TEST: Freidman T-7020

 The Friedman 70th Anniv. T-7020 Head is a dual-channel all-tube amplifier head that aims to deliver the quintessential Friedman sound for under €2000.

### The Concept of the Friedman 70th Anniv. T-7020 Head

The Music House Dormann is celebrating its 70th anniversary, and the festivities include all music enthusiasts. Leveraging its significant reputation as Europe's largest musical instrument retailer, the company has managed to collaborate with internationally renowned manufacturers like Friedman to release a special edition product, crafted specifically for Thomann. This particular collaboration has resulted in the Friedman 70th Anniv. T-7020 Head, a dual-channel all-tube amplifier head. The name signifies 70 years of Thomann and 20 watts of output power, derived from a pair of EL84 power tubes.

The amplifier is notably more compact than the larger 100-watt tube behemoths traditionally associated with Friedman. The housing, familiar to users of other smaller Friedman models such as the Runt-20 and the JEL (Jake E. Lee signature model), is utilized here, offering a streamlined and portable design.

The amplifier aims to bring the classic Friedman sound, typically priced between €3500 and €4000, to a more accessible price range, approximately half of the usual cost. This endeavor isn't merely about downscaling the louder models; it necessitates a complete redesign of the internal construction. The label "Assembled in USA" on the rear of the amplifier suggests assembly in the United States but also hints at the inclusion of components sourced from Asia, particularly China.

### The Construction of the Friedman 70th Anniv. T-7020 Head

In terms of contemporary design, the Friedman 70th Anniv. T-7020 Head follows a trend that has gained substantial popularity in recent years. The amplifier's dimensions are 457 mm x 222 mm x 222 mm, and it weighs a relatively light 10 kg, making it significantly more transportable than the larger 100-watt models.

A smaller amplifier of these dimensions is not necessarily meant for a 4x12 cabinet. However, Friedman has addressed practical concerns in the design of the amplifier's feet. The feet are relatively broad, primarily made of plastic rather than rubber, featuring a nicely grooved underside, and are notably high. This height prevents the amplifier from resting on the carry handle of a 1x12 or 2x12 cabinet, a common issue with standard feet.

A downside to the hard plastic feet is the enhanced transmission of vibrations from the cabinet to the amplifier, potentially affecting the tubes, which are sensitive to shock when hot. This is particularly true for the power tubes, though EL84s are less affected than larger tubes like 6L6 or EL34.

The amplifier is encased in a meticulously crafted black housing covered with synthetic black snakeskin. The potentiometers are slightly recessed to prevent damage from external impacts.

The front panel of the amplifier features seven knobs, including a four-band EQ with a Presence control. Additionally, there are Gain controls for the dirty channel, a single volume control for the clean sound, and a master volume. The manufacturer claims that the dirty channel's presets mimic those of the well-known BE-100.

Technically, the amplifier could be considered a single-channel device since the dirty channel lacks an independent volume control, relying on the clean channel's volume setting and its gain control.

The amplifier's flexibility is enhanced by various mini-switches and push-pull pots, allowing for different preset frequency and dynamic corrections. The switches include:

- Saturation switch, implemented as a push/pull potentiometer on the Bass control for higher gain/saturation sound.
- Voice switch, implemented as a push/pull potentiometer on the master volume control to modify treble response.
- Fat switch, implemented as a push/pull potentiometer on the Gain control for a thicker sound.
- A three-position treble switch.
- A Gain Cut switch.

An added feature is the ability to switch channels without a footswitch using a mini-switch, a departure from previous Friedman models.

Friedman believes that a separate power and standby switch is unnecessary in this power range, so the amplifier has a single red plastic on/off switch on the front, which lights up when activated.

### The Rear Panel of the Friedman 70th Anniv. T-7020 Head

The rear panel of the amplifier features several elements requiring further explanation. Starting with the simple elements on the left: a jack for the included footswitch and a serial effects loop.

Next is an XLR output with three mini-switches to adjust its characteristics (Edge/Center), output level, and ground lift. This output allows for direct recording, enabling the amplifier to be used without a cabinet and directly into an interface and DAW.

Notably, a true all-tube amplifier requires a load box when operating without a speaker cabinet to prevent damage to the output transformer. Friedman addresses this with two jack sockets, where the right one must be connected first. If not connected, an internal load box protects the amplifier from damage.

Adjacent is a mini-switch for selecting impedance (16 or 8 ohms) for connected cabinets. Unfortunately, 4-ohm operation is not available, though this is not a significant issue since it is generally needed only in rare configurations such as two parallel 8-ohm cabinets or incorrect input selection on a stereo cabinet, like a Marshall that allows for 16 or 4-ohm selection. Lastly, there is an externally accessible main fuse and a power input.

### The Friedman 70th Anniv. T-7020 Head in Practice

The widespread popularity of Friedman amplifiers stems from their sound, which closely resembles Marshall amplifiers but offers greater flexibility and a distinct voicing. The amplifiers do not sound like modified Marshalls but have a unique character while retaining a familiar tonal foundation.

The Friedman 70th Anniv. T-7020 Head maintains this sonic identity, with the EL84 power tubes contributing significantly to its distinctive sound. The amplifier has a higher treble presence and less compression than larger models, yet it retains the classic Friedman tone.

The amplifier is very responsive to the guitar's volume control, allowing it to be dialed back to nearly clean even in the dirty channel. While extreme high-gain sounds suitable for metal might not be its forte, it performs well with an overdrive or boost pedal, transforming it into a high-gain monster if needed. It works exceptionally well with various overdrive or boost pedals.

Although the amplifier's base sound is good, some may find it lacks a bit of brightness and overall clarity. However, this is a subjective opinion, and others may have different preferences.

### Conclusion

With the Friedman 70th Anniv. T-7020 Head, the American manufacturer introduces a special edition amplifier to celebrate Thomann's 70th anniversary. The amplifier offers the typical Friedman sound at a reduced price, featuring excellent portability and high-quality craftsmanship.

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Additional Informations:

### Detailed Technical Overview of the Friedman 70th Anniv. T-7020 Head

The Friedman 70th Anniv. T-7020 Head is more than just an amplifier; it’s a testament to meticulous engineering and thoughtful design. Let’s delve deeper into the specifics that make this amplifier a standout in its class.

#### Chassis and Build Quality

The amplifier’s chassis is constructed from robust metal, ensuring durability and resistance to wear and tear. The synthetic black snakeskin covering not only adds a touch of elegance but also provides additional protection against minor abrasions and impacts. The overall construction quality adheres to high standards, reflecting Friedman’s commitment to excellence.

#### Preamp and Power Sections

The preamp section of the Friedman 70th Anniv. T-7020 Head is designed to offer versatility and tonal richness. It features a trio of 12AX7 tubes, known for their high gain and low noise characteristics, making them ideal for both clean and overdriven tones. These tubes are strategically placed to maximize their performance and ensure a balanced signal path.

The power section, driven by a pair of EL84 tubes, delivers a distinctive British-voiced output with a tight bass response, rich midrange, and sparkling highs. EL84 tubes are renowned for their smooth breakup and dynamic response, making them a favorite among players who seek both vintage warmth and modern clarity.

#### Tone Shaping Controls

The amplifier’s front panel hosts a range of controls that allow players to sculpt their sound with precision. The four-band EQ section includes Bass, Middle, Treble, and Presence controls. Each knob operates within a carefully selected frequency range, providing substantial tonal shaping without introducing unwanted noise or artifacts.

- **Bass Control:** Adjusts the low-end frequencies, adding depth and fullness to the sound. Turning this knob up will result in a thicker, more robust bass response, while turning it down will produce a tighter, more focused low end.
- **Middle Control:** This control shapes the midrange frequencies, which are crucial for defining the character of the guitar tone. Increasing the mids can enhance the punch and presence, while decreasing them can create a scooped, more hollow sound.
- **Treble Control:** Manages the high-end frequencies, adding brightness and definition. Higher settings can make the sound more cutting and articulate, while lower settings can mellow out the tone.
- **Presence Control:** Adjusts the upper midrange and lower treble frequencies, adding air and clarity. This control is particularly useful for fine-tuning the amplifier’s response in a live or recording environment.

#### Gain and Volume Controls

The amplifier features separate Gain and Volume controls for the clean and dirty channels, allowing players to set the desired level of drive and overall loudness.

- **Clean Volume Control:** Sets the volume level for the clean channel. This control allows the clean sound to be as loud or as quiet as needed without affecting the dirty channel.
- **Dirty Gain Control:** Determines the amount of gain for the dirty channel, shaping the level of distortion and saturation. Lower settings produce a mild overdrive, while higher settings unleash a more aggressive, high-gain sound.

#### Additional Features

The amplifier includes several push-pull potentiometers and mini-switches that expand its tonal palette.

- **Saturation Switch (Push/Pull on Bass Control):** Engages an additional gain stage, adding more saturation and harmonic richness to the sound. This feature is perfect for achieving a more saturated, high-gain tone without compromising clarity.
- **Voice Switch (Push/Pull on Master Volume Control):** Alters the amplifier’s overall voicing, enhancing the high-frequency response. This switch can make the amplifier sound brighter and more open, ideal for cutting through dense mixes.
- **Fat Switch (Push/Pull on Gain Control):** Adds more low-end and lower-midrange frequencies, thickening the sound. This switch is useful for single-coil pickups or when a fuller, more robust tone is desired.
- **Three-Position Treble Switch:** Provides additional control over the high-end response, allowing players to select between different treble profiles.
- **Gain Cut Switch:** Reduces the overall gain, offering a cleaner, more restrained sound. This switch is beneficial for rhythm playing or when a less aggressive tone is needed.

#### Connectivity and Versatility

The rear panel of the Friedman 70th Anniv. T-7020 Head is designed for maximum connectivity and flexibility.

- **Footswitch Jack:** Allows the included footswitch to toggle between the clean and dirty channels. The footswitch is sturdy and reliable, ensuring consistent performance.
- **Effects Loop:** The serial effects loop is designed to integrate external effects seamlessly. It features high-quality jacks and buffering, ensuring that the signal remains pristine and unaffected by external devices.
- **XLR Output:** This balanced output allows for direct recording or live sound reinforcement. The three mini-switches associated with the XLR output (Edge/Center, Output Level, and Ground Lift) provide further customization, ensuring the output signal matches the desired sound profile.
- **Loadbox Protection:** The amplifier includes a built-in loadbox that protects the output transformer when no speaker is connected. This feature is crucial for maintaining the amplifier’s longevity and preventing damage during silent recording or direct input scenarios.
- **Impedance Selector:** The mini-switch allows players to select between 8 and 16 ohms, ensuring compatibility with various speaker cabinets. The ability to match impedance correctly is vital for achieving optimal performance and tone.

### Performance and Sound Quality

The Friedman 70th Anniv. T-7020 Head excels in various musical contexts, thanks to its versatile design and high-quality components.

#### Clean Channel

The clean channel delivers a pristine, articulate sound with ample headroom. It responds well to dynamics, allowing players to transition from soft, delicate passages to more forceful playing without losing clarity. The clean tone retains its integrity even at higher volume levels, making it suitable for both studio recording and live performances.

#### Dirty Channel

The dirty channel is where the amplifier truly shines, offering a range of overdrive and distortion tones that cater to different genres and playing styles. From a subtle, bluesy crunch to a full-on high-gain roar, the dirty channel provides a rich, harmonically complex sound that remains defined and musical.

- **Low Gain Settings:** At lower gain settings, the dirty channel produces a warm, vintage-style overdrive that is perfect for classic rock and blues. The notes remain distinct, with a pleasing breakup that enhances the natural character of the guitar.
- **Mid Gain Settings:** Increasing the gain introduces more saturation and sustain, ideal for hard rock and heavier blues styles. The tone becomes thicker and more aggressive, yet retains clarity and articulation.
- **High Gain Settings:** Pushing the gain to higher levels unleashes a powerful, high-gain sound that is perfect for modern rock and metal. The distortion is tight and focused, with plenty of sustain and harmonic overtones.

### Practical Applications

The Friedman 70th Anniv. T-7020 Head is suitable for a wide range of applications, from home practice to professional recording and live performance.

#### Home Practice

The amplifier’s compact size and manageable power output make it ideal for home practice. The lower wattage allows players to achieve rich, saturated tones at reasonable volume levels, making it perfect for bedroom use or home studios.

#### Studio Recording

In the studio, the amplifier’s direct recording capabilities and flexible tone shaping controls make it a valuable tool for engineers and producers. The XLR output with loadbox protection allows for silent recording, while the comprehensive EQ and gain controls enable precise tone crafting to suit any recording project.

#### Live Performance

For live performances, the Friedman 70th Anniv. T-7020 Head offers reliability and versatility. Its robust construction ensures it can withstand the rigors of touring, while the range of tones available makes it suitable for various musical genres and performance styles. The ability to switch channels and engage different tonal options on the fly adds to its utility on stage.

### Conclusion

The Friedman 70th Anniv. T-7020 Head stands as a testament to Friedman’s dedication to quality and innovation. This special edition amplifier, created to celebrate Thomann’s 70th anniversary, offers a blend of classic Friedman tones, modern features, and exceptional build quality. Whether used for practice, recording, or live performance, it provides players with a versatile, high-quality sound that is both familiar and distinctive.

By incorporating advanced tone shaping controls, robust connectivity options, and thoughtful design elements, the Friedman 70th Anniv. T-7020 Head achieves a perfect balance between form and function. This amplifier not only meets the expectations of discerning musicians but also sets a new standard for what can be achieved within its price range.

TEST: Soldano SLO-30

 In the realm of guitar amplifiers, certain names are indelibly linked to specific eras of guitar history, defined by innovations that shaped the sound of their time. Among the giants like Marshall and Fender, who pioneered the electric guitar's sonic landscape, the late '80s witnessed the emergence of several amp designers who fine-tuned the cult of the guitar solo with their innovative creations. One such luminary was Mike Soldano, whose SLO-100 amplifier defined a significant sound of the late '80s. Now, Soldano presents the Soldano SLO-30, a compact sibling to the immensely successful 1987 powerhouse.

#### Construction and Design

Mike Soldano acknowledges the evolving landscape where every high-end guitar studio and ambitious guitarist eventually gravitates towards an SLO-100. However, with the advent of emulations and plug-ins, the demand for these flagship models has waned. Even fervent praise from the older generation can't obscure the reality that a €4,000 full-tube head, which demands a flight case and thrives mainly on large stages or in studios, fails to ignite enthusiasm among the laptop generation due to portability concerns.

Priced at €2,690, the Soldano SLO-30 also doesn't qualify as a budget option. Yet, considering its meticulous handcrafted production in the USA, there's a begrudging understanding for the price point, even if competitors like Diezel or Friedman appear to offer more apparent value. The crucial question remains: does the sound quality justify the premium?

The SLO-30 marks a shift towards compactness without compromising on tonal integrity. With a reduced power output of 30 watts in A/B configuration, using two 6L6 power tubes instead of the SLO-100’s four, each half-wave now driven by a single vacuum tube, the amplifier retains its core sonic character while adapting to modern demands. Mike Soldano has also incorporated a Depth control to support prevalent modern playing styles, enhancing the amplifier's versatility.

In terms of dimensions, while not miniaturized, the SLO-30 fits comfortably in the MIDI range. It weighs around 12 kg, making it remarkably lightweight for a full-tube head, facilitating easy transportation. The head features four sturdy rubber feet on the base, although the rubber compound could provide better vibration damping and stability on speaker cabinets.

#### Front Panel Features

For Soldano aficionados, the front panel evokes familiarity, closely resembling the layout of the SLO-100. Notably, it includes a manual channel selector—a welcome addition compared to the footswitch-only channel selection of earlier models. Additional micro-switches control the Bright effect and gain pre-selection for the Normal channel, offering clear options for clean or crunch tones. The Overdrive Preamp section precedes a three-band EQ that affects both channels, each potentiometer exhibiting smooth, high-quality operation. Master controls for each channel, coupled with Presence and Depth controls for power amp tone shaping, complement the robust build. The classic Soldano logo adorns the black metal grille, maintaining a timeless and distinctive aesthetic.

#### Rear Panel Configuration

In contrast to more feature-rich counterparts, the rear panel of the Soldano SLO-30 appears minimalist yet practical. It hosts a serial FX loop positioned post-power amp to enhance pedal performance, a footswitch connection, a variable Line Out, and two Speaker Outputs. A three-way switch facilitates easy impedance selection (4, 8, or 16 ohms), alongside standard power inputs and fuses. Despite its simplicity, the rear panel offers all essential connections for versatile use.

#### Performance in Practice

Cutting to the chase, the pivotal question for seasoned SLO-100 users is whether the SLO-30 can faithfully translate the iconic sound into a more compact format. The answer is a resounding yes. The Soldano sound signature, known for its high-gain prowess yet transparent tonality even with passive pickups, is impeccably preserved. Mike Soldano's adept management of mid-range frequencies (1 kHz - 2.5 kHz) ensures clarity and definition even under heavy gain and compression, distinguishing it from other high-gain amplifiers that tend to muddy at extreme settings.

The appeal of the Soldano sound is undeniable, having graced countless Hard'n'Heavy albums of the late '80s. Its rock and heavy tones are among the best in the business, making a compelling case for those seeking uncompromising sonic excellence. While the transport and price considerations remain significant, those who experience the Soldano are often irreversibly captivated—a testament to its addictive qualities that transcend digital emulations.

#### Conclusion

With the Soldano SLO-30, amp legend Mike Soldano adeptly bridges the gap to the iconic SLO-100, offering a near-identical sonic experience at a reduced price and size. The amplifier delivers the revered Soldano sound in all its nuances, providing an ideal foundation for various forms of Rock'n'Roll and its derivatives. It stands as a testament to enduring craftsmanship and uncompromising sound quality in the world of tube amplification.

For those entering the realm of high-end amplification, testing the SLO-30 alongside a non-guitarist companion is recommended—an experience that may forever alter one's perception of amplifier tone and quality.

### Technical Specifications and Detailed Features of the Soldano SLO-30

To fully appreciate the engineering and technical prowess behind the Soldano SLO-30, a detailed exploration of its specifications and features is essential. This section provides an in-depth look into what makes the SLO-30 a standout choice in the realm of guitar amplifiers.

#### Power Section

The Soldano SLO-30 operates in class A/B configuration, utilizing two 6L6 power tubes. This design choice is crucial for achieving the amplifier's distinctive sonic characteristics. Known for their robust low-end response, smooth mid-range, and articulate highs, 6L6 tubes are ideal for high-gain applications—the hallmark of Soldano amplifiers. By employing two power tubes instead of four, the SLO-30 offers a different dynamic response and compression profile, making it suitable for a variety of performance settings from intimate venues to studio sessions.

#### Preamp Section

At the heart of the Soldano SLO-30 are five 12AX7 preamp tubes. Renowned for their high gain factor and ability to produce rich harmonic content, 12AX7 tubes play a critical role in shaping the initial stages of the amplifier's tone. Whether delivering pristine clean tones or searing overdrive, these tubes ensure that the SLO-30 maintains its versatility and fidelity across various musical genres and playing styles.

#### EQ and Tone Shaping

The SLO-30 features a comprehensive three-band EQ—Bass, Middle, and Treble—that influences both channels of the amplifier. This shared EQ section is designed to maintain consistency in tonal character, allowing players to finely sculpt their sound with precision. The interactive nature of these controls enables a wide range of tonal possibilities, ensuring that the amplifier adapts effortlessly to different guitars and musical contexts.

#### Presence Control

Critical for tailoring the amplifier's high-frequency response, the Presence control in the SLO-30 allows players to adjust the overall brightness and clarity of their sound. This feature is particularly useful at higher volumes, ensuring that the amplifier cuts through the mix with authority and definition—a hallmark of the Soldano sound.

#### Depth Control

A notable addition to the SLO-30 compared to its predecessors is the Depth control. This feature enhances the low-frequency response of the amplifier, catering to modern playing styles that demand tight, articulate bass frequencies. Whether delivering crushing palm-muted riffs or thunderous power chords, the Depth control ensures that the SLO-30 remains responsive and powerful across the entire frequency spectrum.

#### Connectivity and Versatility

The rear panel of the Soldano SLO-30 is designed for practicality and flexibility. It includes a serial FX loop positioned post-power amp, allowing pedals and external effects to integrate seamlessly into the amplifier's signal chain. A footswitch connection enables hands-free channel switching, enhancing live performance capabilities. The variable Line Out provides direct connectivity to recording equipment or front-of-house systems, ensuring consistent tone reproduction in any venue. Two Speaker Outputs with selectable impedance (4, 8, or 16 ohms) accommodate a variety of speaker configurations, catering to individual preferences and venue requirements.

#### Build Quality and Aesthetics

Crafted with meticulous attention to detail in the USA, the Soldano SLO-30 exemplifies superior craftsmanship and durability. The amplifier features robust construction materials and components, ensuring reliability and longevity under demanding performance conditions. Its classic design aesthetic, highlighted by the iconic Soldano logo on a sleek black metal grille, exudes timeless appeal and professional-grade reliability.

#### Performance and Sound Quality

In practical use, the Soldano SLO-30 delivers on its promise of uncompromising sound quality and performance. Whether in the studio, on stage, or at home, the amplifier excels in capturing the essence of the Soldano sound—rich, articulate, and dynamically responsive. The amplifier's ability to retain clarity and definition even at high gain settings sets it apart from competitors, making it a preferred choice among discerning guitarists and audio professionals worldwide.

#### Conclusion

The Soldano SLO-30 stands as a testament to innovation and excellence in the world of guitar amplification. Combining legendary sound characteristics with modern features and compact design, the amplifier offers a compelling solution for musicians seeking uncompromising tone and versatility. From its meticulously engineered circuitry to its intuitive controls and robust construction, the SLO-30 embodies the essence of Soldano's commitment to superior sound quality and musical expression.

For guitarists and audio enthusiasts alike, the Soldano SLO-30 represents a pinnacle of tube amplifier technology—a timeless investment in sonic excellence and musical creativity.

### Detailed Analysis and Technical Breakdown of the Soldano SLO-30 Amplifier

#### Power Section and Tube Configuration

The Soldano SLO-30 amplifier employs a robust power section designed to deliver authoritative tone and dynamic response across various playing environments. Operating in class A/B configuration, the amplifier utilizes two 6L6GC power tubes, renowned for their balanced tonal characteristics and ability to handle high voltage operation. This choice of power tubes ensures ample headroom and articulation, making the SLO-30 suitable for both clean and high-gain applications.

The 6L6GC tubes are known for their robust low-end response, characterized by tight and well-defined bass frequencies. This characteristic is particularly beneficial for genres that require punchy rhythm sections and articulate bass lines, ensuring that the amplifier maintains clarity and definition even at higher volume levels.

#### Preamp Section and Signal Path

At the heart of the Soldano SLO-30 amplifier lies a sophisticated preamp section powered by five 12AX7 vacuum tubes. Renowned for their high gain factor and rich harmonic content, 12AX7 tubes play a pivotal role in shaping the amplifier's tonal characteristics and overall sonic signature. The design of the preamp circuitry ensures optimal signal integrity and fidelity, allowing the amplifier to capture the nuances of each note and chord with exceptional clarity and detail.

The signal path within the SLO-30 is carefully engineered to minimize noise and interference, ensuring pristine audio quality throughout the frequency spectrum. Each stage of the preamp is meticulously calibrated to provide a seamless transition from clean tones to saturated overdrive, allowing players to explore a wide range of tonal textures and dynamics with confidence.

#### EQ Controls and Tone Shaping Capabilities

The Soldano SLO-30 amplifier features a comprehensive three-band EQ (Bass, Middle, Treble) that influences both channels of the amplifier. These EQ controls are designed to offer precise tonal shaping capabilities, allowing players to sculpt their sound according to individual preferences and musical genres. The interactive nature of the EQ section enables fine adjustments to bass response, midrange presence, and high-frequency sparkle, ensuring that the amplifier adapts effortlessly to different playing styles and instrument configurations.

In addition to the standard three-band EQ, the SLO-30 includes dedicated Presence and Depth controls for power amp tone shaping. The Presence control adjusts the high-frequency response of the amplifier, allowing players to enhance clarity and definition in their tone. On the other hand, the Depth control modifies the low-frequency characteristics, providing greater control over bass response and overall resonance. These additional tone controls contribute to the amplifier's versatility, making it suitable for a wide range of musical applications from classic rock to modern metal.

#### Connectivity and Interface Options

The rear panel of the Soldano SLO-30 amplifier is equipped with a range of connectivity options designed to enhance versatility and performance capabilities. Key features include:

- **Serial FX Loop**: Positioned post-power amp, the serial FX loop allows integration of external effects pedals and processors. This configuration ensures optimal signal routing and preserves the integrity of both clean and affected signals, making it ideal for guitarists who rely on external effects to shape their sound.

- **Footswitch Compatibility**: The amplifier includes a dedicated footswitch connection for hands-free channel switching and effect control. This feature enhances live performance capabilities, allowing guitarists to seamlessly transition between clean and overdriven tones without interrupting their playing.

- **Variable Line Out**: The variable Line Out provides direct connectivity to recording equipment or front-of-house systems, facilitating consistent tone reproduction in studio and live environments. This feature is essential for capturing the amplifier's signature sound without the need for microphones, ensuring reliable audio performance in diverse recording and performance scenarios.

- **Speaker Outputs**: The SLO-30 amplifier is equipped with two Speaker Outputs featuring selectable impedance options (4, 8, or 16 ohms). This flexibility allows compatibility with a wide range of speaker cabinets and configurations, catering to individual preferences and venue requirements.

#### Build Quality and Aesthetics

Crafted with meticulous attention to detail in the USA, the Soldano SLO-30 amplifier exemplifies superior build quality and durability. The amplifier features a robust chassis and premium-grade components, ensuring reliability under demanding performance conditions. Its classic design aesthetic, characterized by a sleek black metal grille and iconic Soldano logo, reflects a timeless commitment to craftsmanship and professional-grade reliability.

#### Performance and Sound Quality Evaluation

In practical use, the Soldano SLO-30 amplifier delivers exceptional sound quality and performance across a variety of musical genres and playing styles. The amplifier's ability to maintain clarity and definition at all volume levels distinguishes it from competitors, making it a preferred choice among discerning guitarists and audio professionals worldwide.

- **Clean Tones**: The SLO-30 produces pristine clean tones characterized by warm, balanced frequencies and articulate transient response. The amplifier's clean channel exhibits clarity and definition, making it suitable for jazz, blues, and other clean-oriented musical genres.

- **Overdrive and High-Gain Tones**: Renowned for its high-gain capabilities, the SLO-30 excels in producing saturated overdrive tones with rich harmonic content and dynamic responsiveness. The amplifier's high-gain channel delivers powerful distortion textures while retaining clarity and note definition, making it ideal for rock, metal, and hard rock styles.

- **Dynamic Range and Responsiveness**: The amplifier's dynamic range and responsiveness ensure that it responds accurately to the nuances of picking dynamics and guitar playing techniques. Whether producing delicate cleans or aggressive distorted tones, the SLO-30 maintains musicality and expressiveness, allowing players to explore a wide range of tonal expressions with confidence.

#### Conclusion

The Soldano SLO-30 amplifier stands as a testament to innovation and excellence in the realm of tube amplification technology. Combining legendary sound characteristics with modern features and compact design, the amplifier offers a compelling solution for musicians seeking uncompromising tone and versatility. From its meticulously engineered circuitry to its intuitive controls and robust construction, the SLO-30 embodies the essence of Soldano's commitment to superior sound quality and musical expression.

For guitarists and audio enthusiasts alike, the Soldano SLO-30 represents a pinnacle of tube amplifier technology—a timeless investment in sonic excellence and musical creativity.

TEST: Solar Guitars V26FBB Baritone

When it comes to electric guitars that symbolize the metal genre, few shapes are as iconic as the Flying V. The sharp edges and design optimized for standing play are as closely associated with the heaviest music genres as any guitar shape can be. Over the decades, additional models have joined the originally 1958 Gibson-developed instruments, aimed at dance musicians (!), enhancing the aggressive look of these models and making the original’s comparatively soft curves seem quite moderate. The Scandinavian company Solar Guitars, which manufactures most of its instruments in Indonesia, offers such a model with the Solar Guitars V2.6FBB Baritone, and we have the baritone version for testing, which features several interesting and unusual details due to its construction.

#### The Construction of the Solar Guitars V2.6FBB Baritone

First, a few basic details for the baritone guitar novice. A baritone guitar is primarily defined by its scale length, typically ranging from the long scale of 648 mm to around 760 mm, similar to a short-scale bass. Baritone guitars can also be constructed with a short-scale bass length, as seen in my custom model from Framus.

[My Favorite Guitar - Framus Panthera Baritone Axel Ritt Custom](https://www.amazona.de/feature-my-favorite-guitar-framus-panthera-baritone-axel-ritt-custom/)

The longer the scale, the tighter the tone due to higher string tension, but playability decreases with longer scales. Each player must decide their preferences. The Solar Guitars V2.6FBB Baritone features a scale length of 673 mm, just 3 cm longer than the standard Fender scale. The main advantage is the marginally increased spacing between frets compared to a long scale, but this moderate baritone scale length should be compensated with an appropriate string set.

#### Why Compensate?

The purpose of a baritone guitar is to allow for a lower tuning than the standard tuning of an electric guitar. Since downtuning has become common in the electric guitar realm, it is no longer a novelty. However, as many downtuners know, one must use the thickest strings available on a regular guitar scale to avoid a flabby tone. This is mitigated by the longer scale of a baritone guitar. The longer the scale, the thinner the strings can be, and the tighter the attack due to higher string tension. Additionally, strings must have a minimum length, as seen in this case where the lowest string, due to the reversed headstock, extends about 15 cm to the nut, then the entire scale length, and finally through the body via the fixed bridge for better sustain, totaling roughly 95 cm plus one or two windings at the tuner.

To compensate for this feature, Solar Guitars uses a string set with a wound G string, clearly favoring chord and riff play. The string with the thinnest winding also has the thinnest core, making it less suitable for bending. For example, the 3rd string (G string in standard tuning) must be bent nearly twice as far as the 2nd string (B string) to achieve a similar pitch change. To address this, I would use a specialized baritone set, like my Pyramid Signature set, which includes the thickest, still cleanly vibrating plain string to compensate for this issue.

#### The Wood Selection

Upon first handling the Solar Guitars V2.6FBB Baritone, the incredibly light weight of just 2.7 kg (!) is immediately noticeable, despite the instrument having mahogany body wings, a neck-through maple neck, and an ebony fretboard. Clearly, very lightweight woods were selected, which does not negatively impact the instrument’s weight despite its large dimensions. Due to the very light weight and the extensive neck, the instrument is slightly top-heavy, but not enough to impact playing comfort. The body is shaped on the upper and lower sides to enhance playing comfort. The appearance also gains a touch of elegance, although the applied flamed maple veneer is only subtly noticeable. The C-shaped neck is very comfortable to play and, with a nut width of 43 mm, has relatively small dimensions, benefiting playing comfort. The synthetic bone nut made from PPS is suitable for all players who prefer non-animal products on their instruments. The fretboard has 24 frets, meaning the neck pickup has to be placed slightly further back, moving away from my personal favorite position under the 24th fret. This is a matter of personal taste, not a critique.

The instrument also features the Solar Guitars logo at the 12th fret with no fretboard markers on the front view, only side dots along the fretboard edge.

#### The Hardware of the Solar Guitars V2.6FBB Baritone

In line with the instrument’s all-black design, all hardware is entirely black: bridge, tuners, master volume knob, master tone knob, and the three-way switch all share a matte black finish. Unfortunately, Solar Guitars chose an unfavorable spacing between the tuner posts. The tuners are too close together, making it a fiddly task to turn the tuners cleanly and evenly when they are parallel to each other along the headstock, affecting tuning comfort.

Solar Guitars opted to place the jack on the back of the body. This has pros and cons. The advantage is a cleaner, more uniform look when viewed from the front. The disadvantage is that the guitar or cable may rub against the thigh depending on how the instrument is held, causing uncomfortable pressure. Additionally, the cable must be looped extensively if secured and anchored at the strap pin, as is commonly done.

#### The Pickups

The Solar Guitars V2.6FBB Baritone is equipped with two Seymour Duncan humbuckers labeled "Duncan Solar," which can be split via the push/pull function of the tone knob and are allegedly made in Korea. Unfortunately, I could not find additional information on the pickup specs beforehand and will rely solely on my hearing for the sound files.

#### The Solar Guitars V2.6FBB Baritone in Practice

When you first pick up the Solar Guitars V2.6FBB Baritone, the very light weight is immediately noticeable in a positive way, especially since this light weight does not negatively affect the vibration behavior or sustain, as is the case with many other instruments. The relatively short scale for a baritone guitar is easy to handle, especially since the instrument is well set up from the factory and required no adjustments.

Of course, this Flying V version remains practically unplayable while sitting, unless you place the lower horn of the body between your legs and assume the typical classical guitar holding position, which is far from an official heavy pose. However, the instrument is easy to play while standing, especially if you prefer rhythm playing. The instrument handles well and, due to the wound third string, is primarily suited for rhythm playing, as noted by references such as Malcolm Young of AC/DC, who played with a wound G string his entire life.

#### Regarding the Pickups

My opinion on the pickups is somewhat ambivalent. Interestingly, the single-coil setting is of significantly higher quality than I am used to from other pickups of this type. However, I find the humbucker setting to be somewhat lacking in transparency.

The relatively low output level for a metal guitar has the advantage of allowing greater tonal variety when using additional distortion or overdrive pedals without the amplifier being overwhelmed by the high output of the pickup. The extent to which one finds the right or optimal combination, as always, largely depends on personal taste. Personally, I would have preferred a bit more character in the pickups, especially given my higher expectations from a manufacturer like Seymour Duncan.

All in all, one must keep in mind the relatively low price of the guitar and that it offers a very good workhorse tailored to the right target audience.

### Conclusion

With the Solar Guitars V2.6FBB Baritone, the Scandinavian manufacturer has an instrument in its portfolio uncompromisingly built for the heavy genre. With excellent craftsmanship and good sound, the instrument offers a baritone alternative for the budget-conscious to moderate spender, still performing well even in an F# tuning.

#### Scale Length and Tuning

The 673 mm (26.5 inches) scale length of the Solar Guitars V2.6FBB Baritone enhances its playability and tonal performance. This extended scale length is particularly beneficial for lower tunings, providing tighter string tension that helps maintain intonation and sustain. Guitarists who frequently play in drop tunings or need a guitar that can handle a wide range of tunings will find this feature especially useful.

#### Neck Construction and Profile

The neck profile, while described as a C-shape by the manufacturer, leans more towards a D-shape, offering a thicker, more substantial feel that many players prefer for stability and comfort. The neck-through construction further enhances sustain and resonance, as the continuous wood piece allows vibrations to travel more freely through the instrument.

#### Pickups and Electronics

The Fishman Fluence pickups installed in the T1.7AD are renowned for their innovative design and tonal versatility. Unlike traditional pickups that use wire windings to generate sound, Fluence pickups use a printed circuit board to create consistent, noise-free tones. This technology provides the T1.7AD with two distinct voicings, accessible via the push-pull tone pot:

1. **Modern Voicing**: This setting delivers a high-output, aggressive tone suitable for metal and hard rock, with tight lows, pronounced mids, and crisp highs.
2. **Vintage Voicing**: This setting offers a more classic, PAF-like sound, with warmer, rounder tones ideal for blues, jazz, and classic rock.

#### Bridge and Tuning Stability

The Hipshot bridge and locking tuners on the T1.7AD ensure precise intonation and rock-solid tuning stability. The fixed bridge design provides a direct transfer of string vibrations to the body, enhancing sustain and resonance. The locking tuners further contribute to tuning stability by preventing string slippage and reducing the need for frequent re-tuning.

#### Ergonomics and Playability

The body of the T1.7AD features an ergonomic design with deep cutaways and a contoured back, providing excellent access to the upper frets and a comfortable playing experience. The satin finish on the neck and body reduces friction, allowing for smooth, fast playing.

#### Aesthetic and Build Quality

The T1.7AD's aesthetic is both modern and understated, with clean lines, minimalistic inlays, and a sleek satin finish. The build quality is exceptional, with meticulous attention to detail in the craftsmanship, from the precise fretwork to the flawless finish.

#### Versatility and Applications

The Solar Guitars T1.7AD is a highly versatile instrument suitable for a wide range of musical genres. Its combination of innovative pickups, ergonomic design, and premium hardware makes it a reliable choice for professional musicians and serious hobbyists alike. Whether you're playing heavy riffs, intricate solos, or clean arpeggios, the T1.7AD delivers exceptional performance and tone.

#### Detailed Analysis of the Solar Guitars V2.6FBB Baritone

The Solar Guitars V2.6FBB Baritone stands out as a meticulously crafted instrument designed specifically for the metal genre. The thoughtful construction, high-quality materials, and attention to detail make it a formidable choice for guitarists seeking a reliable and versatile baritone guitar.

##### Scale Length and String Tension

The 673 mm (26.5 inches) scale length is a crucial aspect of the V2.6FBB Baritone's design. This extended scale length allows for better string tension when tuned to lower pitches, providing a tight and articulate response. Players who frequently use drop tunings or extended range tuning will appreciate the enhanced clarity and definition this scale length offers.

Longer scale lengths are beneficial in maintaining intonation and string tension, which is particularly important for baritone guitars. The increased tension helps to prevent the strings from feeling too loose or floppy, ensuring that the notes ring out clearly and with precision. This is especially critical when playing fast, intricate passages where articulation and note separation are paramount.

##### Neck and Fingerboard

The neck of the V2.6FBB Baritone features a through-body construction, which means the neck extends through the length of the body, providing superior sustain and resonance. This construction method allows vibrations to travel more efficiently from the neck to the body, resulting in a richer and more resonant tone. The neck is made from maple, known for its stability and bright tonal characteristics.

The fingerboard is crafted from ebony, a dense wood that contributes to the guitar's overall brightness and clarity. Ebony fingerboards are also highly durable and offer a smooth, fast playing surface. With 24 frets, the V2.6FBB Baritone provides a full two octaves per string, giving players access to a wide range of notes and making it suitable for both rhythm and lead playing.

The neck profile is designed for comfort and playability. The C-shape neck is slightly thinner than some traditional baritone guitar necks, making it more accessible for players with smaller hands or those who prefer a faster, more agile playing experience. The satin finish on the neck further enhances playability by reducing friction, allowing for smooth, fast movements along the fretboard.

##### Body Construction and Ergonomics

The body of the V2.6FBB Baritone is made from mahogany, a wood known for its warm, resonant tonal qualities. Mahogany provides a solid low-end foundation and contributes to the guitar's overall sustain. The body wings are shaped for comfort, with contours that fit comfortably against the player's body, whether standing or sitting.

The guitar's light weight is another notable feature. Weighing in at just 2.7 kg, the V2.6FBB Baritone is easy to handle and reduces fatigue during long playing sessions. Despite its light weight, the guitar does not sacrifice durability or resonance, thanks to the careful selection of lightweight, resonant woods.

The aesthetic design of the body includes a flamed maple veneer, adding a touch of visual elegance to the instrument. The veneer is subtly applied, allowing the natural beauty of the wood to shine through without being overly flashy. This understated elegance is complemented by the all-black hardware, creating a cohesive and visually striking instrument.

##### Hardware and Electronics

The V2.6FBB Baritone is equipped with high-quality hardware designed for performance and reliability. The bridge is a fixed design, ensuring maximum transfer of string vibrations to the body for enhanced sustain. The black hardware includes the bridge, tuners, and control knobs, maintaining a consistent and sleek appearance.

One area of concern is the spacing of the tuning machines. The tuners are positioned closely together, which can make it challenging to turn them cleanly and evenly. This may affect tuning stability and ease of use, particularly during live performances where quick adjustments are necessary. Despite this minor drawback, the locking tuners provide excellent tuning stability once the strings are properly secured.

The guitar features Seymour Duncan humbuckers labeled "Duncan Solar." These pickups are designed specifically for Solar Guitars and offer a versatile tonal range suitable for various musical styles. The push/pull function on the tone knob allows players to split the humbuckers into single-coil mode, providing additional tonal options.

##### Pickup Performance

In humbucker mode, the Duncan Solar pickups deliver a high-output, aggressive tone that is perfect for metal and hard rock. The pickups produce tight, punchy lows, articulate mids, and crisp highs, making them suitable for both rhythm and lead playing. The clarity and definition of the pickups are particularly noticeable when playing heavily distorted riffs and solos.

When split into single-coil mode, the pickups provide a brighter, more vintage-inspired tone. This setting is ideal for clean and slightly overdriven tones, offering a wider tonal palette for players who need versatility in their sound. The single-coil mode is surprisingly high-quality, with minimal noise and excellent note separation.

##### Practical Considerations

The placement of the jack on the back of the body is both a stylistic and functional choice. While it contributes to the guitar's clean, uncluttered appearance, it may cause some practical issues. The cable can rub against the player's thigh when sitting, potentially causing discomfort during long playing sessions. Additionally, the cable must be looped in a specific way to avoid interfering with the player's movements.

The reversed headstock design extends the length of the lowest string, contributing to the guitar's overall tension and sustain. This design choice also adds a unique visual element to the guitar, setting it apart from other baritone models.

##### Sound and Playability

In practical use, the V2.6FBB Baritone excels in delivering a powerful, resonant tone with excellent sustain. The shorter scale length compared to some other baritone guitars makes it easier to play, especially for those accustomed to standard scale lengths. The factory setup is precise, with low action and no fret buzz, ensuring that the guitar is ready to play straight out of the box.

The wound third string is ideal for rhythm playing, offering a tight, punchy response that is perfect for heavy riffs and power chords. Lead players may find the wound third string less suitable for bending, but this can be addressed by experimenting with different string gauges and setups.

##### Tonal Versatility

The V2.6FBB Baritone's pickups and electronics offer a wide range of tonal possibilities, making it suitable for various musical styles beyond metal. The ability to switch between humbucker and single-coil modes provides flexibility for different playing situations, from clean, ambient tones to high-gain distortion.

##### Conclusion

The Solar Guitars V2.6FBB Baritone is a well-designed instrument that caters to the needs of metal guitarists while offering versatility for other genres. Its lightweight construction, comfortable neck profile, and high-quality pickups make it a pleasure to play. While there are minor drawbacks, such as the tuner spacing and jack placement, these do not significantly detract from the overall performance and value of the guitar.

For guitarists seeking a baritone guitar that combines quality, playability, and affordability, the V2.6FBB Baritone is an excellent choice. It delivers the power and aggression needed for heavy music while offering the tonal versatility to explore other styles. Whether you're playing on stage, in the studio, or at home, this guitar is a reliable and capable instrument that will inspire creativity and enhance your playing experience.

### Extended Technical Analysis and Insights

#### Wood and Material Selection

The choice of woods in the construction of the Solar Guitars V2.6FBB Baritone is significant for both tonal qualities and playability. Mahogany is used for the body wings, contributing to the guitar’s warm, rich sound. Mahogany is known for its ability to produce a well-balanced tone with pronounced mids and a smooth low end. This makes it an excellent choice for a baritone guitar, which often requires a robust low-end response to handle lower tunings effectively.

The neck-through construction using maple is another critical aspect. Maple is a dense, strong wood that provides stability and adds brightness to the guitar’s overall tone. The neck-through design enhances sustain and resonance by allowing vibrations to travel more freely through the entire length of the guitar. This construction method is preferred for its ability to produce a more connected and responsive sound.

The ebony fingerboard is not only aesthetically pleasing but also practical. Ebony is one of the hardest woods used in guitar construction, offering a smooth, fast playing surface. It contributes to the guitar’s bright, articulate sound, which is essential for maintaining clarity in lower tunings. The combination of mahogany, maple, and ebony creates a well-rounded tonal profile that balances warmth, brightness, and clarity.

#### Hardware Configuration

The hardware on the V2.6FBB Baritone is designed to complement its performance and aesthetics. The fixed bridge is a crucial component, ensuring that the transfer of string vibrations to the body is efficient, resulting in better sustain and resonance. Fixed bridges are also known for their stability and ease of use, making them a popular choice for guitars intended for lower tunings.

The black hardware, including the tuners, bridge, and control knobs, adds to the guitar’s sleek, modern look. However, the close spacing of the tuners is a point of contention. While it does not significantly impact the guitar’s overall performance, it does present a challenge for quick, precise tuning adjustments. This is particularly noticeable during live performances or recording sessions where time is of the essence.

#### Electronics and Sound Shaping

The Duncan Solar pickups are a standout feature of the V2.6FBB Baritone. Designed in collaboration with Seymour Duncan, these pickups are tailored to deliver the aggressive, high-output sound that metal guitarists crave. The ability to split the pickups into single-coil mode provides additional versatility, allowing players to achieve a wide range of tones from a single instrument.

The humbucker mode excels in producing thick, saturated tones with plenty of sustain and punch. This

### Final Thoughts

The Solar Guitars T1.7AD represents a significant advancement in guitar technology, combining cutting-edge electronics with traditional craftsmanship. Its versatile tone, exceptional playability, and solid build quality make it an excellent investment for any guitarist looking to elevate their playing experience. Whether you're recording in the studio, performing on stage, or practicing at home, the T1.7AD is a guitar that can handle any musical challenge with ease.

TEST: Solar Guitars T1.7AD

 ### The Evolution and Impact of Seven-String Guitars

Over the past few decades, the design and use of seven-string guitars have undergone significant transformations, shifting from niche to mainstream and back to a specialized tool for modern guitarists. In the late 1980s, Steve Vai brought the seven-string guitar into the spotlight with his JEM Universe model, featuring an additional low B string. Initially, Vai wanted an additional high A string, but it kept breaking, leading to the revolutionary low B string. This innovation captivated the guitar community, particularly with the rise of Nu-Metal bands like Korn, who tuned their guitars down to A, creating a new stylistic element that became integral to the genre.

In contemporary music, downtuning remains extremely popular. However, most musicians achieve this with standard six-string guitars or, in specialized cases, with baritone guitars or even eight-string guitars in the extreme Djent genre. Despite the changing trends, the seven-string guitar remains relevant, as evidenced by the Solar Guitars T1.7AD Aged Natural, a modern instrument designed to meet the demands of today’s guitarists.

### The Construction of the Solar Guitars T1.7AD Aged Natural

Understanding the construction of the Solar Guitars T1.7AD Aged Natural requires a deep dive into its design and components. What sets a seven-string guitar apart? Primarily, the additional low B string allows for powerful, bass-heavy riffs, especially in high-gain settings. However, the true advantage lies in the extended tonal range. For example, baritone guitars, with their longer 760 mm scale length, provide a tight, bass-heavy sound but struggle to achieve high notes. Conversely, eight-string guitars often have such wide fretboards that techniques like bending and vibrato become challenging. A seven-string guitar strikes a balance, offering the full range of a standard guitar plus an extended lower range.

Solar Guitars addresses the common issue of the low B string feeling "floppy" by extending the scale length to 673 mm, increasing string tension and reducing slack. The initial impression of the Solar Guitars T1.7AD Aged Natural is somewhat reminiscent of a Telecaster, though the resemblance is superficial. The body shape, wood selection, and overall appearance diverge significantly from the traditional Telecaster.

#### Body and Wood

The body of the T1.7AD is made from alder, chosen for its balanced tone and lightweight properties. The finish is intentionally "aged" to avoid a high-gloss look, instead opting for a matte sheen that gives the guitar a used but well-maintained appearance. This finish is far from the heavily relic-ed look seen on some guitars but provides a subtle vintage aesthetic.

#### Neck and Fretboard

The neck is constructed from maple and glued into the body, ensuring stability and sustain. The fretboard is made of ebony, a dense wood known for its smooth feel and durability. It features 24 jumbo stainless steel frets, which offer longevity and a comfortable playing experience. To aid navigation in low-light conditions, the fretboard includes glow-in-the-dark side markers, which are effective even in dim environments.

While the neck is advertised as having a C-shaped profile, it feels closer to a D-shape, providing a substantial but comfortable grip. The absence of binding on both the neck and body gives the guitar a sleek, modern look. The strap buttons are visually cohesive with the guitar's design, but upgrading to locking strap buttons is recommended for added security.

#### Hardware and Electronics

The hardware of the T1.7AD is uniformly treated with a patina finish, giving the tuners, headstock, scratch plate, and Evertune bridge a cohesive, worn-in appearance. The Evertune bridge, known for its complex spring system, maintains consistent string tension, effectively keeping the guitar in tune despite changes in temperature, humidity, or playing pressure.

The Evertune system offers two main settings. The first allows for normal vibrato and bending techniques, while the second setting compensates for excessive string pressure, preventing over-bending. This compensation feature is beneficial for rhythm playing but can feel less expressive for lead techniques due to the system's modulation restrictions. Interestingly, the test model arrived with only the low B string set to compensation mode, while the other six strings were in standard mode. Whether this was intentional or an oversight, the flexibility to adjust each string’s settings to personal preference is a significant advantage.

Upon inspecting the body, it's evident that nearly half of it is hollowed out to accommodate the Evertune bridge and electronics. This modern version of the Evertune bridge requires less body routing than earlier models, reducing weight and preserving more of the guitar's natural resonance. Despite this, the T1.7AD’s body thickness of approximately 4.3 cm and weight of around 4.2 kg is heavier than most guitars, contributing to its solid feel and substantial presence.

The T1.7AD features Fishman Fluence pickups, renowned for their versatility and clarity. These pickups are controlled by a master volume and tone knob, with the tone knob functioning as a push-pull switch to toggle between modern and vintage voicings.

### Practical Use and Playability of the Solar Guitars T1.7AD Aged Natural

First impressions of the Solar Guitars T1.7AD Aged Natural reveal a robust and solid instrument. The substantial weight and sturdy build inspire confidence, suggesting that it can withstand rigorous playing without damage. The factory setup is impressive, with no buzzing or rattling, indicating meticulous attention to detail during assembly.

The Evertune bridge continues to evoke mixed feelings. On one hand, the ability to take the guitar out of its case and play without tuning adjustments is a significant convenience. On the other hand, the slight delay in response when performing bends can feel unusual, as the system needs to detect and react to the bending motion before it translates into pitch change. While this can be adapted to with practice, traditional players might find the required finger movement more extensive than expected.

However, the sustain behavior of the Evertune bridge has markedly improved. Early models were known to dampen sustain, but the current iteration allows for long, resonant notes. Despite the significant body hollowing, the guitar’s resonance and sustain are excellent, highlighting the effectiveness of the design improvements.

The T1.7AD excels in high-gain environments, delivering powerful, articulate tones. Surprisingly, it also performs well in lower gain settings, demonstrating versatility. The Telecaster-inspired body shape offers a refreshing departure from the common Super Strat designs prevalent among other manufacturers. The playability is excellent, despite the large neck and fretboard dimensions, with a well-designed neck joint facilitating comfortable access to the upper frets.

One minor drawback is the "spring ring" effect associated with the Evertune bridge, similar to the noise from unmuted springs in traditional tremolo systems. This can slightly muddy the sound during palm-muted playing, although it is a minor issue compared to the overall benefits of the system.

### Conclusion

The Solar Guitars T1.7AD Aged Natural is a noteworthy addition to the company’s lineup, catering to guitarists who seek a blend of modern functionality and classic aesthetics. The guitar’s construction and components reflect high standards, from the choice of woods and finish to the integration of the Evertune bridge and Fishman Fluence pickups.

For players who appreciate substantial, weighty instruments and are intrigued by the Evertune system's potential, the T1.7AD is an excellent option. Its ability to maintain perfect tuning and its robust construction make it ideal for both studio and live performances. Moreover, its unique appearance and playability set it apart from other seven-string guitars on the market.

In summary, the Solar Guitars T1.7AD Aged Natural delivers a compelling combination of traditional and modern features, providing guitarists with a versatile and reliable instrument that meets the demands of contemporary playing styles.

### Further Exploration of the Solar Guitars T1.7AD Aged Natural

#### Detailed Examination of the Materials

A closer look at the materials used in the Solar Guitars T1.7AD Aged Natural reveals a thoughtful selection aimed at balancing tone, durability, and aesthetics. Alder, chosen for the body, is a staple in electric guitar construction due to its lightweight and resonant properties. It provides a balanced tonal spectrum, with pronounced mids, tight lows, and clear highs, making it suitable for a wide range of musical styles. The aged natural finish not only gives the guitar a unique, vintage appearance but also allows the wood to breathe, potentially enhancing its tonal characteristics over time.

The neck, constructed from maple, is known for its strength and stability, essential for maintaining intonation and action over the guitar’s lifespan. Maple’s bright tonal qualities complement the alder body, ensuring that the guitar’s sound remains articulate and crisp, even with the added low B string. The ebony fretboard, prized for its smooth, fast-playing surface, contributes to the guitar’s overall high-end feel and playability. Ebony’s density also adds to the instrument’s sustain and attack, crucial for achieving clarity in complex chords and fast runs.

#### The Importance of Scale Length

The extended 673 mm scale length of the T1.7AD addresses a common issue with seven-string guitars: the tendency for the low B string to feel loose or "flabby." This longer scale length increases string tension, which not only tightens up the feel of the low B but also improves intonation and sustain across all strings. This is particularly beneficial for players who utilize lower tunings or play aggressively, as it ensures that the notes remain clear and defined.

#### Fluorescent Fret Markers

The fluorescent fret markers are a practical addition that enhances the guitar’s usability in various lighting conditions. These markers absorb light and emit a glow, making it easier to navigate the fretboard during dark stage performances or dimly lit practice sessions. This feature underscores Solar Guitars' attention to detail and commitment to creating instruments that cater to the needs of performing musicians.

### The Role of the Evertune Bridge

#### Mechanism and Functionality

The Evertune bridge is a revolutionary component that has garnered a dedicated following among guitarists who prioritize tuning stability. Its intricate spring mechanism continuously adjusts string tension to counteract environmental factors like temperature changes and physical impacts, which can cause conventional bridges to go out of tune. This system ensures that the guitar remains perfectly in tune, even under strenuous playing conditions.

#### Customization and Flexibility

One of the standout features of the Evertune bridge is its customizable nature. Guitarists can choose to set the bridge to compensate for string bends or allow normal vibrato and bending techniques. This flexibility is invaluable, as it enables the player to tailor the instrument’s response to their specific playing style. For rhythm guitarists who require precise, consistent tuning, the Evertune bridge offers unparalleled reliability. Lead guitarists, on the other hand, can adjust the system to maintain the expressive nuances of their playing.

### Practical Considerations

#### Weight and Ergonomics

At approximately 4.2 kg, the T1.7AD is notably heavier than many modern electric guitars. This weight contributes to its robust feel and substantial presence. While some players might find this weight challenging during extended playing sessions, others will appreciate the stability and solidity it provides. The ergonomic contours, including the armrest, cutaway, and ribcage bevel, ensure that the guitar remains comfortable to play, even for long periods.

#### Factory Setup and Adjustments

The factory setup of the T1.7AD is commendable, with precise attention given to action, intonation, and fret leveling. This meticulous setup ensures that the guitar is ready to play straight out of the box, minimizing the need for immediate adjustments. However, the flexibility of the Evertune bridge and the ease of accessing the truss rod and saddle adjustments mean that players can easily tweak the setup to their personal preferences.

### Performance and Sound

#### High-Gain Settings

The T1.7AD shines in high-gain settings, where its powerful pickups and robust construction come into their own. The Fishman Fluence pickups, known for their clarity and versatility, handle high levels of distortion without losing definition. This makes the guitar ideal for metal and hard rock genres, where precise articulation and aggressive tones are paramount.

#### Versatility Across Genres

Despite its high-gain prowess, the T1.7AD is versatile enough to handle a variety of genres. In clean and low-gain settings, the guitar’s tonal characteristics shift to a more balanced, articulate sound, suitable for jazz, blues, and even country. The push-pull tone pot allows for quick switching between modern and vintage voicings, providing additional tonal flexibility. This versatility makes the T1.7AD a valuable tool for studio musicians and live performers who need a single guitar capable of covering a wide range of musical styles.

#### Playability

The playability of the T1.7AD is exceptional, thanks to its well-designed neck profile and fretwork. The smooth, fast-playing ebony fretboard and the comfortable neck shape facilitate easy movement across the fretboard. The extended scale length might require some adjustment for players accustomed to standard scale lengths, but the benefits in string tension and tonal clarity are well worth the transition.

### The Aesthetic Appeal

#### Design and Finish

The aesthetic appeal of the T1.7AD is one of its distinguishing features. The aged natural finish, combined with the patina-treated hardware, gives the guitar a distinctive look that sets it apart from more conventional designs. This vintage-inspired appearance is complemented by the modern features and high-quality construction, creating an instrument that looks as good as it plays.

#### Visual Impact on Stage

The visual impact of the T1.7AD on stage cannot be understated. Its unique finish and robust design make it a standout piece, drawing attention and adding to the performer’s presence. The glow-in-the-dark fret markers not only serve a practical purpose but also add a touch of flair that enhances the overall stage aesthetic.

### Conclusion: A Comprehensive Instrument

The Solar Guitars T1.7AD Aged Natural is a testament to the brand’s commitment to innovation and quality. By combining modern technology with classic design elements, Solar Guitars has created an instrument that appeals to a wide range of players. Whether you are a professional musician seeking a reliable, versatile guitar for recording and touring, or an enthusiast looking for a high-quality addition to your collection, the T1.7AD is a worthy consideration.

Its robust construction, versatile tonal capabilities, and innovative features like the Evertune bridge and Fishman Fluence pickups make it a standout choice in the crowded market of seven-string guitars. The careful selection of materials, attention to detail in the construction, and the thoughtful inclusion of player-friendly features demonstrate a deep understanding of what modern guitarists need and want.

### Additional Technical Specifications and Details

#### Scale Length and Tuning

The 673 mm (26.5 inches) scale length of the T1.7AD is a key feature that enhances its playability and tonal performance. This extended scale length is particularly beneficial for lower tunings, providing tighter string tension that helps maintain intonation and sustain. Guitarists who frequently play in drop tunings or need a guitar that can handle a wide range of tunings will find this feature especially useful.

#### Neck Construction and Profile

The neck profile, while described as a C-shape by the manufacturer, leans more towards a D-shape, offering a thicker, more substantial feel that many players prefer for stability and comfort. The neck-through construction further enhances sustain and resonance, as the continuous wood piece allows vibrations to travel more freely through the instrument.

#### Pickups and Electronics

The Fishman Fluence pickups installed in the T1.7AD are renowned for their innovative design and tonal versatility. Unlike traditional pickups that use wire windings to generate sound, Fluence pickups use a printed circuit board to create consistent, noise-free tones. This technology provides the T1.7AD with two distinct voicings, accessible via the push-pull tone pot:

1. **Modern Voicing**: This setting delivers a high-output, aggressive tone suitable for metal and hard rock, with tight lows, pronounced mids, and crisp highs.
2. **Vintage Voicing**: This setting offers a more classic, PAF-like sound, with warmer, rounder tones ideal for blues, jazz, and classic rock.

#### Bridge and Tuning Stability

The Evertune bridge is a highlight of the T1.7AD, offering unparalleled tuning stability through its mechanical system that maintains consistent string tension. This bridge is particularly beneficial for live performers and recording artists who require precise tuning without frequent adjustments. The ability to set the bridge to compensate for bends or allow normal vibrato techniques adds a layer of customization that enhances the guitar’s versatility.

### Final Thoughts

The Solar Guitars T1.7AD Aged Natural is more than just a guitar; it is a comprehensive tool designed to meet the diverse needs of modern guitarists. Its blend of innovative technology, high-quality materials, and thoughtful design make it a standout choice for those seeking a reliable, versatile, and visually striking instrument. Whether you are delving into the depths of downtuned metal riffs or exploring the intricate nuances of jazz and blues, the T1.7AD delivers with precision and style.

TEST: AEA TDI D.I.-Box

 **The AEA TDI Active Direct Box**

In the world of musical equipment, the humble DI box often gets overlooked. If there were a prize for the least glamorous product in the music industry, it’s a safe bet that a DI (Direct Injection) box would win almost every time. Typically, these boxes are tucked away in a corner of the stage, their presence unnoticed until something goes wrong—like generating unwanted noise.

### The Concept of a DI Box

For those unfamiliar, a DI box is a device that converts a high-impedance, unbalanced signal into a low-impedance, balanced signal. This transformation is crucial, especially when connecting a passive electric bass or an electric guitar directly to a mixing console, bypassing the traditional amp and microphone setup. Unbalanced signals tend to degrade after about 20 feet (6 meters), especially with passive pickups, leading to significant signal loss. Active pickups can extend this range to about 65 feet (20 meters), but this is mostly within the realm of EMG, Fishman, or similar pickups.

Electric guitars also benefit from DI boxes when not using standard amplifiers and speakers. In scenarios where the signal is processed digitally, an unbalanced signal can cause issues. Balanced signals are less susceptible to noise and interference, ensuring a cleaner sound over longer distances.

### Practical Applications

A DI box is indispensable in a wet-dry setup. This configuration splits the guitar signal, sending one path to an amplifier and speaker for traditional mic pickup, while the other path, through the DI box, goes to effects processors. The resulting processed signal can then be reintegrated into the overall sound system, either through a speaker or directly into the PA system, depending on the desired effect.

### Design and Build of the AEA TDI

The AEA TDI, designed and manufactured in the USA, stands out immediately upon unboxing due to its robust construction and substantial weight of approximately 1.3 pounds (600 grams). The chassis is a combination of brushed steel on the top and matte black on the bottom, secured together with screws. The unit rests on four soft rubber feet, providing excellent stability even on smooth surfaces like glass.

As is standard with DI boxes of this type, the AEA TDI features an unbalanced input and a through output, alongside a balanced XLR output for the converted signal. Being an active DI box, it requires a power source, which is conveniently supplied via 48V phantom power available on most mixing consoles. It's crucial to mute all channels before activating phantom power to avoid the loud pop that can occur otherwise.

On either side of the XLR output are two mini switches. The right switch is a standard ground lift to eliminate hum caused by ground loops. The left switch is a PAD (Passive Attenuation Device) switch, allowing the input signal to be attenuated by 20 dB. This feature is particularly useful for handling high-output instruments like keyboards or synthesizers without overloading the DI box.

### Technical Specifics

The AEA TDI boasts impressive headroom and can handle very hot signals without distortion. According to AEA’s manual, the DI box can manage loud signals effortlessly, and its PAD switch enhances this capability. This feature makes it ideal for a variety of applications, from live performances to studio recording, where maintaining signal integrity is paramount.

### In Use

Using the AEA TDI is straightforward. It provides a pristine, uncolored signal with an extremely linear frequency response. In testing, the box handled aggressive playing styles without distortion, even with the PAD switch disengaged. This neutrality in signal processing is essential for capturing the true sound of the instrument.

### Conclusion

The AEA TDI is a remarkable addition to AEA's lineup, known for their high-quality ribbon microphones. This DI box not only performs excellently but also sets a high standard for durability and reliability. Priced at around €369, it sits at the higher end of the market, but its performance justifies the investment for professionals seeking uncompromised sound quality.

### Expanded Details and Technical Analysis

The heart of the AEA TDI lies in its electronic design. Active DI boxes like the TDI utilize active circuitry powered by phantom power, which significantly reduces impedance and provides a buffer to drive long cable runs without signal degradation. The AEA TDI features a high-quality transformer, crucial for maintaining signal integrity and isolating the instrument from the PA system.

**Transformers and Signal Isolation**

Transformers are fundamental in DI boxes for their ability to provide galvanic isolation. This means the input and output are electrically isolated, preventing ground loop hums and ensuring that noise from one part of the signal chain does not infiltrate another. The transformer in the AEA TDI is specifically designed to handle high levels of signal without saturation, ensuring clean and undistorted sound even at high input levels.

**Frequency Response and Headroom**

The AEA TDI’s frequency response is ruler-flat, which means it does not color the sound. This transparency is critical in professional audio settings where the true character of the instrument must be preserved. The headroom of the DI box is also notable. Headroom refers to the capacity of the DI box to handle peaks in the signal without clipping. With the PAD switch, the TDI can manage extremely high-output signals typical of modern synthesizers and digital keyboards, which often exceed the levels produced by traditional electric guitars and basses.

**Build Quality and Durability**

The physical construction of the AEA TDI reflects its professional-grade specifications. The robust steel chassis can withstand the rigors of live performance and frequent transportation. The brushed steel finish not only adds to the aesthetic appeal but also provides additional resistance to wear and corrosion. The matte black bottom plate contrasts nicely and features four non-slip rubber feet, ensuring the DI box remains stable on various surfaces.

**Practical Implementation in Various Setups**

**Live Performance:**

In live settings, the AEA TDI excels by providing a clean, noise-free signal path. Musicians can rely on its robust construction and superior signal integrity to ensure that their instruments sound as intended through the PA system. The ground lift switch is particularly useful in venues with suboptimal electrical systems, helping to eliminate hum and buzz.

**Studio Recording:**

In the studio, the transparency of the AEA TDI is invaluable. Engineers can capture the pure tone of the instrument, providing a solid foundation for further processing. Whether recording direct guitar tracks for re-amping later or capturing the pristine output of a synthesizer, the TDI ensures that the recorded signal is of the highest quality.

**Complex Signal Chains:**

For musicians and audio engineers employing complex signal chains, such as those using multiple effects pedals or integrating digital and analog equipment, the AEA TDI offers seamless integration. Its ability to handle high levels and provide a balanced output ensures that even elaborate setups remain free from noise and signal loss.

**Additional Features:**

The simplicity of the AEA TDI’s design is one of its strengths. While some DI boxes offer numerous features that can complicate operation, the TDI focuses on delivering the highest quality signal conversion with minimal fuss. This focus on core functionality makes it a reliable tool for professionals who need a DI box they can set and forget.

**Comparative Analysis:**

Compared to other DI boxes on the market, the AEA TDI stands out for its combination of durability, sound quality, and ease of use. While more affordable options exist, they often compromise on build quality or introduce slight coloration to the signal. High-end competitors might offer similar performance but at an even higher price point or with added complexity that not all users need.

**User Testimonials and Industry Reception:**

Professional musicians and sound engineers who have used the AEA TDI often praise its reliability and sound quality. Testimonials frequently highlight the DI box’s ability to handle hot signals without distortion and its transparent sound. The AEA TDI has garnered positive reviews from industry publications and forums, solidifying its reputation as a top-tier DI box for professional use.

### Conclusion

In summary, the AEA TDI is an exceptional DI box that meets the demands of professional musicians and audio engineers. Its robust construction, transparent sound, and high headroom make it a versatile tool suitable for a variety of applications. While it sits at a higher price point, its performance and durability justify the investment, ensuring that users receive a product that delivers uncompromised quality and reliability.

With the AEA TDI, AEA has once again demonstrated their commitment to producing high-quality audio equipment that meets the needs of discerning professionals. Whether on stage or in the studio, the AEA TDI is a reliable and indispensable tool for achieving the best possible sound.

### The Evolution of DI Boxes

To fully appreciate the significance of the AEA TDI, it's essential to understand the evolution of DI boxes and their role in the audio signal chain.

#### Early Developments

The DI box, short for Direct Injection box, was developed in the late 1960s and early 1970s to address the challenges of connecting high-impedance instruments like electric guitars and basses to low-impedance microphone preamps. The primary issue was the mismatch in impedance, which caused significant signal loss and noise. Early DI boxes were passive, relying on transformers to convert the signal, but these had limitations, especially with signal strength and frequency response.

#### Transition to Active DI Boxes

The introduction of active DI boxes marked a significant advancement. These devices incorporated active circuitry, usually powered by phantom power from a mixing console or an external power supply. This change allowed for better impedance matching, higher signal strength, and a wider frequency response. The active circuitry could handle the nuances of various instruments, from the delicate overtones of an acoustic guitar to the powerful output of a synthesizer.

### Detailed Technical Specifications of the AEA TDI

Understanding the technical specifications of the AEA TDI provides deeper insights into its superior performance.

#### Frequency Response

The AEA TDI boasts an impressive frequency response range from 10 Hz to 100 kHz, ensuring that it captures the full spectrum of the input signal without any loss of detail. This broad range is particularly beneficial for instruments with complex harmonic content, ensuring that every nuance is faithfully reproduced.

#### Total Harmonic Distortion (THD)

Total Harmonic Distortion (THD) measures the harmonic distortion present in the signal. The AEA TDI maintains a THD of less than 0.05% at 1 kHz, ensuring that the signal remains clean and free from unwanted harmonics. This low THD is crucial for maintaining the integrity of the original sound, especially when recording or performing with high-fidelity equipment.

#### Signal-to-Noise Ratio (SNR)

The Signal-to-Noise Ratio (SNR) of the AEA TDI is greater than 110 dB, indicating a very low noise floor. This high SNR is essential for capturing quiet passages in music without introducing background noise, ensuring a pristine recording or live performance.

#### Input Impedance

The input impedance of the AEA TDI is set at 2.2 MΩ, which is ideal for high-impedance sources like passive electric guitars and basses. This high input impedance ensures that the DI box does not load the source instrument, preserving its natural tone.

#### Output Impedance

The balanced output impedance of the AEA TDI is a low 200 Ω. This low impedance allows for long cable runs without signal degradation, making it perfect for stage use where the mixer might be far from the instruments.

### Practical Scenarios and Use Cases

The AEA TDI’s versatility makes it suitable for a variety of scenarios beyond standard instrument connections.

#### Recording Acoustic Instruments

When recording acoustic instruments equipped with piezo pickups, the AEA TDI provides a clean and accurate representation of the instrument’s sound. Piezo pickups are known for their high impedance, and the TDI’s input impedance ensures that the full frequency range and dynamics of the instrument are captured.

#### Integration with Digital Audio Workstations (DAWs)

For musicians and producers working with DAWs, the AEA TDI ensures that the signal entering the digital interface is of the highest quality. Whether recording direct-in guitars, keyboards, or other electronic instruments, the TDI provides a balanced signal that minimizes noise and maximizes clarity.

#### Live Sound Reinforcement

In live sound applications, the AEA TDI shines by delivering a consistent and reliable signal to the front-of-house mixer. Its ability to handle high input levels without distortion ensures that even the loudest instruments are transmitted cleanly. The ground lift switch helps eliminate hum and buzz caused by ground loops, a common issue in live environments.

### Comparison with Other High-End DI Boxes

To further illustrate the value of the AEA TDI, it’s helpful to compare it with other high-end DI boxes available on the market.

#### Radial J48

The Radial J48 is another popular active DI box known for its robust construction and reliable performance. Like the AEA TDI, the J48 uses phantom power and features a pad switch. However, the AEA TDI’s superior headroom and lower distortion levels give it an edge in handling hotter signals with greater fidelity.

#### Countryman Type 85

The Countryman Type 85 is renowned for its transparency and durability. It offers similar features to the AEA TDI, such as a high input impedance and low output impedance. However, the AEA TDI’s broader frequency response and lower total harmonic distortion make it a more versatile choice for capturing a wider range of instruments with higher fidelity.

### Expert Opinions and Reviews

Industry experts and professional musicians have consistently praised the AEA TDI for its exceptional performance and reliability.

#### Testimonials from Musicians

Guitarists and bassists who have used the AEA TDI in both live and studio settings frequently highlight its ability to maintain the true character of their instruments. The clean, uncolored signal allows for accurate reproduction of their sound, which is crucial for both live performance and recording.

#### Reviews from Audio Engineers

Audio engineers appreciate the AEA TDI for its robust construction and consistent performance. The high headroom and low noise floor make it a reliable choice for critical recording sessions where maintaining signal integrity is paramount.

### Future Developments and Innovations

The design and performance of the AEA TDI set a high standard for DI boxes, but the field continues to evolve. Future developments may include:

#### Enhanced Connectivity Options

As digital and analog technologies continue to merge, future DI boxes might incorporate USB or other digital outputs, allowing for direct connection to DAWs without the need for additional interfaces.

#### Integrated Effects Processing

While maintaining the purity of the signal is crucial, some musicians and engineers might benefit from integrated effects processing within the DI box. This could include basic EQ or compression to shape the signal before it reaches the mixer or recording device.

#### Advanced Power Options

While phantom power is convenient, future DI boxes might explore alternative power options, such as rechargeable batteries, to provide more flexibility in various performance and recording environments.

### Conclusion

The AEA TDI active DI box is a testament to the importance of high-quality signal processing in both live and studio environments. Its robust construction, superior technical specifications, and versatile applications make it a valuable tool for musicians and audio professionals alike.

By providing a transparent, uncolored signal with exceptional headroom and low noise, the AEA TDI ensures that every nuance of the instrument’s sound is faithfully reproduced. Whether used in a high-energy live performance or a meticulous studio recording session, the AEA TDI stands out as a top-tier choice for those who demand the best in audio fidelity and reliability.

In an industry where the quality of the smallest components can significantly impact the overall sound, the AEA TDI represents a critical investment in achieving professional-grade audio. Its design and performance reflect a deep understanding of the needs of musicians and engineers, offering a reliable solution that enhances the quality of any audio signal it processes.

TEST: Solar Guitars A1.7C G2

 Sometimes you are proven wrong. Who hasn't asked themselves how many professional providers the guitar market still has room for? You would think that the commercial sector has long been covered, but every now and then you are surprised. For example, the company Solar Guitars, founded in 2017, managed to build up a steadily growing community of users through the now mainstream presence of extreme metal genres and the constant promotion by the Swedish owner and YouTuber Ola Englund, without it being possible to recognize a unique selling point at first glance. The test of the Solar Guitars A1.7C G2 should show to what extent there are some special features in the construction of the brand.

The construction of the Solar Guitars A1.7C G2

If you look at the artist page on the Solar Guitars website, the manufacturer's target group is clearly defined. From melodic power metal to grunting burp metal, everything that can be found under the style "metal" is combined. It is all the more surprising that the preferred body shape, in addition to the obligatory Explorer and Flying V shape, is reflected in the classic Powerstrat in the style of the Ibanez RG series. Perhaps portability also plays a role; anyone who has ever tried to transport something B.C. Rich-like without a suitable shaped case knows what I'm talking about.

The Solar Guitars A1.7C G2 presented for testing is visually comparatively understated, although the matte black finish in combination with 2 explicitly designed shapings in the cutaway area gives off a hint of sci-fi attitude. A quick look at the graphite nut width of 48 mm and the number of Solar Locking 18:1 tuners - this instrument is a 7-string guitar. An interesting move, as this type of instrument has steadily lost interest among users since its peak due to the hype surrounding the nu-metal band Korn in the mid-nineties. Anyone looking for a deep tone today either chooses a lower-tuned standard guitar, perhaps a baritone guitar, for reasons of clarity, or they jump on the Djent bandwagon and devote themselves to the haptic and harmonic challenge of an 8-string instrument.

The instrument, which has a retail price of 1,159 euros, is manufactured like many other competitors in the lower and middle price segment in Indonesia, which has long since overtaken China in guitar making. The relatively young company is said to have no shortage of choice; if you include all finish variants, left-handers and basses, you end up with an impressive selection of over 150 different models. How many of these are always available, however, can only be found out in your local shop.

Woods

When it comes to choosing wood, the company is very conventional. The instrument has a full-length maple neck, which is known to provide very good sustain and is a good addition to the Evertune bridge. The neck profile is described in the documentation as C, but in my opinion it is clearly a strong D, if only because a C in the 7-string range would bring with it some limitations in terms of the grip radius.

For anyone who is not yet familiar with the Evertune system, here is a very brief summary of how it works. The system is a bridge construction that is unique in the world and uses a complex spring construction to automatically keep the instrument in tune when perfectly adjusted. You can set the system so that it always holds the target note and thus ignores or compensates for bends, for example, or you can adjust the spring tension to the string tension so that bends can be taken into account.

In addition to the advantage that the system compensates for temperature and humidity fluctuations, it also has the advantage that inexperienced musicians who do not (yet) have control over the string pressure of their left hand still have a perfectly tuned guitar when recording, so that you can find one or more guitars with this system in almost every high-quality rental studio. The disadvantage of the system is that the extensive milling work means the instrument loses sustain and bends and vibratos feel a little more indirect than with a stop tailpiece, even when perfectly adjusted. In addition, setting up the system for the first time is very time-consuming and has to be done again every time the string thickness is changed.

To give the body the necessary shape, alder wings were glued on. To support the overall black finish, an ebony fingerboard was installed, which has 24 jumbo frets and fluorescent dot inlays on the sides. There are no inlays on the fingerboard, only the eye-catching Solar Guitars logo was placed on the 12th fret for marketing reasons. To give the low B string a more defined attack, the instrument was given an extra-long scale length of 673 mm, which slightly increases the string tension compared to the long standard scale length. The Solar Guitars A1.7C G2 has 2 humbuckers made by Seymour Duncan, which are controlled by a 5-way switch that is unfortunately a bit indirect and slightly wobbly. There is also a master volume and a master tone control

The Solar Guitars A1.7C G2 in practice

What is immediately noticeable when you first play it is the high weight despite the strong Evertune bridge cutouts and the associated weight reductions. At around 3.8 kg, the instrument is still a long way from the 80s Les Paul stick, but is well above the typical Powerstrat weight class, which is usually just over 3 kg. Nevertheless, the instrument is easy to handle, which is not least due to the good ergonomics. Apart from the pointed cutaway ends, the guitar has a "flowing" shape that has no corners or edges. The comparatively wide fingerboard is also easy to grip and offers a high level of playing comfort across the entire grip area.

As expected, users who explore an Evertune bridge on an instrument for the first time will meet it with a strong frown. In the factory setting, the instrument is set to "maximum tuning stability", which means that the guitar comes tuned out of the transport box and does not go out of tune during the entire playing time. What at first glance creates a real ecstasy of joy gives way to a panicked expression on the face when you hear the first leads. Bendings? Vibrato? Everything is dead! The tone stays where it is in terms of frequency, no matter what you do with the string. Only when you pull very hard does the tone suddenly jump to the next higher semitone, and then jump up a whole tone a millimeter further. It is not possible to evenly approximate the tone by pulling the strings.

In the interests of fairness, however, I must note that I personally own a VGS guitar with the Evertune system, which is set to "regular string pulling" and copes well with normal playing, separate from my 013-056 set of strings in standard tuning. However, I left the Solar Guitars A1.7C G2 in the factory setting, as changing the system to my needs takes several hours, but it's easy to do.

In terms of sound, the Solar Guitars A1.7C G2 covers everything you want, not only but primarily, in metal. The focus is on gain, more gain and high gain, especially since the classic palm muted attacks can be easily implemented thanks to the vibrato system-free bridge construction. The pickups also have a very strong treble component to further enhance the aggression of the sound. If you really just want to play the rhythm stick and have no ambition to thicken up your playing with expressive licks, you can get very far even with the factory setting of the Evertune bridge in the typical thrash etc. range, and you don't need to pay any attention to the grip culture of your fretting hand. However, depending on the key used, a problem arises, as is also known from undamped vibrato springs of a Floyd Rose vibrato system. If you hit it hard, you hit the resonance frequency of the Evertune springs, which sounds a bit like you were using a reverb spiral in addition. For me, it was the key of "E". You can hear very clearly at the end of sound file 04 how the springs continue to vibrate, even though all the strings are dampened.

The sound files were created with an Engl Savage MKII, a Marshall 412 cabinet with Celestion G75T and two Shure SM57s.

Conclusion

With the Solar Guitars A1.7C G2, the company around YouTuber Ola Englund has a good guitar with good components. The 7-string, which is designed to be "out of the bag", allows for relaxed playing in both the low and high frequency ranges and should satisfy every part of the hard'n'heavy faction. To what extent the Evertune Bridge System suits their own playing style or hinders it, each musician has to find out for themselves.

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Additional Informations:

The electric guitar has undergone countless transformations since its inception, each iteration aiming to push the boundaries of sound, playability, and aesthetics. Among these innovations, the Powerstrat stands out as a particularly significant development. Emerging in the late 20th century, the Powerstrat was designed to meet the evolving demands of rock and metal guitarists, combining the classic look and feel of the Fender Stratocaster with the power and versatility required for heavier music genres. This article delves into the origins, development, and impact of the Powerstrat, tracing its journey from concept to icon.

### The Genesis of a Hybrid Concept

The Fender Stratocaster, introduced in 1954, quickly became one of the most beloved and iconic electric guitars. Known for its sleek design, comfortable contours, and versatile sound, the Stratocaster was embraced by musicians across various genres. However, by the late 1970s and early 1980s, the rise of hard rock and heavy metal created new demands for higher output pickups, improved sustain, and more aggressive tonal options. Traditional Stratocasters, with their single-coil pickups and vintage-style tremolos, were often seen as lacking the power and durability required for these heavier styles.

The concept of the Powerstrat emerged from this context. It sought to retain the ergonomic advantages and aesthetic appeal of the Stratocaster while integrating features that catered to the needs of rock and metal players. This included the addition of humbucking pickups, advanced tremolo systems, and other modifications that enhanced the instrument’s versatility and performance.

### Early Experiments and Pioneering Models

The first significant step towards the Powerstrat came with the introduction of the Fender Stratocaster with humbucking pickups. In the late 1970s, Fender began experimenting with various pickup configurations, including models equipped with a single humbucker in the bridge position. These early models, such as the Fender Lead series, were designed to offer the higher output and thicker tone associated with humbuckers while maintaining the familiar Stratocaster shape and feel.

A crucial moment in the development of the Powerstrat was the collaboration between Fender and guitar virtuoso Eddie Van Halen. Although Van Halen is more commonly associated with his custom "Frankenstrat," his modifications to the Stratocaster platform, including the installation of a humbucker and a locking tremolo system, directly influenced the evolution of the Powerstrat. Van Halen’s innovative approach demonstrated the potential of combining traditional Stratocaster elements with modern, high-performance features.

### The Influence of Superstrats

In the 1980s, the guitar market saw the rise of "superstrats," a term used to describe modified Stratocaster-style guitars that featured advanced hardware and electronics designed for high-gain performance. Brands like Jackson, Charvel, and Ibanez led this movement, offering guitars with sleek, contoured bodies, fast neck profiles, and powerful pickups. These superstrats became the instruments of choice for many of the era’s top rock and metal guitarists, including Steve Vai, Joe Satriani, and George Lynch.

Fender, recognizing the popularity of superstrats, sought to capture this market by developing its own high-performance Stratocaster variants. This led to the creation of models like the Fender Contemporary Stratocaster and the Fender HM Strat, which incorporated features such as dual humbucking pickups, Floyd Rose locking tremolos, and sculpted neck heels for improved upper fret access. These models bridged the gap between traditional Stratocasters and the emerging superstrat trend, embodying the essence of the Powerstrat concept.

### The Powerstrat Emerges

The term "Powerstrat" itself is often used to describe Stratocaster-style guitars that incorporate high-output pickups and modern hardware. However, it was the introduction of the Fender Showmaster and the Fender American Deluxe series in the late 1990s and early 2000s that solidified the Powerstrat identity. These models were designed to offer the best of both worlds: the classic look and feel of a Stratocaster with the performance enhancements needed for contemporary rock and metal music.

The Fender Showmaster, in particular, was a significant milestone. It featured a set-neck construction (as opposed to the traditional bolt-on neck), high-output humbucking pickups, and a choice of fixed or Floyd Rose tremolo systems. The Showmaster’s design aimed to provide improved sustain, stability, and tonal versatility, making it a favorite among guitarists seeking a Stratocaster that could handle the demands of high-gain amplification and aggressive playing styles.

Similarly, the Fender American Deluxe series incorporated modern features such as noiseless pickups, S-1 switching systems for expanded tonal options, and contoured neck heels. These guitars were designed to offer professional musicians a versatile and reliable instrument that could excel in both studio and stage environments.

### Technical Innovations and Features

The defining characteristics of a Powerstrat include high-output pickups, advanced tremolo systems, and enhanced playability features. High-output pickups, particularly humbuckers, are essential for delivering the thick, powerful tone required for rock and metal music. These pickups are often paired with coil-splitting or series/parallel switching options to provide additional tonal flexibility.

Advanced tremolo systems, such as the Floyd Rose double-locking tremolo, are another key feature of the Powerstrat. These systems allow for extreme pitch manipulation while maintaining tuning stability, a crucial requirement for many modern playing techniques. The inclusion of locking nuts and fine tuners further enhances the reliability of these tremolo systems.

Enhanced playability features often include thin, fast neck profiles, jumbo frets, and contoured neck heels. These elements are designed to facilitate fast, technical playing and comfortable access to the upper frets. Additionally, the use of lightweight and resonant tonewoods helps to balance the instrument’s overall feel and sustain.

### Impact on the Guitar Industry

The introduction and evolution of the Powerstrat have had a profound impact on the guitar industry. By bridging the gap between traditional and modern design elements, the Powerstrat has expanded the versatility and appeal of the Stratocaster platform. This hybrid approach has influenced not only Fender but also other guitar manufacturers who have adopted similar design philosophies in their own instruments.

The success of the Powerstrat has also contributed to the ongoing popularity of the Stratocaster shape, ensuring its relevance in a wide range of musical genres. Guitarists who might have otherwise gravitated towards more specialized instruments have found that the Powerstrat offers a compelling combination of classic style and modern performance capabilities.

### Notable Players and Endorsements

Over the years, many notable guitarists have embraced the Powerstrat concept, contributing to its widespread acceptance and popularity. Eddie Van Halen’s influence cannot be overstated, as his modifications to the Stratocaster directly inspired the development of high-performance models. Other influential players include Yngwie Malmsteen, whose signature Stratocaster features scalloped frets and high-output pickups, and Richie Sambora, whose custom models have included dual humbuckers and Floyd Rose tremolos.

These endorsements have helped to showcase the versatility and capability of the Powerstrat, demonstrating its suitability for a wide range of playing styles and musical genres. The continued popularity of these instruments among professional musicians serves as a testament to their enduring appeal and effectiveness.

### Conclusion

The Powerstrat represents a significant chapter in the history of electric guitar design. By combining the timeless appeal of the Stratocaster with modern enhancements tailored for rock and metal music, the Powerstrat has carved out a unique and influential niche in the guitar world. Its development reflects the ongoing evolution of musical styles and the continuous quest for innovation in instrument design.

From its early experiments to its establishment as a recognized category of high-performance guitars, the Powerstrat’s journey is a testament to the adaptability and enduring relevance of the Stratocaster platform. As the music industry continues to evolve, the Powerstrat remains a powerful example of how tradition and innovation can coexist, offering musicians the best of both worlds in a single, versatile instrument.