TEST: Mackie 802 VLZ3

 If you take a look around the audio industry worldwide, you will quickly notice that there are relatively few manufacturers that follow a consistent product policy. One of these manufacturers is Mackie. In my almost 20 years as a producer, I have never encountered a situation where I would not have found a suitable piece of equipment from the American manufacturer of mixing consoles.

Whether it's a large F.O.H. console, a rack mixer, a submixer or a project studio, Mackie has an extremely extensive product range that has something for almost everyone. A representative of the last category is the microphone/line mixer 802 VLZ3, which I tested. Its field of application is small productions and various submixer functions, but without having to forgo the features and sound of the big consoles in its guild.

Construction:

Here really has been squeezed into the smallest space all the functional elements that can be accommodated on the surface. With its dimensions of 27 centimeters in depth, 23 centimeters in width and about 5 centimeters in height, the model is still in the range of the smallest mixers. At first glance, it is immediately clear that nothing is left to chance at Mackie. All jack sockets, although partly very close to each other, have exactly the right distance to be able to attach even the royal class of jack plugs a la Neutrik next to each other.

The housing is as usual made of a silver-colored anodized and folded sheet metal, impeccably processed, and in the usual quality. On the back of the housing, in addition to four small rubber feet, which give the mixer the necessary stability, there is also a device consisting of three holes, in order to be able to attach the device to a microphone stand if necessary.

Strictly speaking, the 802 is an 8-channel combination of microphone and line mixer, whereby the sound engineer has 3 microphone and 3 stereo signal paths available for processing. Huh? 3 mic channels and 3 stereo sums makes a total of 9 channels, right? Correct, but the third microphone channel and the first stereo pair share a channel strip, so only one of the two elements can be controlled at a time.

Channels one through three have as input jacks three XLR females, which as usual with Mackie are not equipped with a locking mechanism. However, thanks to their being guided out the top, the risk of unintentionally pulling the plugs is extremely low. In addition, the plugs experience sufficient hold due to an internal slight wedging even without the missing lock. Of course, the channels 1 - 3 are to be supplied with phantom power if necessary.

Let's start with channel strip 1. Below the Neutrik jacks, which are used to connect dynamic or condenser microphones, there is another input jack, which can be wired balanced or unbalanced. Immediately below this is the insert path, which can be used to loop in a compressor or a comparable dynamics processor via a Y-signal path.

Below this are two pressure switches. The left colleague jerks with a reduction of 18 db below 100 Hertz to the impact sound, the right colleague ensures a direct feed of a guitar signal without a D.I. box in the signal path to anchor. Each channel has an aux path, which is connected to a summing control on the right side and can be routed either pre or post fader. The three-band tone control features center frequencies of 12 kilohertz, 2.5 kilohertz and 80 hertz. A pan control, a mute switch and a pre-fader solo switch, along with a rotary fader complete the short description.

All controls have an even and buttery-smooth control path, whereby a perceptible small notch at 12 o'clock on the tone controls and the pan control indicates the 0 db position, respectively the center of the stereo image.

Among other things, the extensive routing options are to be emphasized, which this mixer reveals in its price category. In addition to 2 complete main out pairs in the form of XRL, respectively stereo jack, the mixer has the control room out and an additional alternative stereo out for feeding a recorder or, for example, the control of a second monitoring in the studio. The XRL outs can be switched in their signal strength between + 4db or microphone level to route the 802 as a submixer into 2 microphone inputs of an external mixer.

The 802 has a stereo return signal path, which is adjustable in both output and input. In addition, there are four RCA jacks on the panel, which provide tape-in and tape-out. Two chains consisting of twelve LEDs each provide information about the respective levels.


Practice:

So much has already been described about the sound of the Mackie mixers, so that I can actually only repeat myself. Nevertheless, I do not want to conceal that also this small mixer is inferior to his bigger brothers sonically in little. Although we have no parametric mids available, and thus the flexibility is somewhat limited, it is precisely the mid-range control with 2.5 kilohertz, which was once again very tastefully designed and for the price range unusually soft in this difficult frequency terrain intervenes in the sound.

Also my personal favorite, the catch-up amplifier in the microphone channels, can be driven into saturation in a wonderfully cultivated way and ensures a smooth transition to clipping. A practical compression can be created without any problems, which suits recordings with a high degree of saturation and limited dynamics very well. High-quality results can be achieved in cooperation with a ground-in and correctly set compressor.



Conclusion:


Once again Mackie has succeeded in building a product with the highest practicality, excellent sound and high flexibility. Small detail solutions, which are noticed only if they are not to be found with the competition, make one again and again clear that here a development team was at work, which was over decades locally and looked the technicians on the fingers.

It's not for nothing that various attributes, from the layout to the routing, have been copied again and again by different manufacturers, without ever reaching the high quality of the original.

It is difficult for me to find a comparable competitor that can offer similar attributes at this price. In my opinion, the 802 VLZ3 is the best you can buy in this field of application at the moment.

Additional Informations:

- Mackie Audio: A Comprehensive Report on the Company
Introduction: Mackie Audio is a renowned audio equipment manufacturer that has been at the forefront of the professional audio industry for several decades. Founded in 1988 by Greg Mackie and Martin Schneider, the company has established itself as a leading provider of innovative and high-quality audio solutions for musicians, recording engineers, and sound reinforcement professionals. This report aims to provide a detailed overview of Mackie Audio, covering its history, product range, market position, and impact on the industry.

History and Background: Mackie Audio was born out of a vision to create affordable and user-friendly audio equipment without compromising on quality. Greg Mackie, a studio recording engineer, and Martin Schneider, a professional sound reinforcement expert, joined forces to develop products that catered to the needs of audio professionals at all levels. Their first breakthrough came in 1989 with the release of the LM-1602 mixer, which revolutionized the industry with its compact size and intuitive design.
Product Range: Mackie Audio offers a diverse range of audio products designed to meet the needs of various applications. Their product line includes:

Mixers: Mackie mixers are widely recognized for their exceptional sound quality, robust construction, and intuitive controls. From compact models for small gigs and home studios to large-format consoles for live sound reinforcement, Mackie offers a comprehensive range of mixers to suit different budgets and requirements.

b) Studio Monitors: Mackie studio monitors are highly regarded for their accuracy and transparency, making them a top choice for professional recording studios and home setups alike. The company offers both active and passive monitor options, ensuring that customers have a wide selection to choose from.

c) Loudspeakers: Mackie loudspeakers are renowned for their durability, portability, and exceptional audio performance. Their portable PA systems and powered speakers have gained popularity in the live sound market, providing high-quality sound reinforcement solutions for concerts, events, and installations.

d) Recording Equipment: Mackie provides a range of recording equipment, including audio interfaces, control surfaces, and studio accessories. These products are designed to enhance the recording experience and offer flexibility and convenience to audio professionals.

Technological Innovations: Mackie Audio has consistently pushed the boundaries of audio technology with its innovative solutions. Over the years, the company has introduced several groundbreaking features and technologies, including:

Onyx Preamps: Mackie's Onyx preamps are known for their low noise, high headroom, and exceptional audio fidelity. These preamps have become a hallmark of Mackie's mixers, ensuring pristine sound reproduction.

b) High-Resolution Studio Monitors: Mackie's HR series studio monitors deliver accurate, detailed, and transparent sound reproduction, making them an ideal choice for critical listening and professional mixing/mastering applications.

c) DL Series Digital Mixers: Mackie's DL series mixers integrate the power of digital mixing with the convenience of wireless control via iPad, iPhone, or iPod touch. This innovative approach revolutionized the way live sound engineers mix performances.

d) FreePlay Series: The FreePlay series combines portable, battery-powered design with powerful sound reproduction. These systems are equipped with advanced Bluetooth streaming capabilities, making them versatile solutions for small venues, presentations, and outdoor events.

Market Position: Mackie Audio has successfully positioned itself as a trusted brand in the professional audio industry. Their commitment to quality, innovative design, and customer satisfaction has garnered a loyal customer base. The company's products are widely used in recording studios, live sound applications, broadcast facilities, and home setups. Mackie Audio has also expanded its global reach, with distribution networks in various countries, enabling a wide availability of their products worldwide.

Industry Impact: Mackie Audio's contributions to the audio industry extend beyond its product offerings. The company has played an instrumental role in shaping the way audio equipment is designed, manufactured, and marketed. Mackie's user-friendly approach, focus on affordability, and commitment to delivering reliable performance have set industry standards and inspired other manufacturers to follow suit. Furthermore, Mackie's emphasis on customer feedback and product development has resulted in a continuous cycle of improvement and innovation.

Conclusion: Mackie Audio has emerged as a leading force in the professional audio industry, driven by its commitment to innovation, quality, and customer satisfaction. With a diverse product range, technological advancements, and a strong market position, Mackie continues to provide audio professionals with reliable and high-performance solutions. As the company moves forward, it is poised to further shape the industry with its groundbreaking products and unwavering dedication to the art of sound reproduction.

- Desktop Audio Mixers: An In-depth Report

Introduction: Desktop audio mixers are essential tools for audio production and mixing tasks in various settings, including home studios, podcasting, live streaming, and small-scale live performances. This comprehensive report aims to provide a detailed overview of desktop audio mixers, covering their functionality, features, benefits, and popular models in the market.

Functionality and Features: Desktop audio mixers serve as the central hub for audio signals, allowing users to control and manipulate multiple audio sources. The primary functions and features of desktop audio mixers include:

Input Channels: These mixers typically offer a range of input channels to accommodate various audio sources such as microphones, instruments, media players, and computers. Each input channel includes controls for gain, EQ, and auxiliary sends.

b) Faders and Knobs: Faders and knobs are used to adjust the volume levels and control the pan (stereo placement) of individual audio channels. These physical controls provide tactile feedback and precise adjustments for audio mixing.

c) EQ and Effects: Most desktop audio mixers feature built-in equalization (EQ) controls, allowing users to shape the tonal balance of individual audio channels. Additionally, some models offer onboard effects processors for adding reverb, delay, chorus, and other effects to the audio signals.

d) Monitoring and Headphone Outputs: Desktop mixers provide dedicated headphone outputs and monitoring options, enabling users to monitor the audio being mixed in real-time. This is crucial for accurate monitoring and making informed mixing decisions.

e) USB Audio Interface: Many modern desktop audio mixers also function as USB audio interfaces, allowing direct recording and playback to a computer. This integration simplifies the recording process and eliminates the need for additional audio interfaces.

f) Connectivity Options: Desktop audio mixers offer a range of connectivity options, including XLR, 1/4-inch TRS, and RCA inputs and outputs. They may also include features like Bluetooth connectivity, USB connectivity for connecting to computers, and auxiliary send/return loops for integrating external audio processors.

Benefits of Desktop Audio Mixers: Desktop audio mixers provide several benefits that make them essential tools for audio production:

Versatility: Desktop mixers can handle a wide range of audio sources, making them suitable for various applications such as music production, podcasting, live streaming, and small-scale live performances.

b) Flexibility and Control: With multiple input channels, EQ controls, and effects processing, desktop mixers offer users a high degree of control over their audio signals. This allows for precise adjustments and customization of the sound.

c) Improved Audio Quality: High-quality desktop mixers are designed with clean preamps, low noise floors, and transparent signal paths, resulting in improved audio quality and professional-sounding recordings.

d) Real-time Monitoring: The headphone outputs and monitoring options on desktop mixers enable real-time monitoring, ensuring accurate sound reproduction during recording and mixing sessions.

e) Integration with DAWs: Many desktop audio mixers can seamlessly integrate with digital audio workstations (DAWs) through their USB audio interface functionality. This simplifies the workflow by allowing direct recording and playback from the computer.

Popular Desktop Audio Mixer Models: Several renowned manufacturers offer a range of desktop audio mixers. Here are a few popular models:

Behringer Xenyx Q802USB: This compact mixer features 8 input channels, a built-in USB interface, 3-band EQ, and one-knob compression per channel, making it an excellent choice for small-scale productions and home studios.

b) Mackie ProFX12v3: With 12 input channels, onboard effects processing, and a USB interface, this mixer is well-suited for live sound applications and recording setups.

c) Yamaha MG10XU: Known for its reliability and sound quality, the Yamaha MG10XU offers 10 input channels, D-PRE preamps, built-in SPX effects, and a USB interface, making it a popular choice for small studios and live performances.

d) Soundcraft Signature 12MTK: This mixer combines analog sound with digital functionality, offering 12 input channels, British-style EQ, Lexicon effects, and a multitrack USB interface, making it a versatile option for recording and live sound applications.

Conclusion: Desktop audio mixers play a crucial role in audio production, offering versatility, control, and improved audio quality for various applications. With their functionality, features, and integration capabilities, desktop mixers empower audio professionals, podcasters, musicians, and content creators to achieve professional-level sound reproduction and mixing. As technology advances, desktop audio mixers are expected to continue evolving to meet the ever-changing demands of the audio industry.