Samstag, 11. Mai 2024

TEST: LD Systems Maui 44

Do you know that? The sprinter drives up, the first, still comparatively small sound element is unloaded and from the back right corner you can hear “Oh God, I hope it won’t be too loud”. The normal company party-goer's fear of the sound pressure is almost palpable around 3 p.m. in the afternoon. The same tie-wearer who kneels like a bucket on the dance floor around 12 o'clock in the evening to play air guitar can't be loud enough during the final "Smoke On The Water", even though, according to the neighbor across the street, " Motörhead at Wacken” volumes approached.

So what do you need to make your customer happy? A small P.A. that is as small as possible and as good-looking as possible, which, despite its discreet appearance, can, in case of doubt, pack a hefty pound in the kilowatt range without running the risk of sending the built-in loudspeakers to direct current death. With the LD Systems MAUI 44, there is now a column principle on the market that is equally impressive in both the optical and acoustic areas. Get the pound!


construction

The first impression of the system developed and built in Germany is excellent in several respects. On the one hand, the system consists of three comparatively small elements, which can be connected to form an impressive column in a minimum of time using a plug-and-play connection. Perfectly milled guide slots and the matching steel pins ensure a firm hold, with the signal flow guaranteed via centrally installed plug connections. Tangled cables are a thing of the past. For easy handling in stacking operation, carrying handles are mounted on the back of the columns. When operating indoors, however, it is important to ensure that at least a clear ceiling height of approx. 2.50 meters is required in order to be able to combine the system's plug connection. Party room, basement, approx. 2.20 meter ceiling height? Get out of the mouse!

The actual system consists of a subwoofer and 2 column satellites with different loudspeakers, offering an RMS power of 1600 watts with a peak of 3200 watts at a maximum SPL of 129 dB. As almost always, Class D power amplifiers are used here, without which such power outputs of this magnitude would not be possible. For the bass range, there are 2 12" neodymium speakers with a load of 800 watts, while the column elements with a total of 16 3.5" midrange drivers and 2 1" tweeter drivers also provide 4x 200 watts.

When it comes to portability, the system sets real standards. In terms of weight, the upper column with 10.2 kilograms and the middle column with 7.4 kilograms can easily be moved by a single person, while the subwoofer, despite the light magnets, due to its solid construction in 15 mm birch multiplex and the management of the control electronics with its 40.8 kilograms likes to take up the work of two strong men's arms. Fortunately, the transporter has the ergonomic LD Systems Evolution carrying handles at his disposal, which enable bold gripping from all angles.

In terms of dimensions, it is also very compact. Subwoofer (620 mm x 412 mm x 615 mm), satellites, upper column (120 mm x 973 mm x 144 mm) and satellites, lower column: (120 mm x 838 mm x 144 mm) can be easily stored in the trunk of a small car , mind you, without any wiring. However, it is important that you don't forget the very well locked but still rare Speakon power cable; you can't get any further with the LD Systems MAUI 44 with the classic cold device plug. For ultimate transport convenience, you can purchase a separate roller board, which can be connected directly to the subwoofer using butterfly fasteners. All elements are protected from external influences with solid, black steel grilles.

The entire connection area is built into the subwoofer so that the notorious, unsightly cable bulges don't hang down from the satellites. A treat for the eyes! In the input area we have two combination sockets (XLR/TRS) and two cinch sockets available, with which any signal can be processed. If you want to connect several systems in series using the daisy chain method, 2 XLR outputs are available. If you want it to wobble even more under 40 Hertz, the system also has a separate woofer XLR output.

Two separate volume controls can be used to control the overall volume and the subwoofer portion. This is very helpful for giving your sound a personal touch or for adapting the bass component to the signal present. Four small LEDs provide information about the most important operating states, such as power, peak, applied signal and the use of the internally installed limiter.



Practice

If your own wife comes into the test room and speaks favorably about the appearance of a sound system, the designers must have done more than just good work! In fact, in the right light, the system would even pass as a designer element within a modern residential complex. However, anyone who now believes that LD Systems has neglected the efficiency or even the sound orientation of the system in favor of the optics is very much mistaken.

The first listening impression is very powerful with excellent radiation characteristics. The unpleasant beam of some other systems is reduced to a minimum by the loudspeakers and illuminates both a room and an open-air area acoustically very well. It is noticeable that both the close and more distant listening areas receive sound almost equally well. Personally, I find the separately adjustable bass component to be a great help, depending on the signal present or the room acoustics, to give the basic sound more boost or to protect it from dangerous booming components.

However, due to the massive number of midrange drivers, the LD Systems MAUI 44 has its own sound coloring, which cannot be viewed in a judgmental way. As expected, the mid/high-mid range is extremely present, which makes the highs look a bit “discreet” in direct comparison with a linear filter setting. Here I would possibly add a touch of “shine” with a sum filter. The infamous low-mid hole in the crossover area to the subwoofer can only be heard very discreetly with this design and can easily be concealed if necessary.

In terms of application, the system is absolutely convincing both as a hall sound system and in sidefill operation. Thanks to its beam angle of 120 degrees, you can also reach areas that are otherwise no longer acoustically illuminated by comparable systems. The processor of the amplifier system also has a coordinated system of equalizer, compressor and limiter in order to create the densest possible sound image from the connected power amplifier, which it also succeeds in impressively.



Conclusion

The LD Systems MAUI 44 is an absolute top P.A. the compact class on the market. I have never come across a system that combines excellent sound values with an exquisite appearance and at the same time sophisticated detailed solutions in this form. Once again, German engineering shows that the “Made-In-Germany” trademark is more than just a geographical indication. The countries in the world where you can find such quality combined with a trained eye for detail can be counted on one hand.

Whether a band, solo entertainer or DJ, if you want an ultra-compact, very good-sounding and excellent-looking small P.A. If you're looking for something, you should definitely take a look at the LD System MAUI 44.

Absolute purchase recommendation!

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Additional Informations:


Adam Hall GmbH stands as a testament to the entrepreneurial spirit and dedication to quality that characterize the German manufacturing landscape. Established in 1975, this company has evolved from humble beginnings into a global leader in the production of professional audio, lighting, and stage equipment. With a focus on innovation, reliability, and customer satisfaction, Adam Hall GmbH has cemented its place as a powerhouse in the industry.

The origins of Adam Hall GmbH can be traced back to its founder, Adam Hall. Born in 1942 in Frankfurt, Germany, Hall demonstrated an early passion for music and technology. After completing his education, he embarked on a journey to merge these interests by establishing his own company dedicated to providing high-quality audio equipment to musicians and professionals.

In 1975, Adam Hall took the crucial step of founding his eponymous company in Neu-Anspach, Germany. Initially operating from a small garage, the company's primary focus was on manufacturing speaker stands and flight cases. Despite limited resources, Hall's commitment to excellence and innovation soon began to attract attention within the industry.

One of the key milestones in the company's early history was the development of the first aluminum speaker stand. This groundbreaking innovation not only revolutionized the way speakers were mounted but also established Adam Hall GmbH as a pioneer in the field of audio equipment manufacturing. The lightweight yet durable design of the aluminum speaker stand quickly gained popularity among musicians and sound engineers, setting a new standard for performance and reliability.

As the reputation of Adam Hall GmbH continued to grow, so too did its product range. In the following years, the company expanded its portfolio to include a wide variety of audio, lighting, and stage equipment. From cables and connectors to truss systems and stage platforms, Adam Hall GmbH became a one-stop shop for professionals in the entertainment industry.

Throughout its expansion, Adam Hall GmbH remained committed to the principles of quality and innovation that had defined its early success. The company invested heavily in research and development, constantly striving to improve existing products and introduce new solutions to meet the evolving needs of its customers. This dedication to innovation was rewarded with numerous patents and awards, further solidifying the company's reputation as a leader in its field.

In addition to its focus on product development, Adam Hall GmbH also placed great emphasis on customer service and support. Recognizing that the success of its business depended on the satisfaction of its customers, the company established a global network of distributors and partners to ensure that its products were readily available and supported wherever they were needed.

The turn of the millennium brought new opportunities and challenges for Adam Hall GmbH. The rapid advancement of technology ushered in an era of digital audio and lighting systems, presenting both opportunities and threats to traditional manufacturers. However, rather than being daunted by these changes, Adam Hall GmbH embraced them as an opportunity to further differentiate itself from the competition.

Under the leadership of Adam Hall and his dedicated team, the company embarked on a program of digital transformation, incorporating cutting-edge technologies into its product lineup. From wireless audio systems to LED lighting fixtures, Adam Hall GmbH embraced the digital revolution while staying true to its core values of quality and reliability.

Today, Adam Hall GmbH stands as a shining example of German engineering and innovation. With a product range that spans the entire spectrum of professional audio, lighting, and stage equipment, the company continues to set the standard for excellence in the industry. Whether it's a small local event or a large-scale international concert, professionals around the world trust Adam Hall GmbH to deliver the performance and reliability they demand.

Looking to the future, Adam Hall GmbH remains committed to its founding principles of innovation, quality, and customer satisfaction. With a strong focus on research and development, the company is poised to continue leading the way in the ever-evolving world of professional audio and lighting technology. As new challenges emerge and new opportunities arise, one thing is certain: Adam Hall GmbH will be there, at the forefront of innovation, shaping the future of the industry for years to come.

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