TEST: M-Audio M-Track Quad

 In order to make a mark in today's jungle of audio interfaces, it takes quite a bit of attention, be it visual or technical. With the M-Audio M-Track Quad, the American company founded in 1990 now tries to get both attributes under one hat by providing the flagship of the M-Track series with an extra portion of interfaces and input/output jacks, all packed into a massive housing.

Design

It's not at all easy to create a sensible desktop unit in the audio interface realm that transcends the realm of simple stereo signal routing. After all, a proper case takes up quite a bit of desktop space, and you're faced with the problem of routing cables, since nearly all interfaces use both the back and front for signal flow.

The M-Audio M-Track Quad has to face the same problem. The four-channel product is housed in a very massive case, which promises optimal protection for the electronic inner workings, but with dimensions of 333 mm x 89 mm x 156 mm (WxDxH) also takes up quite a bit of space in the personal work area. Unfortunately, there is no 19 inch frame for the product, but the interface stands on four very good rubber feet, which give the product enough stability even on very smooth surfaces due to their very good adhesive mixture. Do the test and plug an XLR or jack plug into a socket of your desktop interface without holding it with the other hand. Most of the time, you immediately feel reminded of your childhood, where you pushed the wooden locomotive through the entire living room. You are spared this with the M-Audio M-Track Quad and that with a contact pressure of only 1.9 kilograms in weight.

Visually, the Chinese-made product is quite appealing. In keeping with the Apple look, which still dominates technology, only the colors black, gray and silver are used, although the black steel housing leaves fingerprints at least as quickly as the display of an iPhone. The modern sound engineer of today therefore always has a microfiber cloth in his grab drawer. In terms of transportability, you are of course already dependent on a corresponding transport case with these dimensions, but in terms of stability, there will be no problems with this massive construction.

As already mentioned, the M-Audio M-Track Quad has four inputs, which are located on the front of the housing and were all designed as XLR / TRS combo jacks. Locked sockets would have been nice, but have probably fallen victim to the red pencil at a retail price of 249, - euros. Each channel has a pleasantly heavy input control and an individual Mic / Line - Instrument switch, where you can choose between a low-impedance studio signal and a high-impedance instrument signal. Two separate toggle switches can be used to apply 48 V phantom power to the XLR jacks if required.

Below the toggle switches is a 6.3 millimeter headphone output with separate volume control. It's nice that they didn't opt for the poor 3.5 millimeter variant, but why please put the jack's hole almost on contact right next to the volume control? A natural turning movement with the fingers is thus no longer possible, since one bumps against the headphone plug while adjusting the volume. The action becomes a fiddly job, a completely unnecessary restriction. In general, the inner PCB assembly seems to have dictated the layout of the front. In the center of the front panel it is very tight with switches and knobs, you can hardly operate a knob without running the risk of moving a switch, while on the right of the panel several square inches have been left unused.

However, the routing of the headphones is very good. Via a toggle switch, you can choose to listen to channels 1/2, 3/4 or all channels at the same time. In addition, you can select pre or post via the sum output using a rotary control, or rather direct or USB. Speaking of the summing output, the M-Audio M-Track Quad has four outputs on the rear panel, of which outputs 1 and 2 can be adjusted in output level via a knob on the front panel. The monitor can be monitored mono or stereo.

On the back, the M-Audio M-Track Quad shines with several features that are rather unusual in this price range. On the one hand, the product has a built-in 3-way USB hub to replace the hogged USB port on the computer, or to expand it by 200%. A very helpful feature, which is especially convincing for computers of the penultimate generation. In addition, the M-Audio M-Track Quad also has a MIDI In/Out connection, via which the usual 16 channels can be sent along with MIDI clock.

The four separate inserts (one per channel) must be described as very successful. If you always complained about not being able to place your favorite outboard equipment correctly in the signal flow, you now have the possibility to insert compressors, equalizers or even entire channel strips via Y-connectors on TRS basis, in order to give the signal a personal touch even before conversion. Four separate outputs can also be used to connect various monitor constellations. An On/Off switch, the connection socket for the included power supply and the USB port for the computer complete the connection periphery on the back.

Practice

The internal values of the M-Audio M-Track Quad correspond with max. 24-bit word width and 96 kHz sample rate to the meanwhile usual values. The scope of delivery also includes Avid Pro Tools Express and Ignite software, which are established standards in many project studios and make the price of the overall package a real bargain. The product also comes with an iLok USB key, which allows the software to be unlocked at different workstations and also costs about $50 if purchased separately.

In order to ensure a problem-free operation, one should not get the idea that one could still use Snow Leopard or XP to capture one's creative outpourings on hard disk. OSX 10.7, better 10.8 for Mac or Windows 7 or higher is required, with a minimum of 4GB RAM. The official specification of 2GB RAM can be smoked in the pipe, too much RAM is simply swapped to the HD and slows down the work process massively.

The interface leaves a good impression in terms of sound. The basic sound is balanced, crisp and reproduces the signal plastically. The almost zero latency has to be rated as very pleasant, which can show its full strength especially when recording vocals with headphones.

Conclusion

With the M-Audio M-Track Quad, the American manufacturer convinces with an impressive number of detailed solutions. A solid packaging, a balanced sound and the use of channel-based inserts along with its own USB hub make the audio/MIDI interface a very good converter center in the home project studio.

In addition, the product must be seen as a real offer in the price/performance range, especially due to the included software/hardware in the form of Pro Tools Express, Ignite and the iLok USB Key.

Additional informations:

- M-Audio is a renowned company specializing in the development and manufacturing of professional audio equipment and software solutions. With a commitment to innovation and high-quality products, M-Audio has established itself as a leading brand in the music production and audio technology industry. This comprehensive report explores the history of M-Audio, its product range, technological advancements, and its impact on the music industry.

Company History and Background: M-Audio was founded in 1988 by Tim Ryan and Steve Goldberg in California, USA. Originally known as Midiman, the company initially focused on creating MIDI interfaces for electronic musical instruments. Recognizing the growing demand for affordable audio solutions, Midiman expanded its product line to include audio interfaces, controllers, studio monitors, and software.

Product Range and Innovation: M-Audio offers a diverse range of products catering to the needs of musicians, producers, and audio enthusiasts. Their product lineup includes audio interfaces, MIDI controllers, studio monitors, keyboards, drum machines, and DJ equipment. One of their notable innovations is the Oxygen series MIDI controllers, which have become popular choices for musicians and producers due to their intuitive design and extensive functionality.

Audio Interfaces and Recording Solutions: M-Audio has made significant contributions to the field of audio interfaces, providing musicians and producers with reliable and high-quality recording solutions. Their interfaces offer a wide range of connectivity options, low-latency performance, and pristine audio quality. M-Audio's interfaces, such as the M-Track series and the acclaimed M-Box series, have become industry standards for home studios and professional recording environments alike.

MIDI Controllers and Keyboard Solutions: MIDI controllers play a crucial role in modern music production, and M-Audio has been at the forefront of providing musicians with powerful and versatile options. Their MIDI controller range includes compact keyboards like the Keystation series, feature-packed controllers like the Code series, and the innovative Hammer 88, an 88-key weighted keyboard. M-Audio's controllers are known for their seamless integration with popular digital audio workstations (DAWs) and comprehensive control capabilities.

Software and Virtual Instruments: In addition to hardware solutions, M-Audio has developed software and virtual instruments that enhance the creative workflow of musicians and producers. Their software offerings include the acclaimed Pro Tools | M-Powered, a version of Avid's industry-standard DAW tailored for M-Audio interfaces. M-Audio also offers virtual instruments such as the AIR Music Technology suite, providing users with a wide range of sounds and synthesis capabilities.

Impact on the Music Industry: M-Audio's commitment to delivering affordable and high-quality audio equipment has democratized music production, making it accessible to a wider audience. Their products have been instrumental in empowering musicians, producers, and engineers to create professional-grade recordings and performances in home studios and professional settings. M-Audio's contributions to the music industry have been recognized with numerous awards and accolades.

Continued Innovation and Future Prospects: M-Audio remains at the forefront of audio technology, continuously innovating and developing new products to meet the evolving needs of musicians and audio professionals. With advancements in connectivity, software integration, and virtual instrument technology, M-Audio is well-positioned to shape the future of music production and audio technology.

Conclusion: M-Audio's dedication to innovation, high-quality products, and affordability has made it a trusted brand among musicians, producers, and audio enthusiasts. From its humble beginnings as Midiman to its current standing as a leading audio technology company, M-Audio has left an indelible mark on the music industry. With a diverse product range and a commitment to advancing audio technology, M-Audio continues to empower and inspire music creators around the world.

- Audio Interfaces: Unlocking the World of Professional Audio Recording
Introduction: Audio interfaces have revolutionized the landscape of professional audio recording, enabling musicians, producers, and audio engineers to capture high-quality sound and bring their creative visions to life. This comprehensive report delves into the world of audio interfaces, exploring their purpose, functionality, key features, types, connectivity options, and their significance in modern music production.

Purpose and Functionality: An audio interface serves as the bridge between analog and digital audio worlds. It converts analog audio signals, such as those from microphones and instruments, into digital data that can be processed and recorded by a computer or digital audio workstation (DAW). Conversely, it converts digital audio data back into analog signals for playback through speakers or headphones. Audio interfaces ensure accurate signal conversion, low-latency performance, and provide essential features like preamps, phantom power, and monitor control.
Key Features of Audio Interfaces: a. Preamps: Audio interfaces often include preamplifiers (preamps) that amplify weak analog signals from microphones or instruments, bringing them to line level for optimal recording quality. b. Phantom Power: Many interfaces provide phantom power (+48V) to power condenser microphones, which require it for proper operation. c. Input and Output Options: Audio interfaces offer a variety of input and output options, including XLR, 1/4" TRS, and RCA connectors, allowing users to connect microphones, instruments, headphones, and studio monitors. d. Sample Rate and Bit Depth: Interfaces support different sample rates (e.g., 44.1kHz, 48kHz, 96kHz) and bit depths (e.g., 16-bit, 24-bit), determining the resolution and fidelity of the recorded audio. e. Direct Monitoring: This feature allows users to monitor audio signals with near-zero latency directly from the interface, bypassing the computer's processing.

Types of Audio Interfaces: a. USB Audio Interfaces: These interfaces connect to the computer via USB, making them widely compatible and convenient for home studios and portable setups. b. Thunderbolt Interfaces: Thunderbolt interfaces offer high-speed connectivity for low-latency recording and playback, ideal for professional studios and demanding applications. c. PCIe Interfaces: These interfaces connect directly to a computer's motherboard via a PCIe slot, providing extremely low-latency performance and high channel counts for professional studios. d. FireWire Interfaces: Although less common now, FireWire interfaces offer reliable connectivity and low-latency performance, especially for older systems.

Connectivity Options: Audio interfaces provide a range of connectivity options to accommodate different recording setups and needs. They may include multiple inputs and outputs, MIDI ports for connecting external devices, digital connections like ADAT or S/PDIF, and headphone outputs with individual volume control. Some advanced interfaces offer network audio connectivity, such as Dante or AVB, for seamless integration with larger audio networks.

Significance in Modern Music Production: Audio interfaces play a crucial role in modern music production, enabling musicians and producers to capture professional-grade recordings in their home studios. With the availability of affordable and high-quality interfaces, the barrier to entry for recording and producing music has significantly lowered. Audio interfaces empower artists to take control of their creative process, capturing their performances with precision, and achieving studio-quality sound in their productions.

Considerations When Choosing an Audio Interface: When selecting an audio interface, several factors should be considered: a. Input and Output Requirements: Determine the number of simultaneous inputs and outputs required for your recording setup. b. Preamp Quality: Consider the quality and transparency of the preamps, as they significantly impact the recorded sound. c. Compatibility: Ensure compatibility with your computer's operating system and connection ports. d. Latency Performance: Look for interfaces with low-latency performance to minimize delays during recording and monitoring. e. Budget: Set a budget and consider the features and quality that align with your recording needs.

Conclusion: Audio interfaces have become indispensable tools for musicians, producers, and audio engineers, unlocking the potential of professional audio recording in both home and professional studio environments. With their ability to convert analog signals into pristine digital audio, provide essential features, and facilitate seamless connectivity, audio interfaces have democratized music production and empowered countless artists to create high-quality recordings. As technology advances, audio interfaces continue to evolve, delivering improved performance, expanded connectivity options, and innovative features, further shaping the future of audio recording and production.