TEST: Mackie 806

 The big sister had barely established itself in musical and technical circles when Mackie brought the Mackie DL 806, the slightly smaller version of the 1608, onto the market. It is not without reason that the speed of publication was pushed to the limit, as the huge leap in popularity of the predecessor should be used to be able to present both the little brother and the software updates for the first time in time for the big trade fairs.

On the one hand, Mackie is launching with the new 1.4 software, which has some further developments, and on the other hand, Mackie has a powerful joker up its sleeve with an additional iPhone app.



construction

In direct comparison to the Mackie DL 1608, the Mackie DL 806 only has eight instead of sixteen inputs and has to make do with six instead of eight aux paths. In return, however, the selling price is reduced by around 25 percent. Otherwise, all hardware features and the overall concept were adopted from the big sister. With the exception of the hardware gain controls, all parameters within the mix, be it volumes, filters, effects or dynamics, are still controlled using the iPad's software. Considering the fact that many factors overlap with the debut Mackie DL 1608, I ask the interested reader to get a first impression.

The following description serves as a brief summary. The Mackie DL system is a fusion of hardware and software components using the Apple iPad as a control console. In addition to the same device, the hardware used is the Mackie hardware dock, which has the necessary inputs, the catch-up amplifiers along with the control path and the DSP processors for calculating the algorithms. The calculation of the respective plug-ins is completely taken over by the Mackie hardware, so a possible system crash of the iPad has no impact on ongoing operations. There is no need to fear that the concert will be canceled or something similar.

The iPad display takes over the function of managing and visually displaying the mixer functions. The iPad can be firmly clamped in the hardware dock or takes over its control functions via WLAN. In parallel operation, up to 10 iPads can share management. For example, the individual monitor mix of each musician on stage, carried out by the artist himself, can be seen as an area of application.

What's new is the fact that, thanks to Apple's switch from the 30-pin connector to the Lightning port, you can have the hardware dock converted by an authorized specialist retailer from the middle of the 4th quarter. According to the German sales department, the procedure in which the 30-pin connector is exchanged for a Lightning connector can only be completed in a few simple steps and should not involve any major renovation work. Also in the 4th quarter of this year there will be a tray for the iPad Mini, which will provide further flexibility.

When it comes to the hardware dock, the Mackie DL 806 has the same dimensions as the DL 1608, although the look is a bit tidier due to the larger space available for a reduced number of plugs and sockets. As in the larger model, ONYX microphone preamplifiers are used to adapt the signal, the signals of which are managed by 24-bit Cirrus Logic converters. One of the big differences in the new Masterfader 1.4 software is the introduction of its own vintage sound and dynamics section, which can be used as an alternative to the modern channel strip. The equalizer is based on the handling of a Neve console, the noise gate is based on the DBX model and the compressor looks for its roots in the Urei 1176.

Mackie has also come up with a lot of ideas for saving different settings. All current interface settings are constantly saved and can be stored in any snapshots. These provide a complete picture of current events and can be reloaded at any time. Up to 99 snapshots can be saved in a so-called show. This makes it possible, for example, to assign each song its own setting during a live performance. In general, the diverse storage options give you enormous options for dividing individual songs and allowing the respective settings to merge seamlessly into one another, options that can no longer be implemented with an analog console. Settings can also be protected with a PIN code, so that, for example, the individual artist can only change the parameters that have been assigned to them for personal administration.



Practice

Once you have downloaded the Master Fader app from the Apple App Store, which is needed to control the system, you still need to set up the WLAN network for wireless operation. This is really child's play, the system works with pretty much every known router. Mackie recommends the 802.11n standard due to the higher transmission values, but functionality is also granted down to the 802.11g standard. You can switch between stationary and mobile operation as you wish. It is therefore possible, for example, to create a stationary basic mix and then move around the room with the iPad in order to compensate for any spatially-related over- or under-presence of the individual frequencies using the sum EQ. The generated mix can also be recorded as a WAV file using a built-in record button, making mixing console recordings one of the easiest exercises.

Some people may complain about the lack of aux return. Well, the concept of the Mackie DL 806 lies primarily in the use of the internal effects; feeding in outgear can only be done via the feedback via input channels. The send buses are primarily to be understood as monitor paths; the entire console is designed accordingly. As the icing on the cake, Mackie now comes out with the MyFader app for the iPhone or iPod Touch, which allows the most important parameters to be controlled via the aforementioned devices. Imagine being able to briefly adjust your personal monitor mix with your iPhone during the show and then having the device disappear into a corner again, just fantastic. The app works with the iPhone 4, 4S and 5 plus the iPod Touch 4th and 5th generations.

As expected, the sound of the Mackie DL 806 connects seamlessly to the 1608, as the same components were used, but with the aforementioned vintage range added to the same products. In a direct comparison, you can clearly see how much effort the programmers have put into capturing the analogue flair of days gone by. In some cases they succeed in this really well, the plug-ins are particularly convincing for live operation, but the difference to the Modern EQ is more moderate than expected and in direct comparison with one of the great originals, which serve as a model for the concept, the DSP has to be still set sail, with the emphasis on the word “yet”. I am sure that it is only a matter of time and more sophisticated algorithms until only nuances appear in direct comparison and the digital editing level overtakes the original.



Conclusion

Like the first born in 1608, the Mackie DL 806 impresses with its unique concept. The conception, implementation and detailed solutions are very good, sometimes even brilliantly implemented and are second to none. The system, which is open at the top, can be continually adapted to the customer's wishes through further programming, which it proves once again through the use of the MyFader app.

Even if personal preferences sometimes leave certain special requests open in detail, such as the lack of configuring two mono channels as one stereo channel, the overall concept is so perfectly practical that it rises above all points of criticism.

So far unique and untouched, the market leader par excellence. Be sure to check it out.

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Additional Informations:

In the digital age, technology has significantly transformed the music and audio production industry. One of the most notable advancements is the ability to control mixing consoles using mobile devices like the iPad. This innovation has revolutionized the workflow of sound engineers, making the process more flexible, efficient, and intuitive. This article delves into the various aspects of controlling mixing consoles with an iPad, exploring its benefits, the technology behind it, and practical applications.

#### Evolution of Mixing Consoles

Traditionally, mixing consoles were large, cumbersome pieces of hardware with numerous knobs, faders, and buttons. These consoles required sound engineers to be physically present at the board to make adjustments. The advent of digital mixing consoles in the late 20th century marked a significant leap, integrating digital signal processing (DSP) and allowing for more compact and versatile designs.

The next major shift came with the integration of wireless technology and mobile computing. Tablets like the iPad, with their powerful processors and touch interfaces, became an ideal tool for remote control of these digital consoles. This shift has made it possible for sound engineers to move freely around the venue, make adjustments on-the-fly, and have a more interactive and immersive mixing experience.

#### Benefits of iPad-Controlled Mixing Consoles

1. **Mobility and Flexibility**: One of the most significant advantages of using an iPad to control a mixing console is the freedom of movement it affords. Engineers can walk around the venue and make adjustments based on how the sound is perceived in different locations. This is particularly useful in live sound settings, where the acoustics can vary significantly from one spot to another.

2. **Intuitive Interface**: The touch interface of the iPad is intuitive and user-friendly. Most mixing console apps are designed to mimic the physical layout of traditional consoles, making the transition easier for those accustomed to hardware controls. The visual feedback and gesture controls enhance the overall user experience.

3. **Remote Access**: In addition to on-site mobility, iPad control allows for remote access to the mixing console. This can be particularly useful for studio engineers who need to make adjustments without being in the same room as the console. Remote access can also facilitate collaborative projects where team members are located in different places.

4. **Space and Cost Efficiency**: Using an iPad to control a mixing console can reduce the need for extensive hardware setups, saving space and potentially lowering costs. This can be particularly beneficial for smaller venues or home studios where space is at a premium.

5. **Enhanced Functionality**: Many iPad apps for mixing consoles offer features that go beyond what traditional hardware can provide. These can include advanced metering, customized layouts, and integration with other software tools. The ability to quickly switch between different views and settings can streamline the workflow and increase productivity.

#### Technology Behind iPad-Controlled Mixing Consoles

The ability to control a mixing console with an iPad is made possible by a combination of wireless networking, software development, and digital audio technology. Here’s a breakdown of the key components:

1. **Wireless Networking**: A stable and robust wireless network is essential for reliable iPad control. Most modern mixing consoles are equipped with built-in Wi-Fi or can be connected to an external wireless router. The iPad connects to this network, allowing it to communicate with the console in real-time.

2. **Control Protocols**: Digital mixing consoles use specific control protocols to communicate with external devices. Common protocols include OSC (Open Sound Control) and proprietary protocols developed by console manufacturers. These protocols ensure that commands sent from the iPad are accurately executed by the console.

3. **Control Apps**: Manufacturers of mixing consoles typically provide dedicated apps for iPad control. These apps are designed to interface seamlessly with their hardware, offering a range of features tailored to the specific console model. Popular examples include Yamaha’s StageMix for their CL and QL series, Behringer’s X32-Mix for the X32 series, and Allen & Heath’s MixPad for their Qu series.

4. **Digital Signal Processing (DSP)**: The core functionality of digital mixing consoles relies on DSP technology. The DSP handles audio signal routing, processing, and effects, allowing for complex audio manipulation. The iPad acts as a control surface, sending commands to the DSP to adjust parameters such as EQ, compression, and reverb.

#### Practical Applications

1. **Live Sound**: In live sound environments, the ability to control the mix from different locations within the venue is invaluable. Engineers can move around the audience area to ensure a consistent listening experience throughout the space. This mobility also allows for quicker adjustments during performances, improving overall sound quality.

2. **Studio Recording**: In the recording studio, iPad control can enhance the workflow by allowing engineers to make adjustments from different positions within the studio. For example, they can make changes while monitoring in the control room or while setting up microphones in the live room. This flexibility can save time and streamline the recording process.

3. **Theater and Broadcast**: In theater and broadcast settings, precise control over audio is crucial. iPad control enables sound engineers to quickly respond to changes in the script or live broadcast scenarios. The ability to move around and make adjustments on-the-fly ensures that the audio mix remains balanced and clear.

4. **Educational Settings**: Music and audio production schools can benefit from iPad-controlled mixing consoles by providing students with hands-on experience with modern technology. The intuitive interface and flexibility make it easier for students to learn the intricacies of sound mixing.

#### Challenges and Considerations

While controlling mixing consoles with an iPad offers many benefits, there are also some challenges and considerations to keep in mind:

1. **Network Stability**: A reliable and stable wireless network is crucial for uninterrupted control. Network dropouts can lead to loss of control, which can be problematic during live performances. It’s essential to use high-quality networking equipment and conduct thorough testing before relying on wireless control in critical situations.

2. **Latency**: Although modern technology has minimized latency issues, some delay between the iPad commands and the console’s response can still occur. Ensuring that the network and devices are optimized for low latency is important for maintaining real-time control.

3. **Battery Life**: Managing the iPad’s battery life is crucial, especially during long sessions or live performances. It’s advisable to have a charging solution readily available and to monitor battery levels to prevent unexpected shutdowns.

4. **Software Updates and Compatibility**: Regular updates to both the mixing console firmware and the iPad app are necessary to ensure compatibility and access to new features. Staying up-to-date with the latest versions can prevent technical issues and improve functionality.

5. **Learning Curve**: For those accustomed to traditional hardware consoles, there may be a learning curve when transitioning to iPad control. However, most apps are designed to be user-friendly, and the benefits of increased flexibility and functionality often outweigh the initial adjustment period.

#### Conclusion

The ability to control mixing consoles with an iPad represents a significant advancement in audio production technology. This innovation offers unparalleled mobility, flexibility, and functionality, transforming the workflow of sound engineers in live, studio, theater, and broadcast settings. While there are challenges to consider, the benefits of iPad-controlled mixing consoles make them an invaluable tool in the modern audio engineer’s arsenal. As technology continues to evolve, we can expect further improvements and even more seamless integration of mobile devices in the world of audio production.