TEST: Kali Audio LP-6 / LP-8

Times have changed. It's hard to shake the impression that a new pair of near-field studio monitors in the lower and lowest price segments comes onto the market seemingly once a week. This is certainly understandable, since only a small handful of independent producers and sound engineers can still make a living from the income of a recording studio these days, and the vast majority are hobbyists who, for economic reasons, are not prepared to spend four-figure amounts or more per speaker on their hobby. Another representative of the low-budget equipment manufacturers is the American company Kali Audio, which with its two Kali Audio LP-6_LP-8 monitor pairs thanks to Chinese manufacturing for great recognition in terms of price / performance provide.

The construction of the Kali Audio LP-6_LP-8

Both the LP-6 product and the larger LP-8 model feature several identical components. For monitors of this price level (retail price LP-6 = 179, - Euro, retail price LP-8 = 299, - Euro), it is now common practice not to initiate a complete new construction per product, but rather to carry out the increase depending on the performance class. Thus, the two 2-way designs have the same tweeter in the form of a 1-inch silk dome driver with 40 watts of power along with identical waveguides.

According to the designations, the LP-6 version uses a 6 inch woofer with 40 watts, and the LP-8 version uses an 8 inch woofer with 60 watts. Further differences are as follows (manufacturer's information):

LP-8                                                                    LP-6

Crossover frequency 1.8 kHz                           1.5 kHz
cutoff frequency bass 45 Hz                             47 Hz
maximum SPL 114 dB                                     112 dB
Dimensions 419 mm x 254 mm x 280 mm     359 mm x 222 mm x 260 mm
Weight 9 Kg                                                     7 Kg


Both versions come with two power cables, one with a Schuko plug and one with the so-called Commonwealth plug, which is used in the UK, for example. In addition, the boxes can be rudimentarily decoupled from their floor space via 4 enclosed, adhesive rubber pads.

The back of the Kali Audio LP-6_LP-8

In contrast to many other near field monitor suppliers, not only those of the low budget department, the Kali Audio LP-6_LP-8 has a total of 3 different input jacks, which cover with XLR (+4 dBu input sensitivity), TRS (+4 dBu input sensitivity) and RCA (-10 dBu input sensitivity) all common, analog input sources. A total of 9 DIP switches can also be used to make very extensive room adjustments, which visually assist the inexperienced beginner in small pictures. DIP switch number 10 activates the RCA socket, which is deactivated in the delivery state for reasons of secondary equipment. The following presets can be activated:

1) Positioning loudspeaker on speaker stand, distance loudspeaker at least 50 cm from the nearest wall.
2) Positioning loudspeaker on speaker stand, distance loudspeaker less than 50 cm from the nearest wall
3) Positioning loudspeaker on speaker stand, positioning loudspeaker directly on the wall
4.) Positioning loudspeaker directly on the meter bridge
5.) Positioning loudspeakers on the desk with at least 50 cm distance from the nearest wall
6.) Positioning loudspeakers on the desk with less than 50 cm distance from the nearest wall

7) Positioning loudspeakers on the desk directly against the wall
8) Positioning loudspeakers by means of a wall bracket

The extensive adjustments make sense, because in home recording you rarely have acoustically optimized rooms and you almost never have enough space for optimized speaker placement. Furthermore, you can activate a -/+ 2 dB bass or treble boost/cut as a shelving filter via DIP combinations depending on your personal taste. A volume control with 0 dB rastering can be set from - infinite to +6 dB. Unfortunately, the rastering only refers to the 0 dB setting, the volume balance of the two monitors below and above the mark must unfortunately be done by ear. Otherwise, cold plug, On / Off switch, done.

The front of the Kali Audio LP-6_LP-8

On the front side, in addition to the visually appealing concept, especially the comparatively large bass reflex port catches the eye. A look inside reveals no damping material, but also shows the overall very clean processing of the product. The status LED lights up blue during startup and orange in standby mode.


The Kali Audio LP-6_LP-8 in practice

Unfortunately, there was an unexpected problem at the beginning of the test. The speakers switched to standby mode (orange LED) after about 20 minutes without signal input, which is quite positive. However, they didn't want to leave the standby mode, no matter how strong a signal I sent to the speakers. It must be said that this took place in my broadcast studio, where the level is controlled via the keyboard. Even the maximum level via the keyboard control sounds did not bring them back from sleep, so I had no choice but to disable the monitors and restart again. I repeated the procedure with maximum level on all controller points and bass-heavy music, which finally allowed the system to wake up.

I could not find out if this was a factory defect in the version delivered only for Europe or if this circuit was intentionally designed to be so coarse in sensitivity. The fact is, should this circuit be designed on purpose, the boxes are at least for users like me factually unusable in practice, sorry. The manufacturer should definitely order a review here, especially since competitor products are much more sensitive in this test area.

What is already noticeable after the first notes is the radiation behavior with regard to the wave guide. The stereo triangle is much wider than in other representatives of this performance class and leaves a good impression. However, the depth gradation suffers a bit from this design. However, everyone has to find out for themselves what is more important to them. The impulse response is very good for this price range, so everything is fine? Well, not quite.

Sonically, one is then confronted very quickly with the retail price of the product. Not that the monitors really sound bad, but both products lack in several points. The bass is tight, but without the necessary warmth and definition. With synthetic music, this basic sound can still be compensated well, but with natural instruments, this flaw quickly becomes obvious. As expected, the frequencies below 70 Hz are only cut, and a subwoofer must always be used for a more defined reproduction.

However, the Kali Audio LP-6_LP-8 can score well in the low-mid range. Below the crossover frequency, the woofer does a good job by producing a comparably good and balanced sound. The impulse fidelity is also decent. As I said, low-budget, everything is good so far.

What I don't like at all, however, is the high-mid reproduction, especially when it comes to vocal frequencies. Even in reference productions, the range comes across comparatively "squawky", subtleties in miking and the like are unfortunately not adequately captured. Even high-gain guitars sound very "occupied" in the midrange and treble, detached from any freshness, which is not only rather unfavorable in terms of sound, but also leads to a quick fatigue of the hearing. In general, the Kali Audio LP-6_LP-8 lacks character as soon as we are dealing with natural instruments. The high-frequency reproduction also lacks a bit of sparkle. The basic sound remains comparatively dull even with activated tweeter shelving, one is inclined to say appropriate for the retail price.

In terms of volume, both products are convincing for the given values, although you should be careful with the power limit. If you approach the maximum level, the sound suddenly turns into an undefined sound mush, which should be avoided at all costs.

Conclusion

With the two Kali Audio LP-6_LP-8 the American manufacturer places two more products in the already richly covered low-budget table of nearfield monitors. Especially the LP-6 version provides with a box price of well under 200 euros for interested faces in the home recording field. Although the sound of the speakers is rather average and various details such as the impractical low power circuit raises a big question mark, you get a very flexible adjustable monitor, which should find its buyers as a second or third solution.

Additional informations:

Kali Audio is a renowned company at the forefront of the professional audio industry, dedicated to designing and manufacturing high-quality studio monitors and other audio equipment. Since its establishment in 2018, Kali Audio has quickly gained recognition for its commitment to innovation, exceptional sound quality, and affordability. This comprehensive report delves into the various aspects of Kali Audio, including its history, product range, technological advancements, customer satisfaction, and future prospects.

Company Background Kali Audio was founded in 2018 by a team of passionate audio engineers and industry professionals who identified a need for high-quality studio monitors that were accessible to a wider audience. Headquartered in Southern California, USA, the company has rapidly grown in size and reputation, thanks to its dedication to producing reliable and exceptional audio products.

Product Range Kali Audio offers a diverse range of products tailored to meet the needs of professionals and enthusiasts alike. The company specializes in studio monitors, which are crucial tools for audio engineers, producers, and musicians. Kali Audio's studio monitors are known for their accuracy, transparency, and versatility. They come in various sizes and configurations, allowing users to choose the model that best suits their specific needs and room requirements.
In addition to studio monitors, Kali Audio also manufactures other audio equipment, including subwoofers, headphones, and amplifiers. These products adhere to the same high-quality standards that Kali Audio is known for, ensuring an exceptional audio experience across the entire product line.

Technological Advancements Kali Audio stands out in the industry due to its relentless pursuit of technological advancements. The company employs cutting-edge engineering techniques, innovative designs, and state-of-the-art components to develop products that push the boundaries of audio quality. One notable example of this is the use of advanced DSP (Digital Signal Processing) technology in their studio monitors, which allows for precise control over the sound characteristics and ensures accurate reproduction across different listening environments.
Furthermore, Kali Audio leverages extensive research and development efforts to continuously improve their products. They actively seek feedback from users and industry professionals, incorporating valuable insights to refine their designs and deliver superior audio solutions.
Commitment to Customer Satisfaction Customer satisfaction is of paramount importance to Kali Audio. The company prioritizes delivering outstanding products that exceed customer expectations. They strive to create a seamless user experience by offering user-friendly interfaces, clear documentation, and prompt customer support. Kali Audio's commitment to customer satisfaction is reflected in their extensive warranty policies and hassle-free return processes.
Moreover, Kali Audio actively engages with its customers through various channels, including online communities, social media platforms, and industry events. This open and transparent communication allows the company to gather feedback, address concerns, and foster a strong community of audio enthusiasts.

Industry Recognition and Awards Kali Audio's dedication to excellence has not gone unnoticed within the professional audio industry. The company has received numerous accolades and awards for its innovative products and commitment to quality. These accolades serve as a testament to Kali Audio's relentless pursuit of audio perfection and further reinforce their position as an industry leader.

Future Outlook With its solid foundation and innovative approach, Kali Audio is poised for a promising future. The company continues to expand its product line, exploring new avenues to cater to evolving customer needs. Their commitment to technological advancement and customer satisfaction positions them favorably to maintain their market presence and capture new opportunities in the audio industry.

Furthermore, Kali Audio's emphasis on affordability and accessibility has made high-quality audio equipment more attainable for aspiring musicians, home studio owners, and audio enthusiasts. This focus on inclusivity allows the company to reach a wider audience and drive the democratization of professional audio.

Conclusion Kali Audio has established itself as a leading player in the professional audio industry by combining innovation, exceptional sound quality, and affordability. With a diverse product range, technological advancements, unwavering commitment to customer satisfaction, and a promising future outlook, Kali Audio continues to push the boundaries of audio excellence. As the company expands its offerings and reaches new heights, it solidifies its position as a trusted and respected brand in the world of pro audio.

TEST: Kali Audio IN-8

I don't know if everyone has already noticed, but the product policy in the audio sector has changed significantly in recent years. Similar to the software segment, where the user expects a major operating system update at least once a year, the hardware market of the audio sector has also adapted to this expectation of the user and brings in almost the same time interval the versions MKII or whatever you want to call the updated versions on the market. The goal is mostly to fix minor bugs and respond to customer requests, but the main reason is to stay in the conversation in our extremely fast-paced times and to bring the trademark to the user's attention at regular intervals. The California-based developer Kali Audio has also launched the second model series in its IN-8 series and given it the euphonious model name Kali Audio IN-8 2nd Wave.

Structure and further development of the Kali Audio IN-8 2nd Wave

Already the first version of the Kali Audio IN-8 enjoyed great interest in the budget and home recording sector. The reason was probably mainly in the thanks to Chinese manufacturing low retail price of just under 350, - € per box to look for, especially since the reproduction is a 3-way system. Similarly designed systems often start above the 2-way systems and accordingly demand a higher retail price, from therefore a 3-way system in this price segment appears as a real bargain. The Kali Audio IN-8 2nd Wave version puts a price increase of almost 12% on the day, but in return also offers a system upgrade, which goes well beyond the sometimes small "attention updates".

Let's first start with the optical area. The dimensions (H x W x D) of 441 mm x 285 mm x 254 mm in combination with a comparatively low weight of 10.4 kg for this system class has been retained by the box, but the appearance of the speakers has been changed. While the membranes of the 8-inch woofers and 4-inch midrange drivers in the first version were kept in a gloss finish, the 2nd Wave version relies on a classic matte, somewhat more discreet look. Everyone may decide for themselves which finish they like better. The 1-inch tweeter was again due to better phase fidelity and delay alignment in the coaxial principle on the same axis as the midrange and is not visible from the outside. The cabinet retains the combination of MDF, plastic and metal materials, is cleanly finished and gives no reason for criticism.

On the front, the comparatively large bass reflex port catches the eye in addition to the visually appealing concept. A look inside reveals no damping material, but also shows the overall very clean workmanship of the product. A small status LED lights up blue during startup.

In the electronics, Kali Audio has turned several screws to give the 2nd Wave version an advantage over the MKI version. The power of 140 watts (60 watt woofer, 40 watt midrange, 40 watt tweeter) has remained the same, but with a maximum level of 117 dB, the updated version has 3 dB more sound pressure than the first version of the IN-8, which was limited to 114 dB. The frequency range of 37 - 25000 Hz (-10 dB), or 45 - 21000 Hz (+/- 3 dB) has remained the same. Likewise, the generous connection range of XLR (+4 dBu input sensitivity), TRS (+4 dBu input sensitivity) and RCA (-10 dBu input sensitivity) has been retained, which continues to allow maximum compatibility even with simple sound generators in the analog range.

An additional development was made in the area of ambient noise. Some users had complained about the comparatively high background noise level of the system in the MKI version, which, although not unduly high, was clearly audible in very quiet control rooms and thus brought with it a certain restriction in user-friendliness. This has now been remedied with a new amplifier technology, which made it possible to reduce the background noise by 12 dB.

The rear panel

As with other Kali Audio products, the Kali Audio IN-8 2nd Wave has a rich selection of presets, which can be called up using several DIP switches. A total of 8 DIP switches can be used to make very extensive room adjustments, which visually assist the inexperienced beginner in small pictures. DIP switch number 8 activates the RCA jack, which is deactivated in the delivery state for noise reasons. The extensive adjustments make sense, because especially in home recording you rarely have acoustically optimized rooms and you almost never have enough space for optimized speaker placement. The following presets can be activated with the first three DIP switches:

1.) Positioning loudspeaker on speaker stand, distance loudspeaker at least 50 cm from the nearest wall.
2) Positioning loudspeaker on speaker stand, distance loudspeaker less than 50 cm from the nearest wall
3) Positioning loudspeaker on speaker stand, positioning loudspeaker directly on the wall
4.) Positioning loudspeaker directly on the meter bridge
5.) Positioning loudspeakers on the desk with at least 50 cm distance from the nearest wall
6.) Positioning loudspeakers on the desk with less than 50 cm distance from the nearest wall
7) Positioning loudspeakers on the desk directly against the wall
8) Positioning loudspeaker lying on the meter bridge

The DIP switches 4 and 5 can also be used to adjust the low frequency range, respectively 6 and 7 the high frequency range. In addition to a neutral reproduction, you can lower or raise the bass range from approx. 280 Hz by 2 dB each, or raise or lower the treble range from approx. 2800 Hz by 2 dB each. Which frequencies are exactly processed with which DIP circuit and which range, can unfortunately not be seen from the printed pictograms on the back. A somewhat shakily running volume control with o dB rastering and a power socket together with On / Off switch, finished is the rear panel description. Oh yes, the input sensitivity of the system was lowered by 3 dB to ensure better controllability at high output levels.

Although the extensive DIP circuit attracts a lot of attention, as a speaker with an 8 inch woofer really only a stand operation comes into question. For my part, I honestly can not imagine a monitor of this size on the meter bridge or on a desk.


The Kali Audio IN-8 2nd Wave in practice

As always, as a tester, you compare the first sounds that come out of the speakers with your personal reference monitor, to which you are attuned. Secondly, other pairs of speakers are used, often in the low budget range, so that one has a good overview of excellent to grotty. The whole thing is compared with different test tones, voice recordings, reference mixes and own productions.

The Kali Audio IN-8 2nd Wave also leave a first listening impression that is appropriate for their price. The reproduction is quite neutral, although the midrange comes across a bit "hollow", or "bony". What means a corresponding incentive for one and in the classic NS-10 style "What sounds good here, sounds good everywhere" a real challenge, will possibly mean a lack of well-being for the other. The slightly "throaty" basic sound of the Kali Audio IN-8 2nd Wave may generate a linear sound image, but is quite exhausting from the listening impression.

The focus is, as with many other 3-way systems, on the more concise midrange, especially since the well-known midrange hole, which is sometimes noted in the 2-way range, does not occur here. On the other hand, some listeners will be surprised by the correspondingly altered sound, which is much harsher than most other manufacturers are used to.

Interestingly, the system has a rather restrained bass content for an 8 inch woofer, which may be due to the rather tightly clamped cone. At low listening volumes, the woofer shows its strengths, but is overtaken by the low midrange with increasing volume. The low frequency response is good, the stereo imaging satisfactory. It should also be mentioned that the coaxial speaker combination of midrange and tweeter have a very precise radiation, so it's important to make sure that the speakers are at a sufficient distance from the ear, for example in stand mode, or are slightly tilted, otherwise a significant drop in treble is noticeable.

Conclusion

With the Kali Audio IN-8 2nd Wave, the American company introduces a 3-way system for the small purse in its portfolio. The sound is comparatively neutral, the processing options extensive and the connection options very good. If you like the sound of the system, you will get an inexpensive 3-way system for the ambitious budget studio.

Additional informations:

Kali Audio is a renowned company that has made significant strides in the audio industry with its commitment to innovation, exceptional product quality, and customer satisfaction. Since its inception, the company has been at the forefront of revolutionizing audio technology, providing professional-grade audio equipment to a wide range of customers, including music producers, audio engineers, content creators, and audio enthusiasts. This comprehensive report delves into the history, product range, technological advancements, market position, and future prospects of Kali Audio.

Company Overview Kali Audio was founded in 2018 with a clear vision to disrupt the audio industry by creating high-quality, affordable audio equipment. The company is headquartered in Southern California, USA, and boasts a team of passionate audio professionals who are dedicated to pushing the boundaries of audio technology. With an emphasis on transparency, open communication, and user-centric design, Kali Audio has garnered a reputation for delivering exceptional value to its customers.

Product Range Kali Audio offers a diverse range of audio equipment that caters to different segments of the market. The company's product portfolio includes studio monitors, headphones, subwoofers, and other accessories. Kali Audio's studio monitors, such as the LP-6 and LP-8, have gained immense popularity due to their accurate sound reproduction, detailed imaging, and affordability. These monitors utilize advanced DSP technology and custom-designed drivers to deliver an unparalleled listening experience.

Technological Advancements One of the key factors that set Kali Audio apart from its competitors is its relentless pursuit of technological advancements. The company leverages cutting-edge engineering techniques, such as waveguides, acoustic tuning, and Class D amplification, to optimize the performance of its products. Additionally, Kali Audio incorporates digital signal processing (DSP) into its studio monitors, allowing users to tailor the sound output according to their specific preferences and room acoustics.

Market Position and Customer Satisfaction Kali Audio has rapidly gained recognition and market share since its establishment. The company has successfully positioned itself as a trusted brand, providing professional-grade audio equipment at affordable price points. By bridging the gap between affordability and quality, Kali Audio has attracted a diverse customer base, ranging from amateur musicians and podcasters to professional studios and sound engineers. Positive customer reviews and testimonials further solidify the company's reputation for exceptional product performance and customer satisfaction.

Industry Partnerships and Collaborations Kali Audio actively collaborates with industry professionals and organizations to foster innovation and improve its product offerings. The company works closely with renowned audio engineers, music producers, and content creators to gain valuable insights and feedback that inform the development of their products. Furthermore, Kali Audio has partnered with leading technology companies to integrate their products seamlessly with popular digital audio workstations (DAWs) and other audio software.

Future Prospects Looking ahead, Kali Audio is poised for continued success and growth. The company's commitment to innovation and customer satisfaction positions it favorably in an ever-evolving audio market. Kali Audio's future endeavors include expanding its product line, exploring emerging technologies such as immersive audio and wireless connectivity, and further enhancing its global distribution network to reach a wider customer base.

Conclusion Kali Audio has emerged as a disruptive force in the audio industry, challenging the status quo by delivering professional-grade audio equipment at affordable prices. Through its relentless focus on innovation, technological advancements, and customer satisfaction, the company has garnered a loyal following of audio enthusiasts and professionals alike. With a promising future ahead, Kali Audio is set to continue pushing the boundaries of audio technology and redefine the audio experience for users worldwide.

TEST: K&M iPad Mounts

In the meantime, it is more than rare for a company of German origin in the music trade not to have relocated its production facilities abroad for cost reasons, but to maintain or expand jobs in domestic regions. The fact is even rarer when this company is also one of the leading manufacturers, if not the world leader, in its sector. If environmental protection, which is explicitly mentioned in the company's profile, is given central importance as an i-point, one has to search for a very long time to find anything comparable.

Industry insiders have long known who they are dealing with, since the above descriptions only apply to the company König & Meyer, or K&M for short, which has been supplying musicians and musical service providers with accessories of all kinds for over 60 years. In particular, the microphone stands have made it tempo handkerchief immediately to a fixed designation in the music sector and represent a fixed unit of measurement in terms of workmanship, durability and quality.

In the course of the smart conquests of the music market by Apple and its ilk, it was a logical development to design robust, precisely fitting or flexible mounts for the iPad, iPhone or direct competitors such as Samsung, Kindle, etc., which can cope with all possible applications in the everyday life of a musician. The first classical orchestras are now displaying their sheet music on the iPad, and a new market is emerging. As expected, König & Meyer has already thought about this topic.


Design

A total of 7 different designs and applications are available for testing, as there are:

K&M 19712: Is screwed onto a microphone stand instead of the boom, suitable for all stands with 3/8" thread. The holder has a plate of 197 x 253 mm and accommodates the iPad 2, iPad 3 and iPad 4 accurately in both portrait and landscape format. Weight 0.32 kilograms.

K&M 19722: Attaches to microphone stands with a tube diameter of up to 30 mm using a metal side clamp screw design. Plate also measures 197 x 253 mm and accommodates iPad 2 and iPad 3 in both portrait and landscape orientation. Weight 0.72 kilograms.

K&M 19732: Screws directly to a wall via 3 screws. The iPad can be rotated 360 degrees, but cannot be tilted. Plate also 197 x 253 mm and accommodates iPad 2, iPad 3 and iPad 4 in both portrait and landscape orientation. Weight 0.15 kilograms.

K&M 19740: flexible tablet PC holder up to a size of 120 - 220 mm, attachment via a clamping screw on the side. The tablet can be quickly removed and fixed again via tension springs. Tube diameter of the tripod up to 30 mm possible. Weight 0.75 kilogram.

K&M 19742: A tablet tripod holder which can hold not only the iPad but also smaller variants such as the iPad Mini, Amazon Kindle or even the Samsung Galaxy Tab. Fits all tripods with 3/8" thread. Can be used in portrait or landscape format. Weight 0.42 kilograms.

K&M 19745: Universal smartphone and MP3 player holder for devices between 46 - 76 mm wide. Fixation via tension springs, tube diameter of the stand up to 30 mm possible, usable also in portrait or landscape format. Weight 0.18 kilogram.

K&M 19752: very robust table tripod for the iPad 2, iPad 3 and iPad 4. A solid steel base provides the iPad with a secure stand and can be individually adjusted in inclination. In addition, rubber feet have been placed on the underside to protect the surfaces. Weight 1.28 kilograms.

All products are manufactured in black and have a surface sealing, which protects against oxidation. The workmanship is classic König & Meyer in all areas, meaning the quality of the individual components and their processing is at the highest level.




Practice

If you take the individual products in hand, it quickly becomes clear why K&M enjoy such an excellent reputation in the scene. Nothing wobbles here, nothing rattles here, only solid sheet metal, abrasion-resistant hard rubber and even the plastic parts used have nothing of inferior plastic, which is often used by competitors.

All mounts fit snugly around the iPad and give the tablet the necessary stability, or rather hold. The iPad, for example, is first inserted into the lower guide holders and then fastened at the top via a clip. Due to the exact fit, the iPad has to be removed from a possibly used protective case beforehand. It is also very nice that all existing ports such as USB connector and headphone jack are not covered by the holder in any way and are freely accessible, for example, to ensure the power supply during the performance.

Also the flexibly designed mounts for other tablet manufacturers suggest a long service life due to the valuable individual components. No matter whether you want to use your tablets / smartphones for the purpose of note reproduction, mini telepromter for texts, remote control for mixing consoles or simply for reading, K&M has at least one suitable holder for all uses in the program.

If I remember correctly, the first microphone stand I bought over 30 years ago was a K&M stand. It has more than 3 decades of hard rock'n'roll behind it in sometimes dirty rehearsal rooms and dirty club stages and is still doing its job in my recording studio today. So much for durability.




Conclusion

There are a lot of manufacturers that offer stands for the iPad, with the consumer products being at the forefront. When a product is introduced to the market, they are ready at the drop of a hat and vie for the buyer's favor with flashy colors, plush surfaces and mostly simple plastic components.

Once a product has established itself and is able to gain a foothold in the professional and semi-professional sectors of the music world, the next level of the accessories industry enters the scene. K&M covers this level with its rich product range from the current iPad to the smartphone in terms of professional mounts.

All mounts impress with very high quality, best workmanship, long durability and once again consolidate the core statement of the label "Made In Germany". Not for nothing König & Meyer gives a warranty of 5! Years, one would not be more than sure of the quality of its products.

Unreservedly recommended, top score!

Additional informations:

- König & Meyer (K&M) is a renowned German company specializing in the manufacturing and distribution of high-quality music stands and accessories. With a rich history spanning over 70 years, K&M has established itself as a global leader in the industry, catering to the needs of musicians, orchestras, and music enthusiasts worldwide. This report provides an in-depth analysis of K&M, covering its history, products, market presence, innovation, sustainability initiatives, and future prospects.

Company History and Overview König & Meyer was founded in 1949 by Karl König and Erich Meyer in Wertheim, Germany. Initially, the company focused on producing piano benches and stands. Over time, K&M expanded its product range to include music stands, instrument stands, microphone stands, and various accessories for musicians. Today, the company's headquarters and production facilities are still located in Wertheim, showcasing their commitment to local manufacturing.

Product Portfolio K&M offers a diverse range of products, each meticulously designed and crafted to meet the needs of professional musicians and music enthusiasts. Some of their key offerings include:

Music Stands: K&M produces an extensive selection of music stands, including orchestral stands, conductor's stands, and portable stands. These stands are known for their durability, stability, and ergonomic design.

b) Instrument Stands: The company manufactures instrument stands for a wide range of instruments such as guitars, keyboards, brass instruments, woodwinds, and more. These stands are engineered to provide optimal support and protection for instruments during performances or storage.

c) Microphone Stands: K&M offers a variety of microphone stands, including boom stands, desktop stands, and floor stands. These stands are designed to provide stability, adjustable height, and versatility for different recording or live performance scenarios.

d) Accessories: K&M also produces a range of music accessories like music lights, equipment holders, tablet holders, and carrying cases, catering to the evolving needs of musicians in the digital age.

Market Presence K&M has established a strong global presence with their products being highly regarded in the music industry. Their commitment to quality and precision has earned them a loyal customer base, including professional musicians, orchestras, music schools, and retailers. The company's products are distributed worldwide through a network of authorized dealers, ensuring accessibility for customers in various regions.
Innovation and Technology K&M has consistently demonstrated a focus on innovation and technological advancement. The company invests in research and development to enhance their product offerings and incorporate the latest advancements in materials, design, and functionality. Their innovative features include ergonomic adjustments, quick setup mechanisms, lightweight materials, and compatibility with modern devices like tablets and smartphones.

Sustainability Initiatives König & Meyer places a strong emphasis on sustainability and environmental responsibility. They strive to minimize their ecological footprint by using environmentally friendly production processes, optimizing energy consumption, and employing sustainable materials whenever possible. K&M is committed to complying with international environmental regulations and continuously improving their sustainability practices.

Awards and Recognitions K&M's dedication to quality and innovation has been acknowledged through numerous awards and recognitions. Their products have received prestigious accolades for design, functionality, and craftsmanship, solidifying their reputation as a leader in the industry. These awards serve as a testament to the company's commitment to excellence.

Future Outlook Looking ahead, K&M is poised to continue its growth and maintain its position as a leader in the music stand manufacturing industry. By staying true to their core values of quality, innovation, and sustainability, K&M will continue to meet the evolving needs of musicians and adapt to changing market dynamics. The company's dedication to customer satisfaction and their ability to anticipate industry trends will be instrumental in shaping their future success.

Conclusion König & Meyer has firmly established itself as a leading manufacturer of music stands and accessories, garnering a global reputation for excellence. With a rich history, diverse product portfolio, commitment to innovation, and sustainability initiatives, K&M continues to provide musicians with top-tier products that enhance their musical experience. As the company forges ahead, its unwavering focus on quality and customer satisfaction ensures a promising future in the music industry.


- iPad holders, also known as tablet holders or mounts, are accessories that allow users to securely attach their iPad or other tablet to a variety of surfaces. They come in a range of styles, sizes, and materials, each offering unique advantages and features.

One of the key benefits of using an iPad holder is the increased convenience and accessibility it provides. With the ability to mount an iPad in various locations, users can free up their hands and maintain a comfortable viewing angle while working or consuming multimedia content. Additionally, iPad holders can help protect the device from damage by keeping it secure and limiting the risk of drops or accidents.

Several types of iPad holders are available to suit different needs and preferences. For example, some holders attach directly to a flat surface using screws or adhesive pads, while others use adjustable clamps to secure the device to an object. Some holders are designed to be portable and easy to use on the go, while others are intended for more permanent installations.

Another important consideration when choosing an iPad holder is the size and weight of the iPad or tablet being used. Most holders will accommodate a range of different device sizes, but it is important to check the specifications to ensure that the holder will fit your specific device model.

The materials used in iPad holders can also vary, with some made from lightweight plastics or metals, while others may be made from more durable materials such as aluminum or steel. The choice of materials will depend on the intended use of the holder and the level of protection required.

In summary, iPad holders are incredibly useful and versatile accessories that can enhance productivity and improve the user experience when using an iPad or tablet. With a range of styles and features available, there is sure to be an iPad holder to suit any need or preference.

TEST: Joyo Zombie II

I can vividly imagine how much the development departments of amplifier manufacturers have tried in recent years to shrink the last major component of the signal chain, the loudspeaker, to a minimum for the sake of transportability and have so far always failed. Moving air is a completely different construction site than, for example, the amplifier between the instrument and the speaker. If this were to succeed, tops such as the Joyo Zombie II on test would gain a completely different status than is already the case.

Construction and conception of the Joyo Zombie II

The guitarist of today fights an eternal battle between the priorities of sound and transportability. Without a doubt, the classic all-tube heads have by far the best sound, depending on the manufacturer and model, but they also make you pay for it with corresponding manufacturing, maintenance and transport costs. In addition, there is nothing more annoying than having to heave the massive backline into the band bus after the show, if possible alone, because all the band mates have long since gone over to the after-work beer or the shaker hour.

I also started to use portable and powerful analog amps for the airshows, to make me independent from the locally rented, but partly completely unmaintained amps. What I got on stage in Russia or South America is beyond description. However, in order to preserve the fun of a top and still be able to work with the smallest dimensions, the Chinese company Joyo with its banTamP (no typo!) Series relies on a dwarf army of now 13 different types, which all have the same housing dimensions of just 163 mm x 140 mm x 110 mm and go into the race with only 1.3 kg weight.

The Joyo Zombie II available for testing even has a dual-channel design and can be switched using the included footswitch and a connecting cable or via a mini-switch on the front of the case. The output power is specified as 20 watts at 8 ohms, whereby Joyo explicitly points out not to go below this number of ohms. A look inside the case reveals a lone 12AX7 tube, which quickly puts the "Tube Amp" designation into perspective. As expected, one cannot expect a full tube design at a retail price of only €149, especially since the technical requirements could not be met with this amount of space. So if you drive the Joyo Zombie II through a 16 Ohm speaker, you have to consider that due to the Class D power amplifier the power is reduced by about half again, i.e. the maximum volume decreases by almost 12%.

However, the amp is certainly cute, especially since the massive steel carrying handle could easily manage 20 times the weight. The case is crisscrossed by several air vents to be able to dissipate the waste heat of the preamp tube, whereas the waste heat of a single 12AX7, respectively ECC83 should not be a real challenge. Unpacking the product, a slight "scent" of rail sill and flexed metal emanated from the package, as if the amp had been packaged while it was still cooling down. Manly! :-) Included with the Joyo Zombie II is a speaker cable, foot switch cable, footswitch and external power supply.

The front

The front of the Joyo Zombie II takes advantage of the limited space available without being crowded. The two channels have the same three controls, which are divided into Gain, Tone and Volume. The manufacturer has probably omitted a real three-band tone control for cost reasons. The controls are very pleasantly heavy-handed, so that an accidental adjustment of the other controls is avoided due to the tight space conditions. Below the aforementioned manual channel selector is a Bluetooth On / Off switch, which allows you to wirelessly add your Bluetooth device to the guitar signal as an external sound source if needed. Three LEDs inform about the channel selection and the operating status. The input jack and the power switch, which is also designed as a mini switch, form the final part.

The back

On the outer left is a comparatively large Bluetooth antenna, which probably didn't find room inside the case due to space and shielding reasons. This is a discreet drawback, since it runs the risk of being bent due to its exposed position, but it can be unscrewed for transport. Next to it is the input socket of the included 18V / 2.0 A power supply, whereby the plug sits firmly, but unfortunately a bit wobbly in the socket. Next to the speaker output is the footswitch input, a headphone output which switches off the speaker as expected, and even a serial FX loop is present, a feature rarely found in this performance class. The headphone output is frequency corrected, reducing the sawing highs that would otherwise occur without the inertia of the speaker. The small amp rests on four comparatively large feet, but their rubber compound is a bit hard, so that the light amp quickly starts to slip. If you place the amplifier on top of a speaker, make sure that the cable entry has an appropriate strain relief.

The Joyo Zombie II in practice

I have to admit, the little guy has something, if he would be colored a little bit more yellow, you could build a bridge to the Minions. Put the amp on a 412 cabinet and you have the laughs on your side. But only until you switch on the amp, which is indicated by a blue LED on the right side of the front panel. he power that comes out of the speaker is something you wouldn't expect from the dwarf. The approx. 10 watts, which the amp pushes out of my 16 Ohm 412 Marshall Vintage guitar cabinet, are actually enough to play a club gig, provided you don't have a drummer who plays too dynamically and he still uses a "real" acoustic set.

Although the amp is often regarded as a pure practice amp, in my opinion this sells the amp short. Well, in terms of tone control, you have to make a few concessions in relation to the Tone control, since this is more a pure treble blend and also the bass range is the pipsqueak a little weak on the chest, but for such areas, if necessary, you can gladly place a 7-band EQ before the amp or also in the FX loop. Switching between the two channels is accompanied by a slight crackle, but this is still within limits in practice.

The tonal orientation of the amp is dubbed a "defined high-gain amp" (is there also an undefined high-gain amp ???), which can be recognized by the fact that the amp can only produce crunch sounds with the volume control turned down. Even with minimal gain, the amp already achieves lead sounds, so that you can use overdrive or distortion pedals almost exclusively in the clean channel. In principle, there is nothing negative to say about this, I myself like to create crunch sounds very much with the volume control, but at higher gain settings the amp produces a not insignificant background noise level, which can only be controlled with a noise gate in the FX loop.

From the haptic approach, the Joyo Zombie II clearly strives in the direction of the Nano Heads from Hughes & Kettner, but does not quite reach their sonic quality, but has the Bluetooth connection, a two-channel design and the FX loop in the bag. Nevertheless, one must attest the amp a really good basic sound, which goes far beyond the level of other "dwarf heads". In addition, the amp reacts quite well due to the analog preamp tube to the level of the guitar, so that you can already drive a lot of sound via the volume control.

Depending on the pedalboard size, the amp could theoretically even be mounted on a floorboard, although there could be some problems with the height. From the cable length of the power supply, however, you can place the amp on a 412 cabinet and the power supply on the floor. A fullstack, on the other hand, won't work anymore, but probably won't be the amp's primary use either :-)))

Conclusion

With the Joyo Zombie II, the Chinese manufacturer has a tiny head in its portfolio that has it all. With its tiny dimensions, it fits in any pocket and is suitable for both practice and club show applications due to its two-channel orientation.

If you're looking for an ultra-portable, great-sounding top and can stand the laughs of your bandmates, you should give this amp a try.

Additional informations:

Joyo Amplifier is a renowned company specializing in the design and manufacturing of guitar amplifiers and effects pedals. Established in 2006, Joyo has quickly gained recognition in the music industry for its commitment to producing high-quality products at affordable prices. This comprehensive report will delve into the world of Joyo Amplifier, exploring its history, product range, notable features, and its impact on guitarists worldwide.

History and Vision: Joyo Amplifier was founded with the vision of providing musicians with accessible and reliable amplification solutions without compromising on sound quality. The company's roots can be traced back to China, where it began as a small enterprise. Over the years, Joyo has grown exponentially, expanding its product lineup and establishing a strong presence in the global market.

Product Range: Joyo Amplifier offers a wide range of guitar amplifiers and effects pedals, catering to the diverse needs and preferences of guitarists. Let's explore some of the notable product categories within the Joyo lineup:

Tube Amplifiers: Joyo's tube amplifiers combine vintage-inspired design with modern features. These amplifiers utilize vacuum tube technology to deliver warm and rich tones sought after by many guitarists. They offer various power options, ranging from low-wattage practice amps to high-powered models suitable for live performances.

Solid-State Amplifiers: Joyo's solid-state amplifiers provide a reliable and cost-effective solution for guitarists. These amplifiers use transistors instead of vacuum tubes, offering increased durability and portability. Solid-state amplifiers from Joyo are known for their versatility, delivering a wide range of tones suitable for various music genres.

Modeling Amplifiers: Joyo's modeling amplifiers integrate digital technology to emulate the sound characteristics of different amplifier models and effects pedals. These versatile amps allow guitarists to access a wide range of tones, from classic vintage sounds to modern high-gain tones. Modeling amplifiers often feature built-in effects, multiple channels, and connectivity options for seamless integration with recording and performance setups.

Effects Pedals: Joyo Amplifier is also renowned for its extensive range of effects pedals. From overdrive and distortion to modulation, delay, and reverb, Joyo offers a diverse selection of pedals to enhance the guitarist's sound palette. These pedals are highly regarded for their affordability, durability, and authentic tones, rivaling more expensive options on the market.

Notable Features and Innovations: Joyo Amplifier stands out in the industry due to its commitment to innovation and the incorporation of advanced features. Some noteworthy features and innovations found in Joyo products include:

Compact and Portable Design: Many Joyo amplifiers and effects pedals are designed with portability in mind. They are lightweight, compact, and ideal for both studio use and live performances, making them popular choices for gigging musicians and traveling guitarists.
Versatility: Joyo products are known for their versatility, offering a wide range of tones and effects. Guitarists can easily dial in their desired sound, whether it be classic vintage tones, modern high-gain distortion, or ambient textures. This versatility allows musicians to explore different musical genres and adapt to various playing styles.

Durability and Affordability: Joyo Amplifier prides itself on producing products that are built to last. Despite their affordable price points, Joyo amplifiers and effects pedals are constructed with high-quality components, ensuring reliability and longevity. This combination of durability and affordability has made Joyo a preferred choice for musicians on a budget.

Integration with Digital Technology: Joyo has embraced digital technology, incorporating features such as USB connectivity, Bluetooth connectivity, and smartphone apps for enhanced control and flexibility. These advancements enable musicians to streamline their recording and performance workflows, opening up new creative possibilities.

Impact and Reputation: Joyo Amplifier has gained a solid reputation among guitarists, both amateur and professional, around the world. The company's dedication to producing quality products at affordable prices has made high-quality amplification and effects more accessible to a broader audience. Joyo's products have garnered positive reviews for their reliable performance, authentic tones, and value for money.

Conclusion: Joyo Amplifier has emerged as a prominent player in the guitar amplification market, offering musicians a diverse range of amplifiers and effects pedals that combine quality, versatility, and affordability. With its commitment to innovation, durability, and customer satisfaction, Joyo has earned the trust and admiration of guitarists worldwide, empowering them to shape their sound and creativity without breaking the bank.

TEST: JBL LSR2325P

Nearfield monitors as far as the eye can see! Have you ever noticed what a huge selection there is in this segment? At this point at the latest, you realize how many commercial productions now come from project studios. Even if it pains me as one of the representatives of the old school, the time of the "big" studio complexes in the hands of internationally operating record companies is over. These constructions are now only brought out like the Rolls Royce Phantom of the British Queen for representation purposes or are maintained and serviced internally as depreciable objects.

The second guard, who use near-field monitors as A-monitors, is already in the starting blocks and is currently being considered by the industry with products like no other clientele, especially since the products are again divided into series and come with changing speaker configurations / power outputs, but the same conception on the market. In short, something is happening in the country.

The low-priced consumer league up to about 300 Euros is very competitive, with every top dog offering at least one product for the consumer's favor. Long-time comrade of the ultimate sound, James Bullough Lansing, also offers a product in this weight class, which we will take a closer look at today, the LSR 2325P.


Design

The single LSR 2325P box comes with a weight of 6.8 kg and the dimensions 298 mm x 197 mm x 248 mm (HxWxD), which corresponds to the current standard. Only the four mounting points on the underside deviate a bit from the standard equipment. There is also a soft rubber plate on the bottom, which acoustically decouples the box from the installation point.

The LSR 2325P is active and has a 5 inch woofer (55 watts, Class A-B) , which is suspended medium-tight and a 1 inch dome tweeter (35 watts, Class A-B), which has an elliptical radiation. Due to this cabinet design, the speaker should only be used in an upright position, not in a lying position!

According to factory specifications, the speaker covers a frequency range of 60 Hz - 18 kHz with a maximum peak SPL of 112 dB. The magnetically shielded box has the usual inputs such as XLR & jack balanced and RCA unbalanced. Via two (somewhat wobbly) mini sliders, one can make a tweeter adjustment (7 kHz shelving) and a low frequency adjustment (120 Hz shelving) of +/- 2dB each.

The maximum volume can be adjusted in small increments via a volume control on the back. The power plug and fuse, a voltage selector switch and the On/Off switch, which is unfortunately also on the back, complete the inventory.


Practice

OK, I admit it, I have always liked JBL from the sound. Even if many colleagues had always set their preferences rather with the variant "Bright-As-Light"-Genelec and consorts, I preferred the rather "dark" sound, which has established itself with almost all JBL products as a trademark. How often have I received smiling looks when I told that a Control One with loudness switching on a Kenwood HiFi amplifier is my main monitor in the mix?

This basic orientation continues with the LSR 2325P. From the very first sounds coming out of the domes, you can hear the more discreet basic design. Especially in the bass below 120 Hz and in the treble range above 5 kHz, JBL doesn't come across as pretentious as many representatives from the direct competition.

The trebles are pleasantly discreet, even if the low frequencies suffer a bit from the design. Not that the stereo image is too two-dimensional, but in direct comparison, some direct competitors reach a bit deeper into the room. The bass problem (bass reflex channel to the rear) has been solved well, the notorious low rumble can be kept well under control with a neutral sound setting.

In general, the two LF and HF switches are conspicuously restrained in their mode of operation and actually only set contours to adjust the monitors to the personally preferred sound sensation. But now we come to the highlight of the monitor, the midrange reproduction.

As some readers probably know, my specialty lies in the field of guitar music, gladly also of the somewhat more violent kind. As almost everyone knows, the recording and playback of a distorted electric guitar in particular presents every sound engineer with the highest demands. Due to the highly compressed reproduction and, depending on the recording technique, the quickly harsh and sharp sounding high frequency range, the mixing of a metal production on a Genelec monitor, for example, turns out to be a real challenge.

What turns out to be a perfect tonal enrichment in the dance / electro / pop area, sometimes becomes a heavy burden in the guitar area. One is constantly inclined to filter out highs, as the guitars scratch like an ice scraper on the windshield in winter. No matter how hard you try, no matter how you tweak the filters, anything between 4 - 7 kHz just gets on your nerves, to say the least!

Here the LSR 2325P can show their full strength. Even heavily distorted guitars sound "embedded" and do not stick out unpleasantly from the frequency image. Due to the moderate, neutral reproduction in the high-mid range, dynamics can be easily understood even with dead-compressed instruments and placed accordingly in the mix.

Especially in the rock / metal area, where both the instrumentation, as well as the tonal range of application does not serve the frequentielle low-end and high-end range at all, one is grateful for a monitoring, which gives you what you need. Even if you always have to struggle a bit with a monitor, after all, it's their job to generate as linear a reproduction as possible, so that the final production sounds tolerable even on the last crappy car radio and the squawking iPod earphones, a minimum of "feel-good factor" supports the performance of the sound engineer / producer / sound engineer immensely, which in turn is very beneficial to the final result.

The impulse fidelity of the speakers is good, medium listening volumes are mastered by the construction without any problems.



Conclusion

The JBL LSR 2325P leave me with a very good impression. Frequency-wise free of extreme high end and extreme low end, the monitor is especially recommended for guitar-heavy styles in pop, rock and metal, without leaving out other types of productions.

Tonally neutral, equipped with the typical JBL "dark" timbre, the product knows how to stand out from the "fine" radiation of its competitors and opens up a near-field monitor for producers, which does not turn out to be the umpteenth copy of the protagonist from Finland.

Respect!

Additional informations:

- JBL (James Bullough Lansing) is a renowned audio equipment company that has been at the forefront of the industry for decades. Founded in 1946 by James B. Lansing, JBL has consistently strived to provide consumers with cutting-edge audio solutions, delivering exceptional sound quality across various product categories. With its commitment to innovation, JBL has become a globally recognized brand, trusted by professionals, musicians, and audio enthusiasts alike.

Historical Background: JBL's journey began in Los Angeles, California, when James B. Lansing, a prominent audio engineer, founded the company. Lansing's vision was to develop speakers and audio systems that would redefine the industry's standards. JBL's early years were marked by groundbreaking innovations, including the development of the first two-way studio monitor and the introduction of the first high-frequency compression driver.

Industry Leadership and Innovations: Over the years, JBL has solidified its position as an industry leader by consistently pushing the boundaries of audio technology. The company's commitment to research and development has resulted in numerous groundbreaking innovations. Notably, JBL pioneered the development of high-quality loudspeakers for both professional and consumer markets.

JBL's product lineup spans various categories, including home audio, professional audio, portable speakers, headphones, and car audio. Let's explore some of JBL's notable innovations within these categories:

Home Audio: JBL offers a wide range of home audio solutions designed to enhance the listening experience. The company's flagship products include floor-standing speakers, bookshelf speakers, soundbars, and subwoofers. JBL's home audio systems combine stylish designs with cutting-edge technology, delivering immersive sound reproduction that brings music and movies to life.

Professional Audio: JBL's professional audio equipment is trusted by musicians, sound engineers, and venues worldwide. The company's product portfolio includes high-performance loudspeakers, studio monitors, amplifiers, and mixing consoles. JBL's professional audio solutions have set the standard for clarity, precision, and durability, making them a top choice for live performances, recording studios, and large-scale events.

Portable Speakers: JBL has revolutionized the portable audio market with its range of Bluetooth speakers. These portable speakers are compact, lightweight, and deliver exceptional sound quality. With features like waterproofing, long battery life, and built-in voice assistants, JBL portable speakers are perfect for outdoor adventures, parties, and on-the-go entertainment.

Headphones: JBL's headphone lineup includes a diverse range of options, catering to different listening preferences. From wireless over-ear headphones to true wireless earbuds, JBL headphones are known for their comfortable designs and impressive sound performance. Many models incorporate noise-canceling technology, allowing users to immerse themselves in their favorite music without distractions.

Car Audio: JBL's expertise extends to the automotive industry, where the company has established itself as a leader in car audio solutions. JBL car audio systems offer powerful amplifiers, high-quality speakers, and advanced sound processing technology. These systems provide a premium audio experience for drivers and passengers, enhancing the enjoyment of every journey.

Brand Partnerships and Collaborations: JBL has forged strategic partnerships with prominent brands and organizations, further strengthening its position in the market. Notable collaborations include partnerships with musicians, such as Quincy Jones and Harman Kardon, as well as associations with major events like the GRAMMY Awards and music festivals around the world. These collaborations demonstrate JBL's commitment to delivering exceptional sound experiences and fostering creative expression.

Conclusion: JBL's rich history, commitment to innovation, and relentless pursuit of audio excellence have made it a force to be reckoned with in the industry. The company's diverse product portfolio caters to the needs of various audio enthusiasts, from professionals to casual listeners. With its cutting-edge technology, superior sound quality, and stylish designs, JBL continues to shape the future of audio and deliver unforgettable listening experiences for customers worldwide.

- Nearfield monitors, also known as studio monitors or reference monitors, play a crucial role in professional audio production, mixing, and mastering. These specialized speakers are designed to provide accurate and transparent sound reproduction, allowing audio engineers and producers to make critical decisions based on what they hear. In this comprehensive report, we will delve into the world of nearfield monitors, exploring their purpose, design principles, features, and the significance of accurate audio monitoring.
Purpose and Importance of Nearfield Monitors: The primary purpose of nearfield monitors is to provide a reliable and precise representation of audio signals in a controlled listening environment. They are designed for close-range listening, typically placed within a meter of the listener, hence the name "nearfield." This proximity allows the listener to hear the direct sound from the speakers, minimizing the impact of room acoustics and reflections.
Accurate audio monitoring is crucial in various stages of audio production, including recording, mixing, and mastering. Nearfield monitors offer a balanced and uncolored sound reproduction, enabling engineers to detect subtle details, frequency imbalances, stereo imaging, and dynamics accurately. The goal is to ensure that the final audio product translates well across different playback systems, from home speakers to car audio and professional venues.

Design Principles and Features:
Frequency Response: Nearfield monitors are engineered to have a flat frequency response, meaning they reproduce sound equally across the audible frequency spectrum (20Hz to 20kHz). This characteristic ensures that audio engineers can hear all elements of the mix accurately, without any undue emphasis or attenuation of specific frequencies.
Driver Technology: Nearfield monitors typically employ two types of drivers - woofers and tweeters. Woofers handle the lower frequencies, while tweeters reproduce the high frequencies. These drivers are carefully designed to provide a wide frequency range, low distortion, and precise transient response.

Enclosure Design: Nearfield monitors often feature a sturdy, non-resonant enclosure to minimize unwanted vibrations and resonances that could color the sound. The cabinet design may incorporate specialized internal bracing and damping materials to further enhance clarity and accuracy.

Amplification: Many nearfield monitors have built-in amplifiers that are specifically matched to the speaker drivers. This integration ensures optimal performance and allows for precise control over the power sent to each driver, resulting in accurate sound reproduction.

Controls and Adjustments: Nearfield monitors often include various controls and adjustments to tailor the sound to the specific listening environment. These can include room compensation switches, high- and low-frequency adjustments, and input sensitivity controls.

Significance of Accurate Audio Monitoring: Accurate audio monitoring is crucial for several reasons:
Precise Mixing and Mastering: Nearfield monitors provide audio engineers with a reliable reference point for making critical decisions during the mixing and mastering processes. By hearing the mix accurately, engineers can ensure that the balance, tonality, and spatial placement of audio elements are optimized for various listening environments.
Identifying Issues and Artifacts: Nearfield monitors reveal imperfections, phase cancellations, resonances, and other anomalies that may not be apparent on consumer-grade speakers or headphones. This allows engineers to address and rectify these issues, resulting in a polished and professional audio production.

Consistency Across Playback Systems: Nearfield monitors help audio professionals create content that translates well across different listening devices, ensuring a consistent and enjoyable experience for the end-user.

Conclusion: Nearfield monitors are indispensable tools in the world of professional audio production. By providing accurate and transparent sound reproduction, these specialized speakers enable engineers and producers to make informed decisions, identify issues, and create high-quality audio content. With their precise design, flat frequency response, and meticulous craftsmanship, nearfield monitors play a pivotal role in achieving exceptional sound quality and ensuring the fidelity of audio productions across diverse playback systems.

TEST: JBL LSR 705P

When you talk about a product of the first hour, the name JBL inevitably comes to mind. Even when I was a little boy, almost everything that impressed sonically, was in some form associated with the three big letters of the founder James Bullough Lansing, whether it was the aluminum dome speakers in the Fender Twin Reverb, the famous "butt cheeks" of the 44 studio monitors or last but not least, the legendary Control 1, with which I myself have driven countless productions and which incidentally probably developed into the most popular restaurant sound system of all time. With the JBL LSR 705P, the US manufacturer now incorporates some components from its high-end M2 series in the ultra-compact monitors of the project studio class.

Even if one can not help but think that the great times of JBL in the professional studio monitor sector have been replaced by car hi-fi and Bluetooth speakers, the Professional Series still enjoys great esteem in the pro camp. To what extent this claim can also be saved in the class just under 1000, - € retail price over, should show this test.

Structure and construction of the JBL LSR 705P

When you take the JBL LSR 705P out of its packaging, the monitor's field of application is revealed immediately after looking at the dimensions. Due to its slim appearance, the near field monitor is especially suitable for desktop use, where it is known that the room is usually a bit "stuffed". Here, the product can score with the dimensions (H x W x D): 268 mm x 151 mm x 274 mm and a weight of a moderate 5.68 kg. Unfortunately, the box is delivered without any feet or foam pads, so it's only a matter of time until the underside of the case and on the support surfaces show the first scratches and scuffs. For me personally, this is unacceptable in this price range.

That this is not a toy, however, already shows the performance data of 2x 250 watts per box, which are controlled by a processor. In addition, each box offers an AD / DA converter, which is also necessary due to the analog and digital connections (AES / EBU) designed in interlocked XLR. The digital input can be looped through in daisy chain via an output also designed in XLR. As another special feature, the JBL LSR 705P has an RJ-45 connector that can access the Harman HiQnet network to manage filter and delay functions via remote control.

On the back is the control center of the JBL LSR 705P, which consists of a jog wheel, three buttons and a narrow display. This allows extensive settings to optimize the system for the respective application. For example, delays can be set to compensate for different run times in unbalanced setups, or filter settings for room optimization or video synchronization. All these settings can be stored and assigned with separate names. A very flexible alignment is guaranteed!

The JBL LSR 705P in practice

Due to the very small dimensions, one is tempted to place the JBL LSR 705P in close proximity to the listening position, but in many respects this is too short-sighted. On the one hand, the radiation pattern of the tweeter promises a high signal fidelity even from a greater distance due to its comparatively tight bundling of the signal, on the other hand, one should once again recall the power data of just under 500 watts per speaker, which clearly tends more towards midfield than nearfield.

In general, you can't get rid of the impression that JBL actually sees the tiny speaker as an A monitor, which explains the extremely ambitious performance data on the one hand, as well as the extremely extensive frequency response of 40 Hz - 36 kHz despite a comparatively small woofer of only 5 inches, whereby everything above 20 kHz serves as "thick pants" for the manual. Actually, you could save such data for the consumer sector, for me, such information always creates a bland aftertaste.

Visually, however, the JBL LSR 705P can hardly be undercut in terms of inconspicuousness. The matte black housing fits perfectly into any working environment and since the bass reflex port is on the front, you can even get comparatively close to a solid wall with the housing. By the way, JBL sells the speakers individually, which suggests their use for multi-channel productions.

In order to test the monitors directly for their performance in the midfield range, the speakers were not placed to the right and left of the monitor as usual, but they were allowed to make themselves comfortable above my current A monitor from Eve Audio. A sight for the album, if you take the almost 6 times larger Eve Audio behemoths in direct comparison, which offer with their 800 watts only about 30% more power than the JBL dwarfs.

The distance to the listening position is just under 180 cm, the distance to the wall behind it is 200 cm. A Palmer Monicon acts as the master volume control, and all the cabling is from Cordial. The control room is moderately damped with Basotect panels and was covered with a short-pile carpet.

Already with the first notes from the JBL LSR 705P one feels a clear bundling of the high frequency range, which on the one hand somewhat limits the sweet spot of the isosceles triangle, but on the other hand also ensures a better stereo image at greater distances. Again, the tendency towards midfield monitoring is unmistakable.

Let's go a bit more into detail. Even with the first songs, it's really hard not to lose sight of what a small monitor you have in front of you. Especially the bass range creates a volume and a frequency response that you wouldn't expect from a 5 inch speaker. Even if the built-in processors generate significantly more efficiency than, for example, a passive system, I would not have trusted the system with this volume. Last but not least, the high power reserves give the system a headroom that still allows a great linearity in the frequency response even at higher volumes.

The 40 Hz mentioned in the manual are actually also touched, which even makes the purchase of a subwoofer obsolete, depending on the music style. Whether bass-heavy productions from the "artificial" metier a la techno or hip-hop are satisfied with this, every sound engineer must clarify with himself, "natural" music from the rock / pop / jazz camp should have no problems with this bass range.

The high-frequency range of the JBL LSR 705P, on the other hand, comes across very sober, which is by no means to be understood negatively. Neither is the range excessively soft and flattering, nor too harsh or biting, just sober. The Image Control Waveguide adopted from the M2 leaves me with a very good impression, even if the listening position must be maintained somewhat more disciplined than with other models.

Now we come to the area for which JBL offered a legendary basic sound in many of its models, the mids. Particularly for guitar-heavy productions, JBL has always had a tick' more in the 400 Hz - 1.6 kHz range than the comparable competition in recent decades. This is no longer the case with the JBL LSR 705P. Not that the mids are in any way flawed, but in terms of "warmth" and "smoothness," JBL has matched the general listening expectations.

Also, in terms of spatial resolution, it is clear that despite the highest optimization of all components, it is not possible to expand the soundstage beyond a certain point in terms of dispersion. While spatial depth may be far down the priority scale in modern productions anyway due to the sonic material and mastering parameters, it represents an important point in space-affine productions from the jazz and blues area. Here, the JBL LSR 705P has to be given slight marks, since the system does not succeed optimally in generating a perfect transition from the direct component to the reverb tail. The room is clearly perceptible, but the feeling of "immersion" does not want to fully set in.

What can be adjusted very well, on the other hand, are the different ways in which the system can be used. Any form of synchronization or also different runtimes due to different distances can be managed very well. The small display, which was criticized by some colleagues, didn't bother me personally, especially since you don't constantly change a configuration once it has been set.

Conclusion

With the JBL LSR 705P, the American manufacturer delivers a nearfield monitor whose performance data easily radiates into the midfield range. The sound of the Mexican-built system is convincing all along the line, whereby a preference for modern music genres is undoubtedly perceptible. Despite the ambitious price, the accommodation of several purchase arguments such as digital inputs, various synchronization, filter and delay programs in a virtually tiny housing seems to me to be worth the price.

Additional informations:

JBL, an abbreviation for James Bullough Lansing, is a renowned American audio electronics company that has left an indelible mark on the audio industry since its inception in 1946. The company has consistently delivered exceptional sound quality, cutting-edge technology, and a wide range of products that cater to various audio needs. This comprehensive report aims to provide an in-depth analysis of JBL, encompassing its history, product portfolio, innovative advancements, market presence, and customer satisfaction.

Historical Overview: JBL was founded by James Bullough Lansing, a pioneering audio engineer with a vision to create the highest-quality audio equipment. The company started as Lansing Manufacturing Company, specializing in loudspeaker systems for cinemas, theaters, and other venues. In 1946, Lansing left the company and established JBL to focus on creating innovative and consumer-oriented audio solutions.

Product Portfolio: JBL offers an extensive array of products, including loudspeakers, headphones, soundbars, subwoofers, and professional audio equipment. JBL's loudspeaker lineup comprises various categories, such as home audio, portable speakers, professional audio, and car audio. The company's headphones range from wireless Bluetooth options to noise-canceling models, providing immersive and high-fidelity audio experiences for consumers.

Innovative Advancements: JBL has consistently pushed the boundaries of audio technology, leading to groundbreaking advancements in the industry. The company has introduced several innovative features in its products, including:

JBL Connect+: This technology allows users to connect multiple JBL speakers wirelessly, creating a synchronized audio experience across multiple devices.

b) Noise-Canceling Technology: JBL has incorporated advanced noise-canceling algorithms into its headphones, minimizing external disturbances and enhancing the audio quality.

c) Voice Assistant Integration: JBL has integrated voice assistants like Google Assistant and Amazon Alexa into its speakers, enabling users to control their audio experience through voice commands.

d) Waterproof and Portable Designs: JBL's portable speakers are designed to withstand water and dust, making them ideal for outdoor and adventurous use.

Market Presence:
JBL has established a strong global presence, with its products being sold in over 100 countries. The company has formed strategic partnerships with various retailers, both online and offline, ensuring widespread availability of its products. JBL has also collaborated with prominent musicians, DJs, and athletes, leveraging their influence to enhance brand visibility and appeal to a diverse consumer base.

Customer Satisfaction:
JBL has garnered a loyal customer base through its commitment to delivering high-quality audio products. The company's emphasis on sound accuracy, durability, and user-friendly interfaces has earned it a reputation for customer satisfaction. JBL's products consistently receive positive reviews, with users praising the brand's ability to provide immersive audio experiences across different price points.

Competitive Landscape:
The audio industry is highly competitive, with numerous brands vying for market share. JBL faces competition from established players like Bose, Sony, Sennheiser, and others. However, JBL's strong reputation, constant innovation, and diverse product offerings have enabled it to maintain a competitive edge in the market.

Conclusion:
JBL has undoubtedly established itself as a leader in the audio industry, continuously setting new standards for sound quality, innovation, and customer satisfaction. With its rich history, diverse product portfolio, and cutting-edge advancements, JBL continues to captivate audio enthusiasts worldwide. The company's commitment to excellence, coupled with its ability to adapt to evolving consumer needs, positions JBL for a promising future in the audio technology landscape.

TEST: Jackson_JS32_Roads

If you look at the common body shapes of the electric guitar world, you quickly come to the conclusion that the two protagonists Fender and Gibson have almost divided the market between themselves. With Strat, Tele, Paula, SG, Flying V and Explorer, almost 95% of all basic shapes and their variations are covered, so it is difficult for the designer to let a seed fall on fertile soil.

All the more interesting when ex- Ozzy Osbourne guitarist Randy Rhoads took the Flying V as a model over 2 decades ago, sawed off a tine and created a variation that has found its fan base at least in the metal sector. The company Jackson secured the rights to the design of his time and since then brings this model in different variations on the market.

In order to make a classic of metal axes accessible to the less well-heeled guitarist, Jackson also carries a model with manufacturing in India with the designation JS32 Rhoads and a price under 400, - € in their catalog. The model I have for testing is delivered in classic black.



Construction

At first handle, the JS32 appears tidier than its asymmetrical body suggests in the photos. The eye-catching body is made of "Indian Cedro", an Indian cedar species and is surprisingly light. The maple neck is quad-bolted, sits bombproof and has been fitted with a glued-on rosewood fingerboard. The fretboard inlays are once again the familiar Sharkfin inlays from Jackson, which visually give a slight mother-of-pearl impression, but are made of plastic.

The guitar has 24 jumbo frets, which due to the shape of the body can easily be played in the upper registers. In terms of scale length, the long version with 648 millimeters was chosen. With a nut width of 43 millimeters, the neck is definitely one of the more powerful of its kind, but the slim D-profile takes much of a too powerful and facilitates the playability to a good extent.

As pickups, 2 in-house Jackson CVR2 humbuckers were installed, which follow the look of the guitar in terms of output and sonic aggressiveness. The instrument features a Jackson JT580 FR vibrato system, which was once again licensed from Floyd Rose and adopted its construction accordingly. In terms of electrics, the instrument is deliberately kept spartan, 1x volume control, 1x tone control, 1x 3-way switch, done! The controls run pleasantly light, but not too light, so that they can adjust themselves too easily during the performance.

On the back is still the access to the vibrato system and the wiring of the circuit, both neatly covered with recessed plastic washers. The instrument is delivered in a snug-fitting gig bag, a fact that should not be underestimated. Anyone who has ever tried to get a gig bag from a third-party manufacturer for such a body knows what I'm talking about.



Practice

As you can already guess from the shape, anyone who wants to play this guitar sitting down has undoubtedly not realized the purpose of the instrument. Of course, you can clamp the guitar between your legs in the best classical manner, but the resulting sight is hard to beat in sadness. Although the jack is located on the upper horn of the body, so you don't have to take an angle plug for "sitting", but as I said, it seems visually very strange.

Hanging on the strap, on the other hand, the artist and instrument really blossom. The guitar hangs balanced in the perpendicular and allows a loose and unstrained playing. In addition, the weight of the instrument is very moderate and does not leave any dents in the shoulder even after prolonged playing.

As expected, not only the appearance of the instrument follows the orientation to heavy metal, but also the acoustic properties were clearly optimized in this direction. The in-house pickups also allow a clean setting on the amp, but clearly play out their strengths in the distorted modes. Here the instrument shines with biting highs and crisp mids, which especially in the high-gain range a cutting sound to the day and also in the frequency jungle of a loud playing heavy combo knows how to assert itself.

The vibrato system is quickly dealt with, all advantages and disadvantages of the Floyd Rose patent were flawlessly adopted, who prefers an appropriate vibrato system over a fixed bridge, will not be disappointed. Due to the 24 frets, the neck pickup is forced to sit a bit lower in the body and thus catches a different overtone vibration than in the classic 21/22 fret version of the competition. Whether this is a sonic advantage or disadvantage, everyone should decide for themselves. Just test it!

Since the neck pickup sounds somewhat higher due to the offset, you can elicit unusually crisp funk sounds from the instrument in the appropriate position. Also in the intermediate position the guitar convinces due to its choice of wood by strong treble presence, which also presents pearly pickings, if necessary enriched with chorus and delay, quite tasteful.

However, the main focus of the instrument is undoubtedly on the bridge pickup, which remains transparent in the sound structure, especially in the gain range, even with high distortion intensity. The sustain behavior of the guitar is good, although due to the vibrato system in combination with the small contact surface of the knife edges you always have to make a small sacrifice compared to a fixed bridge construction. However, at appropriate gain operation, this fact is more than compensated for by the resulting compression, from there this is negligible.


Conclusion:

The Jackson JS32 Rhoads leaves a very good impression. For a retail price of less than 400, - € you get a good craft instrument, which is visually and acoustically clearly assigned to the heavier gear. Even if the instrument can score in the clean range unduly, its strengths are clearly in the distorted range. All distortion settings, starting from moderate crunch up to real high-gain, are very well covered by the guitar and reflected in the sound without sponginess.

Who does not want to / can not buy a USA Jackson, or is looking for a good second guitar, will be well served with the instrument.

Additional informations:

- Jackson Guitars is a renowned manufacturer of electric guitars and basses, recognized worldwide for its commitment to crafting high-performance instruments. With a rich history rooted in the heavy metal and rock genres, the company has become synonymous with precision, speed, and exceptional playability. This comprehensive report delves into the legacy, craftsmanship, iconic models, and innovations that have propelled Jackson Guitars to the forefront of the guitar industry.

History and Legacy Founded in 1980 by Grover Jackson, a skilled luthier, and Randy Rhoads, the legendary guitarist, Jackson Guitars initially gained prominence by designing custom instruments for notable musicians like Eddie Van Halen and Randy Rhoads himself. The collaboration with Rhoads led to the creation of the iconic Jackson Rhoads V model, which became a symbol of the company's commitment to innovative design and high-performance guitars. Over the years, Jackson Guitars has expanded its product line and continued to redefine the boundaries of guitar craftsmanship.

Craftsmanship and Quality 3.1 Precision Construction: Jackson Guitars are renowned for their exceptional build quality and attention to detail. Each instrument undergoes meticulous construction processes, including precise wood selection, hand-shaped necks, and flawless finishes. The result is a guitar that offers excellent playability, stability, and tonal richness.

3.2 Fast and Slim Neck Profiles: Jackson Guitars are revered for their fast and slim neck profiles, providing effortless access to the upper frets and facilitating lightning-fast playing techniques. This feature has made them a top choice for shredders and guitarists who demand speed and precision in their playing.

3.3 High-Output Pickups: Jackson Guitars are often equipped with high-output pickups, designed to deliver aggressive and powerful tones. These pickups excel at capturing the nuances of heavy distortion, making Jackson instruments ideal for hard rock, metal, and other genres that require high-gain tones.

Iconic Models 4.1 Rhoads V: The Rhoads V, inspired by Randy Rhoads' vision, is one of Jackson's most recognizable and iconic models. Its distinctive V-shaped body, sleek design, and aggressive tone have made it a staple in the world of heavy metal.

4.2 Soloist: The Soloist series is celebrated for its versatile and sleek design, offering exceptional playability and tonal options. With features like double-cutaway bodies, compound radius fingerboards, and Floyd Rose tremolo systems, Soloist guitars cater to a wide range of playing styles.

4.3 Dinky: The Dinky series combines compact and lightweight designs with powerful tones. These guitars are popular among guitarists who seek balance between playability, comfort, and aggressive sound.

Innovations and Collaborations
5.1 Extended Range Instruments: Jackson Guitars has embraced the growing demand for extended-range instruments, introducing 7-string, 8-string, and even multi-scale guitars to cater to the needs of modern players exploring lower tunings and extended range playing.

5.2 Signature Models: The company has collaborated with numerous renowned artists, including Adrian Smith, Phil Collen, and Marty Friedman, to create signature models that embody the unique playing styles and tonal preferences of these musicians. These collaborations have further strengthened Jackson's reputation for delivering instruments that meet the demands of professional players.

Endorsements and Artist Relations Jackson Guitars has formed strong relationships with a diverse array of artists, ranging from metal icons like Misha Mansoor and Phil Demmel to virtuosos like Guthrie Govan and Jeff Loomis. These endorsements highlight the trust and confidence placed in Jackson instruments by some of the most respected and demanding guitarists in the industry.

Conclusion Jackson Guitars' legacy is deeply rooted in its commitment to crafting high-performance instruments for musicians who demand precision, speed, and aggressive tones. With exceptional craftsmanship, iconic models, and a dedication to innovation, Jackson Guitars continues to be a driving force in the world of electric guitars, inspiring players to push their limits and redefine what is possible in modern guitar playing.

- A Comprehensive Comparison: Jackson Guitars Made in USA vs. Worldwide Manufacturing

Jackson Guitars has established a reputation for producing high-performance instruments that cater to the needs of guitarists in various genres. While the company's American-made models are renowned for their craftsmanship, the worldwide manufacturing of Jackson Guitars has also gained recognition. This report provides a detailed comparison of the Made in USA models and guitars manufactured elsewhere, exploring factors such as craftsmanship, materials, quality control, and price.

Craftsmanship and Materials
1.1 Made in USA Models: Jackson's American-made models are crafted with meticulous attention to detail and often feature high-quality materials. Skilled luthiers utilize traditional manufacturing techniques, ensuring precision construction, exceptional playability, and premium finishes. These guitars are typically made from select tonewoods, such as alder, mahogany, or maple, offering excellent resonance and tonal characteristics.

1.2 Worldwide Manufacturing: Guitars produced outside of the USA may use similar materials, but the craftsmanship can vary depending on the specific manufacturing facility and country. While some international factories uphold high standards, others may employ cost-saving measures that affect overall craftsmanship and attention to detail. However, advancements in technology have allowed for more consistent quality control across various manufacturing locations.

Quality Control
2.1 Made in USA Models: American-made Jackson Guitars benefit from stringent quality control measures, with experienced craftsmen overseeing every step of the production process. This level of attention ensures that each instrument meets or exceeds the company's high standards before leaving the factory. The result is consistent excellence in terms of build quality, finish, playability, and overall performance.

2.2 Worldwide Manufacturing: Quality control in international manufacturing facilities may vary. While some factories uphold strict standards and implement quality control processes similar to those in the USA, others may have less rigorous procedures. It is important to note that improvements in manufacturing technology have helped bridge the quality gap between Made in USA and international models, resulting in more consistent quality across the board.

Price 3.1
Made in USA Models: Jackson's American-made guitars are typically associated with higher price points due to factors such as skilled labor, higher production costs, and premium materials. The craftsmanship, attention to detail, and reputation for quality contribute to the premium pricing of these instruments.

3.2 Worldwide Manufacturing: Guitars manufactured outside of the USA generally offer more affordable options in the Jackson lineup. By leveraging cost-effective labor and production methods, these guitars provide an opportunity for players to experience the brand's aesthetics and sound at a more accessible price point. However, it is essential to evaluate the specific model and manufacturing location to assess the value proposition and overall quality.

Brand Reputation and Legacy
4.1 Made in USA Models: Jackson's American-made guitars have a long-standing reputation for exceptional craftsmanship, innovation, and association with renowned artists. The Made in USA label is often seen as a symbol of quality and prestige, bolstering the appeal of these instruments to collectors, professionals, and discerning musicians.

4.2 Worldwide Manufacturing: While guitars produced outside of the USA may not carry the same historical legacy, they still benefit from Jackson's brand reputation and commitment to delivering high-performance instruments. As the company expands its global reach, worldwide manufacturing has allowed for wider availability of Jackson Guitars, making them accessible to a broader audience of musicians.

Conclusion
Jackson Guitars' Made in USA models and instruments manufactured worldwide both have their own merits. American-made guitars are renowned for their craftsmanship, meticulous attention to detail, and premium materials. They cater to musicians who seek the highest levels of quality and are willing to invest in a premium instrument. On the other hand, guitars manufactured outside of the USA offer more accessible price points while still providing players with the brand's signature aesthetics and sound. These instruments have benefited from advancements in technology and more consistent quality control processes.

Ultimately, the choice between Made in USA models and guitars manufactured worldwide depends on individual preferences, budget considerations, and the specific needs of the player. Both options offer a range of instruments that showcase Jackson's commitment to high-performance guitars and cater to the diverse requirements of guitarists worldwide.