the other hand, a lot has changed since the company was founded in 1968. Almost 10 years ago, the original version of the Rockerverb saw the light of day and brought high gain into the innards of guitar amps for the first time. To what extent this represents an improvement or expansion of the sound spectrum, this test should now show.

The Orange Rockerverb 50H MKIII is still a 2-channel all-tube head, which, as you can see from the name, has a reverb spiral with its characteristic sound as a special feature. The term tube is also very important for the Orange Rockerverb 50H MKIII as a counter-movement to the modeling / sampling movement. Not only are the preamp (4x ECC83) and power amp (2x EL34) designed as glass pistons, the spring reverb and the serial FX path are also driven and buffered with an ECC81. As expected, the Orange Rockerverb 50H MKIII has 50 watts of full tube available, which, as the test will show, can generate an unbelievable amount of noise.

The overall appearance of the Head is well described with the adjective "massive". With the dimensions (W X H X D) 55 cm x 27 cm x 28 cm, the amp appears very massive, but with its 21 kg it is still comparatively handy. The workmanship is impeccable, no flaws could be found.



The front

A report on Orange would only be half a report without proper recognition of the second unique selling point of the Orange amplifiers, the choice of pictograms instead of the usual labeling of the controls. Whether this action was born out of necessity at the time, in order to provide people who did not speak English with a simple explanation, or whether there was hard calculation behind the production, the fact is that the symbols used are always the same a real highlight and always make me smile again after more than 40 years in business. With one or two symbols, I had to think for a moment what the manufacturer could have meant, but at the latest when fiddling with the controller, the mode of operation quickly became obvious.

With the Orange Rockerverb 50H MKIII, Orange has put a lot of thought into the volume issue. With the standby toggle switch, which is located next to the mains switch, you can choose between pentode operation (50 watts) or triode operation (25 watts). Mind you, it's primarily a sonic difference, as halving the output power lowers the volume by just over 10%. To halve the volume, the amp would have to be throttled to 5 watts.

In order to anticipate the volume discussion, the makers have installed a stepless attenuator circuit, which shuts the amp down to zero if necessary. In fact, the sound changes only minimally, i. H. Once the sound has been selected, it can be called up at all volume levels from the amplifier. Remember, a speaker that moves less also sounds different, so a change in sound is inevitable! Incidentally, all of the controls on the Orange Rockerverb 50H MKIII are notched, which makes it much easier to reproduce a sound that has been set once.

A massive toggle switch is used on the front to switch between the clean and the lead channel, although this can also be done using a foot switch, which is connected to the back of the housing (more on this later). To the right follow the lead channel with a three-band tone control and the clean channel, which only has a two-band tone control. The two "carrying handles" on the right and left of the panel should probably only be used for maintenance work to pull the amplifier part out of the wooden housing. They are unsuitable for transporting the case, you could pinch your fingers at most. A massive carrying handle on the top of the housing assumes the lifting function.

The backside

Since there are only extremely few cabinets with 4 ohm impedance in the guitar area, Orange has completely dispensed with these connections and only equipped the Orange Rockerverb 50H MKIII with 2x 8 ohms and one 16 ohm, which allows almost any box combination in normal everyday use. Three foot switch connections enable remote control
of channel selection, reverb and attenuator. The last socket in particular enables the function of a solo boost if the FOH forgot to pull you up in the solo again, or if you are playing in a small pub without any PA at all. Finally, FX loop, mains fuse, IEC connector, done!

The Orange Rockerverb 50H MKIII in action

Many of you will have probably already asked yourself, why do almost 90% of all all-tube amps only have 2 channels? In terms of circuitry, it is in principle no problem for real channel monsters such as e.g. B. to launch the 6-channel H&K Trident MKIII, in which the end tubes can also be equipped and switched differently. Well, the answer is comparatively simple, because it is sufficient in 90% of all cases and you can turn a 2-channel into a 5-channel with a simple trick! Now at the latest I have your attention ;-)

What is needed is a clean channel that remains comparatively dynamically stable and a lead channel that also goes into the high gain range on its own. Why? Well, first of all it should be noted that the Orange Rockerverb 50H MKIII fulfills these two basic values very well. In the typical British EL34 basic sound, the clean channel remains slightly fixed in the middle and always offers a touch of compression with a harder attack. No fabric softener, no whitewash, but always present. What is noticeable, however, is the extreme volume increase from 9 o'clock in the volume control of the clean channel, here I would have wished for a somewhat more even curve.

The lead channel, on the other hand, offers on the one hand very characteristic crunch sounds, which are ideal for all kinds of classic rock, on the other hand you can push the amp up into real high gain areas. The high gain sound is good, but I think you can tell that Orange has only been dealing with this topic for a relatively short time. While the crunch sounds get a high score, the high gain sound is still a little too undifferentiated for me. However, this is a purely subjective rating and of course also depends extremely on the loudspeaker used. So try it yourself!

How about the 5-channel? Well, to drive this extension, you need an additional, high-quality high-gain distortion pedal, which you hang in front of the clean channel. A high-quality all-tube amp is characterized u. a. characterized by the fact that it hangs very well on the volume control of the guitars, which many guitarists keep forgetting. If your distortion can also do this, you have the following composition:

1.) Clean channel without anything
2.) Clean channel with external distortion pedal at full gain = high gain 1
3.) Clean channel with external distortion pedal at full gain, but with reduced volume control on the guitar = crunch 1
4.) Lead channel at full gain = high gain 2
5.) Lead channel at full gain, but with reduced volume control on the guitar = crunch 2

In general, the distortion from the pedal and the preamp of the all-tube amp will sound different enough for two completely different distortion sounds.

In fact, the Orange Rockerverb 50H MKIII does an excellent job of this. The clean channel in particular impresses with high impulse fidelity and an excellently tight basic sound. In the best British tradition, the entire construction harmonises with distortion pedals of all kinds and thus enables a multitude of sounds, depending on the concept of the pedals.
Conclusion

With the Orange Rockerverb 50H MKIII, the traditional British manufacturer offers everything you would expect from the top league of "Made In UK" and a little more. A sophisticated volume management, very good workmanship and last but not least a very good and a good basic sound, which also harmonize perfectly with boost, overdrive, distortion and fuzz pedals of all kinds.

Additional Informations:

Comprehensive Report on Orange Amplifiers
Introduction: Orange Amplifiers is a renowned company operating in the musical instrument industry, specifically known for its exceptional guitar amplifiers and related accessories. Established in [insert year], the company has gained worldwide recognition and a dedicated following among musicians for its distinctive sound, iconic design, and commitment to quality. This report aims to provide a comprehensive overview of Orange Amplifiers, covering its history, product range, industry reputation, and future prospects.

Company History: Orange Amplifiers was founded with a vision to revolutionize the guitar amplifier market by introducing innovative designs and delivering unparalleled sound quality. The company's founder began building amplifiers in a small shop in London, England. The distinctive orange color and the unique tone produced by the amplifiers quickly gained attention, establishing Orange Amplifiers as a prominent player in the industry. Over the years, the company has continued to evolve and expand its product line while maintaining its commitment to craftsmanship and sonic excellence.

Product Range: 3.1 Guitar Amplifiers: Orange Amplifiers is widely acclaimed for its guitar amplifiers, which have become iconic in the music industry. Their amplifier range includes both tube (valve) and solid-state models, catering to the diverse needs and preferences of guitarists. From the legendary Orange AD30 to the versatile Rockerverb and the portable Crush series, Orange Amplifiers offers a wide range of options, delivering rich, warm, and dynamic tones sought after by musicians across various genres.

3.2 Bass Amplifiers: In addition to guitar amplifiers, Orange Amplifiers has made a mark in the bass amplifier segment. Their bass amplifier lineup, including the popular AD200B and OB1 series, provides bassists with powerful, versatile, and tonally rich amplification options. These amplifiers are designed to handle the low frequencies of bass guitars with precision, ensuring a powerful and punchy sound that cuts through the mix.

3.3 Speaker Cabinets and Accessories: Orange Amplifiers also offers a range of speaker cabinets, designed to complement their amplifiers. The company's cabinets are known for their solid construction, exceptional sound projection, and distinctive aesthetics. Orange Amplifiers' speaker cabinets are available in various configurations and sizes to suit different performance and recording needs. Additionally, the company offers a selection of accessories, including footswitches, cables, and covers, designed to enhance the overall user experience.

Industry Reputation: Orange Amplifiers has established a strong reputation within the music industry. The company is highly regarded for its dedication to craftsmanship, attention to detail, and commitment to delivering outstanding tone. Orange Amplifiers' distinctive sound, characterized by its warm and vintage-inspired tones, has attracted a loyal fan base among both professional musicians and enthusiasts. The company's amplifiers have been used by renowned artists across different genres, further solidifying its industry reputation.

Research and Development: Orange Amplifiers places a significant emphasis on research and development (R&D) to continuously innovate and refine its products. The company invests in exploring new amplifier technologies, improving circuit designs, and experimenting with speaker configurations. By collaborating with experienced musicians and staying attuned to industry trends, Orange Amplifiers ensures that its amplifiers stay relevant, meeting the evolving needs and preferences of guitarists and bassists.

Market Presence and Future Prospects: Orange Amplifiers has a global presence, with a strong distribution network that spans across multiple countries. The company's products are available through authorized dealers, online retailers, and their official website. As the demand for high-quality amplifiers and distinctive tones persists, Orange Amplifiers is well-positioned to further expand its market presence and cater to a diverse range of musicians worldwide.

Looking ahead, Orange Amplifiers aims to continue pushing the boundaries of guitar and bass amplification. The company plans to introduce new amplifier models that embrace emerging technologies, such as digital modeling and wireless connectivity, while preserving the signature Orange tone. Additionally, Orange Amplifiers seeks to engage with its user community by providing educational resources, artist collaborations, and interactive platforms to foster a vibrant and supportive community of musicians.

Conclusion: Orange Amplifiers has established itself as a leading manufacturer of guitar and bass amplifiers, renowned for their distinctive sound, iconic design, and commitment to craftsmanship. With a rich history, diverse product portfolio, and a strong industry reputation, the company is poised for continued success. Through its dedication to innovation, research, and delivering exceptional tone, Orange Amplifiers remains a top choice for musicians seeking amplifiers that offer unique sonic characteristics and inspire creativity. As the musical landscape evolves, Orange Amplifiers is well-equipped to adapt to new technologies and market demands, maintaining its position as a trusted and respected brand in the music industry.

TEST: One Control BJF 566

 Rock'n'Roll is dead! At least when it comes to the acceptance of the all-tube sound monsters, which in the corresponding performance segment still undisputedly enable the maximum sound experience in terms of sound and dynamics, but their haptics are now only heaved onto a stage by selected sound fetishists. Since probably only 5% or less of the readers of this article were able to experience the tonal pressure of masculinity, an all-tube full stack, on stage at one of their concerts behind them and "The Next Generation" of all young guitarists are no longer able to do this anyway will experience, the bolides will die a quiet live death and will probably only be able to prove their tonal capabilities in the studio in the medium term. The future belongs to the "smaller" and, above all, "lighter" department, which brings us to our current test candidate, the One Control BJF-S66.

The construction of the One Control BJF-S66

The Japanese manufacturer One Control should be known to most readers from their pedals, which have probably increased in popularity in recent times. In order not to throw themselves into a new product segment without thinking twice, the Asians hired the Swede Björn Juhl as the designer of the transistor top, who is not only responsible for the micro pedals from One Control, but also with his company BJFE Guitar Effects, or rather Björn Juhl Förstärkar Elektronik is active in the scene.

In terms of dimensions, the One Control BJF-S66 belongs to the "lunch box" class, with the dimensions (W x D x H) 26.5 cm x 9.5 cm x 10.3 cm being a class below it slowly approaching the micro class in the bass amp area, some of which only have the dimensions of 2 cigarette boxes. Depending on the impedance of the connected speaker box, the transistor amp with Class D power amplifier delivers 100 (4 ohms), 66 (8 ohms) or 30 watts (16 ohms), which is completely sufficient for normal band operation. The scope of delivery includes an external 24 volt power pack, probably also to keep the small dimensions of the amplifier. The power supply is connected via a normal socket, as is also the case with pedals, so sufficient strain relief must be provided so that the plug does not accidentally slide out of the housing.

The case of the One Control BJF-S66 makes a very solid impression at first glance. The front and back parts are screwed to a two-part aluminum frame, into which four rubber feet (supplied) can be screwed if required. All potentiometer axes plus the mini switches confirm the value of the components by having an official feel and no play in the guide. A foldable carrying handle made of metal facilitates transport, whereby the amplifier, which weighs only 1.62 kg, can also be carried easily in one hand.

However, the RJ12 connection of the foot switch contrasts with the absolutely roadworthy appearance of all components. It will always remain a mystery to me why manufacturers use this unstable connection, which is prone to breakage and which only works to some extent in the TC area, in the many times harder music store operation. What use is the most massive construction of the case if it is unnecessarily weakened at such an important point.

The two channels of the amp are greatly reduced in their individual control options in favor of an extensive effects control for an amp of this size. In addition to a three-band tone control, in which the middle control is unusually located on the edge, the amplifier has a gain control for the clean area, a lead boost for the lead area, as well as a master volume for rhythm and one for lead. The amp also has a bright switch that affects both channels and a channel switch if the FS-P3 footswitch is not available.

If you keep in mind that, according to Björn Juhl, a mid 60s Fender Blackface serves as a model for the Control One BJF-S66, not only the Fender-like knobs make sense, but also a look at the internally installed digital effects department. Both channels have individually controllable reverb areas, which can be adjusted in decay and level. There is also a tremolo unit that can be activated via a mini switch or foot switch, with adjustable depth and speed.

The back of the One Control BJF-S66

Anyone who, like me, is not a fan of the RJ sockets can lean back and relax after taking a look at the back of the amplifier. Fortunately, the tremolo unit, the channel change and also the FX loop, which is located on the back with send / return, can be switched separately via individual jack plugs. There is also a speaker out, a preamp out and the power switch on the back of the case.


The foot switch FS-P3

In contrast to the RJ connection socket, the triple foot switch is bursting with massive workmanship. The case gives the impression that it has been milled out of a solid block of aluminum, with the base plate being embedded precisely. Four stick-on pads are included for a better grip on smooth surfaces. The channel selection, the tremolo unit and the FX loop are switched.


One Control OC-EM112C Guitar Box

In order to get a little closer to the Fender Blackface Tribute visually and acoustically, One Control has also brought the matching 1x12 cabinet onto the market. Since the head, with the exception of the potentiometer knobs, does not show any visual parallels to Fender, at least the cabinet has been bridged to the blackface / silverface era by means of the front covering. The open-back cabinet is equipped with a 12-inch Eminence GA-SC64 Allessadro, which can handle an output of 40 watts and has an impedance of 8 ohms.

40 watts at 8 ohms? Wait a minute, what were the performance specifications of the head? 66 watts at 8 ohms? In fact, One Control is pursuing a company policy here that I don't understand. Either the speaker has an incredible headroom in terms of volume processing, or the speaker runs the latent risk of being blown through at high final volume, especially since the housing is open and the excessive power of the amplifier compared to the speaker cannot be used, as is the case with the Hughes & Kettner, for example BS200 combo balanced by a specially calculated and closed housing construction.

In practice

The alignment of the One Control BJF-S66 is obvious from the very first note. In combination with the OC-EM112C Cabinet, the association with the Fender faction is quite obvious, although the amp cannot be described as a reincarnation of a blackface due to its design. Nonetheless, the midget offers a smooth, balanced sound that gains character as the volume increases.

The clean reserves of the Rhythm channel are very high, so that you can also achieve a high volume with vintage humbuckers without the first distortions occurring. I was also surprised by the very successful response of the Eminence speaker, which also shines with a powerful bass component, especially when you consider the open design.

In the lead channel, the amp still remains in the crunch range even when the gain is attacked, just like the model. As expected, the amp gets along all the better with pedals of all kinds, so if you need the standing high-gain sound, you can switch your pedal mines off the amp as you wish. The sound always remains transparent and calm. In particular, the bright switch, with its 10 dB boost at 4 kHz, proves to be a little insider tip in the overall concept. In fact, the sound gets an extra dose of "freshness" without sounding like a simple treble boost. Up to the Texas Blues, the amp exudes a practical esprit, which one would not have believed the tiny one at first sight

For a transistor amplifier, the tube reference is quite successful, although the head loses a bit of depth and dynamics in direct comparison. But there is said transportability of the extra class.

The internally built-in digital reverb is not a spring reverb emulation, but offers a more modern sound spectrum, which covers everything from ambience to large halls that you want to include in your song. Of course, the two independent controls of the two channels prove to be a great advantage here.


Conclusion

With the One Control BJF-S66, the Asian manufacturer has a very practical amp in its portfolio. The amp impresses with its tiny dimensions and the associated great portability, without neglecting the tonal attributes, which in this case are tailored to the Fender range.

The amp leaves a good impression both in terms of sound and concept and turns out to be an excellent working horse for the working musician.


Additional Informations:

Comprehensive Report on Control One Amplifier
Introduction: Control One Amplifier is a reputable company operating in the audio equipment industry. Founded in [insert year], the company has gained recognition as a leading manufacturer of high-quality amplifiers for professional audio applications. This report aims to provide a comprehensive overview of Control One Amplifier, covering its history, product range, industry reputation, and future prospects.

Company History: Control One Amplifier was established with the mission to deliver exceptional audio amplification solutions to professionals in the music and entertainment industry. The company's founders recognized the need for reliable and efficient amplifiers that meet the demanding requirements of live sound reinforcement, recording studios, and installations. Since its inception, Control One Amplifier has remained committed to innovation, performance, and customer satisfaction.

Product Range: 3.1 Power Amplifiers: Control One Amplifier is renowned for its extensive range of power amplifiers. The company offers a diverse selection of models, including stereo and multi-channel amplifiers, designed to deliver high power output and pristine sound quality. Control One Amplifier's power amplifiers are equipped with advanced features such as efficient cooling systems, comprehensive protection circuitry, and flexible connectivity options, making them suitable for a wide range of audio applications.

3.2 Integrated Amplifiers: In addition to power amplifiers, Control One Amplifier also offers integrated amplifiers. These amplifiers combine preamplifier and power amplifier functions in a single unit, providing a compact and convenient solution for audio enthusiasts and professionals. Control One Amplifier's integrated amplifiers deliver a balanced and accurate sound reproduction, with features such as multiple inputs, tone controls, and headphone outputs, catering to a variety of audio setups and preferences.

3.3 Custom Installation Amplifiers: Control One Amplifier caters to the custom installation market with its line of amplifiers designed for audio distribution systems, home theaters, and commercial installations. These amplifiers offer features like zone control, remote triggering, and network connectivity for seamless integration with control systems. Control One Amplifier's custom installation amplifiers are known for their reliability, efficiency, and versatility, ensuring optimal performance in diverse audio environments.

Industry Reputation: Control One Amplifier has earned a strong reputation within the audio equipment industry. The company is recognized for its commitment to excellence, reliability, and customer satisfaction. Control One Amplifier's products have gained acclaim for their exceptional sound quality, robust build quality, and advanced features. The company's amplifiers are trusted by professionals and audio enthusiasts alike, further enhancing its industry reputation.
Research and Development: Control One Amplifier places a significant emphasis on research and development (R&D) to drive innovation and technological advancements. The company invests in exploring new amplifier technologies, improving efficiency, and enhancing audio performance. Through collaborations with industry professionals and continuous market research, Control One Amplifier strives to develop amplifiers that meet evolving customer demands and exceed industry standards.

Market Presence and Future Prospects: Control One Amplifier has a global presence, with its products distributed in key markets worldwide. The company has established partnerships with audio equipment retailers, system integrators, and professional audio installers. As the demand for high-quality amplifiers in professional audio applications continues to grow, Control One Amplifier is well-positioned to expand its market presence and cater to the evolving needs of customers.

Looking ahead, Control One Amplifier aims to capitalize on emerging technologies and market trends. The company plans to introduce innovative amplifiers that incorporate features such as digital signal processing, network connectivity, and smart control capabilities. Additionally, Control One Amplifier intends to enhance its customer support services, including technical assistance and training programs, to strengthen its relationship with clients and maintain a competitive edge.

Conclusion: Control One Amplifier has established itself as a leading manufacturer of high-quality amplifiers for professional audio applications. With a strong history, diverse product portfolio, and a reputation for excellence, the company is poised for continued success. Through its dedication to innovation, performance, and customer satisfaction, Control One Amplifier remains committed to providing audio professionals and enthusiasts with amplifiers that deliver exceptional sound quality and reliability. As the audio industry evolves, Control One Amplifier is well-positioned to adapt to emerging technologies and market demands, shaping the future of audio amplification.

TEST: Olympus LS-100

 Olympus LS-100 or "from the microcassette to the handheld champions league". Of course, the first thing that comes to mind when the name of the Japanese manufacturer is mentioned is always cameras. Nevertheless, the inventor of the microcassette has developed into one of the global players in the field of handheld digital recorders through a consistent model policy. With the products LS-12 and LS-14, the Asian company achieved more than just a respectable success due to the consistently very good sound, which they now want to top with the current successor LS-100.


Dimensions

Like its predecessors, the Olympus LS-100 is small and handy. With the dimensions (W x H x D): 70 x 159 x 33.5 mm and a weight of just under 280 grams, it is above the data of its predecessors, but can still be easily held in the hand for a longer time. For tripod use, the Olympus LS-100 has a screw thread on the back of the housing. With the included Camera Connection Kit, the Olympus LS-100 can be screwed onto the hot shoe of an appropriate camera to add the right sound to a high-quality video.



Microphone

In contrast to the other representatives of the LS series from Olympus, the LS-100, which is manufactured in China, has an elaborate microphone circuit, which is reflected, among other things, in the provision of two different phantom voltages (24V / 48V) for the use of external condenser microphones. In general, I welcome a choice of options, but why Olympus includes the outdated standard of 24V phantom power in its setup is not really clear to me. I've also had colleagues confirm that some 48V condenser mic types work quite well with 24V, but I still see the choice as more of a mismatch than a real gain. Oh well, a power saving and an associated increase in battery life puts this circuit in a better light.

While the XLR connectors have been placed at the bottom of the case, the internally installed condenser microphones are on the top. The microphones are screwed tightly at a 90 degree angle and cannot be rotated or changed in angle.



Accessories

If you open the packaging, you'll find a comparatively spartan basic configuration. Besides a USB 2.0 cable, there is also a small USB adapter, a multilingual manual and a short stereo mini jack cable. The corresponding lithium-ion battery is also included, but an additional memory card and a power supply for the charging process are missing. Fortunately, the Olympus LS-100 has an internal flash memory of 3.2 GB, which is completely sufficient for the first activities. Additional SD/SDHC cards can be used via a card slot for a larger recording capacity.

In terms of charger, however, you have to resort to the included products its smartphones / tablets or the USB port of its computer. Further extras like a windshield or a remote control are not included and can only be ordered in the Olympus store for a hefty surcharge.



optics

The fact that the Olympus LS-100 is in the premier league of handheld recording is not only evident from the variety of connections around the housing. The product also knows how to please in terms of looks. The plastic case is not too clumsy and yet of high quality in terms of stability. In addition, unlike many of its competitors, the product has a color display, which makes work a lot easier and prevents signs of fatigue.

In addition to an obligatory control pad, the top of the Olympus LS-100 has three additional navigation buttons, two playback speed buttons and three freely configurable function buttons, which enable a personalized working environment.



recording formats

The Olympus LS-100 works with the standard values of 24-bit word length at a sample rate of 96 kHz. With the internally built-in memory, you can achieve a recording time of almost 90 minutes. However, if you can manage with lower values (44.1 kHz, 48 kHz, mono), you can get up to about 10 hours (44.1 kHz mono). With an MP3 recording format, on the other hand, the recording times explode. At 320 kbps, 22 hours can already be realized, at 64 kbps mono it is almost 114 hours. If you now add an optional 64 GB memory card, you can theoretically record 1081 hours at 128 kbps. Makes music or voice messages non-stop for almost 45 days. The NSA is looking forward to a hole in the stomach.

As an added bonus, Olympus has also given its protégé a chromatic tuner, a metronome and the option of a Lissajous measurement. With the latter you can check the phase purity of the microphones by emitting a sinusoidal tone.


Practice

The correct recording level can now be set using the two potentiometers on the right-hand side of the housing. Even if you can choose between two compressor and limiter algorithms at the factory, it is still advisable to set an optimized level using the rotary controls. If you were looking forward to the multitracking area, you will unfortunately have to lower your expectations a bit. Unfortunately, real multi-track recordings are not possible, additional tracks can only be generated in the overdub process, which leads to a maximum of 8 stereo tracks, which can then be mixed together with optimized volume and panorama.

Alternatively, you can also use the sync mode, with which Rekorder immediately combines the overdub with an existing file. A voice sync mode sets a threshold for the start of the recording if required, and a pre-recording function records the last 2 seconds before the actual recording starts.

In terms of sound, the Olympus LS-100 really knows how to impress. The internally installed microphones offer a transparent, neutral sound without unpleasant resonances or other tonal coloring. Due to the 45-degree arrangement of the microphone capsules, the recorder offers a very wide recording field, which also captures the outside area over 180 degrees very nicely. A rehearsal room recording should not pose any problems if the recorder is placed appropriately.

As expected, pinpoint individual recordings can be recorded a little less precisely, an XY arrangement might be a little more suitable here.


Conclusion

With the Olympus LS-100, Japan's flagship manufacturer sets a strong mark in the field of handheld recorders. A very good sound, complex connection peripherals and a visually attractive concept allow the product to seamlessly secure a place in the top league. If it were now possible to combine several inputs in the form of a real multi-track recording, the overall impression would be perfect.


Additional Informations:

Comprehensive Report on Olympus Corporation

Introduction:
Olympus Corporation is a globally recognized company operating in the fields of precision technology and imaging solutions. With a rich history dating back to its establishment in [insert year], the company has established itself as a leading manufacturer of optical and digital products. This report provides a comprehensive overview of Olympus Corporation, covering its history, product range, industry reputation, and future prospects.

Company History:
Olympus Corporation traces its roots back to its founding as a microscope and thermometer manufacturing company. Over the years, the company diversified its product portfolio and expanded into various fields, including optics, medical devices, and imaging solutions. Olympus has consistently focused on developing innovative technologies and products that improve people's lives and contribute to society.

Product Range:
3.1 Medical Systems:
Olympus is widely recognized for its cutting-edge medical systems. The company offers a comprehensive range of endoscopy equipment, including endoscopes, surgical tools, and imaging systems. Olympus' medical devices are known for their exceptional image quality, advanced features, and reliability, making them the preferred choice for healthcare professionals worldwide. Additionally, the company provides innovative diagnostic systems and therapeutic solutions that contribute to advancements in medical treatments.

3.2 Imaging and Audio Products:
Olympus has a strong presence in the imaging industry, offering a diverse range of digital cameras, lenses, and accessories. The company's cameras, such as the OM-D and PEN series, are renowned for their exceptional image quality, compact designs, and advanced features. Olympus' lenses provide exceptional optical performance, catering to the needs of professional photographers and enthusiasts alike. In addition, the company produces high-quality audio recording devices, including voice recorders and dictation systems.

3.3 Scientific Solutions:
Olympus Corporation also provides scientific solutions, including microscopes, industrial testing equipment, and non-destructive testing systems. The company's microscopes are known for their precision, optical clarity, and advanced imaging capabilities, catering to various scientific and research applications. Olympus' industrial testing equipment and non-destructive testing systems are widely used in fields such as materials science, manufacturing, and quality control, ensuring accurate analysis and reliable results.

Industry Reputation:
Olympus Corporation has established a strong reputation within the industries it operates in. The company is recognized for its commitment to technological innovation, product quality, and customer satisfaction. Olympus' products have received numerous awards and accolades for their performance, design, and user-friendly features. The company's long-standing presence in the medical field, in particular, has earned it a trusted reputation among healthcare professionals globally.

Research and Development:
Olympus Corporation prioritizes research and development (R&D) to drive innovation and maintain its competitive edge. The company invests significantly in R&D activities to develop new technologies, enhance product performance, and explore emerging markets. By collaborating with academic institutions, medical professionals, and industry experts, Olympus stays at the forefront of technological advancements, continuously introducing new products that address evolving market needs.

Sustainability and Corporate Social Responsibility:
Olympus Corporation is committed to sustainability and corporate social responsibility (CSR). The company aims to minimize its environmental impact through eco-friendly manufacturing processes, product design, and recycling initiatives. Additionally, Olympus actively engages in philanthropic activities, supporting initiatives in education, healthcare, and environmental conservation. The company's commitment to CSR enhances its reputation and strengthens its relationship with customers, employees, and stakeholders.

Market Presence and Future Prospects:
Olympus Corporation has a global presence, with a well-established distribution network spanning various regions. The company's products are sold in numerous countries, and it maintains strategic partnerships with distributors, retailers, and healthcare institutions worldwide. As the demand for advanced medical equipment, imaging solutions, and scientific instruments continues to grow, Olympus is poised to capitalize on these opportunities and expand its market share.

Looking ahead, Olympus Corporation aims to leverage its expertise in precision technology and imaging to drive further growth. The company plans to invest in research and development, exploring new applications of its technologies and expanding into emerging markets. Additionally, Olympus aims to enhance its digital imaging and audio product lines, embracing advancements such as artificial intelligence and connectivity to meet the evolving needs of consumers.

Conclusion:
Olympus Corporation has established itself as a leading provider of precision technology and imaging solutions. With a rich history, diverse product portfolio, and strong industry reputation, the company is positioned for continued success. Through its dedication to innovation, quality, and corporate social responsibility, Olympus remains committed to improving people's lives through its advanced products and solutions. As technology advances and market demands evolve, Olympus is poised to remain at the forefront of the industries it serves, driving further advancements and shaping the future of precision technology.

TEST: Olympus LS-14

 Years ago, the class of digital portable recorders was observed with some suspicion, but now it has become a permanent fixture in the field of "fast and uncomplicated recording". The possibility of directly archiving an idea, a phrase, a beat or even a whole rehearsal room passage is simply too tempting to ignore the product group with a touch of impertinence.

I remember all too well the shortcomings of a rehearsal room recording not so long ago. Either one was lucky enough to rehearse in a rehearsal studio, but then had to take off the individual instruments with elaborate miking of a live show and place a man in the control room, or due to a lack of alternatives (once again no one cared...) the universally hated Nordmende radio recorder from Grandma Erna was used for the hundred thousandth time. Result: a droning, musty cassette recording, either completely overdriven or mangled beyond recognition by the internal hard-knee compressor. Horrible!

Anyone who has ever had to endure artistic humiliation of such a caliber will be delighted every time they see a handheld recorder, since this is precisely where the devices come in. Or generate a usable live recording in a hurry? Turn on the camcorder for pictures, turn on the portable recorder for sound, edit together in the editing program, and you're done. Joy to the gods! So it's hardly surprising that there's no reason to complain about a lack of competition in this segment. The Japanese manufacturer Olympus will also have been aware of this when it launched its Chinese-made LS-14 recorder. What could be included in the recording process that the competition doesn't necessarily have at the start. How about a third microphone?


Design

The recorder is small and handy. 170 grams without batteries is truly one of the absolute lightweights, and if it weren't for the microphone-related depth of 23 mm, the product's dimensions of 138 mm x 52 mm would easily pass for a new smartphone. The LS-14 is powered by 2 pcs. AA batteries (alternatively rechargeable batteries), a mains adapter operation or even charging AA batteries is unfortunately not provided for. According to the manufacturer, however, an operation of almost 50 hours compensates for the lack of connection options. Recording is done with the values 24Bit/96kHz.

The scope of delivery also includes a carrying bag, which can be completely closed with a zipper, and a mounting clip, which can be used to attach the device to a tripod. The product also comes with a USB cable. Internally, the device has 4 GB of memory, which generates a safe cushion in the MP3 or WMA recording format, but can be used up faster than one would like in the WAV format, which is also offered. Therefore, the device has an additional card slot that can be fed with SD / SDHC memory cards, which are not included in the scope of delivery.

Let's move on to the LS-14's peculiarities, whereby the focus here is on the use of 3 microphones, which seems unusual at first glance. The manual does not reveal too much about the components used. Presumably, electret microphones were used, which were attached at a 90 degree angle to the upper sides of the case at a distance of just under 3 centimeters. Olympus has thus decided against a real XY miking, but in return brings another microphone between the capsules to the start, which primarily takes care of the bass range. This additional microphone is not necessary for the stereo image, it only has the function of a better bass foundation. If you do not like this option, you can deactivate the microphone.

If you want to use external recording sources, you can connect line signals, for example in the form of mixer signals, as well as external microphones as signal generators via 2 mini-jack inputs, whereby the latter can be supplied with phantom power if required. The internal speaker serves as playback, or a headphone jack in mini-jack format. The product can also be managed via the company's RS30W remote control if required, an input jack for which is located on the side of the unit. The LS-14 is switched on via a side-mounted slide control, which can be locked via a hold function if required and secures against accidental switch-off.

After activation, a monochrome display guides the user through the menu. There are also two LEDs on the surface of the housing, which warn of overdriving or are integrated into the additionally offered metronome and tuner functions. Various pushbuttons also provide direct access to the Play, Stop and Record, Erase and menu selection functions. A menu cross, as known from almost all Apple players, manages the internal settings and a discreetly toothed wheel manages the recording modes Smart, Quick and Manual, or activates the tuner.



Practice

If you activate the LS-14 for the first time, you have the option of having the individual menu areas read aloud in English. Nice feature. If you start the recording process, you can only choose whether to activate or deactivate the middle pressure receiver, a separate recording option in different tracks is unfortunately not possible.

For a quick start, you can use the Smart Record mode, which analyzes the level for a maximum of 30 seconds before starting the recording and then selects the optimal level. This is a useful feature if you want to get started quickly, but it requires a bit of haptic practice if you don't want to confuse the different modes in the heat of the moment. The menu navigation is clear and almost self-explanatory, whereby the slightly teacher-like voice guidance of the internal lady additionally comments on the personal actions.

The display itself is kept simple and conveys a light first-generation cell phone touch, but can be read well even with a minimal number of pixels due to the simple construction. Both the metronome and the built-in tuner do a good job and support the artist in his performance when needed, but rather take a back seat in terms of practical use.

Sound-wise, I was surprised by the unexpectedly strong bass content of the recordings. As expected, the recordings in three-microphone mode have a slightly stronger bass content, but this is particularly distinguished by the fact that a high-pass filter is applied to the stereo capsules, which leads to better spatial definition. Overall, the sound can be described as balanced, especially high sibilants are filtered out very nicely in the recording process and suppressed in a practical way.


Conclusion

With the LS-14, Olympus now also places a portable recorder on the market and takes a seat directly in the front rows. The handy product impresses with simple handling, user-friendly menu navigation and a neutral sound, which can be used equally well for different recording situations.

The optional use of a third center microphone can both improve the spatial resolution and significantly increase the bass content. A very good product, which is also sold at an attractive price.


Additional Informations:

Comprehensive Report on Olympus Corporation
Introduction: Olympus Corporation is a globally recognized company operating in the fields of precision technology and imaging solutions. With a rich history dating back to its establishment in [insert year], the company has established itself as a leading manufacturer of optical and digital products. This report provides a comprehensive overview of Olympus Corporation, covering its history, product range, industry reputation, and future prospects.

Company History: Olympus Corporation traces its roots back to its founding as a microscope and thermometer manufacturing company. Over the years, the company diversified its product portfolio and expanded into various fields, including optics, medical devices, and imaging solutions. Olympus has consistently focused on developing innovative technologies and products that improve people's lives and contribute to society.

Product Range: 3.1 Medical Systems: Olympus is widely recognized for its cutting-edge medical systems. The company offers a comprehensive range of endoscopy equipment, including endoscopes, surgical tools, and imaging systems. Olympus' medical devices are known for their exceptional image quality, advanced features, and reliability, making them the preferred choice for healthcare professionals worldwide. Additionally, the company provides innovative diagnostic systems and therapeutic solutions that contribute to advancements in medical treatments.

3.2 Imaging and Audio Products: Olympus has a strong presence in the imaging industry, offering a diverse range of digital cameras, lenses, and accessories. The company's cameras, such as the OM-D and PEN series, are renowned for their exceptional image quality, compact designs, and advanced features. Olympus' lenses provide exceptional optical performance, catering to the needs of professional photographers and enthusiasts alike. In addition, the company produces high-quality audio recording devices, including voice recorders and dictation systems.

3.3 Scientific Solutions: Olympus Corporation also provides scientific solutions, including microscopes, industrial testing equipment, and non-destructive testing systems. The company's microscopes are known for their precision, optical clarity, and advanced imaging capabilities, catering to various scientific and research applications. Olympus' industrial testing equipment and non-destructive testing systems are widely used in fields such as materials science, manufacturing, and quality control, ensuring accurate analysis and reliable results.

Industry Reputation: Olympus Corporation has established a strong reputation within the industries it operates in. The company is recognized for its commitment to technological innovation, product quality, and customer satisfaction. Olympus' products have received numerous awards and accolades for their performance, design, and user-friendly features. The company's long-standing presence in the medical field, in particular, has earned it a trusted reputation among healthcare professionals globally.

Research and Development: Olympus Corporation prioritizes research and development (R&D) to drive innovation and maintain its competitive edge. The company invests significantly in R&D activities to develop new technologies, enhance product performance, and explore emerging markets. By collaborating with academic institutions, medical professionals, and industry experts, Olympus stays at the forefront of technological advancements, continuously introducing new products that address evolving market needs.

Sustainability and Corporate Social Responsibility: Olympus Corporation is committed to sustainability and corporate social responsibility (CSR). The company aims to minimize its environmental impact through eco-friendly manufacturing processes, product design, and recycling initiatives. Additionally, Olympus actively engages in philanthropic activities, supporting initiatives in education, healthcare, and environmental conservation. The company's commitment to CSR enhances its reputation and strengthens its relationship with customers, employees, and stakeholders.

Market Presence and Future Prospects: Olympus Corporation has a global presence, with a well-established distribution network spanning various regions. The company's products are sold in numerous countries, and it maintains strategic partnerships with distributors, retailers, and healthcare institutions worldwide. As the demand for advanced medical equipment, imaging solutions, and scientific instruments continues to grow, Olympus is poised to capitalize on these opportunities and expand its market share.
Looking ahead, Olympus Corporation aims to leverage its expertise in precision technology and imaging to drive further growth. The company plans to invest in research and development, exploring new applications of its technologies and expanding into emerging markets. Additionally, Olympus aims to enhance its digital imaging and audio product lines, embracing advancements such as artificial intelligence and connectivity to meet the evolving needs of consumers.

Conclusion: Olympus Corporation has established itself as a leading provider of precision technology and imaging solutions. With a rich history, diverse product portfolio, and strong industry reputation, the company is positioned for continued success. Through its dedication to innovation, quality, and corporate social responsibility, Olympus remains committed to improving people's lives through its advanced products and solutions. As technology advances and market demands evolve, Olympus is poised to remain at the forefront of the industries it serves, driving further advancements and shaping the future of precision technology.

TEST: Nowsonic Stage Router

 To be honest, I could never have imagined writing a review about a router a few years ago. Yes, in the studio at home perhaps as a mediator between the worlds in the form of a Fritzbox and consortia, but as a stand-alone test device in the hard everyday life on stage? Well, you can see for yourself.

In the meantime, tablets, smartphones and digital consoles have long since found their way into the environment on small and large stages and demand secure yet simple access to the Internet. Since in this Neanderthal environment the office plasticheims of the usual manufacturers and even shapely base stations from Apple are hopelessly overtaxed in terms of conception and stability, the company Nowsonic has brought a product onto the market with its Nowsonic Stage Router, which opens up all important LAN and WLAN utensils in road suitability.

Design

To start with, the Nowsonic Stage Router is basically a full-fledged router, which would also find its place in a private office environment. However, to what extent the fair wife can be convinced to place a 1U 19" rack in the hallway is up to each person to decide according to their private hierarchy. Nevertheless, the Nowsonic Stage Router has DHCP, VPN access and a NAT firewall, which makes it look good in other environments than just the stage. Conceptually, the device has two WiFi standard frequency bands working in parallel: 2.4 GHz up to 802.11g and 5 GHz corresponding to the 802.11n standard.

All common smartphones, tablets or laptops can log into these bands and perform their service. Especially in times where various iPads manage and remotely control docking stations such as Mackie's DL series, the Nowsonic Stage Router can act as an access point and open up a secure wireless connection beyond the local promoter's home network. However, using the internal tools, you can also run the router as a repeater to extend the range of an existing WLAN network.

However, in this case, as with all other repeaters, the data throughput is halved. Just by the way, this is also the reason why most manufacturers prevent you from setting up a series connection of repeaters. In contrast to the star variant, already with the second repeater in series connection from a 50,000 line only a scarce 10,000 network arrives.

In terms of stability, there is nothing to complain about, the standardized 1 U body is made of sturdy sheet metal. Fortunately, the on/off switch is located on the front of the device and saves the annoying fumbling in rack operation. At first glance, the four movable antennas on the front of the case are noticeable compared to an office router. If you try to hide these in the private sector, the signal can still be transmitted well when the router is in the rack. Two receiving antennas each take over a frequency range and guarantee the True Diversity format per band, which automatically routes the signal to the second antenna in case of dropouts.

Both frequency bands can be operated independently of each other. For example, the 2.4 GHz range can be deactivated so as not to interfere with the operation of wireless microphones. In order to assign the antennas to the correct screw connections, they have been labeled according to the frequency band.

As expected, the router can be installed with both PC and Mac, and this can be done via an automatic setup or manually in expert mode. The imprint of the Mac and IP address on the back of the case is very nice, so you always have all the relevant data at hand and don't have to tediously search for it in the manual or in Internet forums.

All of the device's connections are also found on the back, which are primarily made up of RJ45 sockets. Besides the cold-device plug, you'll find 5 of these sockets, whereby 4 sockets are assigned to the LAN network and one to the WAN network. LAN 4 and the WAN socket are also designed in a locked Neutrik socket for maximum stability. Standard CAT5 cables are used as suitable connection cables.

On the front, a total of nine blue LEDs provide information about the operating status of the Nowsonic Stage Router. Indicator 1-4 shows the assignment of the rear LAN ports, if a CAT5 cable is in the socket, the LED lights up. A WAN LED works the same way, but it also flashes during data transmissions. The LEDs 5Ghz, 2.4GHz, CPU and PWR inform according to their designations. A small pin, such as a paper clip, is used to reach the recessed RST/WPS push button, which restores the factory settings when pressed for longer than 5 seconds during operation. A short press, on the other hand, initializes a secure connection between the various clients.



Practice

When you screw the Nowsonic Stage Router into the rack, you are faced with a choice. Either unscrew the antennas during transport, or leave some space above the rack. If you fold the antennas to the side, the two pairs of antennas interfere with each other in the transverse axis, unless you have nine centimeters of depth to the rack lid. On the one hand, this doesn't look good and could have been easily solved by simply moving the holes.

Manually configuring the router was just as easy, or difficult depending on how much experience you have in setting up a network. After connecting the Nowsonic Stage Router to my DSL router and my MacBook, I was able to configure both networks easily after entering the IP number via the computer's HTML page. Both networks were immediately recognized by my iPhone, iPad and all computers that were connected to the network via WLAN.

However, there is also the option of running the Nowsonic Stage Router via automatic configuration, in which the Stage Router gets the essential information from the DSL router. Again, there were no problems whatsoever with the setup. The overwhelming selection of encryption methods offered by the Nowsonic Stage Router is interesting. In addition to WEP64 and WEP128, TKIP, AES and TKIP/AES are also available.

In terms of transmission performance, I compared the Nowsonic Stage Router with my Fritzbox 7390 and an Apple Airport Extreme of the penultimate generation. To be honest, I had expected in the short term that Nowsonic would have built an above-average power transmitter that would also penetrate the classics of the data brake like reinforced concrete ceilings or load-bearing solid walls more easily than the usual Customer parts.

In the same train of thought, however, I also remembered the German telecommunications system, which imposes strong restraints on devices for private use in terms of transmitting power. I'm sure that Nowsonic could have easily come up with a transmitting power of over 100 meters distance through 3 floors like the illegal Asian goods from the Internet, but then the nice gentlemen with the antennas on their van roof will be at your door in the foreseeable future.

Therefore, I could attest the Nowsonic Stage Router the same values as Apple and AVM regarding the faraday cage. In terms of distance, it was 10 meters more than Apple and 5 meters more than AVM, all in the 2.4 GHz range. The data transfer rate was also the same.



Conclusion

The Nowsonic Stage Router is a professional WLAN router on the market that has it all. Due to its rack-mountable design, it is easy to transport and guarantees a crisis-proof access point between all kinds of smartphones, tablets, fablets or digital mixers that are used on stage nowadays.

The setup is very consumer-friendly, the measurement values very good, the interfaces above average. A clear recommendation as soon as it comes to wireless communication at the venue.


Additional Informations:

Comprehensive Report on Nowsonic Audio

Introduction: Nowsonic Audio is a prominent company operating in the audio technology industry. Established in [insert year], the company has positioned itself as a leading provider of professional audio solutions for musicians, recording studios, and live sound applications. This report aims to provide a comprehensive overview of Nowsonic Audio, covering its history, product range, industry reputation, and future prospects.

Company History: Nowsonic Audio was founded with the vision of providing high-quality audio equipment that meets the needs of professionals in the music industry. The company's founders, [insert names], recognized the importance of reliable and innovative audio solutions in delivering exceptional sound experiences. Since its inception, Nowsonic Audio has remained committed to offering cutting-edge technology, superior craftsmanship, and unmatched performance.

Product Range: 3.1 Audio Interfaces: Nowsonic Audio is widely recognized for its exceptional range of audio interfaces. Their audio interface lineup, including the [insert model names], offers high-resolution audio conversion, low-latency performance, and extensive connectivity options. These interfaces provide musicians and producers with professional-grade audio recording and playback capabilities, ensuring pristine sound quality in their projects.

3.2 Studio Monitors: Nowsonic Audio's studio monitors are highly regarded in the industry for their accuracy and clarity. Their monitor series, such as the [insert model names], deliver precise sound reproduction, making them ideal for critical listening and mixing applications. These monitors incorporate advanced technologies and ergonomic designs, allowing audio professionals to make informed decisions during the production process.

3.3 Wireless Audio Systems: Another notable product line by Nowsonic Audio is their wireless audio systems. The wireless microphone systems, in particular, offer reliable and interference-free wireless transmission for live performances, events, and installations. These systems boast robust build quality, extended range, and user-friendly features, ensuring seamless and professional audio transmission in various environments.

3.4 Accessories and Signal Processors: Nowsonic Audio also offers a range of accessories and signal processors to complement their main product categories. These include microphone stands, pop filters, cables, and headphone amplifiers, among others. Additionally, their signal processors, such as DI boxes and headphone distribution amplifiers, provide essential tools for audio signal routing, amplification, and monitoring.
Industry Reputation: Nowsonic Audio has earned a strong reputation within the audio technology industry. The company is well-regarded for its commitment to excellence, reliability, and customer satisfaction. Nowsonic Audio's products have received accolades for their superior sound quality, innovative features, and durable construction. The company's dedication to meeting the demands of audio professionals has contributed to its positive industry reputation.

Research and Development: Nowsonic Audio emphasizes research and development (R&D) to drive continuous innovation and maintain a competitive edge. The company invests in exploring new technologies, refining manufacturing processes, and improving product performance. By actively engaging with professional users and closely monitoring market trends, Nowsonic Audio strives to deliver solutions that address evolving industry needs and exceed customer expectations.

Market Presence and Future Prospects: Nowsonic Audio has a global presence, with a strong distribution network in key markets worldwide. The company has successfully established partnerships with renowned artists, studios, and audio professionals. As the demand for high-quality audio solutions continues to grow, Nowsonic Audio is well-positioned to expand its market reach and cater to a diverse range of customers.
Looking ahead, Nowsonic Audio aims to capitalize on emerging technologies and trends within the audio industry. The company plans to introduce innovative products that leverage advancements such as immersive audio, networked audio systems, and remote control capabilities. Furthermore, Nowsonic Audio seeks to deepen its engagement with the professional audio community through educational initiatives, customer support, and collaborations, solidifying its position as a trusted and respected brand.

Conclusion: Nowsonic Audio has emerged as a leading provider of professional audio solutions, offering a wide range of products that cater to the needs of musicians, recording studios, and live sound applications. With a strong history, diverse product portfolio, and a well-established reputation, the company is poised for continued success and growth. Through its unwavering commitment to innovation, research, and customer satisfaction, Nowsonic Audio continues to elevate the audio experience for professionals worldwide, setting new standards in sound quality and performance.

TEST: Novation Audiohub 2x4

 In this age of mobile recording devices, you're bound to run into the problem of overflowing desks at some point. Keyboards, laptops, hubs, controllers, power supplies, and all sorts of useful and gadgety things quickly turn the desktop into a hopelessly cluttered mess, which sometimes takes away rather than enhances the joy of producing. Especially in the field of electronic music, where the high-quality microphone preamplifier is often not needed at all, a compact interface with additional hub function would perform a more than useful service.

This is exactly where the British company Novation comes in with its Novation Audiohub 2x4 from Chinese production, which sets out to manage and organize as many of the above-mentioned components as possible with very small dimensions and maximum connection options in a minimum of space.

Construction

In order to ensure the highest possible compatibility and to fulfill the listed requirements, an interface needs three different components in addition to the hub function:


1.) It must be as compact as possible in construction.

Here the Novation Audiohub 2x4 does very well. With the dimensions (W x H x D): 134 mm x 51 mm x 150 mm it fits into every transport bag and can also be stored in every rack drawer. Moreover, with a weight of less than 600 grams, you really can't talk about a burden. In terms of stability, the Novation Audiohub 2x4 comes up with a sturdy, black sheet steel construction in brushed aluminum look, which connects the three components with each other via Allen screws. A useful detail for anyone who has had to watch their Phillips screws start to grind themselves off at the edges after the third use at the latest. By the way, British manufacturer, it could be that the Allen screws are not in the metric system, but in the inch format.


2) It must connect as many devices as possible.

To ensure this, both the front and the back of the Novation Audiohub 2x4 are covered with connectors. On the front, the product provides three USB 2.0 ports, which once again underlines that budget productions have almost completely moved away from Firewire. Besides an input monitor switch, the only hardware inputs are two RCA jacks with a low / high switch on the front, followed by a 6.3 millimeter headphone jack, which can switch between outputs 1-2 and 3-4. The RCA input can optionally handle the low output of a phono player.

One should be aware, based on the above features, that the Novation Audiohub 2x4 was primarily designed to manage software-based sound generation, more than a drum machine or hardware synthesizer cannot be connected here from the factory.

At the rear, there are two balanced TSR jacks representing outputs 1-2, two mirrored RCA outputs along with an additional 3-4 RCA output. To make theft of the little helper more difficult, a Kensington theft protection is additionally milled directly into the steel plate on the back.


3) It has to contribute to a de-cluttering of the peripherals.

This is where the Novation Audiohub 2x4 really comes into its own. Using an included 12V power supply that delivers a powerful 1.5A, less power-hungry USB devices can be co-powered via the front-facing hub, significantly reducing board bugs on the multi-plug strip. In an emergency, the product can also be operated without an external power supply, but then you will no longer be able to enjoy the hub function.

In order to be able to oppose the tugging of the different cabling, the entire underside of the Novation Audiohub 2x4 is covered with a medium-hard, bright yellow rubber pad, which provides a comparatively stable stand even on smooth surfaces. However, anyone hoping to be able to plug a connector into the interface with just one hand with a contact pressure of less than 600 grams will unfortunately be disappointed, as the device is simply too light for this.

The top side of the housing is shared by the most important controls along with a few status LEDs, as there are two output controls for the outputs 1-2, or 3-4, a volume control for the headphones and a total of 7 green LEDs, which provide information about the hub assignment and audio management. The controls all run pleasantly heavy, which prevents accidental adjustment in the heat of the live battle. As mentioned, no balanced input, no microphone management, no phantom power, line and digital management in pure culture.

A voucher for the download of the software Ableton Live Lite and one GB of samples from the company Loopmaster is included. As system software, everything except Android is accepted in the form of iOS, OSX and Windows. Not without pride, Novation points to the use of Focusrite components inside the case. Even though this suggests a decent basis, you should not directly revel in the sonic regions of the Red or Blue Series. Conversion takes place in the nowadays usual ranges of 24 bit word width at 96 kHz sample rate.


Practice

Every manufacturer likes to have a main selling point, which distances their product from the big competition. Well, that the Novation Audiohub 2x4 is primarily suitable for the DJ area and here again for the live area, most of you have probably already thought. So, what does the freelance knob-turner need above all if he wants to get the place shaking in a controlled way? Output! Especially on the headphone output.

No sooner said than done, Novation thought, and gives the headphone output an output that's quite something. It's not for nothing that the product comes with a warning label that warns the user against excessive volume and absolves the company of any possible consequential damages. It is really recommended to ramp up the operation slowly and not to start somewhere in the middle of the control path. If you want to enjoy this extra boost, however, you have to rely on the included external power supply, which is the basic requirement for the baller sound. Without the power supply, the output is moderate.

Besides the usual desktop or laptop department, the Novation Audiohub 2x4 also works very well with the iOS variant in the form of i-Pads, -phones or -pods. Connecting the Novation Audiohub 2x4 and supplying it with an operating voltage is comparatively easy via the Camera Connection Kit. There is really nothing to criticize about the interface in terms of sound. The components used leave a good impression and work almost latency-free.


Conclusion

The Novation Audiohub 2x4 is a specialized product on the market that has found its niche. With the clear focus on software-based signal routing, one has a compact product at hand whose individual components reveal a coherent concept.

The combination of very high output in cooperation with clear signal management offers a good basis for an uncomplicated live performance, especially in live DJ operation.


Additional Informations:

Comprehensive Report on Novation Audio

Introduction: Novation Audio is a renowned company operating in the audio technology industry. Founded in 2012, the company has established itself as a leading provider of innovative audio equipment and software solutions for musicians, producers, and DJs. This report aims to provide a comprehensive overview of Novation Audio, covering its history, product range, industry reputation, and future prospects.

Company History: Novation Audio was established with the goal of revolutionizing the way musicians create and perform music. The company's founders, [insert names], recognized the need for accessible and user-friendly audio equipment that would empower musicians of all skill levels. Since its inception, Novation Audio has strived to combine cutting-edge technology with intuitive design, ensuring that musicians can focus on their creativity rather than complex technicalities.

Product Range: 3.1 Synthesizers and Controllers: Novation Audio is widely recognized for its exceptional range of synthesizers and controllers. Their flagship synthesizer series, such as the [insert model names], offers a powerful and versatile sound engine coupled with intuitive controls, making them a popular choice among both beginners and professionals. Additionally, Novation Audio's controller range, including the [insert model names], provides seamless integration with popular software platforms, enhancing workflow efficiency for producers and performers.
3.2 Launchpad: Another standout product line by Novation Audio is the Launchpad series. The Launchpad controllers are specifically designed for creating and performing music in real-time. These grid-based controllers offer a tactile and visual interface that allows users to trigger and manipulate loops, samples, and effects with ease. Novation Audio's Launchpad products have gained widespread popularity in electronic music production and live performances.

3.3 Software Solutions: Novation Audio also offers a range of software solutions that complement their hardware offerings. The Novation Components software allows users to customize and configure their Novation hardware to suit their specific needs. Additionally, Novation Audio's software synthesizers, such as the [insert software names], provide virtual instruments with high-quality sound and extensive modulation capabilities.

Industry Reputation: Novation Audio has built a strong reputation within the audio technology industry. The company is renowned for its commitment to quality, innovation, and user-friendly design. Novation Audio's products have received numerous awards and accolades for their exceptional performance and functionality. Moreover, the company has established strategic partnerships with renowned artists and producers, further solidifying its position as a trusted brand in the industry.

Research and Development: Novation Audio places a strong emphasis on research and development (R&D) to drive innovation and stay at the forefront of the industry. The company invests significant resources in exploring new technologies, enhancing sound quality, and improving user experience. By closely monitoring market trends and customer feedback, Novation Audio continuously strives to develop products that meet the evolving needs of musicians and audio enthusiasts.

Market Presence and Future Prospects: Novation Audio has a global presence, with a strong distribution network in key markets worldwide. The company has successfully captured a significant market share in the music production and performance segment. As the demand for innovative audio equipment continues to grow, Novation Audio is well-positioned to expand its market presence further.

In terms of future prospects, Novation Audio aims to continue pushing the boundaries of audio technology. The company plans to introduce new products that leverage emerging technologies, such as artificial intelligence and machine learning, to enhance musical creativity and performance. Additionally, Novation Audio is committed to fostering a vibrant user community through online forums, tutorials, and workshops, further strengthening its brand and customer loyalty.

Conclusion: Novation Audio has emerged as a leading player in the audio technology industry, delivering innovative and user-friendly products to musicians, producers, and DJs worldwide. With a rich history, diverse product range, and a strong reputation, the company is poised for sustained growth and continued success in the future. Through its dedication to quality, research, and development, Novation Audio remains at the forefront of technological advancements, empowering musicians to create and perform music with unparalleled creativity and ease.

TEST: Neunaber Illumine Stereo Reverb

 In addition to the parameters of sound and handling, the aspect of dimensions has also become increasingly important in the field of pedals in recent years. In view of the fact that the majority of musicians have to manage and transport their equipment themselves, a low weight with the smallest possible space requirement is an increasingly strong argument for the successful placement of a device in the personal workflow or transport flow. The American manufacturer Neunaber therefore has a comparatively small true stereo delay in its portfolio with its Neunaber Illumine Stereo Reverb, which in terms of functionality goes far beyond what a “normal” guitarist delay offers. Keyboard players should therefore read through this test if they are looking for a new hardware delay, especially since the gain structure of the pedal also enables line signals to be processed.

The concept of the Neunaber Illumine Stereo Reverb

As already mentioned, the Neunaber Illumine Stereo Reverb takes up very little space with dimensions of only (L x W x H) 121 mm x 99 mm x 62 mm and the metal housing also weighs just under 400 grams Scale. Nevertheless, the product has a large range of functions, but Neunaber had to make a few compromises when it came to the connection sockets.

Since the reverb pedal is a true stereo reverb, you get a corresponding peripheral of 2 pieces each. Input and output jack sockets cannot be avoided, which are conveniently located on the front of the pedal. If you don't want to use up the space gained on the pedalboard with the appropriate connections on the side panels, you will try to accommodate the remaining connections on the front side. However, since the 4 jack sockets already take up approx. 75% of the front surface with regard to the available space, Neunaber uses an adapter solution with regard to the MIDI and expression pedal connections.

The expression pedal input is set down to a 3.5 mm TRS socket, the two MIDI inputs / outputs even use the comparatively rare 2.5 mm TRS sockets, of which 2 adapter cables to 5-pin MIDI sockets included in the delivery are. Personally, I'm not a fan of mini-jack sockets / plugs in a professional environment, as the danger of kinking / bending over is simply too great, but with a well-fixed cable routing and appropriate strain relief on the pedalboard, this circumstance can also be managed reasonably well .

In terms of power supply, the Neunaber Illumine Stereo Reverb follows the currently popular specifications of pedals in general. The time of the fat power consumption of 500 mA and more for modulation and room effects seems to be over, the Neunaber pedal is content with a power consumption of only 85 mA with a connection of 100 mA otherwise only used for overdrive / distortion pedals and accepts one more Voltage between 9 and 12 volts. Unfortunately, no suitable power supply is included in the scope of delivery, but a free 100 mA socket should be easy to find in any multi-power supply for the floorboard. Battery operation is not intended for the pedal. As with most pedals, the mains adapter connection is a standard barrel connector 5.5 mm x 2.1 mm with a negative pole on the inside.

The pedal is controlled via 2 foot switches and 2 multifunction controllers. The two foot switches can be operated in 2 functions. They either act as up / down switches within the presets, or their function enables on / off and A / B operation. A / B operation enables expression control without additional pedals. The A/B footswitch is not a controller with a corresponding range, but instead activates a transition between a parameter set “A” and a set “B” for a selectable period of time. Basically, this feature doubles the number of presets.

By the way, the on / off operation is designed as either a true bypass or a buffered bypass. There is a small haptic problem with the two multifunction controllers. In order not to restrict the appearance of the pedal display, which is also easy to read from a lateral viewing angle, the two controls are located on the right side of the housing, with the lower control being very close to the right foot switch. Since the multifunction controller also has a pressure function, you run the risk of activating the lower multifunction controller at the same time if you do not consistently pay attention to the accurate use of the tip of your foot during the shifting process. A small metal bracket between the footswitch and controller, which blocks accidental activation of the controller, would be very helpful here.

Incidentally, the pedal comes with a very detailed and very well-written manual in German, which goes far beyond the usual, sometimes very inferior "press here, turn there" operating instructions from other manufacturers. As a further bonus, the manufacturer provides four stick-on rubber feet, a nine-button sticker and a pair of high-quality earplugs for stand-alone operation :-)

The sound concept

The Neunaber Illumine Stereo Reverb has a total of 17 selectable Stereo Reverb effect modes, with the pedal having 50 factory presets and 50 user presets each. The modes have labels with the names Wet Plugin, Wet v3, Wet v1, Plate, Hall, Vintage Digital, Spring, Shimmer, Rumble, Octaves, Wet+Echo, Wet+Detune, Bloom, Swell, Infinite Hold, Sustain and Gated Plate guess in which segments the Neunaber Illumine Stereo Reverb moves. All sounds can be extensively edited via mixing ratios, pre-delays, modulation parameters, highpass, lowpass and damping settings and saved in the user presets if required. The pedal has selectable trails, which are responsible for whether the effect fades away naturally or stops abruptly after the effect has been bypassed.

The Neunaber Illumine Stereo Reverb in action

Even with the first reverb tail you can see that the algorithms of the Neunaber Illumine Stereo Reverb are of very high quality, especially when it comes to the ambient area. The reverberation intensity is very intense, but never intrusive. Of course, you can also let the instrument drown in the reverberation, but it is precisely the subtle mixing of the FX component with the instrument's dry signal that produces a very high-quality reverberation, which, however, also needs its place to have an effect. Thus once again the arrangement of a title has a very special meaning, which in this case should be as "airy" and "tidy" as possible.

Even in the mono version, the pedal convinces with a very tasteful basic sound that knows how to convince in many styles. Even in percussive passages, for example, the plate reverb can provide very good service, but you shouldn't set the decay rate too long, otherwise the reverberation will interfere too much with the respective attacks. The Neunaber Illumine Stereo Reverb attaches less importance to the most detailed reproduction of a real existing room than to an atmospheric introduction of the listener to a depth effect, as known from film music. Especially with a subtle background use, the pedal convinces with an unobtrusive, but still present resolution of the FX signal.

In conjunction with the appropriate MIDI management, you can also make complex and longer-lasting show arrangements interesting over the entire period without having to rush through the presets with the corresponding tap dance, especially if you want to change a preset while a song is running. A word about the corresponding stereo management. In principle, everyone will know, but it is still important to pay attention to the respective mono compatibility of the signal when using stereo in the final mix. Nobody has grandma's kitchen radio on their screens anymore, but most boomboxes or construction site radios work almost all with mono summation. You should definitely pay attention to this if you want to protect yourself from unpleasant surprises.


Conclusion

With the Neunaber Illumine Stereo Reverb, the American manufacturer has a very good reverb pedal in its portfolio. The very compact device impresses especially in the ambient area with very warm and round algorithms, which convince in sound even without major editing. Opinions can be divided about the MIDI management using a 2.5 mm adapter, but in return you get complete signal routing and management via the front of the pedal, which saves a lot of space on a small floorboard.

A very successful reverb pedal!


Additional Informations:

Neunaber Audio: Innovating Reverberation and Modulation Effects
Introduction: Neunaber Audio is a renowned company that has made a significant impact on the world of guitar effects pedals, particularly in the realm of reverberation and modulation. Founded by Brian Neunaber in the early 2000s, the company has garnered a reputation for its exceptional sound quality, innovative designs, and dedication to craftsmanship. With a commitment to pushing the boundaries of sonic exploration, Neunaber Audio has become a go-to brand for musicians seeking to enhance their soundscapes.

Vision and Philosophy: Neunaber Audio was founded with the vision of creating effects pedals that deliver pristine, studio-quality sound in a compact and user-friendly format. Brian Neunaber's philosophy revolves around the belief that superior sound quality should not be compromised for the sake of convenience or size. This dedication to audio excellence is reflected in every product that Neunaber Audio offers.

Reverberation Effects: Neunaber Audio has gained significant recognition for its groundbreaking reverberation effects pedals. Their reverbs are renowned for their natural, ambient soundscapes, providing musicians with a range of versatile options to shape their guitar tones. From subtle room ambience to lush, expansive reverbs, Neunaber Audio offers a diverse selection of reverberation effects to suit a variety of musical styles and preferences.

The company's flagship pedal, the Neunaber Immerse, stands out as a versatile and feature-rich reverb pedal that has garnered widespread acclaim. With its intuitive controls, extensive parameter options, and exceptional sound quality, the Immerse has become a staple on pedalboards of professional guitarists worldwide.

Modulation Effects: In addition to their reverberation pedals, Neunaber Audio has also made significant contributions to the field of modulation effects. Their modulation pedals offer a wide range of creative options, allowing musicians to add depth, movement, and character to their sound. From classic chorus and vibrato to more experimental modulation effects, Neunaber Audio's pedals provide musicians with a powerful sonic palette.

The Neunaber Inspire Tri-Chorus Plus and Neunaber Seraphim Shimmer are among the notable modulation pedals offered by the company. The Tri-Chorus Plus delivers lush and immersive chorus tones, while the Seraphim Shimmer provides ethereal and celestial shimmer effects. Both pedals have gained popularity for their exceptional sound quality and user-friendly interfaces.
Advanced Technology and Customization: Neunaber Audio integrates advanced digital technology into their pedals while maintaining a focus on ease of use and intuitive control. The company's proprietary algorithms and signal processing techniques ensure high-fidelity sound reproduction and minimal noise interference. Neunaber Audio also offers software and firmware updates, allowing users to customize and fine-tune their pedal's settings to suit their specific needs.

Stereo Capabilities and Expansion: Many of Neunaber Audio's pedals feature stereo inputs and outputs, enabling musicians to fully utilize the spatial possibilities of their soundscapes. This stereo functionality allows for enhanced depth, width, and immersion in the audio experience. Additionally, Neunaber Audio offers expansion options for some of their pedals, allowing users to further expand their sonic horizons and delve into more complex effects.

Artist Collaborations: Neunaber Audio has collaborated with renowned musicians to create signature pedals that capture their unique tones and artistic visions. Collaborations include artists such as David Wallimann, Andy Wood, and others. These collaborations have allowed Neunaber Audio to refine their designs and develop pedals that cater specifically to the needs and preferences of these influential musicians.

Craftsmanship and Build Quality: Neunaber Audio takes great pride in the craftsmanship and build quality of their pedals. Each unit is meticulously constructed using high-quality components and undergoes rigorous testing to ensure reliability and longevity. The company's commitment to excellence extends beyond sound quality, encompassing durability and performance consistency, making their pedals suitable for both stage and studio applications.

Conclusion: Neunaber Audio has emerged as a leader in the field of reverberation and modulation effects, offering musicians innovative and high-quality pedals that inspire sonic exploration. With their dedication to sound excellence, user-friendly interfaces, and advanced technology, Neunaber Audio continues to push the boundaries of what is possible in guitar effects. Whether it's creating immersive reverberation or sculpting captivating modulations, Neunaber Audio's pedals provide musicians with the tools they need to enhance their creative expression and unlock new sonic landscapes.