TEST: Behringer Europower PMP 4000

 Even if it is technically almost old hat, an old school protagonist will still have to look twice when examining the performance specifications of current power mixers. Thanks to Class D power amplifier technology, the kilowatts are shot from the hip with the weight of a crate of beer and the housing dimensions of a woman's handbag. When I consider what I was still carrying with the Peavey CS400 thanks to the “Heavy Duty” toroidal core transformers and with 2x 200 watts at 4 ohms it was still in the middle range. With the CS 800 you could already hear the first prayers from the technical crew and before the power amplifier rack was loaded, everyone ran away screaming...

This is all old cheese from the day before yesterday and only makes today's agile sound artist twitch the corners of his mouth very tiredly. Just add a few input channels, a multi-FX for a little spatial Punch and Judy show, a practical monitor and aux routing and you can host the majority of all club events with a comparatively small piece of equipment. Oh yes, definitely don't forget the provocative carrying handle!

The Europower PMP 4000 from Behringer has all of these product details and a few additional features and is ready to run into the open arms of ambitious young artists with the beloved combination of “low selling price meets high performance” in the highly competitive segment of the class up to €500






construction

The PMP 4000 is a 16-channel mixer equipped with 8 mono and 4 stereo channels. In terms of dimensions (H x W x D): 122 x 476 x 460 mm, the mixer is very handy, which also supports the low weight of 13.3 kilograms. However, with 2x 800 watts at 4 ohms (1600 watts bridged), the same product offers enough power to provide vocal sound in smaller clubs or to use the keyboard version of the solo entertainer at the next wedding party at one in the morning when everyone is already drunk Offering “Highway To Hell” with a high-decibel rock star feeling.

The power mixer sits in a plastic/metal tray, is impeccably manufactured and rests on four rubber feet that are glued crookedly, but this does not affect its functionality. 2 plastic bridges also allow the device to be placed on the front side. 2 Speakon Outs serve as connections for power output. Two fans, which are secured with simple wire grilles, ensure the necessary cooling of the interior.

The channel concept corresponds to the standards, as there is an XLR as a microphone input (unfortunately unlocked), a jack as a line input plus a Y insertion point in front of the catch-up amplifier, which works between -10 dB and +60 dB and has an overload LED in yellow. Also standard is the Mackie memory three-band tone control (12 kHz shelving, 2.5 kHz bandpass, 80 Hz shelving) and, as usual in this price range, unlocked plastic potentiometer axes.

When it comes to aux handling, the PMP 4000 has two monitor sends plus one FX send, all designed in mono out, equipped with their own master faders, colored in the flavors “Plastic Red” and “Plastic Orange”, Katjes Yoghurt Drops to greet. The internal power amplifier can also be used externally in stand-alone mode in loop operation. A switchable impact sound filter, PFL switch, mute switch and a moderately running fader round off the channel section. With a plastic slider, all channels can be optionally assigned 48V phantom power.

While channels 1 - 12 have the configurations mentioned above, the last two stereo channels are only fed with a level knob, the two monitor sends and a PFL. Channels 9/10 and 11/12 can be fed either via jack or cinch, selected using a pressure switch. The tape/CD input has an optional karaoke function, in which the solo voice is to be removed from the stereo image using phase cancellations.

The product also has a seven-band hum equalizer, a “stereo surround simulator” and a multi-effects device equipped with 100 presets. As expected, the product is manufactured in China in order to keep wages, additional wage costs and environmental protection taxes as low as possible.


Practice

Despite its generous features, the Europower PMP 4000 is surprisingly clear. The assignment is logical, the handling is practical, you can quickly find your way around after a short training period. The device also has enough visual control displays and a large number of PFL pressure switches ensure good control options in advance and avoid unpleasant surprises.

Even though the visual and technical features are higher than the retail price, the sound of the product brings the user back to the present. The filters sound appropriate for the price, i.e. they bend the frequency response, but nothing more. You simply can't expect a sonically characterful life of its own at this price. The shelving treble sounds quite hard and yet scratches quite badly when the same frequencies are boosted.

The built-in Multi-FX has an impressive number of factory-set effect parameters, but its sound is only in the middle range. Pleasant number games like 24 bit or 40 kHz cannot hide the fact that the product reaches its limits very quickly, especially in the computationally intensive area of room simulations. Larger rooms in particular sound synthetic and will probably only survive the end of the reverb tail with loop functions.

The faders aren't the cheapest quality, but they don't run like they're stored in oil either. A little more resistance would be good, but at this price it probably won't be possible. Since this product will not be used in a real FOH position anyway, but rather on the stage next to the keyboard player, consistent fades will not be necessary during the show anyway.



Conclusion

The Europower PMP 4000 is once again a product that, due to Chinese production, offers extensive features and sufficient connection peripherals for little money. The area of application and practical suitability are varied and the product will find its buyers. In terms of its area of application, which will probably be in the area of small combos, unplugged constellations or solo entertainment, the product offers reasonable features.

It goes without saying that high-quality components cannot be used in the area of sound management at a price of just under 400 euros. Anyone who can handle comparatively hard and angular filters and interprets the effects device as more of a bonus will get along well with the product and for know how to use it for its intended purposes.

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Additional Informations:

The origin and evolution of Behringer is a narrative that embodies innovation, controversy, and the democratization of audio technology. This expanded history delves deeper into the company's milestones, challenges, and its impact on the audio industry.

### Foundation and Philosophy

The inception of Behringer in 1989 by Uli Behringer, in Willich, Germany, was driven by a personal need for affordable music equipment. Uli's background as a musician and sound engineer, combined with his academic pursuits in electrical engineering, laid a unique foundation for the company. Behringer's early efforts were focused on creating products that he himself needed and could not afford, a philosophy that would become the cornerstone of the company's mission: to provide professional audio equipment at prices within reach of aspiring musicians and producers.

### Breakthrough and Expansion

The 1990s were a defining decade for Behringer. The company's initial product offerings were well-received, leading to rapid expansion. Behringer's strategy involved meticulously analyzing market-leading products, then engineering cost-effective alternatives without compromising quality. This approach, while controversial, allowed Behringer to introduce a wide array of products, from mixers and amplifiers to speakers and studio processors, significantly underpricing competitors.

### Manufacturing Innovations

Behringer's move to China in the late 1990s was a strategic pivot that played a critical role in the company's ability to scale production while maintaining low costs. The establishment of Behringer City, a state-of-the-art manufacturing complex, was unprecedented in the audio equipment industry. This facility not only allowed for greater control over the manufacturing process but also demonstrated Behringer's commitment to innovation in production techniques.

### Digital Revolution

The transition to digital technology marked a significant evolution in Behringer's product development. The introduction of the X32 Digital Mixer in the 2010s was a game-changer for the industry, offering features and performance previously unseen at its price point. Behringer's foray into digital products didn't stop at mixers; the company expanded its portfolio to include digital interfaces, synthesizers, and other electronic music equipment, catering to both the analog nostalgia and the modern digital workflow.

### Synthesizers and Electronic Music

Behringer's venture into synthesizers and electronic music instruments in recent years has been met with enthusiasm from the music production community. The company has successfully tapped into the resurgence of interest in analog synthesizers, offering affordable replicas of classic models. These products have opened up new creative possibilities for musicians who were previously priced out of the analog synth market.

### Controversies and Legal Battles

Behringer's aggressive market strategies and product similarities have led to several legal confrontations with competitors. The company has faced accusations of copying designs and infringing on patents. Despite these challenges, Behringer has often emerged unscathed, defending its practices as legal and in the service of making music production accessible to all. These controversies have sparked debate within the industry about innovation, imitation, and the ethics of business practices.

### Community and Criticism

Behringer's relationship with its customers and the broader music community has been complex. While many applaud the company for making music production more accessible, others criticize it for what they see as compromising the integrity of the industry. Behringer has been proactive in engaging with its user base, soliciting feedback, and continuously improving its products in response to community input.

### Future Directions

As Behringer moves forward, the company continues to explore new technologies and markets. With a keen eye on emerging trends in music production, Behringer is positioned to remain a significant player in the audio industry. The company's commitment to innovation, affordability, and quality ensures that it will continue to influence music production for both amateur and professional creators alike.

### Conclusion

The history of Behringer is a testament to the transformative power of vision, innovation, and persistence. From its inception in a small German town to its status as a global brand, Behringer has continually reshaped the landscape of audio technology. By breaking down financial barriers to professional-quality sound, Behringer has not only changed the way music is made but has also empowered a new generation of artists to express themselves through sound. The legacy of Behringer is ultimately found in the music of those it has enabled to create, a melody that continues to evolve with each passing year.

Creating a comprehensive list of all products ever released by Behringer is a monumental task, given the company's prolific output since its inception in 1989. Behringer has produced a wide range of audio equipment, including mixers, amplifiers, loudspeakers, synthesizers, digital audio processors, and a variety of studio and recording equipment. Below is an overview of product categories and examples of products within those categories, rather than an exhaustive list, reflecting the diversity and breadth of Behringer's offerings over the years.

### Mixers
- **XENYX Series**: Analog mixers with USB connectivity, ranging from compact to large formats.
- **EURODESK Series**: Large-format mixing consoles designed for studio and live applications.
- **X32 Series**: Digital mixing consoles that revolutionized the market with their features and affordability.

### Audio Interfaces
- **UMC Series**: USB audio interfaces providing a range of input/output options for home recording.

### Amplifiers
- **iNUKE Series**: Lightweight, high-power amplifiers for live and installed sound.
- **EUROPOWER Series**: Portable power amplifiers suitable for musicians, DJs, and small venues.

### Loudspeakers
- **EUROLIVE Series**: A wide range of powered and passive loudspeakers for live sound reinforcement.
- **B215D**: Active 2-way loudspeakers known for their performance and value.

### Microphones
- **C-1**: A large-diaphragm condenser microphone suitable for studio recording.
- **XM8500**: Dynamic vocal microphone designed for live and studio applications.

### Headphones
- **HPS3000**: Studio headphones offering high-resolution audio reproduction.
- **BH 770**: Professional-grade studio reference headphones.

### Studio Processors
- **DEQ2496**: Ultra-high precision digital 24-bit/96 kHz EQ/RTA mastering processor.
- **MDX4600**: Reference-class 4-channel expander/gate/compressor/peak limiter.

### Synthesizers
- **Model D**: A modern reproduction of the classic analog synthesizer with a distinctive fat sound.
- **DeepMind 12**: A 12-voice analog polysynth with deep editing capabilities and effects.

### Drum Machines
- **RD-8**: A recreation of the classic analog drum machine, known for its characteristic sound and sequencing capabilities.

### Digital Processors and Effects
- **VIRTUALIZER 3D FX2000**: Multi-engine effects processor with 3D surround.
- **ULTRA-DI DI100**: Direct injection box for stage and studio applications.

### DJ Equipment
- **DJX750**: Professional 5-channel DJ mixer with advanced digital effects and BPM counter.

### Musical Instruments
- **UMX610**: A 61-key USB/MIDI controller keyboard with a separate audio interface.

### Recording Equipment
- **CONTROL2USB**: High-end studio control and communication center with VCA control and USB audio interface.

This overview captures the essence of Behringer's product lines, highlighting the company's versatility and commitment to providing affordable solutions across the spectrum of audio production and performance needs. Given the dynamic nature of Behringer's product development, their portfolio continues to evolve, embracing both analog traditions and digital innovations.

TEST: Behringer Europower EPQ 2000

 How spoiled you are now. When the parcel service handed me the Behringer Europower EPQ 2000 for testing, I was actually surprised at first by its relatively high weight. Thanks to switching power supplies, competing products tend to be in the 4 kilogram range, so the EPQ 2000 is a bit surprising with its 7 kilograms.

How much I would have appreciated 7 kilograms in the days of conventional toroidal transformer equipment, which was the standard a few years ago. Today something like that is almost considered heavy. Let's see, maybe it's due to the massive design of the product.



construction

The EPQ 2000, built in China, comes with standard 2U dimensions and leaves a robust impression at first glance. The solid sheet steel is neatly screwed together, has screwing options on the back of the rack and has double sheet metal guides on the front of the rack wings. In terms of performance, the stereo power amplifier offers RMS information of 2x 700 watts/4 ohms, 2x 500 watts/8 ohms and in bridge mode 1400 watts at 8 ohms. Unfortunately, 2 ohm stereo operation or 4 ohm bridge operation is not provided. Even though this impedance is relatively rarely used in the consumer sector, I think it's a shame to have to do without this feature.

As with other Europower power amplifiers in the higher power range, Behringer also uses Accelerated Transient Response (ATR) technology for the EPQ 2000, which promises better power output in relation to the components used and an accelerated transient response. Visually, Behringer adapts to the general trend of recent years. The brushed aluminum frame used on the front, in combination with the flawless workmanship, has almost no resemblance to the sometimes coarse black of the earlier power amplifier decades. The main sheet metal frame was finished in anthracite.

The solid screwed side wings and the 19 inch screw options on the back, which are common with powerful power amplifiers, give the product the necessary stability in the rack. Even if the product is primarily operated in a rack, it is still possible to use the power amplifier in stand-alone operation. Four soft rubber feet ensure good slip resistance on flat surfaces.


The front of the product is characterized by two intake openings, which are responsible for cooling the product. The power amplifier is cooled exclusively via air circulation, which sucks in the air from the back and removes it from the front. In addition to two level controls and a three-digit LED display, which provides information about the signal display functions, -10 dB, -20 dB, 0 dB (white LEDs) and the use of the internal limiter (blue LED), there are no other displays on the front. The on/off switch, which is surrounded by a blue ring during startup, is also located on the front.




On the back, the product has all standard inputs and outputs with small deductions. On the output side, only Speakon and bare wire are used; you won't find any jack sockets. The screw caps of the bare wire are protected with a plastic cover when the product is delivered.

On the input side, however, in addition to the standard jack or XLR, RCA plugs (one per channel) are also available. The product is delivered in stereo mode from the factory. Of course, operation in bridge mode or crossover mode is also possible, with the latter separating at a fixed frequency of 100 Hz. Channel 1 supplies the frequency range below the specified crossover frequency, channel 2 supplies the range above.

The internally installed limiter can be deactivated using a slider on the back. The product also has amplifier protection against short circuits, open outputs and thermal overload. Furthermore, the connected loudspeaker is protected against direct current.



Practice

Behringer assumes that the buyer of the EPQ 2000 is familiar with the operation and connection of power amplifiers; there is no other explanation for the lack of any operating instructions. The 13-language leaflet marked as “operating instructions” is limited to warranty descriptions and performance data, which in my opinion is too thin a basis when performance in the kilowatt range is required. At least a simple formulation of Ohm's law and error-free handling of the bare wire should be described in a supplementary sheet, otherwise damage to the components used may occur.

When you start using the product, you will first notice the loud fan noise in standby mode. This is negligible in rack operation under or behind the stage of a rock club, but in sensitive areas such as theater operations, voice recordings or studio operations, this noise may be a few levels too loud. Everyone should test in advance to what extent this point is relevant. There were no problems with the product in test operation. Handling and functionality were all within the acceptable range, and there were no misfires or problems of any kind.




Conclusion

With the Europower EPQ 2000, Behringer is bringing a very inexpensive consumer amplifier with good performance data onto the market. The product, built in China, is well made, looks good and will find its buyers if you can live with one or two limitations.

The lack of 2 ohm operation and a loud fan noise are a few negative points that each user has to decide for themselves whether these are relevant to them or not. In any case, it should be a reasonably experienced user who is not connecting a power amplifier for the first time. A simple operating manual costs cents and, in my opinion, should not be missing from any power amplifier delivery.


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Additional Informations:

Behringer, established in 1989 by Uli Behringer, has made a significant impact in the audio industry by creating high-quality, budget-friendly audio equipment. This approach was groundbreaking, as it filled a vital gap in the market where professional audio equipment was typically expensive and out of reach for many aspiring musicians and audio engineers.

Uli Behringer's vision was to make professional audio equipment more accessible. He began this journey with the Behringer Studio Exciter Type F, a product designed to enhance audio quality without breaking the bank. This product set the tone for what Behringer would become known for: good quality audio gear at an affordable price.

Behringer's range of products expanded rapidly. The company began producing mixers, amplifiers, loudspeakers, and microphones, each characterized by affordability and functionality. For example, Behringer's mixers were particularly well-received in the market. They offered features that were typically only available in high-end equipment, such as multiple input and output options, advanced equalization controls, and robust build quality, all at a fraction of the cost of their competitors.

The key to Behringer's success has been its continuous innovation. The company has invested heavily in research and development, leading to the creation of new technologies that reduce production costs while maintaining quality. This focus on innovation has not only kept Behringer's products affordable but also ensured they meet the evolving needs of their customers.

Manufacturing in China was another strategic move that allowed Behringer to keep its prices low. By leveraging the cost efficiencies available in China, Behringer was able to compete aggressively in terms of pricing, making its products even more accessible to a global audience.

Beyond manufacturing and innovation, Behringer's marketing strategies have played a crucial role in its success. The company has been adept at using the internet and social media to reach and engage with its customer base. This direct line of communication has enabled Behringer to gather valuable feedback, which has been instrumental in shaping both current and future product offerings.

Despite its successes, Behringer has faced challenges, including legal disputes over intellectual property and criticisms regarding the quality of some of its products. However, the company has been proactive in addressing these issues, often using customer feedback as a guide to improve and refine its products.

Recently, Behringer has expanded into synthesizers and electronic music equipment. They have recreated classic synthesizer models, making them available at more affordable prices. This move has been met with mixed reactions. Some in the industry appreciate Behringer's effort to make vintage technology accessible to a wider audience, while others view it as a lack of innovation.

Behringer's impact on the audio industry is profound. By making professional audio equipment more accessible, Behringer has opened doors for a diverse array of users, from hobbyists and amateur musicians to professional recording studios and live sound engineers. Their products are now staples in various audio setups, and the company's commitment to affordability and quality continues to resonate with a broad customer base.

Looking to the future, Behringer shows no signs of slowing down. The company's dedication to innovation, quality, and affordability suggests that it will continue to play a pivotal role in the audio industry. Behringer's ability to adapt to market trends while staying true to its mission of democratizing audio technology positions it as a brand that will continue to shape the landscape of audio equipment for many years to come.

**Behringer Product Pricing: A Comprehensive Overview**

Behringer is a German audio equipment manufacturer that is known for its affordable products. The company offers a wide range of products, including mixers, amplifiers, speakers, microphones, effects pedals, and synthesizers.

**Mixers**

Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues.

**Mixer Price Range**

Behringer mixer prices range from around $20 for a 2-channel mixer to around $1,000 for a 64-channel mixer.

**Factors that Affect Mixer Prices**

The price of a Behringer mixer is affected by a number of factors, including:

* **Number of channels:** More channels generally means higher prices. A 2-channel mixer is a good option for a small home studio or for basic live sound applications. A 16-channel mixer is a good option for a larger home studio or for more complex live sound applications. A 32-channel or more mixer is a good option for a professional studio or for large live sound applications.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices. A mixer with a variety of inputs and outputs is a good option for musicians who need to connect a variety of devices, such as microphones, instruments, and effects pedals.
* **Features:** Mixers with built-in effects or digital control are generally more expensive than mixers without these features. Built-in effects can be a great way to add effects to your sound without having to purchase external effects pedals. Digital control can make it easier to control your mixer, especially for complex applications.

**Popular Behringer Mixers**

Some of Behringer's most popular mixers include:

* **Xenyx QX1202USB:** This 12-channel mixer with USB audio interface is a great option for small home studios or live sound applications. It costs around $100.
* **X32:** This 32-channel digital mixer offers a wide range of features and is a popular choice for live sound and studio recording. It costs around $2,000.
* **Midas M32:** This 32-channel digital mixer is a high-end option that offers professional-grade features and performance. It costs around $6,000.

**Amplifiers**

Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.

**Amplifier Price Range**

Behringer amplifier prices range from around $100 for a 100-watt amplifier to around $10,000 for a 10,000-watt amplifier.

**Factors that Affect Amplifier Prices**

The price of a Behringer amplifier is affected by a number of factors, including:

* **Power output:** More power output generally means higher prices. A 100-watt amplifier is a good option for small speakers or for small live sound applications. A 1,000-watt amplifier is a good option for larger speakers or for larger live sound applications. A 10,000-watt amplifier is a good option for very large speakers or for very large live sound applications.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices. An amplifier with a variety of inputs and outputs is a good option for musicians who need to connect a variety of devices, such as speakers, microphones, and effects pedals.
* **Features:** Amplifiers with built-in effects or a DI box are generally more expensive than amplifiers without these features. Built-in effects can be a great way to add effects to your sound without having to purchase external effects pedals. A DI box can be a useful tool for connecting microphones or other instruments to an amplifier.

**Popular Behringer Amplifiers**

Some of Behringer's most popular amplifiers include:

* **Europower EP4000:** This 4000-watt power amplifier is a powerful option for live sound applications. It costs around $500.
* **Ultradrive DDM4000:** This digital mixer with a built-in amplifier is a versatile option for both live sound and studio use. It costs around $1,000.
* **Inuke 1000MP:** This 1000-watt power amplifier is a compact and affordable option for small live sound applications. It costs around $200.

TEST: Behringer Europower EP 4000

 Aha, at some point it had to go the other way again. Which direction? We're talking about the weight of a product. When it was time to test the Behringer Europower EP 4000 and the parcel delivery person handed me the same parcel, I realized for a brief moment that in the area of higher power outputs there can sometimes be higher weight dimensions.

Not that the product mentioned above is a real heavyweight of the past decades, but in times of single-digit kilogram figures, the EP 4000, with a weight of just under 17 kilograms, requires a powerful, male forearm. According to the manufacturer, there are also 2x 2000 watts available for under €300 street price. Under €300? We need to dig into this a little more closely.



construction

The Europower EP 4000, built in China, like most of its competitors, has 2 HE dimensions and an installation depth of 402 millimeters and leaves a good impression at first glance in terms of workmanship. The anthracite-colored sheet steel is solid, has rack brackets on the back and is also designed with double sheet metal guides on the front of the rack wings for stability reasons.

However, you shouldn't be blinded by the 2x 2000 watts printed on the housing, they only correspond to a peak level at 2 ohms and are irrelevant in practice. In terms of performance, the stereo power amplifier offers RMS information of 2x 1250 watts / 2 ohms, 2x 950 watts / 4 ohms, 2x 550 watts / 8 ohms and in bridge mode 2400 watts / 4 ohms, 1750 watts / 8 ohms. It's nice that the power amplifier also offers 2 ohm operation, which is not always the case in this price range.

As with many other Europower power amplifiers in the higher power range, Behringer also uses Accelerated Transient Response (ATR) technology for the EP 4000, which promises better power output in relation to the components used and an accelerated transient response.

Visually, Behringer relies on traditional anthracite color for this product. All outer panels have a discreet color; you won't find the currently very hip brushed aluminum in this series. Due to its weight, this power amplifier will probably find its preferred application in the rack of a permanent installation, but it is also possible to use the power amplifier in stand-alone operation. Four glued-on rubber feet ensure good slip resistance on flat surfaces.

On the front of the product there is a large, grooved opening, which is responsible for cooling the product. The power amplifier is cooled exclusively via air circulation, which sucks in the air from the back and removes it from the front. In addition to two level controls, there is an operating LED, a signal and a clip LED as well as the on/off switch on the front of the housing. On the back, the product has the standard inputs (jack, XLR) and outputs (Speakon, bare wire); jack output sockets have rightly been omitted due to the power outputs used. The screw caps of the bare wire are protected with a plastic cover when the product is delivered.

Using a mini switchboard you can choose between different operating modes, such as stereo operation, parallel operation or mono bridge operation. In parallel operation, a signal is present at both power amplifier blocks at different volumes if necessary; in bridge operation, the output power of both blocks is switched together, for example to operate a powerful subwoofer. The remaining second input can be used in parallel operation to loop the applied signal through to another output stage block.

In addition, various low cuts at 30 Hz or 50 Hz and a limiter can be activated using the mini switches. The EP 4000 also includes a circuit breaker that replaces the fuse. In general, with such power outputs, it is important to ensure that the connected speakers can withstand the currents. Particularly in bridge operation, it is important to have appropriate loudspeaker equipment.

The low cut mentioned above ensures that sub-bass, which is more beneficial to the body feeling than to the ear, does not kill weaker speakers and should generally always be activated in full-range systems. Better transparency of the sound and an apparent increase in volume will be recorded on the plus side.



Practice

Countless tomes have already been written about the inner values of a power amplifier, not least of which involve real trench warfare over the value of the individual components. However, with a selling price of less than €300 and performance data in the kilowatt range, a serious error in the operational safety or durability of the product must occur in order for a product to be rated sustainably negatively.

Neither can be checked in a regular test; this requires some long-term studies. A review of some forums resulted in a consistently good rating in terms of operational safety. During the test, the EP 4000 also completed all tasks without any complaints or complaints; no failures or other problems occurred.

Mechanically everything is fine, even the level controls have been countered on the front panel and give a sturdy impression. Only the rather loud fan disturbs the good overall impression. Even if fan noise plays a minor role in the rehearsal room or on a loud stage, in sensitive areas such as theater operations, voice recordings, studio operations or when several power amplifiers of this type are operated in parallel, this noise may be a few levels too loud.




Conclusion

With the Europower EP 4000, Behringer is once again bringing a very inexpensive consumer amplifier with good performance data onto the market. The product, built in China, is impeccably manufactured and meets all the requirements for easy handling in the rehearsal room, on stage or in permanent installations. Thanks to its design for 2 ohm operation, the maximum power output can be achieved by intelligently connecting the speaker systems in parallel.

Only the relatively loud fan noise represents a negative point, where each user or the area of application of the product has to decide whether this is relevant for them or not.


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Additional Informations:

Behringer, founded in 1989 by Uli Behringer, is a company known for making audio equipment that's both good quality and affordable. This was something new at the time, as most professional audio gear was pretty expensive.

Uli Behringer, who knew a lot about sound and music, saw that musicians and people working with sound needed better-priced gear. So, he started with a product called the Behringer Studio Exciter Type F, which was made to improve how audio sounds, and it didn't cost a lot.

Over time, Behringer started making more types of audio equipment like mixers, amplifiers, speakers, microphones, and even digital stuff like digital mixers. Their mixers, especially, became popular because they had features usually found in expensive gear but were much cheaper.

One big reason Behringer did well was because they always tried to make new and better things. They put a lot of effort into creating new ideas and technology that made their products good but not too pricey.

Behringer also made a smart move by making their products in China. This helped them keep prices low and reach more people, especially in Asia.

The way Behringer advertised their products was different too. They used the internet and social media a lot to talk to their customers. This helped them build a community of people who liked and used their products.

Of course, Behringer faced some problems too. They had some legal issues and some people weren't happy with the quality of some products. But Behringer listened to what people said and worked to make their products better.

Recently, Behringer has been making synthesizers and electronic music equipment, including recreating old synthesizers in a way that more people can afford. This move was a bit controversial, with some people liking it and others thinking it lacked originality.

In summary, Behringer has had a big effect on the audio industry by making professional equipment more accessible to a lot of people. Whether it's for a small home studio or a big concert, Behringer's products are used by many. As they keep focusing on making good, affordable audio gear, Behringer is likely to stay important in the world of sound and music.

**Behringer Product Pricing:

**Mixers**

Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues.

**Mixer Price Range**

Behringer mixer prices range from around $20 for a 2-channel mixer to around $1,000 for a 64-channel mixer.

**Factors that Affect Mixer Prices**

The price of a Behringer mixer is affected by a number of factors, including:

* **Number of channels:** More channels generally means higher prices.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices.
* **Features:** Mixers with built-in effects or digital control are generally more expensive than mixers without these features.

**Popular Behringer Mixers**

Some of Behringer's most popular mixers include:

* **Xenyx QX1202USB:** This 12-channel mixer with USB audio interface is a great option for small home studios or live sound applications. It costs around $100.
* **X32:** This 32-channel digital mixer offers a wide range of features and is a popular choice for live sound and studio recording. It costs around $2,000.
* **Midas M32:** This 32-channel digital mixer is a high-end option that offers professional-grade features and performance. It costs around $6,000.

**Amplifiers**

Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.

**Amplifier Price Range**

Behringer amplifier prices range from around $100 for a 100-watt amplifier to around $10,000 for a 10,000-watt amplifier.

**Factors that Affect Amplifier Prices**

The price of a Behringer amplifier is affected by a number of factors, including:

* **Power output:** More power output generally means higher prices.
* **Inputs and outputs:** More inputs and outputs also generally means higher prices.
* **Features:** Amplifiers with built-in effects or a DI box are generally more expensive than amplifiers without these features.

**Popular Behringer Amplifiers**

Some of Behringer's most popular amplifiers include:

* **Europower EP4000:** This 4000-watt power amplifier is a powerful option for live sound applications. It costs around $500.
* **Ultradrive DDM4000:** This digital mixer with a built-in amplifier is a versatile option for both live sound and studio use. It costs around $1,000.
* **Inuke 1000MP:** This 1000-watt power amplifier is a compact and affordable option for small live sound applications. It costs around $200.

**Speakers**

Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.

**Speaker Price Range**

Behringer speaker prices range from around $50 for a 10-inch speaker to around $10,000 for a 18-inch speaker.

**Factors that Affect Speaker Prices**

The price of a Behringer speaker is affected by a number of factors, including:

* **Speaker size:** Larger speakers generally mean higher prices.
* **Power output:** More power output also generally means higher prices.
* **Features:** Speakers with built-in amplifiers or Bluetooth connectivity are generally more expensive than speakers without these features.

**Popular Behringer Speakers**

Some of Behringer's most popular speakers include:

* **Eurolive B215D:** This 15-inch PA speaker is a powerful and versatile option for small live sound applications. It costs around $200.
* **Truth B215A:** This 15-inch powered speaker is a high-quality option for both live sound and studio use. It costs around $500.
**XLS1500P:**

TEST: Behringer X18

 The Behringer X18 in the test for Amazona. OK, let's talk plainly. Hands up if you could have seen this development coming. What development? Now that we are slowly but surely moving away from the classic, analog potentiometer in whatever form, little by little, and putting the management of our signals in the hands of “swiping gestures”. Mind you, there is not a hint of melancholy or even suspicion in this sentence. On the contrary, the digital era opens up possibilities that would have consumed enormous amounts of space, money and transport energy in the analogue age and can now be transported in a briefcase.

Aware of this, the Behringer company developed the X series, which consistently relies on the control of FOH or monitor consoles using mobile devices. Right off the bat, the company is launching the Behringer .


construction

As with Mackie's DL series, the Behringer While Mackie connects the tablet to the mixer in a fixed form using a dock if necessary, Behringer only offers a rubberized storage area of 29.5 x 19.5 cm for the tablet. Advantage: different tablets with different sizes can be used. The disadvantage is that the tablet is not supplied with power from the dock during operation. The overall dimensions of the product are 409 x 357 x 110 mm and the weight is a manageable 4.0 kilograms.


WIRELESS INTERNET ACCESS

In order to connect the tablet and desk with each other, Behringer has installed its own WLAN access point, the antennas of which are located inside the device. Unfortunately, they only transmit on 2.4 GHz and only have WEP encryption. Even though this design minimizes any clutter of cables and ensures a tidy appearance, this design carries several risks.

I would like to point out that relying solely on this data exchange during a live show represents a risk that should not be underestimated. In particular, the high traffic on smartphones may lead to a reduction in reliability. It therefore remains to be considered whether you should use an external 5 GHz router for data transmission. WEP encryption can also be hacked by a specialist within seconds and you can vividly imagine what that will do to your mix if you have the right inclinations.


In/Out

In the entrance area, 16 XLR/TSR combination sockets allow clear access, with the first two channels also being designed as a high-impedance version to ensure the direct connection of an electric guitar or electric bass. An R/L RCA pair allows the connection of an external stereo source on channels 17/18, while a matching pair reproduces the main mix or the control/headphone mix. In order to connect corresponding monitor paths or in-ear systems, the Behringer X18 has six symmetrical TSR connectors on the back. Practice shows that there may be space problems with massive plugs because the sockets are comparatively close to each other. In addition, the majority of monitor components use XLR connectors, so you should also get a minimum set of appropriate adapters.

You can also connect the P16 personal monitor mixer via Ultranet, so that the artist can also create his own monitor mix. A corresponding computer, usually a notebook, can now be connected via the USB port for recording purposes. In order to make maximum use of the cooperation between the different components, it is recommended to get the X Air software from the respective online stores, which not only takes over the pure mixer functions, but also coordinates the management of various presets.


Practice

Right from the start, the Behringer X18 impresses with everything running smoothly. Docking the respective devices is easy and access is intuitive. When it comes to effects, the Behringer The collection of effects is impressive, for example a six-fold fully parametric filter is available for each output. Of course, there is also massive equipment in terms of dynamics, separate compressors and gates per channel allow very extensive management of the signals. The FOH / monitor man has a total of 61 effect algorithms at his disposal, which is probably unique in this price range.

In terms of sound, all algorithms are truly convincing. Of course, there may always be one or two people who prefer analogue sound management and the fact that all surfaces of the emulated effects are a copy of the analogue original speaks for itself. Nevertheless, it is not even remotely possible to achieve such a variety of sounds in an analog design with these dimensions. The Behringer X18 opens up new horizons in implementation, especially for smaller bands that can set up a complete routing with 16 channels.

According to Behringer, up to four devices can be remotely controlled at the same time, which greatly expands flexibility in terms of FOH and monitor man. At some point you'll probably just see some sound technicians running around the concert hall with their tablets, always looking for the perfect sound. The FOH space can also be made correspondingly small. A mix at the city festival, private party or other events where technology is always a “visually annoying evil”? No problem, you don't even have to pull a multicore.

When it comes to handiness, there is of course the problem that the Behringer X18 eludes the typical flight case solutions due to its shape. 19 inch solutions cannot be implemented due to the lack of side wings and the “grandma’s suitcase from the storage” solution is really only for school bands. In order to transport the product appropriately, you should think about a case solution in good time. Even if there are no parts protruding from the housing, which are always the first to die, the product still contains a lot of electronics inside, which poses a risk to functionality if exposed to external influences.



Conclusion

With the Behringer The product has a well thought-out concept that will cause a sensation, especially at small to medium-sized shows.

Outsourcing the control units of a mixer to a tablet is no longer that new, but it has not yet been implemented with this price/performance ratio. In conjunction with a corresponding active system and corresponding monitor boxes or in-ear monitor systems, after a comparatively short training period, all that is required is a capable ear to manage the sound of a corresponding show.

The Behringer

An excellent product in the truest sense of the word!

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Additional Informations:

Behringer, established in 1989 by Uli Behringer, has carved out a significant niche in the audio technology industry with its focus on engineering and manufacturing cost-effective audio equipment. This Germany-based company was a response to the market's demand for affordable yet professional-grade audio gear, a sector largely monopolized by high-priced products.

Uli Behringer, combining his expertise as an audio engineer with his background as a classical pianist, perceived a gap in the market for budget-friendly audio solutions. This led to the debut of Behringer's first product, the Behringer Studio Exciter Type F. This initial offering was a signal processor, engineered to enhance audio output, symbolizing Behringer's dedication to delivering professional audio quality at a significantly reduced cost.

Behringer's expansion into various audio equipment segments was marked by its continuous innovation. The company's portfolio grew to include an array of products such as mixers, amplifiers, loudspeakers, microphones, and later, cutting-edge digital audio processing tools like digital mixers and interfaces. Behringer’s mixers, such as the EURODESK and X32 digital mixer, garnered attention for integrating professional features at an accessible price point, a move that democratized high-end audio equipment for a broader user base.

The company’s innovation trajectory is underscored by substantial investments in research and development. This commitment has led to several patents and the development of unique technologies. These technological advancements were primarily focused on reducing production costs while maintaining high-quality standards, aligning with Behringer’s mission to democratize access to professional audio tools.

Behringer's strategic expansion included establishing manufacturing units in China, a decision that capitalized on lower production costs to offer more competitive pricing. This expansion not only streamlined production but also provided easier access to the burgeoning Asian markets, enhancing Behringer's global footprint.

In terms of marketing, Behringer adopted unconventional approaches, notably embracing the internet and social media platforms for customer engagement. This direct interaction fostered a community-centric approach, providing invaluable user feedback and building a loyal customer base.

However, Behringer's journey has not been without challenges. The company faced legal disputes concerning intellectual property and encountered criticism regarding the quality of certain products. Behringer has actively addressed these issues, often utilizing customer feedback to refine and improve its offerings.

In its recent ventures, Behringer has delved into synthesizers and electronic music equipment, notably reproducing classic synthesizer models at more accessible price points. This move has sparked debate in the industry, balancing between making vintage technology available to a wider audience and the critique of a perceived lack of originality.

Behringer's impact in the audio technology sector is marked by its commitment to making professional audio equipment more accessible. This approach has broadened opportunities for a diverse range of users, from amateur artists to professional sound engineers. Behringer's products are now a common feature in various audio setups, from home studios to professional concert venues.

As it progresses, Behringer continues to stay true to its founding ethos of offering high-quality, affordable audio equipment. This ongoing dedication to innovation and quality improvement positions Behringer to maintain its influential role in the audio technology landscape for the foreseeable future.

**Behringer: A Comprehensive Overview of Their Products**

Behringer is a German audio equipment manufacturer that was founded in 1989. The company is known for its affordable and high-quality products, which are used by musicians and audio professionals all over the world. Behringer offers a wide range of products, including mixers, amplifiers, speakers, microphones, effects pedals, and synthesizers.

**Mixers**

Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues. Behringer mixers are known for their reliable performance and intuitive controls.

**Mixer Features**

Behringer mixers offer a variety of features to suit the needs of different users. Some of the most common features include:

* **Number of channels:** Behringer mixers come in a variety of channel counts, from 2-channel mixers for small home studios to 64-channel mixers for large concert venues.
* **Inputs and outputs:** Behringer mixers offer a variety of inputs and outputs, including XLR, TRS, RCA, and USB.
* **Effects:** Many Behringer mixers include built-in effects, such as reverb, delay, and compression.
* **Digital control:** Some Behringer mixers offer digital control, which allows users to control the mixer from a computer or mobile device.

**Popular Behringer Mixers**

Some of Behringer's most popular mixers include:

* **Xenyx QX1202USB:** This 12-channel mixer with USB audio interface is a great option for small home studios or live sound applications.
* **X32:** This 32-channel digital mixer offers a wide range of features and is a popular choice for live sound and studio recording.
* **Midas M32:** This 32-channel digital mixer is a high-end option that offers professional-grade features and performance.

**Amplifiers**

Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.

**Amplifier Features**

Behringer amplifiers offer a variety of features to suit the needs of different users. Some of the most common features include:

* **Power output:** Behringer amplifiers offer a variety of power outputs, from 100 watts to 10,000 watts.
* **Inputs and outputs:** Behringer amplifiers offer a variety of inputs and outputs, including XLR, TRS, and RCA.
* **Features:** Some Behringer amplifiers offer additional features, such as built-in effects or a DI box.

**Popular Behringer Amplifiers**

Some of Behringer's most popular amplifiers include:

* **Europower EP4000:** This 4000-watt power amplifier is a powerful option for live sound applications.
* **Ultradrive DDM4000:** This digital mixer with a built-in amplifier is a versatile option for both live sound and studio use.
* **Inuke 1000MP:** This 1000-watt power amplifier is a compact and affordable option for small live sound applications.

**Speakers**

Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.

**Speaker Features**

Behringer speakers offer a variety of features to suit the needs of different users. Some of the most common features include:

* **Speaker size:** Behringer speakers come in a variety of speaker sizes, from 10-inch speakers to 18-inch speakers.
* **Power output:** Behringer speakers offer a variety of power outputs, from 100 watts to 10,000 watts.
* **Features:** Some Behringer speakers offer additional features, such as built-in amplifiers or Bluetooth connectivity.

**Popular Behringer Speakers**

Some of Behringer's most popular speakers include:

* **Eurolive B215D:** This 15-inch PA speaker is a powerful and versatile option for small live sound applications.
* **Truth B215A:** This 15-inch powered speaker is a high-quality option for both live sound and studio use.
* **XLS1500P:** This 15-inch passive speaker is a durable and affordable option for small live sound applications.

TESZ: Behringer Nekkst K8

 Anyone who deals with the topic of music production for the first time will sooner or later be faced with the annoying issue of their monitor system. You somehow heard from friends that your home stereo system or your favorite headphones are not enough to mix a balanced sound.

But what if you only have a small budget and still don't want to be fobbed off with a PC speaker class monitor? The customer can be helped. It is not for nothing that many providers have a special segment dedicated to the so-called budget class. One of the market leaders in this segment is the company Behringer, which with the Behringer Nekkst K8 loudspeakers wants to give ambitious young people a near-field monitor with which they can gain their first experience.

In order to give the product an additional incentive to buy, KRK mastermind Keith R. Klawitter was brought on board as a designer. This test should show whether his design only focuses on the optics or whether his expertise covers the entire concept of the monitor.



construction

The Behringer Nekkst K8, manufactured in China, is the most voluminous version of the Nekkst class, which is supplemented further down by the products K6 and K5. As expected, the number after the K stands for the inch diameter of the woofer. There is also a subwoofer called K10 on offer. In terms of processing, there are no defects, everything is glued cleanly, no protrusions or anything similar.

The designer's KRK touch can be seen at first glance, as the woofer also has a deformation-resistant fiberglass membrane. His cooperation partner in the tweeter range is a 1" silk dome tweeter, which was recessed in an oval recess for better side radiation. The Class D power amplifier delivers a maximum of 150 watts, the crossover frequency is 3 kHz. According to the data sheet, the maximum sound pressure is 102 dB SPL at 1 m.

With dimensions of 393 x 261 x 315 mm and a weight of 8.7 kg, we are dealing with the normal dimensions of an 8" near-field monitor. However, you should clarify in advance whether you have enough space in your work area for this design. Loudspeakers of this performance class will probably never make it into professional recording studios with acoustically optimized rooms, so it must be clarified in advance whether the study or bedroom even has the space for these dimensions.

Behringer, on the other hand, is aware of its area of application and, in addition to a few other setting options, offers a so-called “room compensation”, which reduces the frequency from -2 dB to -6 dB at 300 Hz in order to counteract drone frequencies in unfavorable placement.


Setting options

In order to provide access to MP3 players or comparable devices, the Behringer Nekkst K8 also has RCA inputs in addition to XLR and TRS, which makes a lot of sense considering the target group. The input level can be reduced or increased by 6 dB using a trim pot set at 0 dB.

In order to simulate the sound on a smaller monitor, you can also use a mini switch to reduce the range below 60 Hz to -6 dB in -2 dB steps. If necessary, the high frequency range can be boosted by 2 dB or reduced by -2 dB or -4 dB. Attention, the boosting or lowering takes place with a slider in the same direction; here it would be better to set the 0 dB point in the middle rather than at the left end.


First impression

First of all everything is good, no hissing, no humming, the speakers are characterized by a barely perceptible amount of background noise. The glowing Nekkst K8 logo provides information about the operating status of the box.


Sound

Of course, with a retail price of 179 euros, you shouldn't expect miracles, but what Behringer offers here with neutral sound control takes some getting used to. The sound offered is very high-mid-heavy, not to say shrill. In addition, the 8-inch woofer has far less bass reproduction than what its size would suggest. Although the construction is very faithful to impulses and allows a generous design of the stereo triangle due to the tweeter concept, sound culture works differently.

Unfortunately, by lowering the treble (starts at 8 kHz) I was unable to get the problem, which is around 4-5 kHz, under control. Rather, the sound was now robbed of its “shine”, meaning the box sounded comparatively dull. Vocals, guitars, drums, all “natural” instruments were only rudimentarily reproduced acoustically in the quality in which they were recorded.

However, the whole thing changed when it came to “artificial” instruments. The Behringer Nekkst K8 handled hard techno beats or heavy sampler clatter much better, especially since the power of almost 150 watts had some power reserves. The only thing that clouded the sound here was the comparatively weak bass reproduction.


Conclusion

With the Behringer Nekkst K8, the manufacturer offers a near-field monitor in which light and shadow go hand in hand. For a retail price of 179 euros, the customer receives a powerful listening device that can show its strengths in DJ use, but unfortunately is not really convincing in regular studio use due to the shrill sound and low bass reproduction, especially with natural instruments.

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Additional Informations:

Behringer, founded by Uli Behringer in 1989, has become a significant player in the world of audio technology. Originally based in Willich, Germany, the company began its journey focusing on the design and manufacture of affordable audio equipment, which was then a niche in the market largely dominated by high-cost products.

Uli Behringer, an audio engineer and classical pianist, recognized the need for more affordable equipment for musicians and audio professionals. This insight led to the creation of the company's first product, the Behringer Studio Exciter Type F. This product, a signal processor designed to enhance audio quality, was a testament to Behringer's commitment to providing professional audio solutions at a fraction of the cost of competitors.

As the company grew, Behringer expanded its product range to include a wide array of audio equipment. This included mixers, amplifiers, loudspeakers, microphones, and later, digital audio processing equipment like digital mixers and interfaces. Behringer's mixers, in particular, gained widespread popularity for their affordability and functionality. Products like the EURODESK and the X32 digital mixer revolutionized the market by making professional features accessible to a broader range of users.

Innovation has been a key factor in Behringer's success. The company has consistently invested in research and development, leading to numerous patents and proprietary technologies. These innovations often focused on reducing costs without compromising quality, which aligned perfectly with Behringer's mission to democratize professional audio equipment.

The global expansion of Behringer was marked by the establishment of manufacturing facilities in China. This strategic move allowed Behringer to leverage lower production costs, resulting in more competitive pricing for its products. The company's presence in China also facilitated easier access to emerging markets in Asia, further boosting its global reach.

Behringer's marketing strategies have been as unconventional as its business model. The company has often been at the forefront of utilizing the internet and social media to engage with its customers. This direct engagement has not only provided valuable feedback but has also created a community of loyal Behringer users.

The company has also faced its share of controversies and challenges. It has been involved in legal disputes over intellectual property and has faced criticism over the quality of some of its products. However, Behringer has addressed these issues head-on, often using customer feedback to improve and refine its product offerings.

In recent years, Behringer has ventured into new territories, such as synthesizers and electronic music equipment. The company's reproduction of classic synthesizer models at affordable prices has been both praised and criticized. While some see this as making vintage technology accessible to the masses, others view it as a lack of originality.

Behringer's impact on the audio industry is undeniable. By making professional audio equipment more affordable, the company has opened up opportunities for a wider range of artists, producers, and audio engineers. Whether it's a home studio or a professional concert setting, Behringer's products have found a place in numerous audio setups around the world.

As Behringer continues to evolve, it remains committed to its founding principle of providing high-quality, affordable audio equipment. This commitment, coupled with a continuous drive for innovation and improvement, suggests that Behringer will remain a key player in the audio industry for years to come.

**Behringer: A Comprehensive Overview of Their Products**

Behringer is a German audio equipment manufacturer that was founded in 1989. The company is known for its affordable and high-quality products, which are used by musicians and audio professionals all over the world. Behringer offers a wide range of products, including mixers, amplifiers, speakers, microphones, effects pedals, and synthesizers.

**Mixers**

Behringer mixers are some of the most popular and affordable mixers on the market. The company offers a wide range of mixers to suit every need, from small home studios to large concert venues. Behringer mixers are known for their reliable performance and intuitive controls.

Some of Behringer's most popular mixers include the Xenyx QX1202USB, which is a 12-channel mixer with USB audio interface, and the X32, which is a 32-channel digital mixer with a wide range of features.

**Amplifiers**

Behringer amplifiers are another popular line of products from the company. Behringer offers a wide range of amplifiers for both live sound and studio use. The company's amplifiers are known for their powerful performance and affordable price.

Some of Behringer's most popular amplifiers include the Europower EP4000, which is a 4000-watt power amplifier, and the Ultradrive DDM4000, which is a digital mixer with a built-in amplifier.

**Speakers**

Behringer speakers are a great option for musicians and audio professionals who are looking for affordable and high-quality speakers. Behringer offers a wide range of speakers to suit every need, from small PA systems to large concert sound systems.

Some of Behringer's most popular speakers include the Eurolive B215D, which is a 15-inch PA speaker, and the Truth B215A, which is a 15-inch powered speaker.

**Microphones**

Behringer microphones are a great option for musicians and audio professionals who are looking for affordable and high-quality microphones. Behringer offers a wide range of microphones to suit every need, from vocal microphones to drum microphones.

Some of Behringer's most popular microphones include the XM1800S, which is a dynamic vocal microphone, and the C-1U, which is a condenser microphone.

**Effects pedals**

Behringer effects pedals are a great option for musicians who are looking for affordable and high-quality effects pedals. Behringer offers a wide range of effects pedals to suit every need, from distortion pedals to delay pedals.

Some of Behringer's most popular effects pedals include the Ultra Metal, which is a distortion pedal, and the VD400, which is a delay pedal.

**Synthesizers**

Behringer synthesizers are a great option for musicians who are looking for affordable and high-quality synthesizers. Behringer offers a wide range of synthesizers to suit every need, from analog synthesizers to digital synthesizers.

Some of Behringer's most popular synthesizers include the DeepMind 12, which is an analog synthesizer, and the Crave, which is a digital synthesizer.

**Other Products**

In addition to the products mentioned above, Behringer also offers a wide range of other products, including headphones, cables, and accessories. Behringer is a great option for musicians and audio professionals who are looking for affordable and high-quality audio equipment.

**Conclusion**

Behringer is a leading manufacturer of audio equipment that offers a wide range of products to suit every need. Behringer products are known for their affordable price, reliable performance, and intuitive controls. If you're looking for affordable and high-quality audio equipment, Behringer is a great option to consider.

TEST: BCRich Mockingbird Legacy ST

 How do you know that a guitar manufacturer has made it into the mainstream? By being able to buy the shape of its most successful model as a lighter! In fact, a friend recently gave me a lighter in the shape of a Mockingbird for my birthday, which puts the Mockingbird Legacy ST we were testing in a different light. From a corpus provocateur to a merchandiser who would have thought that. This test, among other things, is intended to show to what extent this surge in popularity is justified.

The concept of the Mockingbird Legacy ST

Times change. What caused an outcry in the guitar scene almost 50 years ago has now become a household name, especially in the hard'n'heavy camp. While in those days people were still tearing their mouths about models like Ironbird, Warlock and, above all, “The Beast”, today the provocative shapes of yesterday only manage to elicit a benevolent smile from most customers.

The Mockingbird model undoubtedly occupies a special position, as it was able to achieve by far the highest sales figures in the almost 5 decades of the company's history due to its comparatively moderate body shape. While this model has been available over time with both “Made In USA” in the high price range and “Made In China” in the lower price range, the Mockingbird Legacy ST model I am testing is made in Korea and has a retail price from €1,399 in the middle sector.

Although there is probably no “Guitar Hero” in the classic sense who has chosen a BC Rich model as his main instrument (you can forgive me if I don't put Kerry King in this league ;-), the popularity of this manufacturer is due to his With their polarizing appearance, they can undoubtedly be equated with the big names in the guild. In addition, it was BC Rich for the first time who really pulled off the challenge when it came to circuit variations and even made a Varitone circuit from Gibson seem like a gentle breeze. The extent to which this flexibility can be viewed as useful for the target group is another matter.

Structure and components used

The Mockingbird Legacy ST is delivered in a simple cardboard box, which doesn't do justice to an instrument of this quality level, especially since the protruding horn below the lower cutaway makes it impossible to transport in a standard bag. This brings us directly to one of the main problems with instruments with unusual body shapes: transport. In principle, you have three options for transporting the instrument appropriately. Option 1, you take a standard rectangular case without a cutout and live with the fact that the instrument does not have a firm hold. Option 2, you take the same suitcase and make a suitable cutout or several parts out of molded foam or foam. Option 3, you buy a BC Rich shaped bag or suitcase, the latter of which comes with a hefty surcharge. With the Thomann bundle offer, the matching molded case costs €331, which I would personally describe as very ambitious.

However, what comes out of the cardboard box leaves a very good impression at first glance. In this case, the Mockingbird Legacy ST comes in a transparent cherry red, among other color options. The paint applied is flawless and of the cleanest quality. Like almost all BC Rich instruments of this quality level, the Mockingbird Legacy ST also has a continuous neck, in this case a three-piece neck made of maple. The side parts are made of Nyatoh Palaquium, which is a mahogany wood, and are additionally set off with two reversible stripes towards the neck. As is well known, a continuous neck is characterized by its very strong sustain, which can be clearly heard from the first notes played.

In order to give the instrument a more elegant look, a top made of cloud maple was glued to the front and back, but this is too thin to interfere with the sound and is only for visual reasons. The neck, which according to the manufacturer is called “Shredzilla Ultra Slim Contour For Speed”, could also simply be called a slim D and has an Indian Ebony fingerboard with 24 jumbo frets. The adjustment and playability are very good, only when going into the upper registers does the lower cutaway press a little on the fingers despite the softly milled transition to the body.

Grover Imperials 18:1 are used as tuning mechanisms, which are used in several BC Rich models. The tuners impress with their precise guidance and their subtle vintage design. The guitar also has a Floyd Rose vibrato system from the 1000 series, which was set up to float freely without additional stops on the spring block. Therefore, double bends should be avoided as a stylistic element. All hardware is chrome.

A quick look at the switching elements makes friends from the Fender or Gibson camp cringe, but it only seems a bit frightening at first glance. Despite the total of 8 switches and rotary controls, the electrical system inside the instrument is designed to be purely passive, even if the names of the American-made DiMarzio pickups D Activator Neck Humbucker - DP219BK and D Activator Bridge Humbucker Pickup - DP220FBK leave a different impression. So nothing is actively boosted here, something is just taken away through filters.

In addition to two volume controls for the two pickups and a master tone control, the instrument has a standard three-way switch for the pickups, three mini switches for individual coil tapping, or out of phase switching and the ominous Varitone switch, as already known from some Gibson models of the ES series should be.

The Mockingbird Legacy ST in practice

When you pick up the instrument for the first time, you once again see the incredible sustain that the continuous neck enables the instrument to achieve. This result seriously makes you wonder why instruments with screwed or glued necks are still being built these days. Not even the Floyd Rose vibrato system, which is known to be one of the sustain killers, is able to reduce the value of the instrument's outstanding vibration behavior.

When played while sitting, the user has to pay some tribute to the unusual body shape. The protruding wooden area above the neck pickup presses quite a bit into the rib area, which is a bit uncomfortable in the long run. Of course, you wonder whether this instrument will ever be played while sitting, but you should still be prepared for a few pressure points in the living room.

In complete contrast to its appearance, the Mockingbird Legacy ST impresses with an immense selection of sounds in the clean to slightly crunchy range. Both the mini switches and the Variotone control knob can only implement their tonal flexibility below lead or even high gain distortion levels. Above a certain gain range, these subtleties are completely lost in the distortion. The target group of the Hard'n'Heavy faction gets a huge selection of filtered sounds that they ultimately don't need at all. Well, it can't hurt, as long as you don't hit a mini switch in the heat of the moment.

It's unbelievable that this classic has been on the market for 50 years and still hasn't seriously left the metal sector. The sophisticated circuitry increases flexibility immensely, although the Varitone switch has a peculiarity that unfortunately cannot be avoided in terms of circuitry. In addition to the standard setting, all 4 other sound options have a massive drop in volume, which must be taken into account in the setting unless you want to use the serial circuit as a booster.

But the instrument can of course also sound exactly as most musicians expect it to, with the passive orientation of the pickups ensuring a less compressed and more open approach to the basic sound than, for example, the active market leaders from EMG or Fishman. The playability is very good, the response is accentuated, and the workmanship is exemplary. In addition, the instrument was optimally set at the factory and did not require any readjustment.

Conclusion

With the Korean-made Mockingbird Legacy ST, the US manufacturer offers a lot of sound quality at a moderate price. The instrument is excellently crafted, offers a high degree of independence and, thanks to the continuous neck, has outstanding vibration and sustain behavior.

Due to the extensive circuit options, you can get the maximum variety of sounds out of the instrument, which can show its strengths especially in the clean and crunch range.

If you want to draw attention to yourself both sonically and visually, you should definitely try this instrument out.

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Additional Informations:

B.C. Rich is a guitar company that has been in business since 1969. The company is known for its innovative designs, its association with heavy metal music, and its sometimes controversial reputation.

**History**

B.C. Rich was founded by Bernardo Chavez Rico in Los Angeles, California. Rico was a guitar player and repairman who was frustrated with the lack of variety in the guitar market. He wanted to create guitars that were both unique and high-quality.

Rico's first guitar, the Mockingbird, was introduced in 1969. The Mockingbird had a distinctive V-shaped body that was unlike any other guitar on the market. The guitar was an instant success, and it quickly became a popular choice among heavy metal guitarists.

In the years that followed, B.C. Rich introduced a number of other innovative guitars, including the Warlock, the Stealth, and the Ironbird. These guitars were all characterized by their bold designs and their high-performance features.

**Influence on Heavy Metal**

B.C. Rich guitars have been played by some of the biggest names in heavy metal music, including Dimebag Darrell, Kerry King, and Zakk Wylde. The company's guitars have become synonymous with the heavy metal genre, and they are often seen as a symbol of rebellion and non-conformity.

**Controversy**

B.C. Rich guitars have also been the subject of controversy. Some people believe that the company's guitars are too extreme and that they promote violence. In 1986, the Parents Music Resource Center (PMRC) labeled B.C. Rich guitars as one of the "filthy fifteen" albums that were considered to be harmful to children.

**Despite the controversy, B.C. Rich remains a popular guitar company. The company continues to produce innovative guitars that are designed to appeal to heavy metal guitarists and other musicians who are looking for a unique and high-quality instrument.**


* **Innovative designs**

B.C. Rich guitars are known for their distinctive and often outlandish designs. The company has been credited with popularizing the V-shaped guitar body, which has become a staple of heavy metal music.

* **High-quality construction**

B.C. Rich guitars are built with high-quality materials and craftsmanship. The company uses a variety of woods, metals, and electronics to create guitars that are both durable and capable of producing high-quality sound.

* **High-performance features**

B.C. Rich guitars are designed to be high-performance instruments. The company offers a wide range of options, including active pickups, Floyd Rose tremolos, and other features that are popular with heavy metal guitarists.

* **Association with heavy metal music**

B.C. Rich guitars are closely associated with heavy metal music. The company has been a popular choice among heavy metal guitarists for decades, and its guitars have become a symbol of the genre.

**Conclusion**

B.C. Rich is a unique and innovative guitar company that has played a significant role in the development of heavy metal music. The company's guitars are known for their bold designs, high-quality construction, and high-performance features.

**B.C. Rich: The People Behind the Guitars**

B.C. Rich is a guitar company that has been in business since 1969. The company is known for its innovative designs, its association with heavy metal music, and its sometimes controversial reputation.

The people behind B.C. Rich are a diverse group of individuals who are passionate about guitars and music. They come from all walks of life, but they are all united by their shared love of creating unique and high-quality instruments.

**The Founder**

In 1969, Rico founded B.C. Rich Guitars. The company's first guitar, the Mockingbird, was an instant success. The Mockingbird had a distinctive V-shaped body that was unlike any other guitar on the market.

Rico continued to lead B.C. Rich until his death in 2004. He was a visionary leader who helped to shape the company into the iconic brand that it is today.

**The Employees**

B.C. Rich employs a team of talented individuals who are passionate about guitars and music. The company's employees come from all walks of life, but they are all united by their shared love of creating unique and high-quality instruments.

The company's employees include:

* **Guitar designers** who create new and innovative guitar models.
* **Guitar builders** who hand-craft B.C. Rich guitars using high-quality materials and craftsmanship.
* **Sales and marketing professionals** who promote B.C. Rich guitars to musicians and music lovers around the world.

B.C. Rich employees are committed to creating the best possible guitars for musicians of all levels. They are passionate about their work, and they are always looking for ways to improve the company's products and services.

**The Culture**

B.C. Rich has a unique and vibrant culture that is based on creativity, innovation, and passion. The company's employees are encouraged to be themselves and to express their individuality.

B.C. Rich is a company that is always looking for new and innovative ways to create guitars. The company's employees are passionate about their work, and they are always looking for ways to improve the company's products and services.

**Conclusion**

B.C. Rich is a company that is built on the passion of its people. The company's employees are committed to creating the best possible guitars for musicians of all levels. They are passionate about their work, and they are always looking for ways to improve the company's products and services.

TEST: BCRich Beast

 Rock music has always been polarizing. When, as a young boy, I was enthusiastically watching a live broadcast of a Status Quo concert on TV, my grandfather happened to come in, watch what was going on on the screen for a short time and leave the room shaking his head with the words “these people must be sick”. .

If ever a name was fully associated with the term “metal”, it is B.C.Rich, due to the sometimes bizarre shapes of their instruments. No other manufacturer of series models has ever shown this continuity when it comes to establishing visually exalted body shapes like the US-based company of founder Bernardo Chavez Rico.

The present test model “Beast” finally shoots the bird in terms of body shape. Because of its unusual shape, whoever picks up this instrument will call out all the available exclamations, from “For God's sake” to “Wow, cool eh,” and thus may conjure up situations similar to those at the time Scene with my grandfather. If you've always wondered what happens when you cross a tree trunk with an alien from the TV series "Babylon 5", here's the result! ;-)


Construction:

The special feature of the Beast, which is made in China, is the continuous neck, which is made up of three strips of maple. The stripes run through to the oversized headstock, here only 2 more strips were glued to the sides to create the look. The fingerboard is made of ebony and has 24 frets. Unexpectedly, the instrument was fitted with relatively flat fretwire. In terms of width, it is already in the jumbo range, but the fret height is moderate to flat for a guitar that is clearly in the metal category. Small pearloid diamonds are used as fingerboard inlays. Two body halves made of Nato, a mahogany subspecies, were glued to the neck to complete the body. The scale length of the instrument is 25 ½” (long scale length).


All edges have been rounded off, giving the huge body surprisingly comfortable handling. The instrument is cleanly painted in black (company name Onyx) and has a structured top finish, which, however, will have no effect on the sound due to its wafer-thin design.

In addition to the expansive body design, the “evil headstock” is also a visual eye-catcher. Everyone can decide for themselves whether some horned devil was the inspiration for the design; the inclined atheist can also use the bulges as beverage can holders.


All hardware is also designed in black. 6 tuners bend the string guide on the headstock quite a bit to the right or left, so that the tuning ability has suffered somewhat in favor of the appearance. When using the locking saddle of the licensed Floyd Rose system, this problem is put into perspective again; the uniformity of the control path only suffers when the system is loosened. A master volume and a master tone control manage the sound signal.


Practice:

The asymmetrical body has a number of pitfalls in practice. Even with the best will in the world, I couldn't find a single guitar stand in which you could park the instrument. In fact, you can only hang it on the wall or place it in a foam-covered multi-stand, which means it's only a matter of time before the rear edges of the body show the first scratches.

When played dry, the advantages of a continuous neck combined with a high proportion of wood mass become apparent. The instrument has above-average sustain, especially since a Floyd Rose vibrato always uses up a certain amount of vibration energy. The tones are nice and long with a balanced amplitude and this over the entire grip area. I couldn't detect any dead spots or even total collapses due to resonance absorption.

The oversized body sits surprisingly ergonomically on the body, only the upper “horn” constantly digs into the sternum area when sitting due to the pointed edges. Well, who plays a guitar like this sitting down and has also ever had a “Flying V” on their knees? ;-)

Sent through a clean amp, the two in-house humbuckers come across as quite high-mid-heavy. When connected in parallel, the instrument has a beautiful, clear sound that confidently reproduces arpeggios and slightly funky riffs. The neck pickup doesn't entirely convince me personally, which is probably due to its placement. I am of the opinion that, due to their design, instruments with 24 frets cannot achieve the voluminous sound of a design with 22 frets. If you don't put the neck pickup under the 24th fret but further towards the bridge, I think it loses its character. Mind you, this is a purely subjective opinion and cannot be generalized.

In distorted mode, the Beast finds the area for which it was built. The basic nasal sound of the pickups can score significantly more here due to their high assertiveness, although for me personally there is a bit too much "noodle" in the upper frequencies. The bridge pickup, although much more suitable for this sound than the neck pickup, also has a noticeable saw. The playability is impeccable, and due to the low fret wire, the appropriate string position can be adjusted if necessary.


Conclusion:

If so, then already! In addition to politics, show business is THE area where extensive Punch and Judy shows are a must. Nobody would ever expect an instrument with such a look in pop, blues or even jazz, but in metal there is no equal in terms of looks. 50 percent of the audience will be repulsed by such a guitar, 50 percent will think it's great, and 100 percent of people will talk about you. Therefore, class goal achieved!

Equipped with a lot of light and little shadow, the Beast definitely has its audience and anyone who, like me, would swap the pickups gets an official “metal board” for their stage performance.

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Additional Informations:

BC Rich is an American brand of guitars and bass guitars renowned for its distinctive and innovative designs. The story of BC Rich begins in the late 1960s when Bernardo Chavez Rico, a skilled luthier and musician, founded the company. The Rico family had a background in flamenco guitar making, which influenced the early designs of BC Rich guitars.

Bernardo Chavez Rico initially started modifying and customizing guitars in the 1960s before venturing into original designs. BC Rich gained prominence in the 1970s with its unique body shapes, which were quite different from the traditional guitar designs of the era. The most notable models introduced during this period were the Seagull, Mockingbird, and Eagle. These models featured innovative designs and were quickly adopted by prominent musicians, giving the brand significant exposure and credibility in the music industry.

One of the most iconic models, the Warlock, was introduced in the early 1980s. With its aggressive, angular shape, the Warlock became synonymous with the heavy metal music scene and was popularized by artists like Slash of Guns N' Roses and Nikki Sixx of Mötley Crüe. The Warlock's design exemplified BC Rich's commitment to creating guitars that stood out both visually and in terms of performance.

BC Rich guitars are known for their high-quality craftsmanship. The company initially focused on handmade, custom instruments, which appealed to professional musicians. These guitars often featured exotic woods, intricate inlays, and top-of-the-line hardware. As the company grew, BC Rich started producing more affordable models through overseas manufacturing, making their distinctive guitars accessible to a broader range of musicians.

Throughout its history, BC Rich has been innovative not only in design but also in functionality. The company was among the first to incorporate active electronics into their guitars. Models like the Bich introduced onboard preamps and intricate wiring options, allowing for a wider range of tones and sounds, which was particularly appealing to progressive and heavy metal guitarists.

BC Rich has experienced various changes in ownership and management over the years, which has led to shifts in production quality and brand focus. Despite these changes, the brand has retained a loyal following among musicians who value its unique designs and rich history in guitar craftsmanship.

In recent years, BC Rich has attempted to balance its heritage with modern guitar trends. The company continues to produce both high-end custom models and more affordable production guitars, catering to both professional musicians and hobbyists. BC Rich's influence can be seen in the broader guitar industry, where unconventional designs and versatile electronics have become more mainstream.

In summary, BC Rich is a pivotal brand in the guitar industry, known for its bold designs, innovative features, and quality craftsmanship. From its humble beginnings in the 1960s to its current status, BC Rich has consistently pushed the boundaries of guitar design and has earned a permanent place in the pantheon of iconic guitar brands.

Providing a detailed article on the prices of individual BC Rich guitar models is challenging due to several factors. Firstly, the prices of BC Rich guitars can vary significantly based on the model, year of manufacture, place of purchase, and whether the guitar is new, used, or a vintage collectible. Additionally, BC Rich has produced a wide range of models over the years, each with different versions and specifications, further complicating a comprehensive pricing overview.

However, I can provide a general guide to the pricing tiers and factors that influence the cost of BC Rich guitars:

### Entry-Level Models
1. **Bronze Series**: These are the most affordable BC Rich guitars, aimed at beginners and budget-conscious players. Prices typically range from $200 to $400.
2. **Revenge Series**: Slightly higher in quality than the Bronze series, these models offer better hardware and finishes, with prices usually between $300 and $500.

### Mid-Range Models
1. **Platinum Series**: Targeting intermediate players, these guitars offer better craftsmanship and materials than entry-level models. Prices generally range from $500 to $800.
2. **NJ Series**: Known for better quality control and features, the NJ series guitars are priced between $600 and $1,000.

### High-End Models
1. **USA Handcrafted Series**: These are premium guitars, made in the USA with high-quality materials and craftsmanship. Prices can range from $2,000 to over $4,000.
2. **Custom Shop Models**: These are top-of-the-line instruments, often custom-built to a player's specifications. Prices vary widely but can exceed $5,000 for highly customized pieces.

### Collectible and Vintage Models
- Vintage BC Rich guitars, especially those from the 1970s and 1980s, can be highly sought after. Models like the original Mockingbird, Eagle, and Seagull can fetch prices well over $3,000, depending on their condition and rarity.
- Limited edition and signature models, like those used by famous musicians, can also command high prices.

### Factors Influencing Price
- **Condition**: New guitars are typically more expensive than used ones. However, vintage guitars in excellent condition can be more valuable.
- **Rarity**: Limited edition models or those no longer in production can be more expensive.
- **Custom Features**: Custom inlays, finishes, and hardware can increase the price.
- **Place of Purchase**: Prices can vary based on the retailer, geographic location, and availability.

### Where to Buy
- **Authorized Dealers**: Buying new guitars from authorized dealers ensures authenticity and a manufacturer's warranty.
- **Online Retailers**: Websites like Sweetwater, Guitar Center, and Reverb offer a wide range of BC Rich guitars, including used and vintage models.
- **Second-Hand Markets**: Platforms like eBay and local classifieds can be sources for used or vintage BC Rich guitars but require careful evaluation for authenticity and condition.

### Conclusion
BC Rich guitars span a wide price range, catering to different levels of guitar players from beginners to professionals. The brand is known for its unique designs and quality, and the prices reflect the craftsmanship and features of each model. As with any guitar purchase, it's essential to consider the player's needs, budget, and the specific characteristics of the model before making a decision.