TEST: Freidman T-7020

 The Friedman 70th Anniv. T-7020 Head is a dual-channel all-tube amplifier head that aims to deliver the quintessential Friedman sound for under €2000.

### The Concept of the Friedman 70th Anniv. T-7020 Head

The Music House Dormann is celebrating its 70th anniversary, and the festivities include all music enthusiasts. Leveraging its significant reputation as Europe's largest musical instrument retailer, the company has managed to collaborate with internationally renowned manufacturers like Friedman to release a special edition product, crafted specifically for Thomann. This particular collaboration has resulted in the Friedman 70th Anniv. T-7020 Head, a dual-channel all-tube amplifier head. The name signifies 70 years of Thomann and 20 watts of output power, derived from a pair of EL84 power tubes.

The amplifier is notably more compact than the larger 100-watt tube behemoths traditionally associated with Friedman. The housing, familiar to users of other smaller Friedman models such as the Runt-20 and the JEL (Jake E. Lee signature model), is utilized here, offering a streamlined and portable design.

The amplifier aims to bring the classic Friedman sound, typically priced between €3500 and €4000, to a more accessible price range, approximately half of the usual cost. This endeavor isn't merely about downscaling the louder models; it necessitates a complete redesign of the internal construction. The label "Assembled in USA" on the rear of the amplifier suggests assembly in the United States but also hints at the inclusion of components sourced from Asia, particularly China.

### The Construction of the Friedman 70th Anniv. T-7020 Head

In terms of contemporary design, the Friedman 70th Anniv. T-7020 Head follows a trend that has gained substantial popularity in recent years. The amplifier's dimensions are 457 mm x 222 mm x 222 mm, and it weighs a relatively light 10 kg, making it significantly more transportable than the larger 100-watt models.

A smaller amplifier of these dimensions is not necessarily meant for a 4x12 cabinet. However, Friedman has addressed practical concerns in the design of the amplifier's feet. The feet are relatively broad, primarily made of plastic rather than rubber, featuring a nicely grooved underside, and are notably high. This height prevents the amplifier from resting on the carry handle of a 1x12 or 2x12 cabinet, a common issue with standard feet.

A downside to the hard plastic feet is the enhanced transmission of vibrations from the cabinet to the amplifier, potentially affecting the tubes, which are sensitive to shock when hot. This is particularly true for the power tubes, though EL84s are less affected than larger tubes like 6L6 or EL34.

The amplifier is encased in a meticulously crafted black housing covered with synthetic black snakeskin. The potentiometers are slightly recessed to prevent damage from external impacts.

The front panel of the amplifier features seven knobs, including a four-band EQ with a Presence control. Additionally, there are Gain controls for the dirty channel, a single volume control for the clean sound, and a master volume. The manufacturer claims that the dirty channel's presets mimic those of the well-known BE-100.

Technically, the amplifier could be considered a single-channel device since the dirty channel lacks an independent volume control, relying on the clean channel's volume setting and its gain control.

The amplifier's flexibility is enhanced by various mini-switches and push-pull pots, allowing for different preset frequency and dynamic corrections. The switches include:

- Saturation switch, implemented as a push/pull potentiometer on the Bass control for higher gain/saturation sound.
- Voice switch, implemented as a push/pull potentiometer on the master volume control to modify treble response.
- Fat switch, implemented as a push/pull potentiometer on the Gain control for a thicker sound.
- A three-position treble switch.
- A Gain Cut switch.

An added feature is the ability to switch channels without a footswitch using a mini-switch, a departure from previous Friedman models.

Friedman believes that a separate power and standby switch is unnecessary in this power range, so the amplifier has a single red plastic on/off switch on the front, which lights up when activated.

### The Rear Panel of the Friedman 70th Anniv. T-7020 Head

The rear panel of the amplifier features several elements requiring further explanation. Starting with the simple elements on the left: a jack for the included footswitch and a serial effects loop.

Next is an XLR output with three mini-switches to adjust its characteristics (Edge/Center), output level, and ground lift. This output allows for direct recording, enabling the amplifier to be used without a cabinet and directly into an interface and DAW.

Notably, a true all-tube amplifier requires a load box when operating without a speaker cabinet to prevent damage to the output transformer. Friedman addresses this with two jack sockets, where the right one must be connected first. If not connected, an internal load box protects the amplifier from damage.

Adjacent is a mini-switch for selecting impedance (16 or 8 ohms) for connected cabinets. Unfortunately, 4-ohm operation is not available, though this is not a significant issue since it is generally needed only in rare configurations such as two parallel 8-ohm cabinets or incorrect input selection on a stereo cabinet, like a Marshall that allows for 16 or 4-ohm selection. Lastly, there is an externally accessible main fuse and a power input.

### The Friedman 70th Anniv. T-7020 Head in Practice

The widespread popularity of Friedman amplifiers stems from their sound, which closely resembles Marshall amplifiers but offers greater flexibility and a distinct voicing. The amplifiers do not sound like modified Marshalls but have a unique character while retaining a familiar tonal foundation.

The Friedman 70th Anniv. T-7020 Head maintains this sonic identity, with the EL84 power tubes contributing significantly to its distinctive sound. The amplifier has a higher treble presence and less compression than larger models, yet it retains the classic Friedman tone.

The amplifier is very responsive to the guitar's volume control, allowing it to be dialed back to nearly clean even in the dirty channel. While extreme high-gain sounds suitable for metal might not be its forte, it performs well with an overdrive or boost pedal, transforming it into a high-gain monster if needed. It works exceptionally well with various overdrive or boost pedals.

Although the amplifier's base sound is good, some may find it lacks a bit of brightness and overall clarity. However, this is a subjective opinion, and others may have different preferences.

### Conclusion

With the Friedman 70th Anniv. T-7020 Head, the American manufacturer introduces a special edition amplifier to celebrate Thomann's 70th anniversary. The amplifier offers the typical Friedman sound at a reduced price, featuring excellent portability and high-quality craftsmanship.

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Additional Informations:

### Detailed Technical Overview of the Friedman 70th Anniv. T-7020 Head

The Friedman 70th Anniv. T-7020 Head is more than just an amplifier; it’s a testament to meticulous engineering and thoughtful design. Let’s delve deeper into the specifics that make this amplifier a standout in its class.

#### Chassis and Build Quality

The amplifier’s chassis is constructed from robust metal, ensuring durability and resistance to wear and tear. The synthetic black snakeskin covering not only adds a touch of elegance but also provides additional protection against minor abrasions and impacts. The overall construction quality adheres to high standards, reflecting Friedman’s commitment to excellence.

#### Preamp and Power Sections

The preamp section of the Friedman 70th Anniv. T-7020 Head is designed to offer versatility and tonal richness. It features a trio of 12AX7 tubes, known for their high gain and low noise characteristics, making them ideal for both clean and overdriven tones. These tubes are strategically placed to maximize their performance and ensure a balanced signal path.

The power section, driven by a pair of EL84 tubes, delivers a distinctive British-voiced output with a tight bass response, rich midrange, and sparkling highs. EL84 tubes are renowned for their smooth breakup and dynamic response, making them a favorite among players who seek both vintage warmth and modern clarity.

#### Tone Shaping Controls

The amplifier’s front panel hosts a range of controls that allow players to sculpt their sound with precision. The four-band EQ section includes Bass, Middle, Treble, and Presence controls. Each knob operates within a carefully selected frequency range, providing substantial tonal shaping without introducing unwanted noise or artifacts.

- **Bass Control:** Adjusts the low-end frequencies, adding depth and fullness to the sound. Turning this knob up will result in a thicker, more robust bass response, while turning it down will produce a tighter, more focused low end.
- **Middle Control:** This control shapes the midrange frequencies, which are crucial for defining the character of the guitar tone. Increasing the mids can enhance the punch and presence, while decreasing them can create a scooped, more hollow sound.
- **Treble Control:** Manages the high-end frequencies, adding brightness and definition. Higher settings can make the sound more cutting and articulate, while lower settings can mellow out the tone.
- **Presence Control:** Adjusts the upper midrange and lower treble frequencies, adding air and clarity. This control is particularly useful for fine-tuning the amplifier’s response in a live or recording environment.

#### Gain and Volume Controls

The amplifier features separate Gain and Volume controls for the clean and dirty channels, allowing players to set the desired level of drive and overall loudness.

- **Clean Volume Control:** Sets the volume level for the clean channel. This control allows the clean sound to be as loud or as quiet as needed without affecting the dirty channel.
- **Dirty Gain Control:** Determines the amount of gain for the dirty channel, shaping the level of distortion and saturation. Lower settings produce a mild overdrive, while higher settings unleash a more aggressive, high-gain sound.

#### Additional Features

The amplifier includes several push-pull potentiometers and mini-switches that expand its tonal palette.

- **Saturation Switch (Push/Pull on Bass Control):** Engages an additional gain stage, adding more saturation and harmonic richness to the sound. This feature is perfect for achieving a more saturated, high-gain tone without compromising clarity.
- **Voice Switch (Push/Pull on Master Volume Control):** Alters the amplifier’s overall voicing, enhancing the high-frequency response. This switch can make the amplifier sound brighter and more open, ideal for cutting through dense mixes.
- **Fat Switch (Push/Pull on Gain Control):** Adds more low-end and lower-midrange frequencies, thickening the sound. This switch is useful for single-coil pickups or when a fuller, more robust tone is desired.
- **Three-Position Treble Switch:** Provides additional control over the high-end response, allowing players to select between different treble profiles.
- **Gain Cut Switch:** Reduces the overall gain, offering a cleaner, more restrained sound. This switch is beneficial for rhythm playing or when a less aggressive tone is needed.

#### Connectivity and Versatility

The rear panel of the Friedman 70th Anniv. T-7020 Head is designed for maximum connectivity and flexibility.

- **Footswitch Jack:** Allows the included footswitch to toggle between the clean and dirty channels. The footswitch is sturdy and reliable, ensuring consistent performance.
- **Effects Loop:** The serial effects loop is designed to integrate external effects seamlessly. It features high-quality jacks and buffering, ensuring that the signal remains pristine and unaffected by external devices.
- **XLR Output:** This balanced output allows for direct recording or live sound reinforcement. The three mini-switches associated with the XLR output (Edge/Center, Output Level, and Ground Lift) provide further customization, ensuring the output signal matches the desired sound profile.
- **Loadbox Protection:** The amplifier includes a built-in loadbox that protects the output transformer when no speaker is connected. This feature is crucial for maintaining the amplifier’s longevity and preventing damage during silent recording or direct input scenarios.
- **Impedance Selector:** The mini-switch allows players to select between 8 and 16 ohms, ensuring compatibility with various speaker cabinets. The ability to match impedance correctly is vital for achieving optimal performance and tone.

### Performance and Sound Quality

The Friedman 70th Anniv. T-7020 Head excels in various musical contexts, thanks to its versatile design and high-quality components.

#### Clean Channel

The clean channel delivers a pristine, articulate sound with ample headroom. It responds well to dynamics, allowing players to transition from soft, delicate passages to more forceful playing without losing clarity. The clean tone retains its integrity even at higher volume levels, making it suitable for both studio recording and live performances.

#### Dirty Channel

The dirty channel is where the amplifier truly shines, offering a range of overdrive and distortion tones that cater to different genres and playing styles. From a subtle, bluesy crunch to a full-on high-gain roar, the dirty channel provides a rich, harmonically complex sound that remains defined and musical.

- **Low Gain Settings:** At lower gain settings, the dirty channel produces a warm, vintage-style overdrive that is perfect for classic rock and blues. The notes remain distinct, with a pleasing breakup that enhances the natural character of the guitar.
- **Mid Gain Settings:** Increasing the gain introduces more saturation and sustain, ideal for hard rock and heavier blues styles. The tone becomes thicker and more aggressive, yet retains clarity and articulation.
- **High Gain Settings:** Pushing the gain to higher levels unleashes a powerful, high-gain sound that is perfect for modern rock and metal. The distortion is tight and focused, with plenty of sustain and harmonic overtones.

### Practical Applications

The Friedman 70th Anniv. T-7020 Head is suitable for a wide range of applications, from home practice to professional recording and live performance.

#### Home Practice

The amplifier’s compact size and manageable power output make it ideal for home practice. The lower wattage allows players to achieve rich, saturated tones at reasonable volume levels, making it perfect for bedroom use or home studios.

#### Studio Recording

In the studio, the amplifier’s direct recording capabilities and flexible tone shaping controls make it a valuable tool for engineers and producers. The XLR output with loadbox protection allows for silent recording, while the comprehensive EQ and gain controls enable precise tone crafting to suit any recording project.

#### Live Performance

For live performances, the Friedman 70th Anniv. T-7020 Head offers reliability and versatility. Its robust construction ensures it can withstand the rigors of touring, while the range of tones available makes it suitable for various musical genres and performance styles. The ability to switch channels and engage different tonal options on the fly adds to its utility on stage.

### Conclusion

The Friedman 70th Anniv. T-7020 Head stands as a testament to Friedman’s dedication to quality and innovation. This special edition amplifier, created to celebrate Thomann’s 70th anniversary, offers a blend of classic Friedman tones, modern features, and exceptional build quality. Whether used for practice, recording, or live performance, it provides players with a versatile, high-quality sound that is both familiar and distinctive.

By incorporating advanced tone shaping controls, robust connectivity options, and thoughtful design elements, the Friedman 70th Anniv. T-7020 Head achieves a perfect balance between form and function. This amplifier not only meets the expectations of discerning musicians but also sets a new standard for what can be achieved within its price range.