TEST: Peavey XR 1220

 power mixer! Ouch, I can already see the first of them squinting their eyes tightly, while the rest of the pack storms towards the exit of the room, screaming because of their forcibly acquired experiences in the past.

Don't we all know the drama, especially the writer of this article? Hopelessly undersized power amplifiers with 1x 120 watts mono, 4 channels, one of which has cinch inputs, no proper gain control and a 7-band hum equalizer for the already pressureless overall concept? And then please set up the supplied "boxes" at ear height in front of you at a distance of 20 centimeters, so that you have even the slightest chance of asserting yourself against the bass drum alone. An ice-cold shiver runs down my spine, it was horrible, lousy, out of the question!

Alternatively, you could of course choose the slightly more powerful variation from other manufacturers (2x 150 watts - Hoho!), which then switched off at regular intervals of about 30 minutes due to overheating due to the poor ventilation concept when placed in a rack. The good atmosphere at rehearsals and shows was programmed right away, including a refreshing announcement from the organizer... Oh yes, the construction was incredibly heavy and pretty unwieldy, of course!

Due to digital power amplifiers, such power mixer horror scenarios are definitely a thing of the past, at least if you can believe the performance specifications of the Peavey XR 1220 mixer I was testing. 2x 600 watts at 4 ohms speak a clear language and also want to convince in the context of a noisy rock band.




construction

The Peavey XR 1220 is a 20-channel mixer with an internal stereo power amplifier. As is almost always the case with products in this price range, the motto here is "Designed in the USA, assembled in China". Occasionally one wonders whether any product of stage and studio technology is still not built in the same totalitarian state.

In addition to the easier handling compared to a separate construction of mixer and power amplifier, there is also no wiring, which, for example, significantly reduces the assembly time of the product. In general, it is noticeable that the designers have primarily devoted themselves to the "all-in-one" vocal system use, so the product also has a built-in multi-FX unit and a stereo equalizer. Everything together weighs just under 11 kilograms, which used to weigh just one mains transformer of a Peavey CS 800.

In terms of connection technology, the input section runs in the usual way, that is to say XLR, or line input via jack plus loop-in point in front of the catch-up amplifier. Behind the gain controller and a subsonic filter at 80 Hz is a classic three-band tone control (shelving treble +/- 15 dB - 12 kHz), (shelving bass +/- 18 dB - 80 Hz), (bandpass low mids +/- 15 dB - 450 Hz) and a combined two-band high-mid controller, which starts at a reduction of 2 kHz up to - 15 dB and increases the range by 4 kHz up to + 15 dB.

Two pre-fade monitor outs support the live character of the product, followed by the panorama control, a clip LED, a signal LED, a mute switch, a 60 mm fader and a PFL switch. So far, so standard. Channels 19 and 20 manage any stereo signals that may occur, such as keyboards, or feed various stereo lines such as notebooks or MP3 players.

In the total area, greater attention was paid to eliminating any feedback, in accordance with the primary area of application of the product. The mixer has the RTA connection of a measurement microphone. Over two test runs, the mixer, in combination with the test microphone and noise generator, analyzes any feedback loops that may occur and adjusts the equalizer accordingly.

In addition to the standard full-range operation, the product can also be operated as a satellite solution plus an external active woofer or as a double mono full-range plus a passive monitor. Furthermore, the classic active monitor solution is of course possible via the respective sends. A small P.A. can also be connected via two regular XLR outs. be approached while using the internal power amplifier for the operation of the monitors. On the back, the XR 1220 comes with a (tacky) on/off switch, the IEC connector and four Speakon connections (2x left / right each).


Practice

Even if the idea of protecting the environment is commendable, it is impractical to only include the manual as a CD-ROM and not even have a quick-start sheet at the start. If you want to look something up on the spot, you're stuck without a laptop or iPhone. I wonder when you can only look up the manuals on the Internet and the mixer comes with WLAN.

While the power mixer's steel frame leaves a good impression, all the moving components on the surface frankly fail to impress me. While the EQ knobs and the faders do their job with some play in the lateral guidance, but all in all still quite passable, the sliders of the sum equalizer unfortunately work mechanically at the lowest level. Notchy, without guide resistance and equipped with sharp edges, you just want to get the setting over with quickly so that you don’t have to adjust it again if possible. Due to the lack of counters on the housing, the endless controllers in the FX area also fall flat through the grid of mechanical demands.

In terms of sound, the filters operate in the middle segment. With the combined two-way high-mid control, even an inexperienced user can generate a practical sound in just a few simple steps, which can be more advantageous than one might imagine at first glance, especially for singers who are not technically experienced. Anyone who has ever seen an average frontman banging away at the parametric equalizer knows what I'm talking about ;-). Due to the somewhat hard design, the rest is in the midfield in terms of sound, where it delivers average values, but ultimately cannot cause any damage.


Conclusion

With the XR 1220, Peavey delivers a flexible power mixer whose primary area of application was designed for vocal system operation. Because of the powerful power amplifier, the relatively easy handling and the high flexibility, the mixer will find its buyers, although in my opinion some mechanical processing features should be reconsidered.

All in all, the mixer convinces with a good practical value with high performance specifications and due to the production in Google's new enemy China with a low selling price.


Additional Informations:

- Peavey Electronics Corporation - A Comprehensive Company Overview
Introduction: Peavey Electronics Corporation, commonly known as Peavey, is an iconic American manufacturer of musical instruments, audio equipment, and professional sound systems. Founded by Hartley Peavey in 1965, the company has grown from humble beginnings in a small Mississippi basement to become a globally recognized brand in the music industry. With an unwavering commitment to innovation, quality, and affordability, Peavey has consistently delivered products that cater to musicians, sound professionals, and audio enthusiasts alike. This comprehensive report delves into the history, products, contributions, and impact of Peavey in the world of music and sound.

Historical Background: Peavey Electronics Corporation was established in 1965 by Hartley Peavey, a young entrepreneur with a passion for electronics and music. The company's foundation was laid in Meridian, Mississippi, where Hartley started repairing and building audio equipment in his parents' basement. He was determined to create products that were not only exceptional in performance but also accessible to musicians of all levels. This vision became the cornerstone of Peavey's success.

2. Product Line: Peavey offers a diverse range of products that cater to various segments of the music and sound industry. Some of their key product categories include:

2.1 Musical Instruments: Peavey manufactures a wide array of musical instruments, including electric guitars, bass guitars, acoustic guitars, and drums. Their instruments are known for their robust build quality, great playability, and affordability, making them popular choices for both beginners and seasoned musicians.

2.2 Audio Equipment: Peavey's audio equipment division produces a vast range of amplifiers, mixers, speakers, and signal processors. Their amplifiers, in particular, have garnered a reputation for their reliability and power, making them a staple in live sound applications and recording studios.

2.3 Professional Sound Systems: Peavey is also a significant player in the professional sound system market, offering solutions for large-scale events, installations, and concert venues. Their line array systems and loudspeakers are renowned for their performance and clarity.
2.4 Specialty Products: Apart from musical instruments and audio equipment, Peavey has diversified its product offerings to include other items such as lighting systems, microphones, and specialty audio gear, further solidifying its presence in the professional audio industry.

3. Technological Innovations: Peavey's commitment to innovation has been a driving force behind its enduring success. Throughout its history, the company has introduced numerous groundbreaking technologies to the market. One notable example is the "TransTube" technology, introduced in the 1980s. This innovation allowed solid-state amplifiers to emulate the warm and rich tones of tube amplifiers, revolutionizing the guitar amp industry and earning Peavey immense praise from musicians worldwide.

4. Contributions to the Music Industry: Peavey's impact on the music industry extends beyond their products. The company has played a vital role in promoting music education and supporting aspiring musicians. They have actively sponsored various music programs, contests, and events, fostering the growth of musical talent across different genres.

5. Global Reach and Market Presence: Over the years, Peavey has expanded its reach and established a global presence. Their products are sold in numerous countries through a network of authorized dealers and distributors. Additionally, Peavey maintains a strong online presence, making their products accessible to customers worldwide.

6. Endorsements and Artist Relations: Peavey's reputation for producing reliable and quality gear has attracted endorsements from many prominent musicians and bands. Over the years, numerous artists, including renowned guitarists, bassists, and vocalists, have chosen Peavey products as an integral part of their sound.

7. Sustainability Initiatives: Peavey has taken steps to promote sustainability and environmental responsibility in their operations. The company has implemented eco-friendly practices in manufacturing, packaging, and waste management, aiming to reduce their carbon footprint and contribute positively to the environment.

Conclusion: Peavey Electronics Corporation has undoubtedly left an indelible mark on the music and sound industry. From its humble beginnings in a basement to becoming a global leader, Peavey's commitment to innovation, quality, and affordability has resonated with musicians, sound professionals, and audio enthusiasts worldwide. Their diverse product line, technological advancements, and contributions to music education have cemented their position as an iconic and influential player in the world of music and sound. With a legacy of success and a dedication to progress, Peavey continues to shape the industry and inspire musicians for generations to come.


- Power Mixers - A Comprehensive Exploration of a Versatile Audio Solution
Introduction: Power mixers, also known as powered mixers or powered consoles, are an integral component of professional audio systems. Combining the functionalities of a mixer and a power amplifier into a single unit, power mixers offer a convenient and efficient solution for sound reinforcement and audio distribution in a variety of applications. This comprehensive report delves into the features, benefits, applications, and technological advancements of power mixers in the world of audio engineering.

Understanding Power Mixers: A power mixer is a compact and portable audio device that integrates multiple channels of audio inputs, signal processing capabilities, and built-in power amplifiers. Unlike traditional mixers, which require separate power amplifiers to drive speakers, power mixers have the amplifiers integrated within the same unit. This consolidation streamlines the setup process, reduces cable clutter, and simplifies the overall audio system configuration.

2. Features and Functionalities: Power mixers typically include the following features:

2.1 Audio Inputs: Power mixers offer a range of audio inputs, such as XLR, 1/4-inch jacks, RCA connectors, and sometimes digital inputs like USB or Bluetooth. These inputs accommodate various sources, including microphones, instruments, media players, and electronic devices.

2.2 Mixing Capabilities: Power mixers provide multiple channels with individual volume controls, equalization (EQ), and sometimes built-in effects like reverb, delay, or chorus. This allows audio engineers to balance and shape the sound from different sources.

2.3 Power Amplifiers: The integrated power amplifiers in power mixers are specifically designed to match the mixer's output and ensure sufficient power to drive connected speakers. They are rated by wattage per channel, and some models offer bridging options to combine multiple channels for higher output power.

2.4 Speaker Outputs: Power mixers provide speaker outputs, usually in the form of SpeakON or 1/4-inch jacks, allowing direct connection to passive speakers without the need for external amplification.

2.5 Master Controls: Power mixers have master volume controls, main output level adjustments, and sometimes graphic equalizers for fine-tuning the overall sound.

3. Benefits and Advantages: Power mixers offer several advantages that make them a popular choice for various audio applications:

3.1 Portability: Combining a mixer and a power amplifier in a single unit reduces the number of components and cables needed, making power mixers highly portable and ideal for mobile setups.

3.2 Easy Setup: Power mixers streamline the setup process, as users only need to connect audio sources and speakers directly to the mixer without the complexity of external amplifiers.

3.3 Space Efficiency: In space-limited environments, such as small venues or home studios, power mixers save valuable space by combining multiple functionalities into one device.

3.4 Quick and Efficient Sound Reinforcement: Power mixers are perfect for live sound reinforcement applications, such as bands, DJs, public speaking events, and conferences, where a quick setup and ease of use are essential.

4. Applications: Power mixers find applications in a wide range of scenarios, including:
4.1 Live Performances: In live music performances, power mixers serve as the central hub for mixing and amplifying various audio sources, such as microphones, instruments, and playback devices.

4.2 Mobile DJ Setups: DJs often use power mixers for their mobile setups, as they offer an all-in-one solution for mixing music and driving speakers.

4.3 Public Address Systems: Power mixers are common in public address systems used in events, conferences, and presentations, where clear and powerful audio is essential.

4.4 Houses of Worship: Power mixers are utilized in houses of worship for delivering spoken word, music, and other audio content during religious services.

5. Technological Advancements: With advancing technology, power mixers have seen significant improvements in recent years. Digital power mixers now offer advanced signal processing, customizable presets, digital effects, and precise control over every aspect of the audio mix.

6. Conclusion: Power mixers are a versatile and efficient solution for sound reinforcement and audio distribution. Their integration of a mixer and power amplifier in one compact unit simplifies setup and operation, making them popular for a wide range of applications. As technology continues to advance, power mixers are likely to see further enhancements, delivering even more advanced features and capabilities to meet the evolving demands of audio professionals and enthusiasts alike.

TEST: Peavey JD Omniac

 My god, how long has the Peavey company been around? That must be decades, since the company around namesake Hartley Peavey was already a household name when I was young. At that time, Peavey had a reputation like Dynacord in this country, i.e. covering the entire product range, from the small suitcase amp to the extensive vocal system. In his time, however, Peavey became known primarily through the sometimes quite extensive backlines of the southern rock combos, which were extremely successful in the States, such as MOLLY HATCHET or 38 SPECIAL. While almost the entire rock landscape in Europe was firmly in the Marshall grip, in the former Confederate strongholds piled up on the stages with hitherto unknown stacks and combos.

The fact that Peavey can now also build first-class guitars and basses is not only known since the collaboration with Eddie van Halen, but the trademark is not directly associated with instrument building, especially in Europe. The two "Godfathers-Of-Electric-Guitar" and their successful nephews in the style of PRS were and are too powerful to give Peavey an international piece of the American cake.

With the JD Omniac, Peavey could earn another bonus point, as the Americans were able to secure Jerry Donahue as an endorser a few years ago. Still traded as an insider tip in Europe, said Mr. Donahue has a veritable reputation in Telecaster circles and was also able to score internationally with the formation "The Hellcasters".


construction

If you look at the instrument for the first time, you need about 1 second to guess the father of the JD-Omniac. Form and concept reveal said Telecaster as a godfather, but without being dismissed as a mere copy. Many details have been tailored to the artist, but are clearly in the tradition of the first industrially manufactured series electric guitar in the world.

The body of the guitar is made of two parts of ash, with a larger main part covering approx. 80% of the body area and a smaller strip taking over the upper area. The body is framed in one piece, opaque high-gloss black on the sides and painted in blueburst on the front and back. Alternatively, the instrument is also available in the colors Sunburst or Vintage Natural.

The neck was screwed to the body with 5 (!) screws countersunk in the body, with a soft rounding of the body below the neck foot significantly increasing the playing comfort in the high registers. The neck was milled from a piece of bird's eye maple and shows clear concessions to the artist. On the one hand, we have a very strongly curved fretboard, which makes playing chords much easier, but at the expense of the string action and an extravagant V-shaping, which might take some getting used to for one or the other.

If you like to use the thumb of the gripping hand to help form chords, this shaping is indeed a very good profile, since the lower part of the V presses exactly into the depression between thumb and forefinger and thus ensures optimal grip. However, those who prefer the thumb-on-the-back-of-the-neck fingering may experience some problems with the shaping. Conclusion: try it!

The scale of the instrument is 25 1/2 inches, while the neck is equipped in Tele tradition with only 21 vintage frets. A Seymour Duncan Jerry Donahue Signature pickup is used in the bridge position and a Custum Seymour Duncan in the neck position. In addition to the three standard configurations in positions 1, 3 and 5, a five-way switch provides a phase reversal in position 2 plus capacitor insert and in position 4 a more "muffled jazz sound". A volume and a tone control round off the electronics.

Another special feature is the bridge construction of the Omniac. Also in the Telecaster tradition, the 2-string per rider construction was implemented, which puts the tradition above the adjustment options. Inheritance or not, with a standard set of strings with non-wound G-strings, flawless octave purity cannot be implemented with this bridge construction! However, the fact that it is made of brass makes up for this, in my opinion, unnecessary commitment to tradition, as the tone of the string also comes across extremely soft and warm due to the relatively soft and heavy metal.



Practice

As soon as you pick up the instrument, you suddenly realize that this is a genuine signature instrument. Why? Well, every artist has a very special relationship with their instrument and secretly wishes for one or the other change to intensify it. Or he (had) an instrument that has these components and may no longer own this instrument, or it is unplayable due to external influences.

If you now go and instruct a manufacturer to produce such an optimized instrument, the result can be unusual, sometimes crude, but rarely pure mainstream. This is also the case with the JD Omniac. Mr. Donahue must have given very detailed specifications, since the general handling and especially the neck shaping set a completely unique direction.

The general trend towards the Telecaster can be felt in every fibre, but not without bringing its own component or improvement into play. In particular, the Seymour Duncan pickups leave an excellent impression. Attack, liveliness and assertiveness are at the highest level and add value to the construction.



Conclusion

Even if the world of electric guitars has drawn attention to itself in recent years, primarily due to a confusing flood of mainstream Chinese copies selling for less than €100, they still exist, the sometimes unknown pearls of the guitar guild , far away from the pure fixation on the fast euro. The Peavey JD Omniac is definitely one of them.

The JD Omniac is an instrument for specialists, which is guaranteed to polarize the user group due to various components such as neck shaping, bridge construction and other small things. However, those who were influenced by the Telecaster in terms of playing technique will know the feeling of "fighting" with their instrument and will certainly develop a more direct approach to the Omniac.

Other guitarists are also encouraged to take a look at the instrument, excellent clean sounds, excellent pickups and very good components make up for the handling that takes some getting used to and dry the tears of the shredder howling attacks about the unexpected incompetence in terms of tone shaping ;-)

The traditional fingerpicker to the country rocker, however, will not want to put the instrument aside, as it has exactly the components that you may have been waiting for years.


Additional Informations:

- Peavey Electronics Corporation - A Comprehensive Company Overview
Introduction: Peavey Electronics Corporation, commonly known as Peavey, is an iconic American manufacturer of musical instruments, audio equipment, and professional sound systems. Founded by Hartley Peavey in 1965, the company has grown from humble beginnings in a small Mississippi basement to become a globally recognized brand in the music industry. With an unwavering commitment to innovation, quality, and affordability, Peavey has consistently delivered products that cater to musicians, sound professionals, and audio enthusiasts alike. This comprehensive report delves into the history, products, contributions, and impact of Peavey in the world of music and sound.

Historical Background: Peavey Electronics Corporation was established in 1965 by Hartley Peavey, a young entrepreneur with a passion for electronics and music. The company's foundation was laid in Meridian, Mississippi, where Hartley started repairing and building audio equipment in his parents' basement. He was determined to create products that were not only exceptional in performance but also accessible to musicians of all levels. This vision became the cornerstone of Peavey's success.

2. Product Line: Peavey offers a diverse range of products that cater to various segments of the music and sound industry. Some of their key product categories include:

2.1 Musical Instruments: Peavey manufactures a wide array of musical instruments, including electric guitars, bass guitars, acoustic guitars, and drums. Their instruments are known for their robust build quality, great playability, and affordability, making them popular choices for both beginners and seasoned musicians.

2.2 Audio Equipment: Peavey's audio equipment division produces a vast range of amplifiers, mixers, speakers, and signal processors. Their amplifiers, in particular, have garnered a reputation for their reliability and power, making them a staple in live sound applications and recording studios.

2.3 Professional Sound Systems: Peavey is also a significant player in the professional sound system market, offering solutions for large-scale events, installations, and concert venues. Their line array systems and loudspeakers are renowned for their performance and clarity.
2.4 Specialty Products: Apart from musical instruments and audio equipment, Peavey has diversified its product offerings to include other items such as lighting systems, microphones, and specialty audio gear, further solidifying its presence in the professional audio industry.

3. Technological Innovations: Peavey's commitment to innovation has been a driving force behind its enduring success. Throughout its history, the company has introduced numerous groundbreaking technologies to the market. One notable example is the "TransTube" technology, introduced in the 1980s. This innovation allowed solid-state amplifiers to emulate the warm and rich tones of tube amplifiers, revolutionizing the guitar amp industry and earning Peavey immense praise from musicians worldwide.

4. Contributions to the Music Industry: Peavey's impact on the music industry extends beyond their products. The company has played a vital role in promoting music education and supporting aspiring musicians. They have actively sponsored various music programs, contests, and events, fostering the growth of musical talent across different genres.

5. Global Reach and Market Presence: Over the years, Peavey has expanded its reach and established a global presence. Their products are sold in numerous countries through a network of authorized dealers and distributors. Additionally, Peavey maintains a strong online presence, making their products accessible to customers worldwide.

6. Endorsements and Artist Relations: Peavey's reputation for producing reliable and quality gear has attracted endorsements from many prominent musicians and bands. Over the years, numerous artists, including renowned guitarists, bassists, and vocalists, have chosen Peavey products as an integral part of their sound.

7. Sustainability Initiatives: Peavey has taken steps to promote sustainability and environmental responsibility in their operations. The company has implemented eco-friendly practices in manufacturing, packaging, and waste management, aiming to reduce their carbon footprint and contribute positively to the environment.

Conclusion: Peavey Electronics Corporation has undoubtedly left an indelible mark on the music and sound industry. From its humble beginnings in a basement to becoming a global leader, Peavey's commitment to innovation, quality, and affordability has resonated with musicians, sound professionals, and audio enthusiasts worldwide. Their diverse product line, technological advancements, and contributions to music education have cemented their position as an iconic and influential player in the world of music and sound. With a legacy of success and a dedication to progress, Peavey continues to shape the industry and inspire musicians for generations to come.


- Hartley Peavey - A Visionary in the Music Industry
Introduction: Hartley Peavey, the founder of Peavey Electronics Corporation, is a pioneering entrepreneur and visionary in the music industry. His journey from a young electronics enthusiast to a renowned leader in manufacturing musical instruments and audio equipment is nothing short of remarkable. This comprehensive report explores the life, accomplishments, and impact of Hartley Peavey on the music industry and his lasting legacy.

Early Life and Passion for Electronics: Hartley Peavey was born on April 18, 1941, in Meridian, Mississippi. From an early age, he showed a keen interest in electronics and music. Growing up in a musical family, he developed a deep appreciation for the art of sound and a curiosity for how audio equipment worked.

2. The Foundation of Peavey Electronics Corporation: In 1965, at the age of 24, Hartley Peavey founded Peavey Electronics Corporation. His vision was to create high-quality, reliable, and affordable audio equipment that would be accessible to musicians at all levels. Armed with determination and an entrepreneurial spirit, Peavey started building and repairing amplifiers in his parents' basement.

3. The TransTube Technology Breakthrough: In the 1980s, Peavey introduced a groundbreaking technology known as "TransTube." This innovation allowed solid-state amplifiers to replicate the warm, harmonic characteristics of tube amplifiers, previously thought to be achievable only with costly vacuum tubes. The TransTube technology revolutionized the guitar amplifier industry, making Peavey amplifiers highly sought after by musicians seeking professional sound at an affordable price.

4. Expanding Product Line and Global Reach: Under Hartley Peavey's leadership, the company expanded its product line to include a wide range of musical instruments, professional sound systems, audio equipment, and specialty gear. Peavey's commitment to innovation and quality resulted in a global presence, with the company's products being sold in numerous countries through a network of authorized dealers and distributors.

5. Contributions to Music Education: Throughout his career, Hartley Peavey has been a strong advocate for music education. He recognized the importance of fostering musical talent and supporting aspiring musicians. Peavey actively sponsored music programs, contests, and events, contributing to the growth of musical education and creativity.

6. Endorsements and Artist Relations: Peavey's dedication to manufacturing reliable and high-quality gear earned the company endorsements from numerous prominent musicians and bands. Renowned guitarists, bassists, vocalists, and other musicians chose Peavey products for their performances, further solidifying the brand's reputation in the music industry.

7. A Legacy of Innovation and Sustainability: Hartley Peavey's emphasis on innovation has been the driving force behind the company's success. He instilled a culture of continuous research and development, pushing the boundaries of audio technology. Additionally, Peavey Electronics Corporation embraced sustainable practices, implementing eco-friendly initiatives in manufacturing, packaging, and waste management.

8. Recognition and Awards: Hartley Peavey's contributions to the music industry have not gone unnoticed. Throughout his career, he received numerous accolades and awards, recognizing his entrepreneurial spirit, innovation, and commitment to music education.

9. Impact on the Music Industry: Hartley Peavey's legacy extends beyond the products of his company. By democratizing access to high-quality audio equipment, he empowered musicians of all levels to achieve professional sound. Peavey's amplifiers, musical instruments, and sound systems have left an indelible mark on stages, studios, and music education institutions worldwide.

10. Conclusion: Hartley Peavey's journey from a young electronics enthusiast to a visionary leader in the music industry is an inspiring tale of passion, innovation, and dedication. His commitment to manufacturing high-quality, affordable audio equipment and promoting music education has transformed the lives of countless musicians and enriched the global music community. As his legacy continues to resonate through Peavey Electronics Corporation, Hartley Peavey's impact on the music industry remains an enduring testament to the power of creativity and entrepreneurship.

TEST: Peavey IPR 1600

 Eager readers of my power amp test reports may have already noticed that the company name "Peavey" is used quite often, especially in the introduction to my articles. One of the reasons for this is that my "performance-related formative phase" in terms of power amplifier technology was directly linked to the American company. As with all up-and-coming young artists, I had the most technical problems in the rehearsal room in amplifying the vocal area, which was repeatedly expressed in whistling microphones and clippings from the poor power mixers of the time.

The measure of all things were the first consoles of the Mackie generation and as a reinforcement element, Peavey CS 400 or CS 800, their character a sure guarantee for a performance without interruption and, in their first generation, for the nearness of the first herniated disc with incorrect lifting technique. Peavey was making trademarks in final stage technique at the same rate as a male raises his leg on a morning walk. If you had Peavey, you had no problems!

Those times are long gone. Thanks to Class D technology and significantly thinner sheet steel, power packs weighing a hundredweight have outgrown the weight classes of a Fischer kit and the manufacturing facilities of the national pride of the Americans have long provided jobs in the low-wage country of China. The number of well represented American trademarks and the bold print "Designed And Engineered In The USA", which is intended to distract from the "Made In China", have remained. Let's see what American values could be saved to the Asian area.




construction

The Peavey IPR 1600 comes in the standard height of 2 height units and the dimensions: 89 mm x 483 mm x 282 mm and with a weight of only 3.23 kilograms it is about to take the top spot in the field of lightweight construction. It should be clear to everyone that this weight cannot be combined with a solid construction. The sheets of the IPR 1600 are designed in a very thin and at the same time not very torsion-resistant variant. To what extent twisting of a housing is ever an issue is another question, but as I said, the design cannot be considered massive. There is also a little play between the individual sheet metal elements, but this does not detract from a general clean processing level.

In terms of performance, the power amplifier is in the midfield of current Class D power amplifiers, i.e. 2x 530W / 4Ohm, 2x 800W / 2Ohm and 2x 300W / 8Ohm. In terms of input, XLR / jack combo sockets are available, which allow a daisy chain arrangement via a thru output. 2 Speakon are available as outputs. All plugs function properly, but have a rather cheap plastic finish. Although all connectors are screwed to the housing for strain relief, they are otherwise soldered directly to the circuit board. There are no strong pole shoes or even peer-to-peer soldering here.

The power amplifier provides three operating modes with the designations "Hi Pass", "Full Range" and "Subwoofer", whereby an integrated 100Hz crossover, switchable per channel, specifies the crossover frequency. The product is cooled by a variable-speed fan on the back of the housing. Among other things, the patented DDT speaker circuit is at work as a protective circuit. On the front, 2 level controls, combined with 5 LEDs, which provide information about on/off, the signal present, the protection circuit, temperature and direct current, set the tone.

If you open the case, you quickly realize why the power amp is so extremely light, the case is about 70 percent filled with air. I can't quite understand why Peavey doesn't use a smaller format, such as the half rack format, with such an excess of unused space. I'm thinking of an attractive handbag-sized format here, but the marketing department must have had other things in mind.

Even if the additional carrying straps on the front of the case make transport easier, they make placement in the rack a little more difficult. The attached screwdriver will scrape off the paint on the carrying straps with the first twist, that's for sure.


Practice

Anyone who still believes that what is basically just a workhorse like a power amp is all about the inner values will be taught a lesson by the IPR 1600 at the latest. Similar to how some guitar amplifier manufacturers have switched to the principle of optical puppet theater by illuminating the internal components with LEDs or fluorescent tubes, Peavey is also trying to breathe a "hip" character into his product by means of visual "pimping".

When activated, the power amplifier lights up light blue from the inside, which in terms of color does not even appear unattractive. Whether you appreciate such little color games or not is up to personal taste, but what seems completely out of place in my opinion is the standby mode of the internal lamps. Even if the product is still switched off, the standby lighting is already drawing power from the network. The product can therefore only be completely deactivated by pulling out the mains plug or a switchable power strip. At a time when consumer electronics are getting more and more snubs for missing "real" mains switches, I think it's more than stupid to transport this idiotic bad habit to the more or less professional work area. Technically, there were no complaints during the test.


Conclusion

In my opinion, the Peavey IPR 1600 is a product that does its job properly at first glance, but gambles away a lot in detail, or would make a much better impression in a different conception. The fact that almost 70 percent of the interior, similar to that of a CD player, consists of air, suggests that the product can be used as a miniature amplifier, for example in a 9.5 cm half-rack format or even smaller as a stand-alone solution for the briefcase would be better received than sticking to the traditional 19-inch format.

The sheet metal that is not very stiff against deformation, the "plastic-heavy" approach to the construction and the primary design in favor of optical presentation at the expense of professional design will, in my opinion, not make the IPR 1600 a permanent guest in demanding road use. The extremely low weight undoubtedly invites frequent transport, but the construction will definitely be kept in the semi-professional area, or for the clientele "Hey, my power amplifier has 1600 watts and flashes really cool" it will fulfill its function. No offense…


Additional Informations:

- Peavey Electronics Corporation - A Comprehensive Company Overview
Introduction: Peavey Electronics Corporation, commonly known as Peavey, is an iconic American manufacturer of musical instruments, audio equipment, and professional sound systems. Founded by Hartley Peavey in 1965, the company has grown from humble beginnings in a small Mississippi basement to become a globally recognized brand in the music industry. With an unwavering commitment to innovation, quality, and affordability, Peavey has consistently delivered products that cater to musicians, sound professionals, and audio enthusiasts alike. This comprehensive report delves into the history, products, contributions, and impact of Peavey in the world of music and sound.

Historical Background: Peavey Electronics Corporation was established in 1965 by Hartley Peavey, a young entrepreneur with a passion for electronics and music. The company's foundation was laid in Meridian, Mississippi, where Hartley started repairing and building audio equipment in his parents' basement. He was determined to create products that were not only exceptional in performance but also accessible to musicians of all levels. This vision became the cornerstone of Peavey's success.

2. Product Line: Peavey offers a diverse range of products that cater to various segments of the music and sound industry. Some of their key product categories include:

2.1 Musical Instruments: Peavey manufactures a wide array of musical instruments, including electric guitars, bass guitars, acoustic guitars, and drums. Their instruments are known for their robust build quality, great playability, and affordability, making them popular choices for both beginners and seasoned musicians.

2.2 Audio Equipment: Peavey's audio equipment division produces a vast range of amplifiers, mixers, speakers, and signal processors. Their amplifiers, in particular, have garnered a reputation for their reliability and power, making them a staple in live sound applications and recording studios.

2.3 Professional Sound Systems: Peavey is also a significant player in the professional sound system market, offering solutions for large-scale events, installations, and concert venues. Their line array systems and loudspeakers are renowned for their performance and clarity.
2.4 Specialty Products: Apart from musical instruments and audio equipment, Peavey has diversified its product offerings to include other items such as lighting systems, microphones, and specialty audio gear, further solidifying its presence in the professional audio industry.

3. Technological Innovations: Peavey's commitment to innovation has been a driving force behind its enduring success. Throughout its history, the company has introduced numerous groundbreaking technologies to the market. One notable example is the "TransTube" technology, introduced in the 1980s. This innovation allowed solid-state amplifiers to emulate the warm and rich tones of tube amplifiers, revolutionizing the guitar amp industry and earning Peavey immense praise from musicians worldwide.

4. Contributions to the Music Industry: Peavey's impact on the music industry extends beyond their products. The company has played a vital role in promoting music education and supporting aspiring musicians. They have actively sponsored various music programs, contests, and events, fostering the growth of musical talent across different genres.

5. Global Reach and Market Presence: Over the years, Peavey has expanded its reach and established a global presence. Their products are sold in numerous countries through a network of authorized dealers and distributors. Additionally, Peavey maintains a strong online presence, making their products accessible to customers worldwide.

6. Endorsements and Artist Relations: Peavey's reputation for producing reliable and quality gear has attracted endorsements from many prominent musicians and bands. Over the years, numerous artists, including renowned guitarists, bassists, and vocalists, have chosen Peavey products as an integral part of their sound.

7. Sustainability Initiatives: Peavey has taken steps to promote sustainability and environmental responsibility in their operations. The company has implemented eco-friendly practices in manufacturing, packaging, and waste management, aiming to reduce their carbon footprint and contribute positively to the environment.

Conclusion: Peavey Electronics Corporation has undoubtedly left an indelible mark on the music and sound industry. From its humble beginnings in a basement to becoming a global leader, Peavey's commitment to innovation, quality, and affordability has resonated with musicians, sound professionals, and audio enthusiasts worldwide. Their diverse product line, technological advancements, and contributions to music education have cemented their position as an iconic and influential player in the world of music and sound. With a legacy of success and a dedication to progress, Peavey continues to shape the industry and inspire musicians for generations to come.


19-Inch Rack Mount Amplifiers (Endstufen) - A Comprehensive Overview

Introduction: 19-inch rack mount amplifiers, commonly referred to as "endstufen" in German, are a fundamental component of professional audio systems. Designed to fit into standard 19-inch equipment racks, these amplifiers provide power and amplification to drive speakers, making them an essential part of sound reinforcement and audio distribution setups. This comprehensive report explores the key features, applications, technological advancements, and benefits of 19-inch rack mount amplifiers in the field of professional audio.

Features and Design: 19-inch rack mount amplifiers are purpose-built to be mounted in equipment racks, which are widely used in professional audio environments, such as live sound reinforcement, recording studios, theaters, and broadcasting facilities. The standardized 19-inch width ensures easy integration and compatibility with other rack-mounted gear.
These amplifiers typically feature sturdy metal chassis with front-panel controls and indicators, facilitating easy access and monitoring. They come equipped with balanced input and output connectors (XLR, SpeakON, etc.) to ensure optimal signal transfer and noise rejection, crucial for maintaining audio integrity.

2. Power Output and Amplification: One of the primary functions of 19-inch rack mount amplifiers is to provide power amplification for speakers. They take low-level audio signals from mixing consoles, processors, or other sources and increase their voltage and current levels to drive loudspeakers at the required volume.
These amplifiers are available in various power output configurations, ranging from a few hundred watts to several thousand watts per channel. The power rating depends on the specific application and the type of speakers they need to drive.

3. Bridgeable and Multi-Channel Configurations: Many 19-inch rack mount amplifiers offer bridgeable configurations, where two amplifier channels can be combined to provide increased power output to a single speaker or a series of speakers. This feature allows users to create high-power mono setups, ideal for large venues and subwoofer applications.
Moreover, some models feature multiple channels, enabling users to power different zones or speaker groups individually, making them highly versatile in complex audio systems.

4. Class and Efficiency: 19-inch rack mount amplifiers are often classified based on their internal circuitry and efficiency. Common classes include Class AB, Class D, and Class H. Each class has its advantages and is suitable for specific applications.
Class AB amplifiers offer a balance between sound quality and power efficiency, making them popular for general sound reinforcement and installations. Class D amplifiers, on the other hand, are highly efficient and suitable for applications where power conservation is a priority, such as portable PA systems and touring setups.

5. Advanced Protection and Processing: To ensure the longevity of the amplifiers and connected speakers, manufacturers integrate advanced protection circuitry. This includes safeguards against overheating, short circuits, and excessive current draw, preventing damage to the equipment and ensuring uninterrupted performance.
Additionally, some 19-inch rack mount amplifiers feature built-in signal processing capabilities, such as DSP (Digital Signal Processing), allowing users to apply EQ, crossovers, limiting, and other audio processing directly within the amplifier.

6. Applications: The versatility of 19-inch rack mount amplifiers makes them indispensable in various professional audio applications:
Live Sound Reinforcement: These amplifiers are used to power loudspeakers in concerts, festivals, conferences, and other live events.
Recording Studios: In recording studios, rack mount amplifiers are used to drive studio monitors and reference speakers for accurate monitoring and mixing.
Theater and Performance Venues: Amplifiers are employed to drive speakers in theaters, auditoriums, and performance venues to deliver immersive sound experiences.
Broadcasting and Film: In broadcasting and film production, these amplifiers are used to power speakers in studios, control rooms, and post-production facilities.

7. Technological Advancements: Advancements in amplifier technology have led to the development of lightweight, high-power, and energy-efficient 19-inch rack mount amplifiers. Manufacturers continue to invest in research and development to enhance audio fidelity, reduce distortion, and improve overall reliability.

8. Benefits and Considerations:
Space Efficiency: The rack mount design allows for efficient use of space, especially in professional audio installations where numerous devices need to be housed in a limited area.
Modularity and Scalability: Rack mount amplifiers can be easily added or replaced, allowing for flexible system configurations and upgrades.
Professional Reliability: These amplifiers are built to withstand demanding conditions, ensuring reliable performance even in challenging environments.

System Integration: The standardized 19-inch form factor ensures seamless integration with other rack-mounted equipment, simplifying installation and setup.

Conclusion: 19-inch rack mount amplifiers, or "endstufen," play a pivotal role in modern professional audio systems. Their compact design, versatile features, and application-specific configurations make them indispensable tools for sound reinforcement, recording, broadcasting, and beyond. As technology continues to advance, these amplifiers will remain at the forefront of the audio industry, delivering powerful and reliable performance to meet the ever-evolving needs of audio professionals and enthusiasts alike.

TEST: Peavey Invective

 Whether Peavey had a fine nose at the time or possibly just luck, when they put an appropriately thick bundle of bills for the cooperation with Edward van Halen on the table, probably no one knows today. That after the separation from EVH, the technically identical 6 tops 6150 or 6505 should remain so strong on the guitarists wish list, Peavey probably surprised himself. Even today they are the models mentioned next to Marshall firmly in the gear park of any serious backline rental service as THE typical US metal sound to find. With the Peavey Invective manufactured in China, the American flagship company goes a step further and wants to raise a notch especially in terms of flexibility. Well then, let's be surprised.

The concept of the Peavey Invective

The Peavey Invective appears as a three-channel amp, whereby one can almost speak of 6 different sounds by means of a boost function, which is individually adjustable for all three channels both in terms of gain, as well as in the timbre via 2 pots each. The amp builds on all-tube technology, whereby as a typical representative of the US market of course no EL34, but the also universally popular 6L6 power tubes are used. As usual, these squeeze 5 watts more per glass bulb out of the amp compared to the EL34 and come to a total output of 120 watts.

The amp is based on the channel standard clean, crunch and lead, but you have to say goodbye to the sound of what is generally understood as "crunch". More about this later in the practical part. In terms of control options, the user really has a lot of potentiometers on the front and back. A total of 23 controls allow individual sound shaping, whereby the channels Crunch and Lead even share the tone control.

The structure of the Peavey Invective

First, let's start with the front panel from left to right. Compared to its predecessors, the Peavey Invective boasts a "real" clean channel for the first time, which, however, can ultimately be transformed back into a distorted channel by means of the boost section. For individual control, a three-band tone control is available in addition to pre- and post-gain, along with tone and gain controls for the boost section. This is followed by the manual channel change, which indicates the respective channel by three colored LEDs (green, orange, red). Channel 2 and 3 each have the option to use a noise gate and again share a boost section. The power amp also allows you to control the resonance and presence frequencies, before the master volume control finishes things off.

The rear panel is also quite intensive in terms of sound management. In addition to the IEC plug, main fuse and voltage selector switch (220/230V and 240V), the power selector switch in combination with the impedance selector switch causes the user to frown for the first time. The power of the Peavey Invective can be halved via a toggle switch. Probably, as usual, a pair of the power tubes held in the push/pull A/B circuit is switched off for this purpose. To compensate for this "mismatch" in the transformer, the selector switch must be set to double the ohms and matched with the cabinets.

So with 4 end tubes you can choose between the usual 4, 8 and 16 ohms. With the end tube bisection, 4 ohms now becomes 8 ohms, 8 ohms = 16 ohms, and 16 ohms = 32 ohms. This may be correct from a circuit point of view, but there are no 32 Ohm cabinets on the market! It would only be possible to connect 2x 16 Ohm cabinets in series, but I have never come across this circuit in my whole life. Of course, it is technically cheaper to place a single slider, but corresponding individual outputs would lead to more safety with regard to incorrect operation, especially since guitarists are not known for the perfect handling of Ohm's law.

The rest of the rear panel, on the other hand, puts a beaming smile on the tester's face. In addition to a balanced XLR Direct Out, the Peavey Invective has a switchable master volume, whose level can be adjusted on the back, there are 2 switchable FX loops and 2x 9V outputs with a total of 500 mA for appropriate floor FX pedals. Peavey probably assumes that many users like to place their pedals on or very close to the amp, so that 2 preset pedal presets can be called up via the loops. The fact that these can also be supplied with voltage is a highlight in terms of practicality. MIDI In/Out completes the rear panel of the Peavey Invective.


The accessories of the Peavey Invective

From the factory, the Peavey Invective comes without any manual or other bonus material such as a protective cover or the like, but a very comprehensive footswitch is included. A total of 10 switches, mounted in a solid steel housing, provide extensive remote control of the amplifier. The footswitch allows for stompbox switching, or it can manage up to 9 different presets. Whether the supplied multi-pin cable is long enough, everyone must decide for themselves, you can not simply extend it due to the proprietary assignment in any case not so simple.


The Peavey Invective in practice

In the various pre-announcements, Peavey has placed particular emphasis on the clean channel, especially since its predecessors quickly split the musician base in this regard into 2 camps. The clean channel of the Peavey Invective, on the other hand, should unite both camps, as it indeed leaves a good impression. It sounds warm, is quite resistant to overdriving and has enough headroom for an assertive sound.

The sound character changes abruptly as soon as the Boost channel is activated. The drive is set very high for a clean boost, so that you immediately find yourself in the crunch range. The sound becomes somewhat dull, but knows how to please as an additional sound option. The actual field of application of the Peavey Invective, however, reveals itself from the Crunch channel upwards. The amp was advertised in advance as the ultimate metal amp and I have rarely gotten my hands on a head that goes so uncompromisingly in this direction.

The basic character of the two channels Crunch and Lead leans on its predecessors of the 6 series, so the latent Scoop-heavy sound is no surprise. However, I do not really understand the uncompromising interpretation of the four sound options Crunch, Cruch Boost, Lead and Lead Boost. Already the Crunch channel is extremely highly compressed and has gain reserves that are not even reached elsewhere in the Lead channel. At the same time, the channel sounds a bit busy despite the strong treble content, which is to the detriment of the assertiveness. You can hear it in the attached sound file that the guitar struggles a bit in the band structure despite sufficient volume.

This basic tonal orientation continues in the other three stages, only the gain portion and the treble range continue to increase. For a heavy riff thunderstorm, especially in the downtuning range, these sounds are very well suited, but for me personally, the ultra-compressed sound pushes the individual playing culture too much in the direction of a lack of dynamic possibilities.

Another problem is the placement of the noise gate in the signal path. As it seems, the noise gate picks up the signal very early at the amplifier, possibly even right after the input jack. This means that any electromagnetic interference, which is picked up by the pickup and amplified by any pedals before the preamp, is well intercepted during pauses in playing. The inherent noise of the amplifier, however, is not eliminated, which is not clear to me. Especially in the lead channel, the amp is very noisy, so much so that during breaks in the performance, for example during an announcement by the singer, the channel has to be changed, or else it sets off nasty looks from the center of the stage. It must be said, unfortunately, such a noise gate makes no sense in my eyes, because it does not serve its purpose.

Conclusion

The Peavey Invective is an amp that has been uncompromisingly pushed in the direction of metal in terms of its orientation. The 6 basic sounds convince with a very good clean sound, a boosted clean sound for crunch sounds and 4 highly compressed metal sounds, which differ sonically primarily in the gain and treble starting point.

The amp leaves a fat scent mark especially in the downtuning area in terms of riff thunderstorms, but in my opinion it could have been raised much more flexible and open in sound due to its switching technical possibilities. Details such as a 9V power supply for floor pedals and the luxurious footswitch please the experienced musician, but the manufacturer should think again about the placement of the noise gate in the signal path.


Additional Informations:

Peavey Electronics Corporation - A Comprehensive Company Overview
Introduction: Peavey Electronics Corporation, commonly known as Peavey, is an iconic American manufacturer of musical instruments, audio equipment, and professional sound systems. Founded by Hartley Peavey in 1965, the company has grown from humble beginnings in a small Mississippi basement to become a globally recognized brand in the music industry. With an unwavering commitment to innovation, quality, and affordability, Peavey has consistently delivered products that cater to musicians, sound professionals, and audio enthusiasts alike. This comprehensive report delves into the history, products, contributions, and impact of Peavey in the world of music and sound.

Historical Background: Peavey Electronics Corporation was established in 1965 by Hartley Peavey, a young entrepreneur with a passion for electronics and music. The company's foundation was laid in Meridian, Mississippi, where Hartley started repairing and building audio equipment in his parents' basement. He was determined to create products that were not only exceptional in performance but also accessible to musicians of all levels. This vision became the cornerstone of Peavey's success.

2. Product Line: Peavey offers a diverse range of products that cater to various segments of the music and sound industry. Some of their key product categories include:

2.1 Musical Instruments: Peavey manufactures a wide array of musical instruments, including electric guitars, bass guitars, acoustic guitars, and drums. Their instruments are known for their robust build quality, great playability, and affordability, making them popular choices for both beginners and seasoned musicians.

2.2 Audio Equipment: Peavey's audio equipment division produces a vast range of amplifiers, mixers, speakers, and signal processors. Their amplifiers, in particular, have garnered a reputation for their reliability and power, making them a staple in live sound applications and recording studios.

2.3 Professional Sound Systems: Peavey is also a significant player in the professional sound system market, offering solutions for large-scale events, installations, and concert venues. Their line array systems and loudspeakers are renowned for their performance and clarity.
2.4 Specialty Products: Apart from musical instruments and audio equipment, Peavey has diversified its product offerings to include other items such as lighting systems, microphones, and specialty audio gear, further solidifying its presence in the professional audio industry.

3. Technological Innovations: Peavey's commitment to innovation has been a driving force behind its enduring success. Throughout its history, the company has introduced numerous groundbreaking technologies to the market. One notable example is the "TransTube" technology, introduced in the 1980s. This innovation allowed solid-state amplifiers to emulate the warm and rich tones of tube amplifiers, revolutionizing the guitar amp industry and earning Peavey immense praise from musicians worldwide.

4. Contributions to the Music Industry: Peavey's impact on the music industry extends beyond their products. The company has played a vital role in promoting music education and supporting aspiring musicians. They have actively sponsored various music programs, contests, and events, fostering the growth of musical talent across different genres.

5. Global Reach and Market Presence: Over the years, Peavey has expanded its reach and established a global presence. Their products are sold in numerous countries through a network of authorized dealers and distributors. Additionally, Peavey maintains a strong online presence, making their products accessible to customers worldwide.

6. Endorsements and Artist Relations: Peavey's reputation for producing reliable and quality gear has attracted endorsements from many prominent musicians and bands. Over the years, numerous artists, including renowned guitarists, bassists, and vocalists, have chosen Peavey products as an integral part of their sound.

7. Sustainability Initiatives: Peavey has taken steps to promote sustainability and environmental responsibility in their operations. The company has implemented eco-friendly practices in manufacturing, packaging, and waste management, aiming to reduce their carbon footprint and contribute positively to the environment.

Conclusion: Peavey Electronics Corporation has undoubtedly left an indelible mark on the music and sound industry. From its humble beginnings in a basement to becoming a global leader, Peavey's commitment to innovation, quality, and affordability has resonated with musicians, sound professionals, and audio enthusiasts worldwide. Their diverse product line, technological advancements, and contributions to music education have cemented their position as an iconic and influential player in the world of music and sound. With a legacy of success and a dedication to progress, Peavey continues to shape the industry and inspire musicians for generations to come.

TEST: Peavey Eurosys

 It is interesting to observe, the technology develops with nice continuity, while the basic needs of the artist have not changed for decades. One of these basic needs is a transportable, well-made and yet inexpensive small P.A., which one can transport alone if possible or better in pairs in a minibus together with a clear backline. I don't know how many shows had to be canceled in my early days, because a willing pub or club promoter had been found, but did not have a house system and shied away from renting an external P.A. for cost reasons.

At that time, vocal systems consisted either of the infamous power mixers of the first hour, which with 2x 100 watts did not even bring the vocals home without clippings, or else Wämsern a la "Voice Of Theater", which alone with the bass bins called for a 7.5 tonner. Clear solutions in the style of two subwoofers plus powerful satellite solutions were at the time an unfulfilled dream, which should establish itself, however, only in the last decade as a fixed component of the sound reinforcement technology.

On the other side are the passive solutions, which want to be operated via external power amplifiers, but thereby also generate a higher flexibility along with a lower purchase price. Such a solution offers America's complete supplier Peavey with the Eurosys system. Various satellite and woofer concepts are offered for sale as individual components or as a system. So then, unpack, set up, connect, listen.


Construction

The Eurosys package consists of several individual components, which together form a passive small P.A.. Cables and power amplifiers must be ordered separately

In detail:

2x Eurosys 118 subwoofer

2x Eurosys 700 satellite speakers

2x PS-B distance rods


The Eurosys 118 subwoofer is, as the name suggests, equipped with an 18 inch speaker and has a maximum sound pressure of 97 dB (1W/1M). The manufacturer specifies 400 watts RMS at 4 ohms as the power rating. The possible frequency range is 38 - 250 Hertz, whereby the product does not have a crossover due to its design. As connections are two parallel-connected Speakon / jack as a combi jack.

The woofer is covered with a quite resistant textured paint, a perforated black grille protects the sound opening against unauthorized access. In addition, both the subwoofer and the satellites are delivered in durable protective sleeves, which protect against heavy scratches and light impacts. With the dimensions of 490 mm x 560 mm x 700 mm, the woofer is already designed as a decent case, which is also underlined by the weight of 34.5 kilograms. If you want to move the woofer alone, you should keep this in mind, especially since the woofer always has to be picked up from the floor. If you don't want to send your intervertebral discs packing, you can't do without a second person for adequate transport.

The matching Eurosys 700 satellites feature a 2-way system, which is composed of a 12-inch woofer and a 175T compression driver, with the driver's dispersion angle set at 90 degrees x 45 degrees. According to the manufacturer, the speakers have a sound pressure of 96 db and a power of 350 watts into 4 ohms. The same have the same textured paint on the surface and a corresponding protective grille. As expected, the speaker stand flange is located on the bottom of the cabinet.

As with the subwoofer mentioned above, the satellites are still in the moderate range with dimensions of 560 mm x 445 mm x 385 mm and a weight of 21.5 kilograms, but a second person is recommended for the assembly. On the rear, the speaker has the same connections as the subwoofer, i.e. Speakon/jack as a combo jack. Here, too, there is no possibility to set a crossover frequency and decouple the frequency response from the woofer.

Together with the subwoofers, the Eurosys set has a total power handling of almost 750 watts per side, which is enough to put pressure on a small club or a city festival. The factory setting of an impedance of 4 ohms, both for the subwoofer and the satellites, seems interesting here. This has the advantage that you can use the power of a connected amplifier optimally, but there is a risk of driving the amplifier down to 2 ohms in daisy chain operation. Especially the asymmetrical shape of the Eurosys 700 suggests a coupling of two satellites for lateral sound reinforcement, so you should always keep an eye on the minimum impedance of the power amplifiers.



Practice

The individual components of the set are quickly and easily assembled, provided one has the necessary strength to lift the satellites onto the distance rods. Otherwise, the entire setup is completely set up and ready to go in no time at all; it's hard to get a small P.A. up and running faster than that.

The individual components of the speaker arrangement make a very good impression in terms of workmanship, the handles fit snugly and at the optimal angle. The textured paint used doesn't leave any deep grooves or cracks, even when the components are used heavily, and thus maintains a high resistance to external influences.

The spacer bars in particular make a good impression. While many competitors often just use these components as a gimmick, Peavey has put a little more thought into this. The rods are black anodized, thus immune to the notorious flash rust and do not leave that unpleasant feeling when you handle steel or nickel tubes with bare hands. In addition, the smear of the hands is not as obvious as, for example, with nickel-plated tubes.

In practice, the combination of 18"/12" and tweeter horn has proven to be a generally capable combination for satellite/woofer operation. I personally miss with many 15" / driver satellites sometimes a midrange, which results from the inertia of the woofer. Therefore, the combination I have fits into the expected sound picture. The sound of the Eurusys system is quite neutral, which is suitable for almost all music genres. The highs and mids are surprisingly soft, and the bass range is defined. Of course, you can't expect the ultimate silkiness in the treble range or the very crisp punch in the bass in this price range, but in relation to the price, the Peavey setup is quite pleasing.

Of course, a lot depends on the crossover frequency selected at the power amplifier, especially in the bass range. Theoretically, you can also connect the individual components in parallel to a stereo power amplifier with 2 ohms impedance each, but this is not advisable from a sonic point of view. In this case, you only load the woofer of the satellite with an unnecessary bass component, which anyway falls under the management of the woofer. The better solution is undoubtedly the use of 2 stereo power amplifiers with a suitable crossover frequency, especially since the 4 Ohm operation guarantees sufficient power output.



Conclusion

The Eurosys P.A. set is a transport-friendly, effective, well-made and very reasonably priced solution for all those who want to create a simple setup without much effort. In cooperation with decent power amps and, if personally required, possibly an appropriate filter, the set manages a decent performance.

The set is suitable for bands, solo entertainers or DJs who want to start immediately without major installation work.


Additional Informations:

Peavey Electronics Corporation - A Comprehensive Company Overview
Introduction: Peavey Electronics Corporation, commonly known as Peavey, is an iconic American manufacturer of musical instruments, audio equipment, and professional sound systems. Founded by Hartley Peavey in 1965, the company has grown from humble beginnings in a small Mississippi basement to become a globally recognized brand in the music industry. With an unwavering commitment to innovation, quality, and affordability, Peavey has consistently delivered products that cater to musicians, sound professionals, and audio enthusiasts alike. This comprehensive report delves into the history, products, contributions, and impact of Peavey in the world of music and sound.

Historical Background: Peavey Electronics Corporation was established in 1965 by Hartley Peavey, a young entrepreneur with a passion for electronics and music. The company's foundation was laid in Meridian, Mississippi, where Hartley started repairing and building audio equipment in his parents' basement. He was determined to create products that were not only exceptional in performance but also accessible to musicians of all levels. This vision became the cornerstone of Peavey's success.

2. Product Line: Peavey offers a diverse range of products that cater to various segments of the music and sound industry. Some of their key product categories include:

2.1 Musical Instruments: Peavey manufactures a wide array of musical instruments, including electric guitars, bass guitars, acoustic guitars, and drums. Their instruments are known for their robust build quality, great playability, and affordability, making them popular choices for both beginners and seasoned musicians.

2.2 Audio Equipment: Peavey's audio equipment division produces a vast range of amplifiers, mixers, speakers, and signal processors. Their amplifiers, in particular, have garnered a reputation for their reliability and power, making them a staple in live sound applications and recording studios.

2.3 Professional Sound Systems: Peavey is also a significant player in the professional sound system market, offering solutions for large-scale events, installations, and concert venues. Their line array systems and loudspeakers are renowned for their performance and clarity.
2.4 Specialty Products: Apart from musical instruments and audio equipment, Peavey has diversified its product offerings to include other items such as lighting systems, microphones, and specialty audio gear, further solidifying its presence in the professional audio industry.

3. Technological Innovations: Peavey's commitment to innovation has been a driving force behind its enduring success. Throughout its history, the company has introduced numerous groundbreaking technologies to the market. One notable example is the "TransTube" technology, introduced in the 1980s. This innovation allowed solid-state amplifiers to emulate the warm and rich tones of tube amplifiers, revolutionizing the guitar amp industry and earning Peavey immense praise from musicians worldwide.

4. Contributions to the Music Industry: Peavey's impact on the music industry extends beyond their products. The company has played a vital role in promoting music education and supporting aspiring musicians. They have actively sponsored various music programs, contests, and events, fostering the growth of musical talent across different genres.

5. Global Reach and Market Presence: Over the years, Peavey has expanded its reach and established a global presence. Their products are sold in numerous countries through a network of authorized dealers and distributors. Additionally, Peavey maintains a strong online presence, making their products accessible to customers worldwide.

6. Endorsements and Artist Relations: Peavey's reputation for producing reliable and quality gear has attracted endorsements from many prominent musicians and bands. Over the years, numerous artists, including renowned guitarists, bassists, and vocalists, have chosen Peavey products as an integral part of their sound.

7. Sustainability Initiatives: Peavey has taken steps to promote sustainability and environmental responsibility in their operations. The company has implemented eco-friendly practices in manufacturing, packaging, and waste management, aiming to reduce their carbon footprint and contribute positively to the environment.

Conclusion: Peavey Electronics Corporation has undoubtedly left an indelible mark on the music and sound industry. From its humble beginnings in a basement to becoming a global leader, Peavey's commitment to innovation, quality, and affordability has resonated with musicians, sound professionals, and audio enthusiasts worldwide. Their diverse product line, technological advancements, and contributions to music education have cemented their position as an iconic and influential player in the world of music and sound. With a legacy of success and a dedication to progress, Peavey continues to shape the industry and inspire musicians for generations to come.

TEST: Peavey 6505 Piranha

 Now that's what I call transportability! Who would have thought a few years ago that you could transport your guitar amp in a lunch bag. At least not me, especially if we assume power beyond the 0.5 watt limit. Peavey, on the other hand, has managed to squeeze up to 20 watts out of a pipsqueak with the Peavey 6505 Piranha, which, as the name suggests, has to follow in the biggest footsteps Peavey has ever left in the guitar sector.

It is almost 25 years ago that Peavey succeeded in a marketing-technical major offensive to get showcase tapper Eddie van Halen in the endorser boat, from whose cooperation the then 5150 Head was born. However, after EVH decided to market its naming rights under its own brand, the corresponding licenses to the 5150 trademark also expired, whereupon Peavey decided to continue marketing the elaborated model under the name 6505.

As before, the 6505+ enjoys an excellent reputation, especially in metal circles, which can be seen, among other things, in the fact that, in addition to the inevitable JCM series from Marshall for the British sound, the 6505+ is listed ahead of Mesa Boogie as the standard for the American sound by almost all backliners at many metal festivals around the world.

And now the same approach in only 82 x 178 x 132 mm, a weight of 1.13 kilograms and a price of under 200, - €? Now we all smile once extensively and devote ourselves to the facts, but which, it should be mentioned in advance, speak a very impressive language.

Construction

It should be clear to everyone that we are not talking about an all-tube head in the tradition of the firstborn with the dimensions mentioned above. A serious output transformer alone would put undue strain on the cabinet dimensions, not to mention the expected heat buildup of the power tubes. Therefore, as expected, a solid state power amplifier is used, which inevitably loses volume with increasing ohmic value of the cabinet due to its construction. Thus, the Peavey 6505 Piranha generates a power of 20 watts at 4 ohms, 15 watts at 8 ohms and only about 10 watts at a vintage cabinet of 16 ohms.

But if you think this volume isn't enough to compete with the friendly double bass drummer of your choice, you should do a field test with this Chinese-made midget on the spot. The little noise maker really makes a lot of noise at 4 ohms, and thanks to inear monitoring, volumes beyond this mark can only be found on large stages anyway. But if you now think you can hawk your stage amps on eBay without a care and already see the golden age of touring with the German railroad dawning, you should first consider the construction of the little predator.

Just three knobs on the front of the top give a very quick indication that this is not a multi-channel amp. Rather, Peavey has focused specifically on its target audience and this is now once in the hard rock and metal. First, you can choose in the preset of the sound by means of a mini-switch between Crunch and Lead, friends of the Clean channel will pull here crying from then. Although the Peavey 6505 Piranha reacts surprisingly "adult" to the volume control of the guitar and puts a very convincing dynamics in terms of distortion control on the day, but a "real" clean sound does not want and can not really arise. But why does the metal player need a clean sound? Exactly, for the plucked intro to the power ballad which is bludgeoned with five chords from the first chorus anyway. Therefore ...

Front

In addition to the gain control for the distortion level and the volume control for the final volume, Peavey spares the usual three-band tone control and replaces it with an EQ control, which when turned to the left, the notch sound (lowering mids, boosting bass and treble) often used in metal, and when turned to the right, fades smoothly to the mid-emphasized rock sound (full). Apart from that, the front also offers an AUX-IN for connecting an MP3 player or similar and a headphone output, which is fortunately available in 6.35 mm and not in the piddly mini jack version. Unfortunately, the headphone output doesn't have a speaker emulation, so you shouldn't be put off by the scratchy sound.


Rear

The back of the case is just as tidy. In addition to a simple push button for On/Off, the Peavey 6505 Piranha has a speaker out and a serial loop-in path, where you can place a volume pedal in addition to the most important modulation and room effects, for example, to raise the volume slightly in a solo without changing the sound of the amplifier. If the maximum volume of the head is not enough, you can also control an external power amp via send.

Finally, there is a socket for the included power supply. It is recommended not to install this power supply, because the required values with 30 volts at 1.0 ampere cannot be delivered by an average power supply. Even if the high voltages of an all-tube amp are not required to get the internally installed 12AX7/ECC83 tube to work, more than 9 volts at 100 mA is needed.


Practice

The transport of the tiny amp to small or medium applications is easily accomplished, as Peavey includes a simple transport bag for its protégé, in which the power supply also finds its place. Once connected, one finds his personal sound very quickly. As expected, nothing really works in the clean range. Vintage single coils with 7 KOhm or less can possibly get something clean-like from the head with moderate playing and half-open poti, but at the latest with a regular humbucker the first distortions flit over the crunch position.

Even for warm blues use there are more suitable playmates, the basic sound leans on the edgy and slightly scratchy basic sound of the 6505+ and leaves the flattering, soft mids rather in the background. However, if you want the forefather in pocket size, you are very well served by the Peavey 6505 Piranha. Despite the only rudimentary switching options, the amp reacts comparatively dynamically and adapts to the playing style of its master. The sound is very compact and yet not overly compressed, so that not every subtlety drowns in high-gain mud.

Nothing to complain about? Well, 2 points could / should / could have been changed. First, the amp is relatively strong noise, even at comparatively low distortion levels. Logically, the metaller is used to play with a noisy amp, but usually the noise decreases when you turn down the volume control. This is not the case here, because it is not the combination guitar-distortion-amp that is noisy, but the amp itself. In principle, not a real problem, you just have to be aware of it in advance.

To the would still be the on / off delay for the speaker. It doesn't exactly wham the diaphragm around your ears, but the impulse during the activation / deactivation of the amp does give a decent hit to the speakers.


Conclusion

With the Peavey 6505 Piranha, the American manufacturer brings the very, very small and quite inexpensive brother of the legendary 6505+ on the market. With minimal dimensions, Peavey manages to adapt the basic character of the big brother and generate a very portable solution for the hard rock / heavy friend.

Whoever manages to get a suitable box on site, can now only armed with a proper gig bag on the way to the next heavy show. It really doesn't get any more comfortable than this.


Additional Informations:

Peavey Electronics Corporation - A Comprehensive Company Overview
Introduction: Peavey Electronics Corporation, commonly known as Peavey, is an iconic American manufacturer of musical instruments, audio equipment, and professional sound systems. Founded by Hartley Peavey in 1965, the company has grown from humble beginnings in a small Mississippi basement to become a globally recognized brand in the music industry. With an unwavering commitment to innovation, quality, and affordability, Peavey has consistently delivered products that cater to musicians, sound professionals, and audio enthusiasts alike. This comprehensive report delves into the history, products, contributions, and impact of Peavey in the world of music and sound.

Historical Background: Peavey Electronics Corporation was established in 1965 by Hartley Peavey, a young entrepreneur with a passion for electronics and music. The company's foundation was laid in Meridian, Mississippi, where Hartley started repairing and building audio equipment in his parents' basement. He was determined to create products that were not only exceptional in performance but also accessible to musicians of all levels. This vision became the cornerstone of Peavey's success.

2. Product Line: Peavey offers a diverse range of products that cater to various segments of the music and sound industry. Some of their key product categories include:

2.1 Musical Instruments: Peavey manufactures a wide array of musical instruments, including electric guitars, bass guitars, acoustic guitars, and drums. Their instruments are known for their robust build quality, great playability, and affordability, making them popular choices for both beginners and seasoned musicians.

2.2 Audio Equipment: Peavey's audio equipment division produces a vast range of amplifiers, mixers, speakers, and signal processors. Their amplifiers, in particular, have garnered a reputation for their reliability and power, making them a staple in live sound applications and recording studios.

2.3 Professional Sound Systems: Peavey is also a significant player in the professional sound system market, offering solutions for large-scale events, installations, and concert venues. Their line array systems and loudspeakers are renowned for their performance and clarity.
2.4 Specialty Products: Apart from musical instruments and audio equipment, Peavey has diversified its product offerings to include other items such as lighting systems, microphones, and specialty audio gear, further solidifying its presence in the professional audio industry.

3. Technological Innovations: Peavey's commitment to innovation has been a driving force behind its enduring success. Throughout its history, the company has introduced numerous groundbreaking technologies to the market. One notable example is the "TransTube" technology, introduced in the 1980s. This innovation allowed solid-state amplifiers to emulate the warm and rich tones of tube amplifiers, revolutionizing the guitar amp industry and earning Peavey immense praise from musicians worldwide.

4. Contributions to the Music Industry: Peavey's impact on the music industry extends beyond their products. The company has played a vital role in promoting music education and supporting aspiring musicians. They have actively sponsored various music programs, contests, and events, fostering the growth of musical talent across different genres.

5. Global Reach and Market Presence: Over the years, Peavey has expanded its reach and established a global presence. Their products are sold in numerous countries through a network of authorized dealers and distributors. Additionally, Peavey maintains a strong online presence, making their products accessible to customers worldwide.

6. Endorsements and Artist Relations: Peavey's reputation for producing reliable and quality gear has attracted endorsements from many prominent musicians and bands. Over the years, numerous artists, including renowned guitarists, bassists, and vocalists, have chosen Peavey products as an integral part of their sound.

7. Sustainability Initiatives: Peavey has taken steps to promote sustainability and environmental responsibility in their operations. The company has implemented eco-friendly practices in manufacturing, packaging, and waste management, aiming to reduce their carbon footprint and contribute positively to the environment.

Conclusion: Peavey Electronics Corporation has undoubtedly left an indelible mark on the music and sound industry. From its humble beginnings in a basement to becoming a global leader, Peavey's commitment to innovation, quality, and affordability has resonated with musicians, sound professionals, and audio enthusiasts worldwide. Their diverse product line, technological advancements, and contributions to music education have cemented their position as an iconic and influential player in the world of music and sound. With a legacy of success and a dedication to progress, Peavey continues to shape the industry and inspire musicians for generations to come.

TEST: Peavey 6505 MH

 "No, he's cute!" Well, the exclamation does not really do justice to a seasoned rocker and could escape from the appearance at most at the sight of a cute puppy, but what Peavey has brought with its Mini Head in the form of the Peavey 6505 MH on the market, inevitably triggers similar reactions in a guitarist.

Peavey, for many decades THE complete supplier of the American music market, had a harder time than expected in the guitar sector at the beginning of the company's history. Almost completely ignored by the European and Asian market, the products around company founder Hartley Peavey scored massively in the strongly traditional American Southern Rock. Bands such as Molly Hatchet or 38 Special carted whole truckloads of Peavey heads, cabinets and combos onto the stage at the time and, with the slightly shimmering, crunchy guitar sound, shaped a trademark of this music genre in the seventies.

With a major marketing offensive in the eighties, they succeeded in getting showcase tapper Eddie van Halen on board as an endorser, whose cooperation resulted in the 5150 Head, which is still very popular today. However, after EVH decided to market all other signature products under his own brand and thus the rights to use trademarks such as 5150 moved on, Peavey decided to continue to market the elaborated model under the name 6505. How successful this model is, especially in metal circles, can be seen, for example, in the fact that, in addition to the inevitable JCM 2000 series from Marshall for the British sound, the 6505 is listed ahead of Mesa Boogie as the standard for the American sound by all backliners at almost all metal festivals in the world.

Aware of the extended usage behavior of many musicians, Peavey has also not closed itself to the lunchbox class among the heads and brings with the 6505 MH the little brother of the fat Oschie on the market, knowing that even the offspring is always measured by the success of the firstborn. We are curious.



Design

"No, is the ..." yes we already had that. Indeed, the Peavey 6505 MH looks like a 6505 washed too hot. Appearance and handling are very much based on the firstborn, which is definitely a positive. With the dimensions (W x H x D): 490 mm x 300 mm x 325 mm, the Chinese-made pipsqueak is, however, only half as wide as its big brother, and it can also boast a weight of just under 8 kilograms, which can almost be described as ridiculous. This means that the amp can even be stored in a normal travel case, which makes it a perfect travel companion for musicians traveling by train or plane.

In terms of workmanship, there are no points of criticism. The black covering material made of Tolex is neatly glued, 8 corners made of steel sheet ensure an orderly distribution of force when hitting the edges, 4 strong rubber feet provide a firm stand. The perforated plate on the front seems to have the same hole diameters as the 6505, which leads to the fact that due to the smaller letters the lettering of Peavey is somewhat difficult and the model designation 6505 MH can no longer be read at all. Aware of this, Peavey has but on the underlying silver front panel the model designation again.

As mentioned above, the overall handling of the Peavey 6505 MH is identical to the 6505, which also affects the design and appearance of the controls. The small head is also an all-tube two-channel (3x 12AX7, 2x EL84, 20 watts), whose clean channel can be converted into a crunch channel via a mini-switch. This setup is very practical, because especially in the heavy range rarely more than 2 sounds are needed from the amp. Either you need a clean sound for a plucked intro (listens to the girl dragged along so much) or the obligatory middle part (the girl also finds nice), or you tear the crunch sound in terms of gain to the limit and play over it the rhythm stuff, whereby the volume control of the guitar still has additional influence on the distortion level down. The rest is played as expected over the lead channel, rhythm and solo, in the hope that the FOH does not forget again to drive the solo in the volume something.

Both channels share a three-band tone control as well as a reverb control, whereby, as with most other amplifiers, coil springs at the bottom of the cabinet are no longer responsible for the reverb. This work has long since been outsourced to a processor, which can smoothly mix in the emulation as needed. 2 separate volume controls manage the final volume of the channels, while the Presence and Resonance controls act on the tone control of the power amp. While in the past only the treble was in focus by means of the Presence control, the 6505 was also one of the first amps to introduce the Resonance control. The same control is supposed to simulate the resonance behavior of a 4x12 cabinet by influencing not only the bass, but also the compression behavior in the low bass range. The result is a much bassier and punchier sound than one would normally expect from an EL84 powered amp.

At the end of the front panel, the power and standby switches are located on the outer right, and two small LEDs above them provide information about their status. Standby = red glow, full throttle = green glow. Like most modern amplifiers, the Peavey 6505 MH is equipped with a power management, in Peavey trademark designation as T.S.I. (Tube Status Indication). If a power tube should go off during operation, which in the past would have inevitably meant the blowing of the microfuse and the temporary end of the show, nowadays said protection circuit ensures that operation is continued in Single Ended mode with simultaneous LED indication of the fault in the form of the color change of the LED. This calms the nerves immensely!

On the rear side, the user has a wide range of possible applications despite the limited space available. On the outer left, one first has the option to choose between 115 V or 220-230 V mains voltage. Very helpful if you actually want to pack the head in your suitcase and use it on the other side of the Atlantic. This is followed by the IEC plug and the main fuse. Following this is the only speaker output, which can choose between an impedance of 8 or 16 ohms. 4 ohms is senseless for the application area of this amp anyway, 2x 8 ohms, respectively 4x 16 ohms would only be possible with a distributor and the 4x12" cabinets, which can deliver 4 ohms, can always be switched to 16 ohms.

A power selector switch follows, which lets the amp run at 20, 5 or 1 watt. After that you can activate a speaker simulation called MSDI, which allows you to run the head without speakers (press SPKR button), a headphone jack and a ground lift for possible hum in the signal path. Then a serial effects loop, 2 footswitch inputs with a total of 4! Switching options (channel, boost, loop, reverb) and a USB port to play directly into the computer. All respect, a really rich offer for the dwarf!


Practice

The great art of the Lunchbox class is known to be flexibility. Preferably enough power to be able to illuminate a larger stage properly acoustically, but on the other hand please also a top sound as a bedroom amp. As a rule, these areas are diametrically opposed, i.e. either your amp blows your hat off on the open air stage, but has a basic volume that drives the fair wife out of the house, or your little Knuffel hums along pleasantly at 0.5 watts with the stereo, but immediately raises the white flag at the first snare beat. Difficult, difficult, if, yes, if an intelligent power management doesn't help the earpiece.

To say it up front, the Peavey 6505 MH is really, really far ahead when it comes to delivering a very full sound even at minimum volume. To the best of my knowledge, I've never come across an amp that still delivers a sound that allows for a dynamic response at the 1 watt setting. Here, on the other hand, you can entertain yourself while doing so and still have the amp respond to your playing style. Conversely, you can play complete hall gigs with the 20 watt setting, assuming you don't need ultra-clean sounds at Motörhead volume. In this case, the two EL84s are due to the design much earlier at the limit than the EL34 / 6L6 front.

In terms of sound, the head must be given a very excellent overall testimony. In addition to very dynamic and pearly clean sounds, it is as expected the entire distortion palette, which masters the Peavey 6505 MH with bravura. Despite the highest gain settings, the sound always remains defined, no mud, no paste, great cinema!



Conclusion

With the Peavey 6505 MH, America's flagship company in the field of instrumentation has brought a very outstanding product to the market. Rarely does a lunchbox amp manage to deliver such a high sound quality, from very, very quiet to really loud, without one or the other practical area falling by the wayside. Without wanting to belittle the quality of the clean sound, one must refer primarily to the crunch and lead range, which to all appearances has benefited more than just incidentally from the long development of its big brother, the 6505.

Who is looking for a very good sounding all-tube rock amp, which also allows the transportability of a culture bag, can not get past the Peavey 6505 MH. A very hot contender for the top spots of the "Product of the Year 2015" in the amplifier sector!


Additional Information:

Peavey Electronics Corporation: Pioneering Amplification and Sound Reinforcement
Introduction:

Peavey Electronics Corporation is an American company renowned for its pioneering contributions to the world of musical amplification and sound reinforcement. Founded by Hartley Peavey in 1965, the company has since become a dominant force in the industry, manufacturing a diverse range of products, including amplifiers, guitars, basses, mixers, speakers, and other audio equipment. This report provides a comprehensive overview of Peavey Amps, its history, innovations, and enduring impact on the music industry.

Founding and Early Years:
Hartley Peavey, an avid musician and entrepreneur, established Peavey Electronics Corporation in 1965 in Meridian, Mississippi. From its humble beginnings, the company's primary focus was on producing high-quality and affordable musical instruments and audio equipment, with a commitment to meeting the needs of musicians of all levels.

Innovations and Technological Advancements:
Peavey Electronics has been at the forefront of audio technology innovation, introducing groundbreaking features and advancements in their amplifiers and audio gear.
The Transtube Technology: One of Peavey's most significant innovations was the development of Transtube technology in the late 1980s. This revolutionary circuitry emulated the organic distortion of tube amplifiers in solid-state amplifiers, offering musicians an affordable alternative with a warm and dynamic sound.

Versatility in Amplification: Peavey Amps cater to a wide range of musical styles and applications. From the classic tube amplifiers like the Peavey 6505 series, favored by heavy metal musicians, to the versatile and powerful modeling amplifiers like the Vypyr series, Peavey offers options to suit various musical preferences.
Powered Mixers and Sound Reinforcement: Peavey is also renowned for its expertise in sound reinforcement equipment, manufacturing powered mixers, PA systems, and speakers. Their audio gear is widely used in live performances, concerts, and installations around the world.

Artist Collaborations and Endorsements:
Over the years, Peavey has collaborated with numerous artists and musicians to develop signature amplifiers and equipment tailored to their specific needs and playing styles. Notable artists associated with Peavey endorsements include Eddie Van Halen, Joe Satriani, and Hartley Peavey himself.

Commitment to Quality and Manufacturing:
Peavey Electronics has maintained a strong commitment to producing high-quality, durable, and reliable equipment. The company's manufacturing facilities in the United States have played a crucial role in ensuring strict quality control and craftsmanship.

International Presence and Impact:
Peavey's reach extends beyond the United States, with a global distribution network making their products accessible to musicians and audio professionals worldwide. The affordability and reliability of Peavey equipment have made it a popular choice for musicians, bands, and audio technicians in various regions.

Involvement in Music Education:
Peavey Electronics has also shown a commitment to music education by offering support to various music programs and initiatives. The company's efforts to promote music education reflect their dedication to nurturing the next generation of musicians and audio professionals.

Conclusion:
Peavey Electronics Corporation's journey from a small Mississippi-based startup to a globally recognized leader in the audio industry is a testament to the company's commitment to innovation, quality, and meeting the needs of musicians. Through their pioneering technological advancements, diverse product range, and contributions to music education, Peavey Amps has significantly shaped the world of amplification and sound reinforcement, leaving an enduring impact on the music industry. As they continue to evolve and adapt to new trends and challenges, Peavey remains a trusted name and a go-to brand for musicians seeking reliable and versatile amplification solutions.