TEST: Alesis IO Dock II

 Would Apple ever have dreamed that its iOS series would become a kind of centerpiece, or rather processor power, for an entire armada of hardware devices? One could definitely assume it from the demeanor of Steve Jobs, but I personally believe that even Mr. Turtleneck Sweater himself could have predicted this unexpected boom.

Ultimately, of course, the whole thing makes sense. The new processors in the iPad and iPhone actually release unimagined computing power, although even the best clock speeds cannot hide the fact that when it comes to hardware, the connection options have still not been raised beyond the level of a toy. Selling a seemingly pitiful headphone connection in mini jack format as an audio output and a fiddly Lightning or 30-pin connector as an official interface is simply laughable for a professional musician. It may be that these interfaces are visually appealing and functionally adequate in the IT area, but in the studio or especially on stage, every musician is overcome with cold horror when they see these plastic nuggets.

Knowing this fact, several manufacturers have specialized in reducing iOS devices to their core competence, computing power and optical resolution, and supplying a hardware dock with the necessary connections in the most robust design possible via the main interface. One of these providers is the company Alesis, founded in 1984 by Keith Barr, which achieved world fame thanks to groundbreaking inventions such as the MIDIVERB and the legendary ADAT recording system. With the Alesis iO Dock II, which is now in its second version, the system tries to combine the best of both worlds at a very affordable price.

construction

Let’s start with external values first. With dimensions of 216 mm x 267 mm x 32 mm and a weight of just under 950 grams, the Alesis iO Dock II is the size of an iPad, which is stored in a massive Ottercase. The product, manufactured in China, is made entirely of black plastic, with some parts having a high-gloss finish and others with a matt finish. In order to be able to handle the problem of the different thicknesses of the various iPads from the first to the fourth generation, the Alesis iO Dock II has a thin plastic adapter, which adjusts itself individually to the different thicknesses by folding up a small, centrally attached plastic lock can be adjusted. Simple to implement, but solved in a practical way. When it comes to software flexibility, there shouldn't be any problems either. According to the manufacturer, the Alesis iO Dock II is compatible with almost every Core Audio or Core MIDI app from the Apple App Store.

If you push your iPad into the hardware dock as far as it will go, you have the option of accessing the iPad's interface via an adapter, which is attached to the lower part of the housing using a small cable. Two different adapter heads (Lightning + 30pin connector) are supplied from the factory and can be easily exchanged. Admittedly, visually this cable solution doesn't exactly leave the highly aesthetic impression that Apple generally stands for. In practice, however, a comparatively simple but sensible solution can be created for little money. In addition, with this solution, all previously released iPads, with the exception of the iPad Mini, can actually be integrated into the recording process. It should also be mentioned that, despite the guide rail adapter, the iPad Air is not 100% firmly anchored and can be moved. In my opinion, Alesis will certainly deliver an adapter soon if they don't want to lose connection to the latest iPad generation.

However, it should be mentioned that the iPad is not locked in this dock. This poses a risk of the iPad slipping out of its anchorage and pulling on the cable during transport. I therefore recommend removing the iPad from the dock when not in use to avoid damage during transport. With four glued-on, soft rubber feet, the Alesis iO Dock II had the necessary stability even on smooth surfaces.

Both side parts and the back of the housing are used for the necessary connection of peripherals. In addition to a USB port, MIDI In and MIDI Out sockets are also available on the left, which generates a wide range of control options for all kinds of external peripherals. On the right there is a 6.25 mm stereo headphone jack along with the associated volume control and the sum control for the main output. On the back we start on the far left with the two main outs in jack format. To the right of it there is a direct monitoring switch with which you can monitor the input sources directly without processing the iPad. When it comes to inputs, the Alesis iO Dock II only has two combination sockets, which can be supplied with 48V phantom power via a switch if necessary. This means that high-quality condenser microphones can also be integrated into the recording process.

Both inputs have simple input controls, although input number one can optionally be switched to high-impedance use of guitar signals. This is helpful if you want to use a guitar software plugin, for example in Garageband or similar. However, the extent to which the sonic output of the simulations even comes close to a real guitar setup will not be discussed here. However, I find the freely definable foot switch very helpful, if only to be able to start the recording process with it. Nothing is worse than touchscreen smear when it comes to on-the-fly shooting.

The conclusion is an on/off switch (no longer necessarily standard in this price range) and the connection for the included power supply, which has a lockable strain relief. An avoidably small point, but so important in mobile operations. How many times has this power plug slipped out of the socket, I can't even count it anymore!

Practice

Plugged in and started, new German: plug-and-play, the motto here is that drivers of any kind are not required. First of all, the haptic feel for the iPad changes enormously. The narrow, slightly fragile disc has become a serious wedge, which gives the product stability and better handling. The signal supply via the adapter plug works perfectly, but I am always worried about what could happen if I lose one of the adapters. A possibility to store them in a housing or park them would be a great thing.

In contrast to the first generation, the Alesis iO Dock II no longer has a video output. However, this is compensated for by the Airplay Mirroring function. In collaboration with the Apple TV, for example, you can configure a TV set as an oversized monitor according to your needs.

During normal operation there were no problems with the interaction with various software programs. Whether GarageBand, Cubasis or Auria, all apps ran flawlessly without any problems. It goes without saying that a product in this price category cannot be used as a final DAW for high-end productions, so the sound of the preamplifiers used can be described as appropriate. When it comes to functionality, however, there is absolutely nothing to criticize.

Conclusion

With the Alesis iO Dock II, the American manufacturer continues the success story of the first generation. With a logical concept and practical detailed solutions, Alesis transforms the iPad into an ambitious mobile recording station, which compensates for the iPad's internal interface weaknesses with serious connections and great flexibility in terms of signal flow. Only the lack of two important adapters for the iPad Air and iPad Mini reduces the very good overall impression a little.

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Additional Informations:

Alesis: Pioneering Innovation in Music Technology

Introduction:
Alesis, a renowned name in the world of music technology, has played a pivotal role in shaping the landscape of musical instruments and audio equipment. Founded in 1984 by Keith Barr in Hollywood, California, Alesis has consistently strived to provide musicians, producers, and audio enthusiasts with innovative and affordable solutions that enhance their creativity and performance. This article delves into the rich history, innovative products, and the enduring legacy of Alesis.

**Historical Background:**
Alesis was established during an era when digital technology was rapidly advancing, and traditional music equipment was being revolutionized. The company's initial focus was on developing digital signal processing (DSP) chips, which were instrumental in creating more advanced and affordable musical instruments and audio gear. These chips allowed for the replication of sounds with greater precision and flexibility, marking the beginning of Alesis' journey into the world of music technology.

**Innovative Products:**
Throughout its history, Alesis has introduced a wide range of groundbreaking products that have left an indelible mark on the music industry. Some of the key innovations include:

1. **Alesis HR-16 Drum Machine (1987):** Alesis made waves with the HR-16, a drum machine that provided realistic drum sounds and patterns, effectively replacing traditional acoustic drums in many recording studios and live setups.

2. **Alesis ADAT (Alesis Digital Audio Tape) (1991):** ADAT revolutionized the recording industry by offering affordable digital recording solutions. It became a standard in studios worldwide, making multi-track recording more accessible.

3. **Alesis QuadraVerb (1989):** The QuadraVerb was one of the earliest affordable digital effects processors, offering a wide range of high-quality effects for musicians and producers.

4. **Alesis Andromeda A6 (2000):** This analog synthesizer is considered one of Alesis' masterpieces. It boasts a rich sound palette and became highly sought-after by synthesizer enthusiasts and electronic musicians.

5. **Alesis V Series Electronic Drums (2014):** Alesis has been a pioneer in electronic drum kits, providing drummers with realistic feel and responsive drumming experiences.

6. **Alesis MultiMix Series Mixers:** Alesis has consistently produced affordable yet high-quality mixers, catering to both beginners and professionals in the audio industry.

**Impact on the Music Industry:**
Alesis' innovations have had a profound impact on the music industry. They democratized music production by making professional-grade equipment more accessible and affordable to musicians and home studio enthusiasts. The ADAT, in particular, transformed the recording landscape, enabling artists to record and produce their music with greater ease and efficiency.

**Company Philosophy and Values:**
Alesis has always been guided by a commitment to innovation, affordability, and quality. Their dedication to pushing the boundaries of technology while keeping products accessible to a wide range of users has earned them a loyal following among musicians and audio professionals.

**Acquisition by inMusic Brands:**
In 2001, Alesis was acquired by inMusic Brands, a leading company in the music and audio technology industry. This partnership has allowed Alesis to continue its legacy of innovation while benefiting from the resources and expertise of a larger organization.

**Continued Innovation:**
Alesis continues to innovate with products like electronic drum kits, MIDI controllers, synthesizers, and digital audio workstations (DAWs). They have also embraced advancements in digital connectivity, ensuring that their products remain relevant in an ever-evolving technological landscape.

**Conclusion:**
Alesis, founded on the principles of innovation, affordability, and quality, has left an indelible mark on the music industry. From pioneering digital recording technology with ADAT to creating innovative electronic drums and synthesizers, Alesis has consistently empowered musicians and producers to realize their creative visions. As they continue to evolve and adapt to new technological advancements, Alesis remains a trusted name for musicians and audio enthusiasts worldwide, cementing its legacy as a trailblazer in music technology.