TEST: AMT Pangaea VC-16

 The guys from the AMT team are a funny bunch. There must be something in the Russian genes that makes developments in music electronics always turn out a little different than usual. Especially when it comes to haptics, you often get the feeling that Russia builds everything in such a way that it could also survive in front-line operations if necessary. The best example is probably the Russian version of the Big Muff. The dwarf pedal AMT Pangea VC-16 isn't quite as violent, but as has often been the case with AMT, the unusual special solutions are also available this time.

The construction of the AMT Pangea VC-16

What does the dwarf, which weighs only 200 grams and has the almost tiny dimensions of 470 mm x 950 mm x 550 mm, actually do? Well, it once again contributes to the miniaturization of signal management in the guitar sector by offering a 24 bit/48kHz IR speaker simulation / DI box for recording, live performances and playing on headphones. The developers try to bring together a maximum number of functions with a minimum amount of space. To ensure this, you have to use switching functions other than regular rotary potentiometers.

AMT does this by putting together a total of 16 presets using 4 small sliders and 4 notches each, which can also be programmed using software that can be downloaded from the AMT website. A corresponding USB port is located on the left side of the housing. With the AMT Pangea VC-16, AMT is trying to create an amp/speaker simulation so that you can play with your pedals or preamps directly into the simulator. In order to adapt the respective sounds to your personal taste, the AMT software has a very extensive sound processing, which consists of a volume control, a reverb control, a presence control, a low pass, a five-fold semi-parametric EQ, a high pass, an IR deactivation, a own power amp section with various tube presets, a preamp section with its own three-band tone control, a noise gate and a compressor. So there are lots of options to vary the sound accordingly. Admittedly, the UI is hard to beat in terms of ugliness, but let's overlook the whole thing in favor of handling.

Unfortunately, the guys at AMT have somewhat lost sight of compatibility when it comes to the power supply of the AMT Pangea VC-16. 100 mA, wonderful, but unfortunately at 12V, which knocks over 90 percent of all commercially available board bugs out of the ring. Although many multi-voltage power supplies now also have a 12 volt output, this special solution still represents a shortcoming in my opinion, especially since an external power supply is not included in the scope of delivery of the product manufactured in Russia.

To e.g. If you want to jam to an MP3, for example, the AMT Pangea VC-16 has a mini-jack AUX In, which works in conjunction with a headphone out that also has a mini-jack. By the way, the fed AUX In signal is only sent via the headphone output, not via the two outputs, which can be plugged in both symmetrically as TRS and unbalanced via a jack. It is also practical that a DI box is installed at each output, so that you can do without external DI boxes for a direct PA feed or similar.

The only footswitch on the housing switches back and forth between the two presets A and B and seems downright huge due to the tiny housing dimensions. In order not to accidentally adjust the four sliders with your foot in the heat of the stage battle, there is a very solid steel bracket behind the foot switch, which also fixes the switching process on the front tip of your foot. Speaking of sliders, AMT isn't necessarily the first choice here. The switching stages are very close together, sometimes a bit awkward or fiddly. Not really a problem, but not exactly comfortable either.

In order to make the switching process a little more comfortable, the AMT Pangea VC-16 has a feature that works in conjunction with other AMT pedals. The switching process can be carried out in combination with other AMT pedals via a control in/out in the mini jack. It is conceivable, for example, E.g. using 2 distortion pedals, one running on preset A and one on preset B. The activation e.g. B. of pedal A leads to the deactivation of pedal B and a preset change on the AMT Pangea VC-16. A simple concept with a very practical implementation.

To the z. In order to easily handle the widely varying output voltages of pedals and preamps, the input channel of the AMT Pangea VC-16 can be adjusted to an optimal level with 2 additional sliders from 0 dB to -40 dB in six steps, a really very good practical solution.

The case of the AMT Pangea VC-16 really contains all the attributes that are associated with “Made In Russia”. Although the characteristic olive-green camouflage paint is missing, the product, which is made from a total of 4 steel sheets, looks extremely solid. With 4 screws each on the front and foot side, you can't imagine that the pedal would ever give up its mechanical spirit. In order to give the tiny thing the ultimate hold on a pedalboard, the pedal has 2 eyelets on the outside with which you can screw the housing onto the board. Not a stupid idea, especially since the application area of Velcro is comparatively small with such small housing dimensions.

On the underside of the case, a fairly large slot with a small circuit board raises a question mark, but this quickly disappears. It is a slot for the patch panel, also available from AMT, where you can plug several in-house pedals into it, which simultaneously takes over the power supply and signal management.

The AMT Pangea VC-16 in practice

Let's start with the pros of the AMT Pangea VC-16, with the feel of the product being the top priority. 2 or 3 overdrive/distortion pedals, possibly also with micro dimensions, connected in front of the tiny thing and you have a 2 or 3 channel pedal, which in terms of dimensions can be transported in a handbag and in terms of weight probably dangles around the 1 kilogram mark . Working musicians who have to travel a lot by public transport or similar for work will particularly appreciate the weight and space savings.

The very flexible level management is also impressive. No matter which console or interface is used. Regardless of whether it is a microphone or line input, even without a separate gain control on the console, you can manage the levels very well and transfer them without peak problems.

To understand the cons of the AMT Pangea VC-16, you just have to listen to the included sound examples. It is well known that all speaker simulations have the most problems with high gain guitars, as the highly compressed signal with an extremely large number of overtones can quickly sound “artificial”, “mushy” and undynamic. In order not to make it easy for the speaker simulation, I used my IRONFINGER Signature Distortion Pedal https://www.amazona.de/test-ironfinger-axel-ritt-signature-distortion-verzerrerpedal/ as a reference, since I am using it As expected, I am extremely familiar with the sound behavior of this pedal.

Unfortunately, the AMT Pangea VC-16 doesn't really convince me in terms of sound. Although there are countless ways to bend the sound, the basic sound of the product unfortunately suffers, like many other IR products, from the lack of dynamics and the rough resolution of the signal. Despite the sometimes massive treble boost, all the sounds always sound a bit busy or subtly musty and lack the “freshness” of a real microphone.

The AMT Pangea VC-16 seems to me to be a perfect solution when it comes to quickly adding speaker simulation to a guitar signal without transport problems. The losses in terms of sound in the crunch or clean range may not be nearly as severe as in the high gain range, but unfortunately you have to expect some tonal compromises here.

Conclusion

With the AMT Pangea VC-16, the Russian company has an extremely handy and flexible speaker simulation on the market. The processing is excellent, the downloadable software is extensive and the level management is extremely flexible.

In terms of sound, in contrast to the excellent feel, you have to expect a few losses in the high gain range, but this always depends on your personal area of use.

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Additional Informations:

In the realm of music technology, AMT (Applied Music Technology) has emerged as a prominent and innovative force with a history steeped in ingenuity. Over two decades, this Russian company has been instrumental in advancing the world of musical effects pedals, preamps, and amplifiers. In this extensive article, we delve into the origins, achievements, and contributions of AMT, a brand that has made a lasting impact on the global music technology landscape.

## The Genesis of AMT

AMT's journey commenced in 1997, with its founder, Sergey Marichev, at the helm. Sergey Marichev, an electronics engineer and a musician himself, established AMT in Moscow, Russia, with a vision to create cutting-edge audio equipment that would resonate with musicians worldwide. Driven by a passion for both music and technology, Marichev set out to pioneer a new era in the realm of music gear.

## A Commitment to Quality

From its inception, AMT distinguished itself through an unwavering commitment to quality and innovation. The company's focus on precision engineering and meticulous craftsmanship quickly earned it a reputation for producing high-end audio equipment. AMT's dedication to quality control and the use of top-tier components ensured that their products were reliable, durable, and capable of delivering exceptional sound.

## Pioneering Tube Emulation Technology

One of AMT's most notable contributions to the music technology industry is its pioneering tube emulation technology. This innovation allows musicians to capture the warm, harmonically rich tones traditionally associated with tube amplifiers, all while benefiting from the convenience and versatility of compact digital pedals and preamps. AMT's tube emulation technology has become a hallmark of its product line, attracting guitarists and bassists seeking classic tube sounds without the bulk and maintenance associated with traditional tube amplifiers.

## Versatile and Adaptable Pedals

AMT's reputation for producing versatile and adaptable pedals has made it a sought-after brand among musicians across various genres. Whether it's distortion, overdrive, delay, modulation, or other effects, AMT pedals are celebrated for their sonic flexibility and ability to cater to a wide range of musical styles and playing techniques. Musicians appreciate the nuanced control over their sound, allowing for creative exploration and expression.

## Innovations in Guitar Amplification

Beyond effects pedals, AMT has made significant advancements in guitar amplification technology. Products like the AMT SS-20 and AMT Pangaea series exemplify the brand's commitment to providing compact, portable, and tonally versatile amplifiers. These amplifiers incorporate advanced features, including multiple channels, built-in effects, and direct recording capabilities, making them well-suited for both stage and studio use.

## Artist Collaborations and Signature Products

AMT has cultivated partnerships with renowned musicians, resulting in the creation of signature pedals and products tailored to the specific preferences and demands of influential artists. These collaborations have not only expanded AMT's product catalog but have also solidified its reputation as a brand trusted by professionals seeking gear designed with their unique needs in mind.

## International Recognition and Global Reach

Despite its origins in Russia, AMT has achieved international recognition and distribution. The company's products are now available in music stores worldwide, showcasing the global demand for its high-quality audio equipment. This expansion into international markets has further established AMT as a leading player in the global music technology industry.

## A Glimpse into the Future

As AMT continues to evolve, it remains dedicated to pushing the boundaries of audio technology. The company's ongoing research and development efforts focus on creating innovative solutions that cater to the needs of musicians, producers, and audio engineers. With a growing and diverse product catalog that includes amplifiers, preamps, effects pedals, and more, AMT is poised to play an increasingly influential role in shaping the future of music technology.

In conclusion, AMT, under the visionary leadership of Sergey Marichev, has emerged as a prominent and trailblazing force in the music technology industry. Its commitment to innovation, unwavering dedication to quality, and ability to cater to the diverse needs of musicians have earned it a place of respect and admiration among professionals and enthusiasts alike. As AMT continues to expand its product range, international presence, and influence, it stands as a testament to the transformative power of innovation in the world of musical effects and amplification.