Along with this, the cooperation with the internally used preamps is of crucial importance. Even if the converters do a good job in terms of sound, this does not mean that the preamps also deliver a corresponding signal and vice versa. Accordingly, the combination of the two components ultimately decides the weal and woe of each interface.
In recent years, a separate class of upper middle class interfaces has emerged, priced roughly in the 500 euro range. The same devices do not smash the budget of a project studio as quickly as, for example, the 2,000 euros + league does in no time at all, but on the other hand with very good detailed solutions they can definitely help to a successful production.
The Firepod from the American manufacturer Presonus is such an interface, whose special attention was paid to the eight Class A preamps, which should still be worth a comment or two in the course of the test.
construction
The Presonus Firepod is a 1U 19 inch component with an installation depth of just under 15 centimeters. The device is a pure Firewire audio interface (no USB available) with 24-bit / 96 kHz conversion rate. Conceptually it is an 8-in / 8-out interface, which is controlled by the included software (PC and Mac). The minimum system requirement for Mac is a G4 CPU 800 MHz or more with 512 MB RAM (as always, at least 1 GB, otherwise the operating system hardly runs), for PC Vista or XP at 1.2 GHz and 512 MB RAM.
The system is stackable up to three devices, which allows a 24-track input routing. For a balanced studio look, however, it must be remembered that the input signals are on the front and that, with the appropriate wiring, a mass of cables that should not be underestimated is stretched out in front of you.
The device comes with Cubase LE recording software, and the buyer is also offered the Presonus ProPak software suite with over 2 GB of plug-ins, loops and samples as a bonus.
On the input side, the Presonus Firepod has eight analog inputs on the front, which are designed as combo XLR connectors. Two switches can be used to apply 48 volt phantom power to channels 1 - 4 and 5 - 8 respectively. A special feature are channels 1 and 2, which can serve as a symmetrical send / return circuit. External limiters, compressors or similar can be looped in here without occupying an additional channel.
The eight preamps can each be adjusted from - 20 dB to + 20 dB and unfortunately only have a clip LED as a level control. A main controller controls the output to the main monitors, a phones controller controls the internal headphone amplifier. A mixer control can be used to continuously fade between the input signals and the playback level on outputs 1 and 2. The end of the front panel is a two-color LED, which lights up blue if there is correct synchronization between the computer and Firewire interface or S/PDIF interface, otherwise it lights up red.
On the back, next to the power supply connection (power supply is included), there is a strain relief where the thin power cable can be hooked up in floor-FY-pedal style. Not very elegant, but useful. However, the cable should remain there if possible after it has been clamped once, repeated removal and reconnection will wear through the plastic sheathing.
In addition to the two Firewire connections and an S/PDIF In/Out configuration, the Firepod also has MIDI In/Out. In addition to the main control output for the main monitors, there is also a cue mix line output, both in left / right jacks. In contrast to the main control, the volume of which can be adjusted using the volume control on the front, the sum signal is present at the cue mix output without any dynamic control options. A headphone amplifier can be connected here, for example.
The 8 line outputs described at the beginning follow, all designed as balanced jacks. The line inputs for channels 1 and 2 form the end on the right. Devices that do not require preamplification, such as MP3 players or external effects processors, should be connected here. The control panel is completed by the preamp outputs of channels 1 and 2.
Practice
The configuration of the Presonus Firepod is very simple. All drivers for Windows are included with the product, but with the Mac you can really lean back and relax, since the FP10 drivers are already in the Core Audio of the Mac and you only have to select the configuration in the menu window.
Right from the start, the excellent sound of the preamps strikes you. Equipped with above-average dynamic behavior, the preamps impress with their low-noise and detailed resolution, even with quiet and difficult signals.
The converters do their job satisfactorily throughout, but they cannot reproduce the very good signal processing of the preamps at the input with the same quality on the output side. Cascading to 3 devices can “only” be carried out at 44.1 kHz, and you also lose 2 of the 3 S/PDIF interfaces.
What I personally really miss is an at least rudimentary level indicator. The preamps deserve at least a 7-digit LED chain due to their quality, since with a clip LED you really only have the most necessary control over the signal to be processed.
However, if you always keep in mind what the Firepod delivers in terms of sound at this price, various components are already put into perspective. Especially when it comes to preamps, the product converts to a quality level that is otherwise only found in the next higher class.
Conclusion
The Presonus Firepod Interface offers a lot of light and little shadow. Equipped with eight excellent-sounding preamps, which are well above the price, the product knows how to convince in terms of sound in the input area. Minor shadow games such as the lack of level control, the expected cable clutter on the front and the average-sounding converters are compensated for by the very good price/performance ratio.
A very good sounding interface with a few small edges.
Additional Informations:
Comprehensive Report on PreSonus Audio
1. Introduction:
PreSonus Audio is a leading technology company specializing in audio hardware and software solutions for music recording, production, and live sound applications. Founded in 1995 by Jim Odom and Brian Smith in Baton Rouge, Louisiana, USA, PreSonus has rapidly grown into a prominent player in the pro audio industry. This report provides a comprehensive overview of PreSonus Audio, including its history, product range, technological innovations, market position, and commitment to empowering musicians and audio professionals.
2. Company Background:
PreSonus Audio was established with the vision of providing accessible and user-friendly audio solutions for musicians and recording engineers. The founders, both musicians and audio enthusiasts, sought to bridge the gap between professional audio quality and affordability. Through innovative technologies and product offerings, PreSonus has become synonymous with high-quality audio equipment that empowers creatives across the globe.
3. Product Range:
PreSonus Audio offers an extensive product range that caters to musicians, audio engineers, and content creators. The company's product lineup includes:
a) Audio Interfaces: PreSonus audio interfaces provide high-quality audio input and output for recording and live performances. They are available in various configurations, offering a range of connectivity options.
b) Digital Mixing Consoles: PreSonus digital mixing consoles combine intuitive control surfaces with powerful digital processing, enabling seamless mixing and signal routing in both studio and live sound settings.
c) Studio Monitors: PreSonus studio monitors deliver accurate and transparent audio reproduction, essential for critical listening and professional audio production.
d) Studio One Software: Studio One is PreSonus's flagship digital audio workstation (DAW) software, offering a robust platform for music production, recording, editing, and mixing.
e) Audio Processors: PreSonus offers a range of audio processors, including compressors, equalizers, and channel strips, designed to enhance audio signals and achieve optimal sound quality.
f) StudioLive Series: PreSonus StudioLive series combines digital mixers, recording interfaces, and software integration, providing an all-in-one solution for live sound and recording applications.
g) Notion Software: Notion is PreSonus's notation software, catering to composers and arrangers for music notation and scoring.
4. Technological Innovations:
PreSonus Audio has been a driving force in technological innovations, revolutionizing the audio industry with its products. Some notable technological advancements by PreSonus include:
a) Fat Channel Processing: PreSonus introduced the Fat Channel processing technology, a powerful digital processing engine, incorporated into their mixers and audio interfaces, allowing users to apply studio-quality effects and signal processing in real-time.
b) Integrated Hardware and Software Solutions: PreSonus is known for its seamless integration of hardware and software products, ensuring a cohesive and efficient workflow for audio professionals.
c) Remote Control Software: The company developed remote control software for its digital mixers, enabling users to control mixer functions wirelessly from their smartphones or tablets.
d) Advanced DSP Technology: PreSonus utilizes cutting-edge DSP (Digital Signal Processing) technology in their products, enabling low-latency monitoring, audio effects, and real-time audio processing without taxing the computer's CPU.
5. Market Position and Global Reach:
PreSonus Audio has garnered significant market recognition and has established a strong global presence. Their products are distributed through a network of authorized dealers and retailers, reaching customers in various countries.
6. Empowering Musicians and Audio Professionals:
PreSonus Audio is committed to empowering musicians and audio professionals through accessible and user-friendly technology. Their products are designed with a focus on usability, efficiency, and seamless integration, allowing creatives to focus on their artistry without technical limitations.
7. Awards and Recognition:
PreSonus Audio's dedication to innovation and product excellence has earned the company numerous awards and accolades. These accolades affirm the company's commitment to delivering high-quality audio solutions.
8. Education and Support:
PreSonus Audio provides extensive educational resources, including tutorials, webinars, and online communities, to support musicians and audio professionals in mastering their products and techniques.
9. Conclusion:
In conclusion, PreSonus Audio stands as a leading force in the audio technology industry, providing innovative and user-friendly solutions for musicians, producers, and audio engineers. With a diverse product range, technological advancements, and a commitment to empowering creativity, PreSonus continues to shape the future of audio production, recording, and live sound, solidifying its position as a trusted and influential brand in the pro audio market.
- Comprehensive Report on 19-Inch Audio Interfaces
1. Introduction: 19-inch audio interfaces are critical components in professional audio setups, catering to musicians, recording engineers, and content creators. These rack-mountable devices provide high-quality audio input and output capabilities, facilitating seamless audio recording, processing, and playback. This report provides a comprehensive overview of 19-inch audio interfaces, including their features, advantages, applications, and significance in the realm of professional audio production.
2. Features and Specifications: 19-inch audio interfaces are designed to fit into standard 19-inch equipment racks, making them a popular choice for studio installations and live sound setups. Key features and specifications of these interfaces include:
a) Multiple Input and Output Channels: 19-inch audio interfaces offer a wide array of input and output channels, ranging from a few to dozens, allowing users to connect multiple microphones, instruments, and audio sources simultaneously.
b) High-Quality Preamps: Many 19-inch audio interfaces are equipped with high-quality microphone preamps that ensure clean and transparent audio capture, minimizing noise and distortion.
c) Digital Connectivity: These interfaces often provide digital connectivity options such as USB, Thunderbolt, Ethernet, or ADAT, enabling seamless integration with computers, audio networks, and other digital audio equipment.
d) Sample Rate and Bit Depth: 19-inch audio interfaces typically support high sample rates and bit depths, ensuring accurate audio reproduction and recording.
e) Onboard DSP Processing: Some models feature onboard DSP (Digital Signal Processing) for real-time audio effects and low-latency monitoring.
f) Phantom Power: Many 19-inch audio interfaces offer switchable phantom power, essential for powering condenser microphones.
3. Advantages and Benefits: 19-inch audio interfaces offer several advantages that make them an essential component in professional audio setups:
a) Rack-Mountable Design: Their standardized 19-inch rack-mountable form factor allows easy integration into studio setups and live sound rigs, optimizing space and organization.
b) Expandability: With multiple input and output channels, 19-inch audio interfaces can accommodate various audio sources and expand as the needs of the audio setup evolve.
c) Professional Audio Quality: These interfaces are engineered to provide high-fidelity audio performance, making them ideal for critical recording and broadcast applications.
d) Low Latency: High-quality converters and onboard DSP processing contribute to low latency, crucial for real-time monitoring and responsive audio processing.
e) Versatility: 19-inch audio interfaces are versatile tools suitable for a wide range of applications, from multitrack recording to live sound reinforcement.
4. Applications of 19-Inch Audio Interfaces: 19-inch audio interfaces find applications in diverse audio production scenarios:
a) Studio Recording: In recording studios, 19-inch audio interfaces facilitate multitrack recording of vocals, instruments, and other audio sources.
b) Live Sound: In live sound setups, these interfaces serve as the central hub for audio processing and routing during concerts and events.
c) Broadcast and Podcasting: 19-inch audio interfaces are commonly used in radio stations, podcast studios, and broadcasting facilities for audio capture and processing.
d) Film and Post-Production: These interfaces are instrumental in film and post-production environments for recording and editing audio for movies, TV shows, and video projects.
5. Significance in Professional Audio Production: 19-inch audio interfaces play a pivotal role in professional audio production, as they serve as the bridge between analog and digital audio worlds. They ensure seamless integration between microphones, instruments, and computers, enabling musicians and audio engineers to capture and process high-quality audio with ease and efficiency.
6. Conclusion: In conclusion, 19-inch audio interfaces are indispensable tools in the world of professional audio production. Their rack-mountable design, extensive input and output capabilities, high-quality preamps, and low-latency performance make them a preferred choice for musicians, recording engineers, and audio professionals worldwide. Whether in recording studios, live sound setups, broadcasting facilities, or film production environments, 19-inch audio interfaces are key components that enable the creation of exceptional audio content.
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