TEST: Marshall Studio Classic SC20H

 When the (still) biggest name in the instrument industry sets out to reissue a lost classic in a modified form, joyful anticipation is paired with skeptical concern about a deterioration. With the Marshall Studio Classic SC20H, the long-established British company picks up on several current trends in order to steal the thunder from the second-hand market as comprehensively as possible.

The story of the Marshall 2204

As an outsider, you should be careful not to criticize the decision-making processes of a global company too much, since you rarely have the concrete figures or trends that lead to the exclusion of a product. However, one can probably be sure that in the end it always has to do with sales and profit, which probably also led to the death of the Marshall 2204. The 50 watt counterpart to the 100 watt 2203 model was probably not in enough demand in times of multiple channels, MIDI controls and integrated FX devices and disappeared from the Marshall catalog a few years ago without any announcement.

One may understand the decision, since already the 2203 is blessed with probably THE best basic rock sound in electric guitar history, but as a true single-channel only the volume control of the guitar and additional booster / overdrive / distortion pedals available for sonic diversity. Yes, this produces a fantastic sound in the right hands and fingers for 90% of all songs and no, in times of Kemper and colleagues this is no longer enough for many musicians in terms of variability. I myself still own 2 pieces of 2204, which in my productions in combination with a distortion pedal THE official metal sound of the eighties delivers, for my live shows, however, both lunchbox amps and heavy all-tube bolides with several channels are used.

It comes as it always comes, what is no longer officially available and has a strong trademark, increases almost hourly in price at vintage dealers. If you want to make the purchase of a used classic from the willing buyer, you have to give the indirect successor a few current developments on the way. Well then, what does the Marshall Studio Classic SC20H have to offer?

The Marshall Studio Classic SC20H concept

To say it right away, the Marshall Studio Classic SC20H is not a clone of the 2204, it only reminds of the classic. On the one hand the preamp of the 2203 was taken over and 3 ECC83 (12AX7) in the preamp / driver stage together with 2 EL34 in the power amp provide parallels to the predecessor. Also the tone control (Bass, Middle, Treble, Presence), the Gain / Mastervolume and the two different impedance inputs High / Low were taken over. Here end but already the parallels to the 2204, from here begins the own life of the Marshall Studio Classic SC20H.

First, the housing of the Marshall Studio Classic SC20H is significantly smaller and lighter than the classic briquette of the eighties. With dimensions of only 510 mm x 240 mm x 240 mm and a weight of just 9.7 kg, you truly look twice to see if it is indeed an all-tube amp. By the way, the amp is built in GB and reassures the buyer regarding the cheap products manufactured in Vietnam, which sometimes had such a disastrous sound that they caused serious damage to the Marshall brand.

Another special feature is the power switch on the front of the case, which was integrated into the standby switch. The power is switchable between 20 and 5 watts, once again proving that the Marshall Studio Classic SC20H is only conditionally similar to the sound of the 2204, which got 50 watts out of the same tube lineup.

By the way, the Marshall's workmanship is impeccable. Cleanly glued, coarse-grained leatherette without glue seams or the like, 8 nailed plastic corners, 4 rubber feet and a strong carrying handle, all neatly executed and craftsmanship.

The back of the Marshall Studio Classic SC20H

The back of the Marshall Studio Classic SC20H is also spartan. Except for the vintage products, there are almost only different speaker outputs with different impedances at Marshall. These are marked with a red cap nut, so that even the inexperienced does not put his cabinet in the FX loop or the like and then heaven the output transformer at the first strong chord. Speaking of the FX loop, a serial loop and on / off switch plus a frequency-corrected D.I. output are the only sockets found on the rear panel. Straight, clear and without frippery, just as you want a Marshall.

The Marshall Studio Classic SC20H in practice

So, now we come to the area that finally counts, the sound. We take of course first of all the high input, which is much louder and more distortion than the low input, everything times on 12 o'clock and lo and behold, the sound is good, depending on the guitar used even very good. Starting with a Strat with Texas Special pickups and the bridge pickup a wonderfully biting basic sound, which cuts without hurting. The sound is extremely well asserts itself and offers from a standing start a sound that is already 80% of all rock / cover rock bands very well to mind.

This sound is followed by the same with the neck pickup, which can again put a notch on top. Friends of the Red Hot Chilli Peppers sound or similar may already rub their hands, in general, all who prefer funk in a "angrier" playing style. Also SRV disciples should keep an open ear here, because the Texan always had a Marshall in his backline besides his Fender Armada. The sound stands like a one and allows a very dynamic play without lacking pressure. By the way, the slightly trebly sound is due to the pickups. In conjunction with the Shure SM 57 used and the Marshall Cabinet with Celestion Vintage 65 watt speakers, the sound bites very neatly here as well.

Let's turn the clock back another three and a half decades and we find ourselves in the middle of a combination that has shaped the eighties in the field of hard rock and metal like no other. We're talking about the combination of EMG pickups, which at that time were on the rise, with a 2203, for solos then also gladly something like TS9 in between. The EMG pickups, which at that time due to their active circuit always tickled that little bit more gain out of the amp than comparable passive humbuckers, provided every amp with exactly the sound that countless guitarists had hoped for. I recorded this sound with a Fame Ironfinger Forum IV, once with gain at 12 o'clock, once with right stop. By the way, the master is still at 12 o'clock, so that it compresses discreetly but does not drift into the sag yet.

With this sound it is noticeable that with increasing gain a clear reduction of the highs to notice. The sound becomes muddier and less transparent despite the EMG pickups. Also, the amp has more gain reserves than the 2204, which in my opinion is not good for it. The sound is not bad, but can not keep up with the previously mentioned sounds, especially with the single coil department in terms of character and quality.

The last thing to come is the Low Input, which many like to forget. First of all, the channel offers only a fraction of the volume, which is due to the low sensitivity of the preamp. Here you can also turn the master to the stop, nothing distorts. Depending on the gain control, one or the other very discreet crunch mixes into the sonic action, but the input lives up to its orientation. Also here a clear difference to the 2204, which goes to work with the crunches earlier.

Overall, one must attest the Marshall Studio Classic SC20H a good to very good sound behavior, although it can not keep up with the adjusted 2204. The great open and the characteristic "Mittennöck" around 3 kHz, which makes the 2204 as one of the most characteristic rock sounds par excellence, it does not quite want to succeed. On the other hand, it is smaller, lighter and less expensive than its grandfather, which in themselves are truly good arguments.

Conclusion

With the Marshall Studio Classic SC20H, the British manufacturer has filled the gap left by the painful discontinuation of the 2204. Although it can not quite reach the sound culture of its vintage role model, the amplifier leaves a good to very good impression, especially if you like distorted single coil sounds with proper dirt.

Additional Informations:

Marshall Amplification: Revolutionizing the World of Guitar Amplifiers
Introduction: Marshall Amplification, commonly known as Marshall, is a legendary British company that has made an indelible mark on the music industry. Established in 1962 by Jim Marshall, the company has become synonymous with high-quality guitar amplifiers and is celebrated for its iconic sound, innovative designs, and enduring influence on rock music. This comprehensive report delves into the rich history, notable achievements, and enduring legacy of Marshall Amplification.

Founding and Early Years: Jim Marshall, a drum shop owner in London, started Marshall Amplification after numerous guitarists approached him seeking better amplification solutions. In response, Marshall began modifying existing amplifiers and eventually developed his own line of guitar amplifiers. The first-ever Marshall amp, the JTM 45, debuted in 1962 and gained quick popularity among British musicians due to its superior tone and power.

Legendary Sound and Signature Features: Marshall amplifiers are renowned for their distinctive sound characterized by rich, warm tones, exceptional clarity, and powerful distortion capabilities. This unique sonic signature was shaped by a combination of factors, including the use of EL34 power tubes, "Plexi" circuitry, and the integration of Celestion speakers. These components, along with Marshall's meticulous craftsmanship, contributed to the creation of a sound that would define the genre of rock music.

Amplifier Models and Evolution: Over the years, Marshall has introduced a wide range of amplifier models to cater to the diverse needs of guitarists. The company's product line includes iconic series such as the JTM, JMP, JCM, and the modern-day JVM and CODE series. Each series has its own distinct characteristics, offering musicians a vast palette of tones, from vintage blues to high-gain metal.

Influence on Music and Artists: Marshall amplifiers have played a pivotal role in shaping the sound of rock and roll. Countless renowned guitarists, including Jimi Hendrix, Eric Clapton, Jimmy Page, Slash, and Angus Young, have relied on Marshall amps to achieve their signature tones. Marshall's amplifiers have become synonymous with rock music and have been an integral part of iconic performances and recordings that have defined the genre.

Innovation and Technological Advancements: Marshall has consistently pushed the boundaries of amplifier technology. In the early 1970s, they introduced the Master Volume feature, allowing musicians to achieve power amp distortion at lower volumes. This innovation revolutionized live performances and studio recording techniques. Marshall has also embraced digital technology with the CODE series, offering guitarists versatile tones and effects through modeling technology.
Expansion and Global Reach: Marshall's success expanded beyond the shores of the United Kingdom, reaching a global audience. The company established a strong presence in the United States and various international markets, solidifying its position as one of the leading amplifier manufacturers worldwide. Today, Marshall amplifiers can be found on stages, in recording studios, and in the hands of guitar enthusiasts worldwide.

Enduring Legacy and Cultural Impact: Marshall Amplification's legacy extends far beyond the world of music equipment. The company's iconic logo, featuring the bold white script on a black background, has become an emblem of rock culture. Marshall amps have become symbols of rebellion, power, and the spirit of rock music. Marshall's contribution to the music industry has earned them a place in history as one of the most influential and respected amplifier manufacturers of all time.

Conclusion: Marshall Amplification's journey from a small drum shop to a global powerhouse in the music industry is a testament to its unwavering commitment to quality, innovation, and the pursuit of the perfect guitar tone. By consistently delivering exceptional amplifiers that have shaped the sound of rock music, Marshall has cemented its position as an industry icon. The Marshall brand continues to thrive, inspiring generations of guitarists and leaving an indelible mark on the world of music.