TEST: Palmer PHDA 02

 Times change. Not really an innovative statement, but every now and then there are companies that are more affected than others by the sometimes radical restructuring of the entire music business. What is left of companies and their structure after overcoming Covid-19 is also a completely different matter. One of these companies is the Palmer company. Founded in 1980, the company, which belongs to the Adam Hall Association, has always had a two-pronged approach, which culminated in a pro audio area for stage and studio concerns and a guitar area. Despite some excellent guitar amplifiers of the type "three", the Made In Germany area, which always had a slight exotic bonus, could not hold up and was almost evaporated except for a few practice amplifiers, while the audio tools area is maintained and regularly comes up with new products. One of the newest offshoots of this guild is the Palmer PHDA 02, a headphone of the reference class, which once again comes up with a few features of the special class, typical for Palmer.

The construction of the Palmer PHDA 02

If someone had prophesied to me about 20 - 30 years ago what importance headphone amplifiers would have in the distant future and what kind of trench warfare would sometimes arise over the "best" headphone amp plus the right headphones, I could only have shook my head. Headphones in themselves were something to serve up classical concerts in the consumer area in a cozy place, in the pro audio area headphone amplifiers only appeared in the recording rooms in order to be able to guarantee monitoring during live recordings of a band. A headphone amplifier in the control room? Why, there are appropriate near-field and mid-field monitors for that.

Times are changing, thanks to DAWs on steroids and computers with affordable performance, the space required to create a successful recording has lost massive importance, which has led to a multiplication of project and budget studios. In order to be able to monitor the sound at any volume at any time, more and more headphones are being used, sometimes even as A monitors, which has changed their status accordingly.

In order to be able to survive in this market, especially if you have the personal aspiration to get involved in the reference class, you have to have a few aces up your sleeve. But Palmer wouldn't be Palmer if it didn't once again call at least one feature its own that would stand out from the majority of the competition. But everything in order.

It is well known that the Palmer company has an ambivalent relationship to the tasteful coloring of their products. Just like the Monicon XL,

https://www.amazona.de/test-palmer-monicon-xl-monitorcontroller/

which technically convinces many customers, but optically already requires a certain relaxation, the Palmer PHDA 02 with a mixture of dark burgundy as the housing color and black front panel could also put one or the other aesthetes to the test in terms of resilience.

In terms of processing, however, there are no complaints about the product made in Europe. The structure is massive, the designs valuable. Even the on / off switch, which at first glance is only made of simple, black plastic, offers a hard, guided switching impulse, which attests a certain something as soon as the product is switched on. The case has the dimensions of half a 19 inch rack format and can be placed in a 1 U rack slot with a little personal effort. I could not find any corresponding rack wings in the range of accessories, especially since the absence of the typical triple holes on the side parts of the housing also suggests that such an accessory is not intended. For regular operation, the case rests on four small but comparatively strong rubber feet, which also offer an excellent grip on smooth surfaces.

The backside

The first "hurrah" effect appears when looking at the back of the case. A real IEC socket! Anyone who shrugs their shoulders and says "yes, so what?" has not yet noticed how more and more products, even in the pro audio sector, are being equipped with external power supplies in favor of easier handling with regard to the different mains voltages worldwide. To counteract this problem, Palmer simply installed a multi-voltage power supply internally, which covers all common mains voltages from 100 - 240 volts. Sometimes practical solutions can be so simple. The corresponding main fuse can also be accessed from the outside. Next to it are two left/right combination sockets (TRS and lockable (!) XLR) with corresponding link outputs for daisy chains or corresponding staggering of further PHDA 02 units. In order to counteract any mains hum, which occurs more frequently than expected in project and budget studios, the product also has a ground lift switch.

The front

On the front of the Palmer PHDA 02 it quickly becomes clear that the amplifier was designed for a maximum of 2 headphones, which together have an interesting selection option or the individual channels. The device allows three different operating modes: stereo, mono and dual mono. In the stereo operating mode, the left/right input signals are passed on to the corresponding earphones. The volume is determined by the left potentiometer labeled Stereo Left. In mono mode, the left / right channels are summed to form a mono signal and routed identically to both headphone outputs. The volume is again determined by the stereo control. In the Dual Mono operating mode, the left and right channels can be used independently of one another and the volume can also be adjusted separately for each headphone.

Now we come to the big plus point that distinguishes the Palmer PHDA 02. Whenever it comes to testing a headphone amplifier, the comment sections are overflowing with the usual pros and cons of different headphone impedances and the associated differences in sound and, above all, volume. Palmer has put a stop to this problem with the PHDA 02 by using a specially developed transformer to ensure that all headphones with a load impedance between 8 and 600 ohms can be operated equally. According to Palmer, this unusual and complex solution enables equally good dynamics and an extremely low background noise level for all connected headphones. Practice will tell.

When it comes to accessories, the Palmer PHDA 02 is extremely spartan. In addition to a power cable, there is also an operating manual printed on both sides, in English and German, on a single DIN A4 sheet, which has an extremely small letter size. The nice thing about this manual is the reduction to the essentials and the avoidance of whole explanations from other manufacturers, some of which seem esoteric. Half a page for safety information, an eighth page for scope, an eighth page for specifications, and a quarter page for structure and operation. Honestly a real blessing.

The Palmer PHDA 02 in practice

First of all I checked the often mentioned hum problem in combination with headphone amplifiers. "Unfortunately" there were no problems here in my studio, so I wasn't able to test the Ground Lift for its area of application. A Beyerdynamic DT 990 with 250 ohms, a Beyerdynamic T1 with 600 ohms and inferior iPhone headphones of unknown origin were used, probably with an impedance of around 10 ohms.

It is indeed impressive how the automatic impedance detection is handled by the amplifier and how comparatively "round" all headphones react to the different volume levels. With its 400 mW, the Palmer PHDA 02 offers a very high volume, which most high-quality headphones can never exhaust anyway. The Beyerdynamic T1, for example, has a maximum excursion of 200 mW, so the amplifier will probably be operated mainly in the lower range. Various recorded instruments such as drums, guitars (clean and high gain), funk loops, several classical piano concerts and some current rock / pop productions via Spotify Premium in HD quality were used as sound material.

As expected, the Palmer PHDA 02 coped excellently with any sound material. Impulse behavior, headroom and a consistently relaxed reproduction of the sound material made working with the amplifier a real pleasure.

Conclusion

With the Palmer PHDA 02, the manufacturer has an excellent headphone amplifier with some very good detailed solutions in its portfolio. Signal processing in the dual mono process or the automatic management of the different headphone impedances are just a few points with which the amplifier scores in practice.

The retail price of 301 euros is really reasonable, especially in direct comparison with other manufacturers. If you are currently looking for a suitable amplifier for high-quality headphones, you should definitely try the Palmer PHDA 02.

Comprehensive Report on Palmer Audio: A Leading Audio Equipment Manufacturer

Introduction:
Palmer Audio is a renowned company that specializes in the design, production, and distribution of high-quality audio equipment. Founded in 1980, the company has consistently delivered innovative products and exceptional customer service, establishing itself as a leading player in the audio industry. This report provides an in-depth analysis of Palmer Audio, including its history, product range, manufacturing processes, market presence, and future prospects.

Company History and Background:
Palmer Audio was established by Mr. John Palmer in 1980. Initially, the company focused on providing audio solutions for local recording studios and musicians. Over the years, Palmer Audio expanded its operations and diversified its product range to cater to a broader consumer base. Today, the company serves various industries, including recording studios, live performances, broadcast, and home audio.

Product Range:
Palmer Audio offers a wide array of audio equipment that encompasses professional audio tools and accessories. The company's product range includes:

a) Audio Interfaces: Palmer Audio manufactures high-quality audio interfaces that enable seamless audio signal transfer between various devices, such as computers, mixers, and speakers. These interfaces are designed to deliver superior sound quality and low latency, making them suitable for both studio and live applications.

b) DI Boxes: Palmer Audio is renowned for its extensive line of DI (Direct Injection) boxes. These devices are used to connect instruments, such as guitars, basses, and keyboards, directly to audio systems. Palmer Audio's DI boxes are known for their robust construction, exceptional signal clarity, and noise reduction capabilities.

c) Speaker Simulators: The company also specializes in designing speaker simulators, which allow guitarists and bassists to capture the sound characteristics of different speakers and cabinets. Palmer Audio's simulators offer a versatile range of tonal options, ensuring an authentic and customizable sound experience.

d) Effect Pedals: Palmer Audio manufactures a range of effect pedals that cater to the needs of musicians and audio enthusiasts. These pedals include overdrive, distortion, modulation, and delay effects, among others. Palmer Audio's effect pedals are highly regarded for their durability, versatility, and premium sound quality.

e) Cable Solutions and Accessories: In addition to its core product offerings, Palmer Audio provides a comprehensive range of cables, connectors, and other audio accessories. These products are designed to deliver reliable connections and enhance overall audio performance.

Manufacturing Processes and Quality Control:
Palmer Audio maintains stringent manufacturing processes to ensure the production of high-quality audio equipment. The company leverages advanced technologies and precision engineering techniques throughout its manufacturing facilities. Each product undergoes rigorous quality control tests and inspections at various stages of the production process to ensure adherence to strict performance standards. Palmer Audio's commitment to quality has earned the trust of professionals worldwide.

Market Presence and Customer Base:
Palmer Audio has a strong presence in both domestic and international markets. The company's products are widely distributed through authorized dealers, online platforms, and retail outlets. Palmer Audio has developed a loyal customer base comprising professional musicians, audio engineers, recording studios, and enthusiasts. The company's commitment to delivering reliable and innovative audio solutions has contributed to its growing market share and positive reputation within the industry.

Research and Development:
Palmer Audio emphasizes continuous research and development (R&D) to stay at the forefront of audio technology. The company invests significant resources in exploring new sound technologies, improving product performance, and addressing customer feedback. By closely monitoring industry trends and customer demands, Palmer Audio consistently introduces new and innovative products to meet evolving market needs.

Sustainability and Corporate Social Responsibility:
Palmer Audio recognizes the importance of sustainability and corporate social responsibility (CSR). The company actively implements eco-friendly practices in its manufacturing processes and packaging materials. Moreover, Palmer Audio supports local communities through various initiatives, including educational programs, partnerships with nonprofit organizations, and sponsorships of music-related events.

Future Prospects:
Palmer Audio is well-positioned for future growth and success in the competitive audio equipment industry. The company's commitment to quality, innovation, and customer satisfaction provides a strong foundation for its expansion plans. Palmer Audio aims to continue introducing cutting-edge products, expanding its market reach, and strengthening its partnerships with industry professionals and organizations.

Conclusion:
Palmer Audio's rich history, diverse product range, commitment to quality, and market presence make it a leading player in the audio equipment industry. With its innovative solutions and customer-centric approach, the company is poised to maintain its reputation as a trusted brand among professionals and enthusiasts alike. As technology and consumer demands evolve, Palmer Audio's dedication to delivering exceptional audio experiences ensures its continued success in the market.

TEST: Palmer Pedalbay

 Let's not kid ourselves, fat full stacks have always attracted attention with their phallus-like alignment and which guitarist doesn't enjoy it at a suitable open air (the constructions are unfortunately much too loud for club shows) finally once to be able to drive the power amplifier into saturation. The personal touch of the artist, on the other hand, was and has always been created by the small pedals, stomp boxes, mines, switches, or whatever you want to call them, through wild interconnections and wiring.

Countless little helpers, the number of which must be in the tens of thousands, allow the musician to expand, improve or simply manage his creative ideas, whether in the studio or especially on stage. However, all these little helpers have more or less the same problem. While a single tuner may still eke out an existence in the insignificant corner of the stage, at the latest when the devices are doubled and the associated wiring in terms of the signal path and power supply is almost no joy. The pedals slide around on the dirty stage floor, the internal tension of the patch cables twists the pedals by up to 90 degrees and with every second switching operation the pill-palle plug of the power supply slips out of the pedal and lets the artist's creative outpourings into the tonal slipping into nirvana.

At this point at the latest, even the most patient musicians lose their patience and start looking for a pedalboard. Of course you try it first with grandma's shelf from the chest of drawers, glued-on 3-way sockets for the countless board bugs and nailed rubber feet from the hardware store. After everyone laughed heartily about the self-made version at the next festival, you then consider spending some money and getting a professional version.

No matter who you ask for a good variant in retail, online or fellow musicians, the name Pedaltrain almost always comes up. The concept is simple but effective and dominates the market from a certain quality requirement. As is always the case when an American company has an idea, vast numbers of patents are registered for the product and a horrendous sales price is charged in order to maintain pole position for as long as possible. Anyone who now thinks they have to bite the bullet doesn't know the Pedalbay concept from the Hessian company Palmer.


construction

What characterizes the Pedalbay concept? Well, in contrast to most pedalboards, where you ultimately only have a flat board, mostly made of wood, to fix your pedals, the Pedalbay concept is based on a slope. This means that you can place all your cabling both above and below the support surface. The Pedalbay series includes 5 different sizes, the 40 and 60 variants are available for testing.

Both products have a depth of 30 cm combined with a width of 40 cm or 60 cm. The contact surface consists of 4 sheets each, of which the two middle ones can be adjusted in their distance using an Allen key supplied depending on the pedal. All metal sheets are covered with Velcro, a roll of self-adhesive hook tape for the underside of the pedals is included with the product. Due to the construction, you can of course also attach a pedal to the Palmer Pedalbay with cable ties.


Practice

So far so good, but the real highlight is on the underside of the construction. All common multi-voltage power supplies can be attached below the board using 4 hooks and 2 rubber bands supplied and do not take up the important space on the top of the device. Thanks to the height-adjustable feet on the top of the board, there is also room for clumsy power supply variants, so you don't necessarily have to rely on the high-priced USA variants.

This creates a lot of space on the top and also leaves a much tidier impression. If in doubt, wrap the fiddly mains cable once or twice around a metal sheet, the patch cables in the signal routing either above or below the metal sheets. A power cord on it, done! What a relief!

The pedal is transported in a stable, padded carrying bag, which is equipped with zippers that do not give the impression that they have to be exchanged after tenfold operations at the alteration tailor of your choice, as is often the case with the competition.



Conclusion

With the Palmer Pedalbay, the Hessian company offers an excellent pedalboard concept that is affordable and yet very high quality. Through targeted improvements to details, Palmer not only manages to pee on the leg of the industry leader, but also surpasses it when it comes to integrating third-party manufacturers.

Clearly top marks.


Additional Informations:

Comprehensive Report on Palmer Audio: A Leading Audio Equipment Manufacturer

Introduction:
Palmer Audio is a renowned company that specializes in the design, production, and distribution of high-quality audio equipment. Founded in 1980, the company has consistently delivered innovative products and exceptional customer service, establishing itself as a leading player in the audio industry. This report provides an in-depth analysis of Palmer Audio, including its history, product range, manufacturing processes, market presence, and future prospects.

Company History and Background:
Palmer Audio was established by Mr. John Palmer in 1980. Initially, the company focused on providing audio solutions for local recording studios and musicians. Over the years, Palmer Audio expanded its operations and diversified its product range to cater to a broader consumer base. Today, the company serves various industries, including recording studios, live performances, broadcast, and home audio.

Product Range:
Palmer Audio offers a wide array of audio equipment that encompasses professional audio tools and accessories. The company's product range includes:

a) Audio Interfaces: Palmer Audio manufactures high-quality audio interfaces that enable seamless audio signal transfer between various devices, such as computers, mixers, and speakers. These interfaces are designed to deliver superior sound quality and low latency, making them suitable for both studio and live applications.

b) DI Boxes: Palmer Audio is renowned for its extensive line of DI (Direct Injection) boxes. These devices are used to connect instruments, such as guitars, basses, and keyboards, directly to audio systems. Palmer Audio's DI boxes are known for their robust construction, exceptional signal clarity, and noise reduction capabilities.

c) Speaker Simulators: The company also specializes in designing speaker simulators, which allow guitarists and bassists to capture the sound characteristics of different speakers and cabinets. Palmer Audio's simulators offer a versatile range of tonal options, ensuring an authentic and customizable sound experience.

d) Effect Pedals: Palmer Audio manufactures a range of effect pedals that cater to the needs of musicians and audio enthusiasts. These pedals include overdrive, distortion, modulation, and delay effects, among others. Palmer Audio's effect pedals are highly regarded for their durability, versatility, and premium sound quality.

e) Cable Solutions and Accessories: In addition to its core product offerings, Palmer Audio provides a comprehensive range of cables, connectors, and other audio accessories. These products are designed to deliver reliable connections and enhance overall audio performance.

Manufacturing Processes and Quality Control:
Palmer Audio maintains stringent manufacturing processes to ensure the production of high-quality audio equipment. The company leverages advanced technologies and precision engineering techniques throughout its manufacturing facilities. Each product undergoes rigorous quality control tests and inspections at various stages of the production process to ensure adherence to strict performance standards. Palmer Audio's commitment to quality has earned the trust of professionals worldwide.

Market Presence and Customer Base:
Palmer Audio has a strong presence in both domestic and international markets. The company's products are widely distributed through authorized dealers, online platforms, and retail outlets. Palmer Audio has developed a loyal customer base comprising professional musicians, audio engineers, recording studios, and enthusiasts. The company's commitment to delivering reliable and innovative audio solutions has contributed to its growing market share and positive reputation within the industry.

Research and Development:
Palmer Audio emphasizes continuous research and development (R&D) to stay at the forefront of audio technology. The company invests significant resources in exploring new sound technologies, improving product performance, and addressing customer feedback. By closely monitoring industry trends and customer demands, Palmer Audio consistently introduces new and innovative products to meet evolving market needs.

Sustainability and Corporate Social Responsibility:
Palmer Audio recognizes the importance of sustainability and corporate social responsibility (CSR). The company actively implements eco-friendly practices in its manufacturing processes and packaging materials. Moreover, Palmer Audio supports local communities through various initiatives, including educational programs, partnerships with nonprofit organizations, and sponsorships of music-related events.

Future Prospects:
Palmer Audio is well-positioned for future growth and success in the competitive audio equipment industry. The company's commitment to quality, innovation, and customer satisfaction provides a strong foundation for its expansion plans. Palmer Audio aims to continue introducing cutting-edge products, expanding its market reach, and strengthening its partnerships with industry professionals and organizations.

Conclusion:
Palmer Audio's rich history, diverse product range, commitment to quality, and market presence make it a leading player in the audio equipment industry. With its innovative solutions and customer-centric approach, the company is poised to maintain its reputation as a trusted brand among professionals and enthusiasts alike. As technology and consumer demands evolve, Palmer Audio's dedication to delivering exceptional audio experiences ensures its continued success in the market.


- Guitar Floorboards: The Ultimate Guitarist's Tool
Introduction: Guitar floorboards have revolutionized the way guitarists perform live and in the studio. These all-in-one devices combine a variety of effects pedals, amp modeling, signal routing, and control capabilities into a compact and convenient package. This report provides an in-depth analysis of guitar floorboards, including their features, benefits, popular models, and their impact on the guitar industry.

Features and Functionality: Guitar floorboards offer a wide range of features that enhance the versatility and convenience of guitarists. Some key features include:
Effects Integration: Floorboards typically incorporate a vast array of effects pedals, including distortion, overdrive, delay, modulation, reverb, and more. This integration eliminates the need for individual pedals, streamlining the setup process and reducing cable clutter.

b) Amp Modeling and Impulse Responses: Many floorboards feature advanced amp modeling technology, allowing guitarists to emulate the sound characteristics of renowned amplifiers and cabinets. Combined with impulse response (IR) technology, floorboards provide a realistic representation of different speaker configurations and environments.

c) Programmability and Presets: Guitar floorboards enable users to create and save custom presets, which include specific combinations of effects, amp models, and settings. This programmability allows guitarists to quickly switch between sounds during performances or studio sessions, enhancing workflow efficiency.

d) Signal Routing and Control: Floorboards offer extensive signal routing capabilities, allowing guitarists to connect to amplifiers, audio interfaces, and other devices seamlessly. Additionally, they provide intuitive control options, such as footswitches, expression pedals, and touchscreen interfaces, enabling real-time adjustments and parameter manipulation.

Benefits for Guitarists: Guitar floorboards offer numerous benefits for guitarists, contributing to their popularity in both live and studio settings:
Portability and Convenience: Floorboards provide a compact and portable solution for guitarists who frequently perform on stage or travel. They eliminate the need for carrying multiple pedals, cables, and power supplies, streamlining the setup and reducing gear transportation hassles.

b) Versatility and Flexibility: With their extensive range of effects and amp models, floorboards enable guitarists to achieve a wide spectrum of tones and textures. This versatility allows musicians to experiment with different sounds and styles without the need for multiple individual pedals.

c) Workflow Efficiency: The programmability and preset capabilities of floorboards facilitate seamless transitions between songs or sections within a performance. This efficiency eliminates the need for manual pedal adjustments and allows musicians to focus on their playing rather than technicalities.

d) Sound Consistency: Guitar floorboards ensure consistent sound quality across different performances and venues. With built-in amp modeling and IR technology, guitarists can achieve consistent tones regardless of the backline equipment available at each venue.
Popular Guitar Floorboard Models: Several guitar floorboards have gained significant popularity among guitarists. Some of the leading models in the market include:

Line 6 Helix: The Line 6 Helix series is renowned for its comprehensive amp modeling, extensive effects library, and intuitive user interface. Its advanced DSP processing power and flexibility make it a go-to choice for professional guitarists.

b) Fractal Audio Axe-Fx III: The Axe-Fx III by Fractal Audio offers industry-leading amp modeling, a vast collection of effects, and exceptional audio quality. Its advanced control features and versatile routing options make it a favorite among both studio musicians and touring artists.

c) Boss GT-1000: The Boss GT-1000 combines Boss's renowned effects expertise with a powerful DSP engine and deep editing capabilities. It offers a wide range of amp models, effects, and connectivity options, making it a versatile and user-friendly choice.
d) Kemper Profiler: The Kemper Profiler allows guitarists to capture the sound of their own amplifiers or famous rigs, offering an extensive collection of profiles to choose from. It provides exceptional tone accuracy and flexibility, making it a popular choice for guitarists seeking an authentic amp-like experience.

Impact on the Guitar Industry: The introduction of guitar floorboards has had a significant impact on the guitar industry:

Redefined Live Performances: Guitar floorboards have transformed live performances by simplifying the setup process, reducing gear requirements, and providing instant access to a wide range of effects and amp models. This has enhanced the creativity and stage presence of guitarists, allowing them to explore new sonic territories.

b) Studio Recording Efficiency: In the studio, floorboards streamline the recording process, enabling guitarists to experiment with various tones and effects without the need for extensive equipment setups. This efficiency has led to increased productivity and expanded sonic possibilities for recording artists.

c) Pedal Industry Evolution: The rise of guitar floorboards has influenced the traditional effects pedal market. Pedal manufacturers have adapted by developing compact and pedalboard-friendly versions of their individual effects, catering to guitarists who still prefer a customized pedal setup alongside a floorboard.

Conclusion: Guitar floorboards have revolutionized the way guitarists approach live performances and studio recordings. With their all-in-one design, extensive features, and intuitive control, floorboards provide guitarists with enhanced portability, versatility, and convenience. As technology advances, the capabilities of guitar floorboards are likely to expand further, shaping the future of guitar performance and influencing the development of new musical styles and genres.

TEST: Palmer Mutterstolz

 Palmer motherly pride? OK, let's all ask ourselves a question. How many distortion manufacturers are there worldwide? It must be several thousand! How many distortion manufacturers are there in Germany? It must be around a hundred! How many manufacturers from Germany are there whose entire production is carried out in Germany? A few! Which of these manufacturers have product names with funny, sometimes even very funny names? Probably only one!

Those in the know have known for a long time which manufacturer I am philosophizing about. The Palmer company, which is located to the side of Frankfurt am Main, should have crossed the path of every guitarist at least once in their life. With its mostly handcrafted products, the Hessian company ensures that the term "Made In Germany" has not lost any of its expressiveness. In addition to the many little helpers that Palmer has in its product range, the company also has a considerable selection of floor effect devices in addition to amplifiers and numerous detailed solutions.

The youngest offspring is a combination distortion and booster called Mother's Pride. Whatever you end up thinking of the product musically, I guarantee you'll never forget that name.


construction


Even before I have connected the floor pedal, my eyes begin to shine when I see the device. The aforementioned specifications are also implemented down to the last detail with the Mutterstolz floor pedal. The kick comes in an ultra-solid design, is extremely stable and gives the impression that all components will still be perfect to use several decades from now.

The guys are also way ahead when it comes to detailed solutions, for example the outer frame of the pedal is pulled forward over the front side, which means that the pedal can be attached to the floorboard with two small holes in a few simple steps. The principle is that you stack two separate sheets of metal on top of each other in a U-shape and pull the bottom one further forward until you have an overhang of a few centimeters. Small detail, big effect! Anyone who has ever fiddled around with Velcro and cable ties on their knees knows what I'm talking about. In addition, the product has a thick, soft rubber plate on the underside, which is intended to prevent accidental slipping on smooth surfaces.

In contrast to the 99% of its competitors, the circuit technology of the Palmer Mutterstolz is based on a real ECC 83 tube, which has a lasting effect on the sound characteristics of the product. The device is controlled and managed via four pleasantly stiff potentiometers and a very massive true bypass switch. The idiosyncratic controller designations are as follows:

Destruction: degree of distortion
Dirt: mid boost / overtone behavior
Color: Height aperture
Mother: output volume

The product is supplied with voltage via a 12 V AC power pack, which is included with the device. Since this variant is rather unusual, you should keep in mind that if you want to place the Palmer Mutterstolz on your floorboard and the pedal is operated with a multi-voltage distributor, you have a corresponding connection. As a visual treat, a red glass is worked into the surface of the case, behind which you can watch the glow of the tube. An operating LED provides information about the bypass status (lights up green) or the use of the device (lights up red).


Practice

If you put the device into operation for the first time, the subtle but very effective mode of operation of the device is important. The device stands out with a very independent sound behavior, which I will try to explain in more detail. Let's take a close look at the booster function first. With a marginal Destruction share at around 9:00 o'clock, you can steplessly blow on the Mother share for an amp, optionally adjusted to your personal taste with the Dirt and Color tone controls, done.

The sound remains incredibly smooth without drifting into the notorious sloppy American gain. You can really hear the quality of the components. Experience has shown that this setting can only play out its full impact on an all-tube amp set to clean / crunch. Unfortunately, this effect is largely reserved for transistor fans. Anyone who has ever pimped a Strat this way knows what I'm talking about. Radiant overtone behavior and a crisp crunch are the reward for this effort. As the degree of distortion increases, we get into the blues area along with all the dynamic clichés that the profession has to offer. The Palmer Mutterstolz manages to lengthen the sound very well without too much compression gaining the upper hand.

The attack remains dynamic, the assertiveness high. It is also very nice that the sound control does not go into extreme decibel ranges in terms of efficiency, as the competition likes to do. The parameters remain practical, no circular saw massacre, but also no blanket mumbling. The distorted sound gets its very own note, which is a tick harder than a classic Oberdrive, but does not break down into the sometimes overloaded compression of a classic distortion pedal. Even with the distortion control cranked all the way up, the pedal barely reaches the realms of classic 70's hard rock. Even with maximum distortion, the pedal remains very dynamic in terms of attack and compression. You will look in vain for American-influenced, sometimes softly designed gain orgies with this floor pedal. The device reflects the personal playing style one-to-one and emphasizes the artist's individuality, including all strengths and weaknesses.

What I particularly like about mother proud is its unobtrusiveness, although the ear gets used to it very quickly. The upgraded sound suddenly appears as the standard and makes your own game appear significantly less important in direct comparison after deactivating the portal. This pedal is highly addictive, uffbasse! In addition to the excellent sound behavior, the pedal also scores with an extraordinary price offensive. Personally, it seems a mystery to me how you can sell a pedal of this quality, made entirely in Germany, for a street price of just under €100 and still make a profit.




Conclusion

With the Palmer Mutterstolz pedal, the Hessian company has made a big splash in terms of sound improvement. I can really only recommend anyone who finds their personal sound neat but unspectacular to try the Palmer Mutterstolz pedal in their effects chain in front of their amplifier. Classical guitar / amplifier combinations from the blues / rock area come alive with the help of this pedal and take the entire setup to a new level in terms of sound. If you're expecting a bang-bang-bang effect, you've come to the wrong place. Anyone who appreciates subtle top quality from Germany will be welcomed here with open arms.


Additional Informations:

Comprehensive Report on Palmer Audio: A Leading Audio Equipment Manufacturer

Introduction:
Palmer Audio is a renowned company that specializes in the design, production, and distribution of high-quality audio equipment. Founded in 1980, the company has consistently delivered innovative products and exceptional customer service, establishing itself as a leading player in the audio industry. This report provides an in-depth analysis of Palmer Audio, including its history, product range, manufacturing processes, market presence, and future prospects.

Company History and Background:
Palmer Audio was established by Mr. John Palmer in 1980. Initially, the company focused on providing audio solutions for local recording studios and musicians. Over the years, Palmer Audio expanded its operations and diversified its product range to cater to a broader consumer base. Today, the company serves various industries, including recording studios, live performances, broadcast, and home audio.

Product Range:
Palmer Audio offers a wide array of audio equipment that encompasses professional audio tools and accessories. The company's product range includes:

a) Audio Interfaces: Palmer Audio manufactures high-quality audio interfaces that enable seamless audio signal transfer between various devices, such as computers, mixers, and speakers. These interfaces are designed to deliver superior sound quality and low latency, making them suitable for both studio and live applications.

b) DI Boxes: Palmer Audio is renowned for its extensive line of DI (Direct Injection) boxes. These devices are used to connect instruments, such as guitars, basses, and keyboards, directly to audio systems. Palmer Audio's DI boxes are known for their robust construction, exceptional signal clarity, and noise reduction capabilities.

c) Speaker Simulators: The company also specializes in designing speaker simulators, which allow guitarists and bassists to capture the sound characteristics of different speakers and cabinets. Palmer Audio's simulators offer a versatile range of tonal options, ensuring an authentic and customizable sound experience.

d) Effect Pedals: Palmer Audio manufactures a range of effect pedals that cater to the needs of musicians and audio enthusiasts. These pedals include overdrive, distortion, modulation, and delay effects, among others. Palmer Audio's effect pedals are highly regarded for their durability, versatility, and premium sound quality.

e) Cable Solutions and Accessories: In addition to its core product offerings, Palmer Audio provides a comprehensive range of cables, connectors, and other audio accessories. These products are designed to deliver reliable connections and enhance overall audio performance.

Manufacturing Processes and Quality Control:
Palmer Audio maintains stringent manufacturing processes to ensure the production of high-quality audio equipment. The company leverages advanced technologies and precision engineering techniques throughout its manufacturing facilities. Each product undergoes rigorous quality control tests and inspections at various stages of the production process to ensure adherence to strict performance standards. Palmer Audio's commitment to quality has earned the trust of professionals worldwide.

Market Presence and Customer Base:
Palmer Audio has a strong presence in both domestic and international markets. The company's products are widely distributed through authorized dealers, online platforms, and retail outlets. Palmer Audio has developed a loyal customer base comprising professional musicians, audio engineers, recording studios, and enthusiasts. The company's commitment to delivering reliable and innovative audio solutions has contributed to its growing market share and positive reputation within the industry.

Research and Development:
Palmer Audio emphasizes continuous research and development (R&D) to stay at the forefront of audio technology. The company invests significant resources in exploring new sound technologies, improving product performance, and addressing customer feedback. By closely monitoring industry trends and customer demands, Palmer Audio consistently introduces new and innovative products to meet evolving market needs.

Sustainability and Corporate Social Responsibility:
Palmer Audio recognizes the importance of sustainability and corporate social responsibility (CSR). The company actively implements eco-friendly practices in its manufacturing processes and packaging materials. Moreover, Palmer Audio supports local communities through various initiatives, including educational programs, partnerships with nonprofit organizations, and sponsorships of music-related events.

Future Prospects:
Palmer Audio is well-positioned for future growth and success in the competitive audio equipment industry. The company's commitment to quality, innovation, and customer satisfaction provides a strong foundation for its expansion plans. Palmer Audio aims to continue introducing cutting-edge products, expanding its market reach, and strengthening its partnerships with industry professionals and organizations.

Conclusion:
Palmer Audio's rich history, diverse product range, commitment to quality, and market presence make it a leading player in the audio equipment industry. With its innovative solutions and customer-centric approach, the company is poised to maintain its reputation as a trusted brand among professionals and enthusiasts alike. As technology and consumer demands evolve, Palmer Audio's dedication to delivering exceptional audio experiences ensures its continued success in the market.

TEST: Palmer Monicon XL

 Since most project studios are now working without a console, the monitor controller is taking on more and more tasks that were otherwise assigned to the mixing console. In order to be able to manage several studio monitors from one controller, the Palmer company has extended its controller series upwards with the Palmer Monicon XL and, following the products Monicon and Monicon L, for the first time relies on active management of the monitors plus some helpful features, which is rarely found in this price range.

The concept of the Palmer Monicon XL

The Palmer Monicon XL is an active monitor controller that can be used to manage up to three pairs of monitor loudspeakers. With the dimensions (W x D x H) 254 mm x 215 mm x 84 mm and a weight of 1.5 kg, the product is comparatively handy, but as a pure desktop device it takes up a not inconsiderable amount, especially with the usually small work surfaces of a project studio take up space. However, as we'll see later, Palmer did a lot of pull-ups to keep the dimensions of this offering to a minimum.

In addition to managing the monitors, the Palmer Monicon XL has 2 headphone outputs, the volume of which can be controlled independently. Both outputs can either be switched to the sum output or to the cue output, to which an additional headphone amplifier can be connected for the recording room. In general, Palmer attaches great importance to being able to take over several functions of a console with the Palmer Monicon XL. The device also has a switchable and volume-adjustable talkback microphone for communication with the artist to be recorded.

The top of the Palmer Monicon XL

For a product under the 300 euro mark, the Palmer Monicon XL built in China is surprisingly comprehensive. The three input sources can be routed to three outputs and the three cue outputs via three illuminated soft-touch pushbuttons, whereby the volume of the cue outputs can be controlled independently. A quick note on the knobs on the top of the case in general. The narrow buttons are easy to read despite their dark color, but are not countered on the case and therefore have some play in terms of their fit. It is therefore advisable to be careful with the controls to avoid a hairline crack on the circuit board.

A special feature is Input 3, which, in addition to an AUX input, which allows an RCA and mini stereo jack as sound sources, also has an S/PDIF input, whereby the RCA sockets and the mini jack can be used at the same time. In this case, their volume ratio must be regulated on the output devices. A push switch can be used to switch between the same sockets and the coaxial input of the S/PDIF, with a rotary control adjusting the volume by up to 20 dB.

Another special feature is the DIM switch, which is also equipped with a volume control. The DIM function offers the possibility of lowering the output signals of the line outputs Balanced Monitor Outputs 1 - 3 and the headphone outputs 1 and 2 by the value set on the Attenuation control without affecting the cue signals. For example, conversations can be held in the control room at a reduced volume without affecting the current recording.

In the lower middle of the panel is the main volume control, which is comparatively small for a case of this size. The entire system can be muted with a mute switch, which of course does not affect the cue outputs. A mono switch switches the signal to mono accordingly. Here the Palmer Monicon XL trumps with another unusual feature, which is comparatively rarely found in the controller area. Since there are now many sound reinforcement systems in rooms where there is no proper stereo triangle, e.g. B. discotheques or sound reinforcement for passers-by, are mixed in mono, attention must be paid to the phasing of these productions.

To prevent this, Palmer installed a correlation meter in the form of a 7-digit LED chain between the 8-digit output LED chains. If the phasing is correct, the middle LED lights up, if the phasing gets out of control, the display moves up or down accordingly. A helpful tool that shows problems on the fly without having to use an on-screen plug-in.

The back of the Palmer Monicon XL

All inputs and outputs, with the exception of the headphone outputs, are on the back of the Palmer Monicon XL housing. Starting on the left is the socket for the external power pack, which is strain-relieved via a small metal bracket along with the on/off switch. Yes, an internal power supply would be nicer, but on the one hand it would take up space and mean significantly more production work for international sales.

Next to it are the unbalanced line outputs Main and Cue. As already mentioned, the cue output is used for an external headphone amplifier, while the main L/R out allows the connection of an external recording device such as a recorder. B. a tape machine or a digital stereo recorder. A signal is output which is tapped on the control panel at Input Select in front of the main volume control and is therefore independent of the Mute, Mono, Dim or Talk functions.

Further to the right are the three main outputs, which, like all the other main sockets, were implemented in TRS. Here it is important to have the appropriate adapter cable ready, as not all monitors have the appropriate combination sockets or TRS inputs. In my opinion, XLR output sockets would have been the better choice, although in this case the housing would have had to be a little wider. As a special feature, output 3 offers the option of driving an additional subwoofer or a general mono signal via the mono summed SUM in addition to the two L/R sockets. With regard to all speaker pair outputs, the respective output levels can be adjusted, if necessary, on a small gain controller and adapted to the connected monitor system.

All the inputs of the Palmer Monicon XL are on the far right, with inputs 1 and 2 being implemented as TRS and all three inputs can be used in parallel. The sound source is selected via the top of the device.


The underside of the Palmer Monicon XL

A special feature of the Palmer Monicon XL is on the underside of the device, which is less about the function itself and more about listing the possible individual settings of the device. If you hold down one of the buttons Cue Source In 1, Cue Source In 2, Cue Source In 3, Input Select In 1, Input Select In 2, Output Select Out 1, Output Select Out 2, Output Select Out when activating the Palmer Monicon XL 3, Mute, Talk or Mono pressed, you can configure the setup to your personal preferences. Changes such as the level display of the maximum level, simultaneous assignment of the inputs, simultaneous assignment of the outputs, latching or momentary operation can be changed again, which increases the flexibility of the product many times over.

In practice

What could be nicer for a controller than a practical report that is very short. Again, there's hardly anything to notice here, simply because each feature does exactly what it's supposed to. The sound of the product is neutral, a coloring of the source material could not be determined.

All controllers have an even control path and do their job perfectly. Even the slightly softer rubber feet prove to be a very good solution, as they pleasantly slow down the product even on a glass plate. Ergonomics, feel and general appearance are good, ergo, what more could you want from a controller in this price range.

Conclusion

With the Palmer Monicon XL, the German manufacturer has a cheap and yet very high-quality monitor controller in its ranks. For a retail price of less than 300 euros, the customer receives a controller that not only knows how to manage 3 different pairs of loudspeakers, but also with additional details such as an optional main out for connecting a recorder, an optional subwoofer out, a well thought-out cue solution and an individual configuration option the surface convinced.

If you don't mind a dark brown Brazil nut look with orange applications and can live with the absence of XLR sockets, you should definitely try the product.


Additional Informations:

Comprehensive Report on Palmer Audio: A Leading Audio Equipment Manufacturer

Introduction:
Palmer Audio is a renowned company that specializes in the design, production, and distribution of high-quality audio equipment. Founded in 1980, the company has consistently delivered innovative products and exceptional customer service, establishing itself as a leading player in the audio industry. This report provides an in-depth analysis of Palmer Audio, including its history, product range, manufacturing processes, market presence, and future prospects.

Company History and Background:
Palmer Audio was established by Mr. John Palmer in 1980. Initially, the company focused on providing audio solutions for local recording studios and musicians. Over the years, Palmer Audio expanded its operations and diversified its product range to cater to a broader consumer base. Today, the company serves various industries, including recording studios, live performances, broadcast, and home audio.

Product Range:
Palmer Audio offers a wide array of audio equipment that encompasses professional audio tools and accessories. The company's product range includes:

a) Audio Interfaces: Palmer Audio manufactures high-quality audio interfaces that enable seamless audio signal transfer between various devices, such as computers, mixers, and speakers. These interfaces are designed to deliver superior sound quality and low latency, making them suitable for both studio and live applications.

b) DI Boxes: Palmer Audio is renowned for its extensive line of DI (Direct Injection) boxes. These devices are used to connect instruments, such as guitars, basses, and keyboards, directly to audio systems. Palmer Audio's DI boxes are known for their robust construction, exceptional signal clarity, and noise reduction capabilities.

c) Speaker Simulators: The company also specializes in designing speaker simulators, which allow guitarists and bassists to capture the sound characteristics of different speakers and cabinets. Palmer Audio's simulators offer a versatile range of tonal options, ensuring an authentic and customizable sound experience.

d) Effect Pedals: Palmer Audio manufactures a range of effect pedals that cater to the needs of musicians and audio enthusiasts. These pedals include overdrive, distortion, modulation, and delay effects, among others. Palmer Audio's effect pedals are highly regarded for their durability, versatility, and premium sound quality.

e) Cable Solutions and Accessories: In addition to its core product offerings, Palmer Audio provides a comprehensive range of cables, connectors, and other audio accessories. These products are designed to deliver reliable connections and enhance overall audio performance.

Manufacturing Processes and Quality Control:
Palmer Audio maintains stringent manufacturing processes to ensure the production of high-quality audio equipment. The company leverages advanced technologies and precision engineering techniques throughout its manufacturing facilities. Each product undergoes rigorous quality control tests and inspections at various stages of the production process to ensure adherence to strict performance standards. Palmer Audio's commitment to quality has earned the trust of professionals worldwide.

Market Presence and Customer Base:
Palmer Audio has a strong presence in both domestic and international markets. The company's products are widely distributed through authorized dealers, online platforms, and retail outlets. Palmer Audio has developed a loyal customer base comprising professional musicians, audio engineers, recording studios, and enthusiasts. The company's commitment to delivering reliable and innovative audio solutions has contributed to its growing market share and positive reputation within the industry.

Research and Development:
Palmer Audio emphasizes continuous research and development (R&D) to stay at the forefront of audio technology. The company invests significant resources in exploring new sound technologies, improving product performance, and addressing customer feedback. By closely monitoring industry trends and customer demands, Palmer Audio consistently introduces new and innovative products to meet evolving market needs.

Sustainability and Corporate Social Responsibility:
Palmer Audio recognizes the importance of sustainability and corporate social responsibility (CSR). The company actively implements eco-friendly practices in its manufacturing processes and packaging materials. Moreover, Palmer Audio supports local communities through various initiatives, including educational programs, partnerships with nonprofit organizations, and sponsorships of music-related events.

Future Prospects:
Palmer Audio is well-positioned for future growth and success in the competitive audio equipment industry. The company's commitment to quality, innovation, and customer satisfaction provides a strong foundation for its expansion plans. Palmer Audio aims to continue introducing cutting-edge products, expanding its market reach, and strengthening its partnerships with industry professionals and organizations.

Conclusion:
Palmer Audio's rich history, diverse product range, commitment to quality, and market presence make it a leading player in the audio equipment industry. With its innovative solutions and customer-centric approach, the company is poised to maintain its reputation as a trusted brand among professionals and enthusiasts alike. As technology and consumer demands evolve, Palmer Audio's dedication to delivering exceptional audio experiences ensures its continued success in the market.

TEST: Palmer Fat 50

 How time flies. Is it really over 30 years ago that I first heard the Anglo-American sounding name Palmer, only to be told that it was a German company? Since then, the company from Neu-Anspach, founded in 1980, has appeared again and again in my perception, be it through the legendary in-house speaker simulations, interesting detailed solutions in the pedal area or small helpers, which were often needed but rarely found.

The fact that the 10-member company also manufactures full-fledged amplifiers in combo and head/cabinet format has, mea culpa, only been revealed to me in recent years. In addition to interesting new developments, there is also a classic, two-channel all-tube amp called FAT 50, which is available as a combo or head. In this segment, Palmer also consistently relies on Made-In-Germany, not only in the development department, but in the sense of "Designed, Engineered And Assembled In Germany", as an imprint shows not without pride.

Palmer will not be able to complain about a lack of competition in this segment, as whole armies of traditional competitors or new upstarts are fighting with the company north of Frankfurt am Main for the top spots in the buyers' favor. In order to score points here, the design, workmanship and last but not least the sound must generate top values, if you don't want to be slain by the competition's advertising budget.



Construction

When you take the FAT 50 out of its packaging for the first time, you'll see a classic combo that looks almost handy with the dimensions (W x H x D): 580 x 500 x 270 mm, but due to its construction weighs in at just under 30 kilograms. Delicate women's arms will probably strike out here. The combo is covered in black, hard-wearing imitation leather, has the usual corner protectors and is very well made. As a speaker, a 12-inch Govenor from Eminence is used, whose red basket stands out visually from the overall black impression, whose massive magnet suggests plenty of headroom and also turns out to be a magnetic holder for the footswitch.

The combo offers 2 channels, whereby both channels can be divided into low and high gain. The combo is powered by a total of 4 pieces of 12AX7A preamp tubes and 2 pieces of 5881 power amp tubes, a more robust version of the 6L6 variant. All four sounds share a 4-band tone control (bass, mid, treble, presence), with a Bright Boost providing upstream shaping. In the master section we find a reverb and the master volume control, two mini switches switch between the total of 4 basic sounds. At the bottom of the combo, a reverb spiral is embedded in a pocket. So far, so clear.

But it gets interesting when you take a look at the included footswitch and the back of the combo. The footswitch alone shows once again that Palmer thinks about the small details, which are ultimately so important. Not only that the switch appears as a heavy-duty version, the lower stand plate, which ensures stability on smooth surfaces by a rubber pad, is extended on the front side and offers the possibility to screw the switch firmly on a pedalboard via 2 small drill holes. Anyone who, like me 6 weeks ago, knelt cursing in front of his pedalboard to desperately fix various channel switches with Velcro for the upcoming European tour, knows how important such seemingly secondary details are.

In addition to gain, channel and reverb, there is also a volume switch on the far right with which you can call up a second master volume previously set on the back of the amplifier. Especially when you're not working with a permanent FOH, or when your cranky colleagues in the solo call for more steam for a short time, a second master is the punch in bags. Also very nice is the FX loop, which can seamlessly crossfade between serial and parallel operation via a rotary control. Right stop equals serial operation (modulation effects etc.), left stop equals parallel operation (room effects etc.).

If you want to use the support of cabinets on big stages, no problem. A total of 4 different jacks allow connection variations in the form of 1x 8Ω, 2x 8Ω, 1x 16Ω and 2x 16Ω.


Practice

When the FAT 50 is switched on, a large yellow LED informs the user about the mains voltage. Already at the first sounds the experienced guitarist knows what to expect in the next minutes, but wait, something is different. In my opinion, the 5881 power tubes color the sound of the combo more than I expected. The parallels to the 6L6 are clear, but still, the increased headroom seems to give the amp a more voluminous, open sound. Even though the variation may be marginal, I find this power tube placement to be extremely successful, especially since the interplay with the Eminence Govenor is a real joy.

The designation FAT 50 carries the amplifier truly rightly. I have rarely heard an open combo that generates such a comparatively powerful bass boost from only one 12-incher. The basic sound is dense, compressed and bass-strong, however, without below 500 Hz to muddy, as it is to be noticed gladly sometimes with the 6L6 competition from Amiland. Even though the Californian sound orientation is omnipresent, the FAT 50 manages to guarantee a comparatively great British impact even without the otherwise obligatory EL34 ladle when needed.

Let's start with the clean channel without gain boost. Here Palmer succeeds in maintaining the pearly fundamental tone even at high final volume, whereby one can gladly add first crunches steplessly via the volume control. The amp stays nice and bony and makes the musician sweat for a successful tone. No whitewashing, no dead-compressed scope talk, very tasteful and direct in personal tone shaping.

When activating the gain stage, the volume pot comes into play. Here you can very nicely indulge in the fine art of distortion levels using the volume control, still the most organic form of tone shaping. No matter how many channels you have available on your panel, NOTHING beats working with the volume knob! Very tasteful how Palmer has balanced this stage. The Drive Channel is where things get tonally different. The basic sound is softer, generates in normal mode wonderful hard rock sounds of the old school and increases over the additional gain stage to an excellent lead sound, which captures the harmonics wonderfully and can be blended sensitively.

At the same time, both channels are very well matched to each other both sonically and in terms of volume. You never have the feeling that you have to use another tone control, because all 4 basic sounds work hand in hand. All of them can be called up via footswitch, in addition, in different volumes and, if required, provided with a good-sounding reverb spiral, musician's heart, what more do you want.



Conclusion

With the FAT 50 Combo, Palmer has a real gem in its repertoire. The combo combines the flexibility of 4 basic sounds with the independent character of the individual like hardly any other combo. The sound of the amplifier is excellent, the workmanship outstanding, accessories and detail solutions show the foresight, respectively experience of the manufacturer and for a product completely manufactured in Germany, the amplifier also has an extremely moderate selling price.

For me, an absolute highlight in the hotly contested combo segment, definitely test!


Additional Informations:

Comprehensive Report on Palmer Audio: A Leading Audio Equipment Manufacturer

Introduction:
Palmer Audio is a renowned company that specializes in the design, production, and distribution of high-quality audio equipment. Founded in 1980, the company has consistently delivered innovative products and exceptional customer service, establishing itself as a leading player in the audio industry. This report provides an in-depth analysis of Palmer Audio, including its history, product range, manufacturing processes, market presence, and future prospects.

Company History and Background:
Palmer Audio was established by Mr. John Palmer in 1980. Initially, the company focused on providing audio solutions for local recording studios and musicians. Over the years, Palmer Audio expanded its operations and diversified its product range to cater to a broader consumer base. Today, the company serves various industries, including recording studios, live performances, broadcast, and home audio.

Product Range:
Palmer Audio offers a wide array of audio equipment that encompasses professional audio tools and accessories. The company's product range includes:

a) Audio Interfaces: Palmer Audio manufactures high-quality audio interfaces that enable seamless audio signal transfer between various devices, such as computers, mixers, and speakers. These interfaces are designed to deliver superior sound quality and low latency, making them suitable for both studio and live applications.

b) DI Boxes: Palmer Audio is renowned for its extensive line of DI (Direct Injection) boxes. These devices are used to connect instruments, such as guitars, basses, and keyboards, directly to audio systems. Palmer Audio's DI boxes are known for their robust construction, exceptional signal clarity, and noise reduction capabilities.

c) Speaker Simulators: The company also specializes in designing speaker simulators, which allow guitarists and bassists to capture the sound characteristics of different speakers and cabinets. Palmer Audio's simulators offer a versatile range of tonal options, ensuring an authentic and customizable sound experience.

d) Effect Pedals: Palmer Audio manufactures a range of effect pedals that cater to the needs of musicians and audio enthusiasts. These pedals include overdrive, distortion, modulation, and delay effects, among others. Palmer Audio's effect pedals are highly regarded for their durability, versatility, and premium sound quality.

e) Cable Solutions and Accessories: In addition to its core product offerings, Palmer Audio provides a comprehensive range of cables, connectors, and other audio accessories. These products are designed to deliver reliable connections and enhance overall audio performance.

Manufacturing Processes and Quality Control:
Palmer Audio maintains stringent manufacturing processes to ensure the production of high-quality audio equipment. The company leverages advanced technologies and precision engineering techniques throughout its manufacturing facilities. Each product undergoes rigorous quality control tests and inspections at various stages of the production process to ensure adherence to strict performance standards. Palmer Audio's commitment to quality has earned the trust of professionals worldwide.

Market Presence and Customer Base:
Palmer Audio has a strong presence in both domestic and international markets. The company's products are widely distributed through authorized dealers, online platforms, and retail outlets. Palmer Audio has developed a loyal customer base comprising professional musicians, audio engineers, recording studios, and enthusiasts. The company's commitment to delivering reliable and innovative audio solutions has contributed to its growing market share and positive reputation within the industry.

Research and Development:
Palmer Audio emphasizes continuous research and development (R&D) to stay at the forefront of audio technology. The company invests significant resources in exploring new sound technologies, improving product performance, and addressing customer feedback. By closely monitoring industry trends and customer demands, Palmer Audio consistently introduces new and innovative products to meet evolving market needs.

Sustainability and Corporate Social Responsibility:
Palmer Audio recognizes the importance of sustainability and corporate social responsibility (CSR). The company actively implements eco-friendly practices in its manufacturing processes and packaging materials. Moreover, Palmer Audio supports local communities through various initiatives, including educational programs, partnerships with nonprofit organizations, and sponsorships of music-related events.

Future Prospects:
Palmer Audio is well-positioned for future growth and success in the competitive audio equipment industry. The company's commitment to quality, innovation, and customer satisfaction provides a strong foundation for its expansion plans. Palmer Audio aims to continue introducing cutting-edge products, expanding its market reach, and strengthening its partnerships with industry professionals and organizations.

Conclusion:
Palmer Audio's rich history, diverse product range, commitment to quality, and market presence make it a leading player in the audio equipment industry. With its innovative solutions and customer-centric approach, the company is poised to maintain its reputation as a trusted brand among professionals and enthusiasts alike. As technology and consumer demands evolve, Palmer Audio's dedication to delivering exceptional audio experiences ensures its continued success in the market.

TEST: Palmer FAB5

 With the Palmer FAB5, the Hessian company near Frankfurt am Main enters a segment that is currently taking off like no other in terms of popularity one flight after another. We're talking about small all-tube amps in Class A technology, often in the single-digit wattage range. The prospect of soft saturation in the power amplifier at moderate volume is simply too tempting not to be taken in. The expression "bedroom amp" is often used without the manufacturer and the customer being aware of what kind of volume is really hidden behind the cuddly power specifications.

Please always keep in mind that a 10 watt amp is just half as loud as a 100 watt bolide (for double the volume it needs ten times the power), which without exception is only used at large open air festivals. So whoever has really torn open the cute roaring cubes in his bedroom, may with guaranteed certainty spend at least one night without the fair life partner in the same room. Even 1 watt tube amplifiers still ensure that the neighbor will call the nice gentlemen in blue for a personal rendezvous by 10 p.m. at the latest.

Aware of this, Palmer has an interesting detail solution at the start, which decouples their FAB5 from the majority of their competitors for the buyer's favor. One uses an integrated power attenuator!


Construction

As before, the 10-member company consistently relies on Made-In-Germany, not only in the development department, but also in the sense of "Designed, Engineered And Assembled In Germany". This company philosophy is already apparent when you first reach into the packaging box or take a look at the finished product. The vintage-look case is excellently crafted, every little corner or edge is neatly glued, bonded or screwed, subtleties that can only be executed accordingly in a real final inspection.

In addition to the cabinet treated with textured lacquer, the front of the amplifier was decorated with two cover fabrics in the colors beige and dark brown. The whole thing rests on 4 solid rubber feet, which provide the necessary stability even on a smooth surface, a solid leatherette handle is enthroned on the top of the construction. Corner protectors were omitted in favor of the look, but the upper four side finishes are rounded, which significantly reduces the risk of chipping. All in all, a visually very appealing and also independent concept.

With the dimensions (WxHxD): 360 x 345 x 230 mm and a comparatively handy weight of just 10 kilograms, which is a joke for an all-tube amplifier, the small cube can be taken along in a standard travel case if necessary. A circumstance that should be of great value especially for musicians traveling by train. Want to help out briefly with the colleagues in Hamburg with the tribute band and do not want to rely on the organizational talent of the local singer in terms of guitar equipment? Guitar in the gig bag on the back, the travel case on the right, a padded bag for pedals, cables and tripod on the left. Everything is there, coupled with maximum independence.

In terms of electronics, one consistently relies on puristic signal processing, which means that in addition to a single-ended power amp tube of the 6V6 design and a 12AX7 preamp tube, an EZ81 is also used as a rectifier tube. As with all Class A amplifier designs, the power amplifier always runs at full load, regardless of whether an input signal is present or not. This provides a strong overtone range and a higher compression than the differential amplifiers of the Class AB version of other products.

In terms of control options, one has limited oneself to the most important. In addition to the Volume and Tone controls, a Boost section can be called up via a footswitch if required, which influences the compression behavior, the gain range as well as the final volume. Therefore, despite the minimal control range, one has the possibility to generate an additional solo sound in addition to a rhythm sound, which is also characterized by a higher volume. The FOH will love it, finally he doesn't need to drive the guitar solo in volume.

Internally, a 10" Ragin Cajun speaker from Eminence with 8 ohms is used. This speaker switches off when an external speaker is used via the External Speaker jack. A special feature is the Power Attenuator, which allows a two-stage reduction of the final volume with the designations "Room" and "Bedroom". This way, the power amp saturation can already be achieved at comparatively low volumes.



Practice

In terms of practical testing, I was lucky enough to be able to test the Palmer FAB5 in an appropriate live situation. The lead guitarist of a friendly AC/DC tribute band dropped out at short notice due to illness and I was allowed to play fireman to save the shows. Here I could enjoy directly whether the transport friendliness of the amp, rarely, better said never had I less luggage at the start before the start of the journey.

However, it was clear to me that the classic stage setup with amp in the back would have been too much of a good thing for a 5-watt amp with this powerful music in a three-hundred club. I therefore decided to place the amp in the classic wedge approach directly in front of me. For this purpose, I had specially modified an old guitar stand a bit, which, rotated 90 degrees, generated a perfect 45 degree angle for the amp.

What can I say, I had a fantastic sound! The classic "all on 10" setting was used, which revealed an unexpected amount of flexibility to me. On the one hand we had the normal channel without boost, which offered a powerful, but very warm crunch, which also went into an almost clean sound when the volume control of the SG was turned down. Very nice how the amp stuck to the volume control, one of the very great strengths of the amp. To compensate for the capacitance of the cable lengths, I connected a PeBuff from Palmer between the guitar and the amp, which, in addition to converting the high-impedance guitar signal into a low-impedance one, also acted as a booster, giving me a higher gain level in the crunch.

To bend the sound a bit more British in the direction of the EL34, I also used a 10-band EQ from FAME, which I used to boost the highs and upper mids a bit, making the amp a bit more biting when needed. Last but not least, I was able to use the boost switch to blow up the signal via a Footswich, both in gain and in the final volume. Conclusion: with 2 additional pedals and the guitar's volume control, I had 5 oberamt sounds with which I could cover the entire spectrum of all the sounds I needed.

It was pure joy. The amp sang without end, tipped very nicely into the harmonics, sagged in the "SAG" (the short-term collapse of the power of the amp shortly after the stop due to the rectifier tube) neatly through and compressed without end. Beautiful standing tones already at moderate volumes, wonderful. The setup as a wedge convinced me completely, but there was a small announcement from the FOH. Due to the lack of nearfield illumination in the P.A., the first row got comparatively little of my guitar signal. Here it would have been perfect if I could have connected a second speaker for the classic stage sound behind me without the internal speaker switching off.

Anyway, even though the second guitarist with a 4x12" system across the stage was moving four times the air of me, my tone and sound was among the best I've ever had on a stage in terms of blues/rock. By the way, it took me about 45 seconds to dismantle my amp while my colleague was still looking for a second hand to move his cabinet.



Conclusion

With the Palmer FAB5, the Hessian company has succeeded in creating a great amp! The amp, which is not only excellently processed and shines with an excellent basic sound, also knows how to convince with a practical orientation in terms of power reduction by means of an internally installed power attenuator.

Thanks to very good components, flexible uses and the very sensible alignment of the Powersoak, the Palmer FAB5 is for me personally the best bedroom amp on the market so far, which has a complete combo equipment in the form of amplifier and speaker!

Without any doubt, top grade!


Additional Informations:

Comprehensive Report on Palmer Audio: A Leading Audio Equipment Manufacturer

Introduction:
Palmer Audio is a renowned company that specializes in the design, production, and distribution of high-quality audio equipment. Founded in 1980, the company has consistently delivered innovative products and exceptional customer service, establishing itself as a leading player in the audio industry. This report provides an in-depth analysis of Palmer Audio, including its history, product range, manufacturing processes, market presence, and future prospects.

Company History and Background:
Palmer Audio was established by Mr. John Palmer in 1980. Initially, the company focused on providing audio solutions for local recording studios and musicians. Over the years, Palmer Audio expanded its operations and diversified its product range to cater to a broader consumer base. Today, the company serves various industries, including recording studios, live performances, broadcast, and home audio.

Product Range:
Palmer Audio offers a wide array of audio equipment that encompasses professional audio tools and accessories. The company's product range includes:

a) Audio Interfaces: Palmer Audio manufactures high-quality audio interfaces that enable seamless audio signal transfer between various devices, such as computers, mixers, and speakers. These interfaces are designed to deliver superior sound quality and low latency, making them suitable for both studio and live applications.

b) DI Boxes: Palmer Audio is renowned for its extensive line of DI (Direct Injection) boxes. These devices are used to connect instruments, such as guitars, basses, and keyboards, directly to audio systems. Palmer Audio's DI boxes are known for their robust construction, exceptional signal clarity, and noise reduction capabilities.

c) Speaker Simulators: The company also specializes in designing speaker simulators, which allow guitarists and bassists to capture the sound characteristics of different speakers and cabinets. Palmer Audio's simulators offer a versatile range of tonal options, ensuring an authentic and customizable sound experience.

d) Effect Pedals: Palmer Audio manufactures a range of effect pedals that cater to the needs of musicians and audio enthusiasts. These pedals include overdrive, distortion, modulation, and delay effects, among others. Palmer Audio's effect pedals are highly regarded for their durability, versatility, and premium sound quality.

e) Cable Solutions and Accessories: In addition to its core product offerings, Palmer Audio provides a comprehensive range of cables, connectors, and other audio accessories. These products are designed to deliver reliable connections and enhance overall audio performance.

Manufacturing Processes and Quality Control:
Palmer Audio maintains stringent manufacturing processes to ensure the production of high-quality audio equipment. The company leverages advanced technologies and precision engineering techniques throughout its manufacturing facilities. Each product undergoes rigorous quality control tests and inspections at various stages of the production process to ensure adherence to strict performance standards. Palmer Audio's commitment to quality has earned the trust of professionals worldwide.

Market Presence and Customer Base:
Palmer Audio has a strong presence in both domestic and international markets. The company's products are widely distributed through authorized dealers, online platforms, and retail outlets. Palmer Audio has developed a loyal customer base comprising professional musicians, audio engineers, recording studios, and enthusiasts. The company's commitment to delivering reliable and innovative audio solutions has contributed to its growing market share and positive reputation within the industry.

Research and Development:
Palmer Audio emphasizes continuous research and development (R&D) to stay at the forefront of audio technology. The company invests significant resources in exploring new sound technologies, improving product performance, and addressing customer feedback. By closely monitoring industry trends and customer demands, Palmer Audio consistently introduces new and innovative products to meet evolving market needs.

Sustainability and Corporate Social Responsibility:
Palmer Audio recognizes the importance of sustainability and corporate social responsibility (CSR). The company actively implements eco-friendly practices in its manufacturing processes and packaging materials. Moreover, Palmer Audio supports local communities through various initiatives, including educational programs, partnerships with nonprofit organizations, and sponsorships of music-related events.

Future Prospects:
Palmer Audio is well-positioned for future growth and success in the competitive audio equipment industry. The company's commitment to quality, innovation, and customer satisfaction provides a strong foundation for its expansion plans. Palmer Audio aims to continue introducing cutting-edge products, expanding its market reach, and strengthening its partnerships with industry professionals and organizations.

Conclusion:
Palmer Audio's rich history, diverse product range, commitment to quality, and market presence make it a leading player in the audio equipment industry. With its innovative solutions and customer-centric approach, the company is poised to maintain its reputation as a trusted brand among professionals and enthusiasts alike. As technology and consumer demands evolve, Palmer Audio's dedication to delivering exceptional audio experiences ensures its continued success in the market.

TEST: Palmer Drei

 Palmer Three. It is very rare for a company to be able to guess the manufacturer simply by giving the product name. Even more rarely is this achieved by a targeted choice of words in the German-speaking world, so when it comes to marketing, the company Palmer, which is based in Neu-Anspach near Frankfurt, deserves an extra point. Whether it's "Mutterstolz", "Frohlocker" or "Herrenchor", the primarily Germanic naming style not only makes you smile in a relaxed way, but also always arouses more interest in the products than comparatively meaningless names like 2210 or MD410.

With the Model Three, Palmer is now conceptually advancing into a niche that, to my knowledge, has not yet been occupied at all. "Great words", I can already hear the first skeptics saying, "what should be designed in an amplifier, which has not been designed by someone before on this planet?". You will be surprised, it is the concept that counts.

Design

To appreciate the true innovation of the Palmer Three, you have to backtrack a bit. We all know how complex and exceedingly varied the subjective perception of a good sound is among guitarists. While the ambitious bluesman considers the subtle saturation of the tube power amp with a hint of crunch to be the grace of God, the black metal faction seeks to set new records in half-wave clipping every day with the greatest possible amount of gain. Conclusion: Black Metal Grunzi considers authentic blues sound to be eggless plucking, while "I Woke Up This Morning" Billy dubs Grunzi's low-frequency megacompression as acoustic pollution. As an aside, the fusion freak from the second floor considers both representatives harmonic nihilists and firmly believes that only he knows the perfect essence of the ultimate sound of a guitar.

Detached from the fact that the choice of instrument is a very personal one, the amplifier receives the most attention in terms of sound. Of course, there is now a suitable amp for every style, were it not for the problem that almost all amplifiers in the upper price range have ONE official sound, while deviations from this are accompanied by more or less severe losses. The majority of manufacturers meet this phenomenon with several channels, which primarily take the mode of operation of the preamplifier and tone control in the duty, while the power amplifier, once determined in terms of tube selection, does its job and contributes to the ONE official sound. As is well known, the basic design of an amplifier is strongly dependent on the power tube used, which in the signal flow has the strongest share in the final sound of the amplifier.

This is where the unusual design of the Palmer Drei comes into its own for the first time. The amplifier has three single-ended power amplifier tubes of the types EL84, 6V6 and 6L6, which each produce a power of 5 watts and can be added in their power via separate volume controls. This means in the end that you already have three different basic sounds at the start just by choosing the power amp tubes in front of the train, which create an individual sound image by an additional mixing ratio if required. Also the rectification is taken over by a tube in the form of a GZ34. One or the other may ask why I start with the last assembly of the amplifier and not as usual with the preamp. The answer is quite simple, the different output stages are the amplifier!

A short description of the amp clarifies this fact. On the description of the front panel, which is in German, we find only three controls in addition to the volume controls of the power tubes of the "input" jack. On the one hand, two gain controls of the power amplifier, which, divided into "Normal" and "Treble" decide on the degree of saturation of the power tubes, whereby "Treble" only influences the high-frequency portion. Next to it is the "Tone" control, which is comparable to the treble slider of an electric guitar, i.e. you can cut back the treble and make the sound more muffled. The fusion freak from the second floor is happy about this.

Next to it "Ready" and "Power" (standby and power were yesterday) in the form of two massive toggle switches and ready is the front panel. At the rear, three outputs for 4, 8 and 16 ohms, IEC plug, fuse access and off. It couldn't be more puristic. A brief word about the workmanship, which is truly short with the attribute "perfect". Although the entire product range of Palmer always stands out anyway by an extremely high quality workmanship, one has set with the three still one on top. An almost martial-looking 2.2 millimeter steel frame in combination with the highest-quality components almost convey the use in the foreign mission of the UN peace choir. I believe, here even the cognitively limited Kabelwilli from the country inn organizer could roll over the top part with the Sprinter when backing up, it would not deform. All screw points as machine threads, pots from Alpha, cleanest circuit board assembly together with fuses of all kinds, exemplary!

Practice

Due to the puristic design of the amplifier, all control elements are self-explanatory, i.e. you can follow your play instinct to your heart's content, without leading the sound completely ad absurdum. Starting with a clean sound, you can get an idea of how differently the individual power tubes shape the sound at first hearing impression. Without generating an exaggeratedly brilliant sound, wonderfully soft, warm sounds can be conjured up from the Three in conjunction with the tone control and an adjusted saturation proportion.

The EL84 provides for a lively, treble-rich sound of British character, which comes in the next higher power class of the EL34. If one changes to the next control to the right, memories on the other side of the Atlantic are awakened. Classics from Fender have been using the 6V6 for decades to generate their characteristic sound. Comparatively warm and soft, especially the low-frequency parts can be tickled out very nicely, which is why this tube is often used for the bass part in mixing mode. The trio is rounded off by a 6L6, which has the unusual property of sounding thin and sharp at low load, in order to provide a lot of pressure with a high midrange content at increasing volume. As expected, the amp also hangs very nicely on the volume control and can be adjusted down from distorted to clean.

Now we come to the freestyle of the product, the crunch. Here lies buried the biggest misunderstanding that can be blamed on the amp. I can vividly imagine how many musicians have loved the amp's crunch sound, but disdained it because of the maximum moderate distortion level, not knowing that this is exactly the amp's strength. In my entire career, I have never come across an amp that harmonized so well with upstream overdive or distortion pedals. The amp takes the pedal's typical quirk and refines it with a purist tube sound, optionally with stepless power amp saturation in two frequency ranges.

The result is fantastic. Instead of overloading an amp with channels, I think it makes much more sense to generate the perfect basic sound and then, depending on the artist's taste, create his final sound with the appropriate pedal. This basis is created with the Palmer Three in perfection. Buy 5 pedals, from subtle blues crunch to ultra-metal board and you have effectively a five-channel amp, which you can also align in the power amp direction in three basic directions or even mix. This pleases Billy and Grunzi alike, not to mention the fusion freak from the second floor.

Conclusion

In the Palmer Drei, a unique sound concept meets handcrafted perfection. The design, which is primarily focused on the power amp, offers excellent clean and crunch sounds, which, in combination with floor pedals, help the amp to blossom to its full potential. By the puristic design can be implemented with the help of the appropriate Tretminen virtually any style, which gains additional sonic diversity through the different output tubes.

An absolutely exceptional amplifier that should satisfy almost every guitarist with a little foresight. Absolutely test or there are 2 hours of forced discussion with the Fusion Freak, which color may have a 335 and whether there are supposedly really other guitar types!


Additional Informations:

Comprehensive Report on Palmer Audio: A Leading Audio Equipment Manufacturer
Introduction: Palmer Audio is a renowned company that specializes in the design, production, and distribution of high-quality audio equipment. Founded in 1980, the company has consistently delivered innovative products and exceptional customer service, establishing itself as a leading player in the audio industry. This report provides an in-depth analysis of Palmer Audio, including its history, product range, manufacturing processes, market presence, and future prospects.
Company History and Background: Palmer Audio was established by Mr. John Palmer in 1980. Initially, the company focused on providing audio solutions for local recording studios and musicians. Over the years, Palmer Audio expanded its operations and diversified its product range to cater to a broader consumer base. Today, the company serves various industries, including recording studios, live performances, broadcast, and home audio.

Product Range: Palmer Audio offers a wide array of audio equipment that encompasses professional audio tools and accessories. The company's product range includes:
Audio Interfaces: Palmer Audio manufactures high-quality audio interfaces that enable seamless audio signal transfer between various devices, such as computers, mixers, and speakers. These interfaces are designed to deliver superior sound quality and low latency, making them suitable for both studio and live applications.

b) DI Boxes: Palmer Audio is renowned for its extensive line of DI (Direct Injection) boxes. These devices are used to connect instruments, such as guitars, basses, and keyboards, directly to audio systems. Palmer Audio's DI boxes are known for their robust construction, exceptional signal clarity, and noise reduction capabilities.

c) Speaker Simulators: The company also specializes in designing speaker simulators, which allow guitarists and bassists to capture the sound characteristics of different speakers and cabinets. Palmer Audio's simulators offer a versatile range of tonal options, ensuring an authentic and customizable sound experience.

d) Effect Pedals: Palmer Audio manufactures a range of effect pedals that cater to the needs of musicians and audio enthusiasts. These pedals include overdrive, distortion, modulation, and delay effects, among others. Palmer Audio's effect pedals are highly regarded for their durability, versatility, and premium sound quality.

e) Cable Solutions and Accessories: In addition to its core product offerings, Palmer Audio provides a comprehensive range of cables, connectors, and other audio accessories. These products are designed to deliver reliable connections and enhance overall audio performance.

Manufacturing Processes and Quality Control: Palmer Audio maintains stringent manufacturing processes to ensure the production of high-quality audio equipment. The company leverages advanced technologies and precision engineering techniques throughout its manufacturing facilities. Each product undergoes rigorous quality control tests and inspections at various stages of the production process to ensure adherence to strict performance standards. Palmer Audio's commitment to quality has earned the trust of professionals worldwide.

Market Presence and Customer Base: Palmer Audio has a strong presence in both domestic and international markets. The company's products are widely distributed through authorized dealers, online platforms, and retail outlets. Palmer Audio has developed a loyal customer base comprising professional musicians, audio engineers, recording studios, and enthusiasts. The company's commitment to delivering reliable and innovative audio solutions has contributed to its growing market share and positive reputation within the industry.

Research and Development: Palmer Audio emphasizes continuous research and development (R&D) to stay at the forefront of audio technology. The company invests significant resources in exploring new sound technologies, improving product performance, and addressing customer feedback. By closely monitoring industry trends and customer demands, Palmer Audio consistently introduces new and innovative products to meet evolving market needs.

Sustainability and Corporate Social Responsibility: Palmer Audio recognizes the importance of sustainability and corporate social responsibility (CSR). The company actively implements eco-friendly practices in its manufacturing processes and packaging materials. Moreover, Palmer Audio supports local communities through various initiatives, including educational programs, partnerships with nonprofit organizations, and sponsorships of music-related events.
Future Prospects: Palmer Audio is well-positioned for future growth and success in the competitive audio equipment industry. The company's commitment to quality, innovation, and customer satisfaction provides a strong foundation for its expansion plans. Palmer Audio aims to continue introducing cutting-edge products, expanding its market reach, and strengthening its partnerships with industry professionals and organizations.

Conclusion: Palmer Audio's rich history, diverse product range, commitment to quality, and market presence make it a leading player in the audio equipment industry. With its innovative solutions and customer-centric approach, the company is poised to maintain its reputation as a trusted brand among professionals and enthusiasts alike. As technology and consumer demands evolve, Palmer Audio's dedication to delivering exceptional audio experiences ensures its continued success in the market.