TEST: Harley Benton Power Plant

 So guys, something for pedaling fans today! No, no, Amazona has not set up a new category for mountain bikes, rather it is about the self-confident guild of electrified string pluckers in general and the representatives of six-strings in particular.

You remember, counting back decades towards your birthday, the first stompboxes came onto the market to potentiate the sound of the guitar in terms of its parameters. Dynamic, modulation and spatial effects first populated the stage floor sporadically, then increasingly, and over time bassists and keyboardists integrated them into their setup, especially in the experimental era of the 1970s.

However, what gave all pedals of his time a varying nerve factor was the extremely time-consuming and fiddly-intensive replacement of the 9V block(s). In addition, the high-performance alkaline battery with its long running time was just wishful thinking in those days; we don't even want to talk about corresponding accumulators!

If you still had a few decent power guzzlers in the signal path, like various flangers back in the day, which drained two 9V blocks during just one show and could only be opened with screwdrivers, you can easily imagine how much time was spent during one The trip was only spent on the extremely annoying task of changing the batteries. I remember in horror, not to mention the environmental impact of drained batteries...

So the wildest home constructions were knitted out of the “board bugs” (plug-in power supplies) that were first appearing at the time. As soon as you were crazy excited about getting hold of such a device in the local music shop, your mood sank to absolute zero because you had accidentally received a non-stabilized version from the seller, which when activated runs at a massive 50 Hertz. A humming noise drew attention to himself in a similarly penetrating way, like a partner feeling neglected on a Saturday evening.

So back to the store, changing the power supply, but then! Cables were split, extended, field-forest-and-meadow solutions were tried out that would bring tears of pure despair to an electrical engineer's eyes and send various voltage converters to their eternal hunting grounds.

Aware of this fact, the music industry began to equip its floor pedals with power supply connections, which, apart from the constantly changing +/- assignment at the time, (finally) resulted in a certain standardization. Over time, three operating voltages emerged, 9V, 12V and 18V; other voltages were/are compensated for, if at all, by an included power supply.

But what if, in the good old tradition, you own 5 FX pedals or more in your live setup and want to supply them all with operating voltage from a power supply? Anyone who, like me, tried to solve this problem with one power supply per device knows the problem of having to take up almost 50% of the space due to all the board bugs (one bug eats up the space of 2! Schuko sockets), along with their cabling and power strips available on his floorboard, loses due to the disruptive power supply. Doesn't make for relaxed work and looks like shit too!

So what could be more obvious than placing a central supply unit on the floorboard, which supplies each floor pedal with the necessary operating voltage? The Thoman house brand Harley Benton offers the POWERPLANT for this purpose, which is intended to fulfill this purpose.

Construction:

But Hoppela, that's what I call a weight! The small, dark blue metal box weighs over one kilogram due to the components used and the massive construction.

Similar to a brick, the Powerplant has no bulges and only sits on four small, somewhat smooth rubber discs. If you roughen the rubber feet a little, this immediately provides a little more grip on smooth surfaces.

In my opinion, this puristic design, coupled with the rather high weight, results in a small problem in live use. Over time, three methods of fastening a floorboard have become established:

1.) Screw roughly (replace the factory screws with extended versions and insert them through a hole in the floorboard from behind into the pedal or similar)

2.) Screw carefully (you buy/make four straight metal plates, which you drill through twice and then clamp a hole between the existing screws on the pedal and use the other hole for screwing next to the pedal)

3.) Double-sided adhesive Velcro tape (the use is self-explanatory)


If you now want to place the Powerplant on a floorboard (this is where it is primarily used), you will encounter the following problems:

to 1.) The device has no holes on the bottom

2.) The device has four holes on the side, which means you have to bend the holding plates at a 90 degree angle and align them precisely. Not impossible, but you do need to take some initiative.

3.) Only if you remove the rubber feet and cover the entire underside with Velcro will the device have enough support even when transported vertically (we know that floorboards are always squeezed upright somewhere on the side in the belt bus) and freely arranged not to come off the bottom of the floorboard.

None of these are problems that cannot be solved, but how nice it would be if the Powerplant came with four small, perforated bulges from the factory.

When it comes to supply voltages, the Powerplant is very well positioned. A total of eight 9V outputs with max. 500mA ensure comprehensive coverage of the majority of FX pedals.

The 12V supply, which is available as both direct current and alternating current at two different sockets, is also very successful. It would be very nice if there was at least an 18V connection. Due to the higher headroom, this form of supply voltage is usually only found on old pedals from, for example, MXR (Flanger, Blowtorch), Ibanez (AD80) or some of their new editions, but it would really cover the entire range.

The power supply is switched by an on/off switch, which is located directly next to the power plug and the fine fuse access. The scope of delivery includes a power cable and a wild mix of all common connection cables/plugs in sufficient floorboard length.


Practice:

Very short, very simple, the device works without any grumbling or noise, is extremely quiet (no audible transformer hum) and does exactly what it is supposed to do! After pressing the power switch, a very bright blue LED lights up on the side and, together with the red light on/off switch, indicates the operating status of the device.


Conclusion:

A practical block that Harley Benton brought onto the market there! The extremely massive power supply covers the majority of all required operating voltages and conveys the robustness of an old-school brick that has been fired several times.

Here you can easily support yourself with one leg in the heat of the wild stage battle without it (as has often happened with cheaper FX components) damaging one or another potentiometer or even the entire plastic housing!

A sensible purchase at a low price, which also benefits the environment due to the abandonment of batteries and accumulators of all kinds!

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Additional Informations:

Introduction:
Harley Benton, a brand synonymous with quality musical instruments and equipment at affordable prices, has carved a niche for itself in the world of effects pedals. With a diverse range of pedals catering to various musical styles and preferences, Harley Benton has become a go-to choice for musicians seeking budget-friendly yet high-quality effects. In this comprehensive article, we delve into the fascinating journey of how Harley Benton effects pedals came to be, exploring their inception, evolution, and impact on the music industry.

1. Origins and Inspiration:
The story of Harley Benton effects pedals begins with the brand's overarching mission to democratize access to musical gear. Born out of the desire to offer musicians affordable alternatives to expensive pedals without compromising on quality, Harley Benton embarked on a journey to design and produce effects pedals that would meet the needs of players across different genres and skill levels.

2. Collaborative Development:
Harley Benton's approach to developing effects pedals involves collaboration with musicians, engineers, and industry experts. By engaging with the music community and listening to the needs and feedback of players, Harley Benton ensures that its pedals are designed to deliver the tones and features that musicians desire. This collaborative development process has been instrumental in shaping the evolution of Harley Benton effects pedals.

3. Research and Innovation:
Behind every Harley Benton effects pedal lies a commitment to research and innovation. The brand invests in exploring new technologies, circuit designs, and manufacturing processes to continuously improve the performance, reliability, and versatility of its pedals. Whether it's developing analog circuits for classic vintage tones or integrating digital processing for modern effects, Harley Benton pushes the boundaries of what's possible in effects pedal design.

4. Quality Control and Testing:
A cornerstone of Harley Benton's philosophy is a rigorous quality control and testing process. Each effects pedal undergoes thorough inspection and testing to ensure that it meets the brand's standards for performance, durability, and reliability. From component selection to final assembly, every step of the production process is meticulously monitored to deliver pedals that inspire confidence and satisfaction in musicians.

5. Range of Pedals:
Harley Benton offers a diverse range of effects pedals to suit various musical styles and applications. From essential pedals like overdrive, distortion, and delay to specialty effects like modulation, reverb, and wah, the brand's lineup caters to the needs of guitarists, bassists, and other instrumentalists. Whether you're a blues guitarist searching for creamy overdrive tones or a shoegaze musician experimenting with ambient textures, Harley Benton has a pedal for you.

6. Affordable Pricing:
One of the key factors that set Harley Benton effects pedals apart is their affordability. By leveraging efficient manufacturing processes and economies of scale, Harley Benton is able to offer high-quality pedals at prices that are accessible to musicians on a budget. This commitment to affordability has made Harley Benton effects pedals a popular choice among beginners, hobbyists, and gigging musicians alike.

7. Positive Reception and Reviews:
Feedback from musicians and reviews of Harley Benton effects pedals have been overwhelmingly positive. Musicians praise the pedals for their solid construction, great tone, and excellent value for money. Whether purchased individually or as part of a pedalboard setup, Harley Benton effects pedals consistently impress users with their performance and reliability, earning praise from players of all backgrounds and experience levels.

8. Evolution of Design Philosophy:
Harley Benton effects pedals are the result of a carefully crafted design philosophy that emphasizes simplicity, versatility, and tone. The brand understands that not every musician needs a pedal with countless knobs and switches, so they focus on creating pedals that offer essential features and intuitive controls. This approach ensures that players can easily dial in the desired sound without being overwhelmed by unnecessary complexity.

9. Response to Market Trends:
Throughout their evolution, Harley Benton has remained attuned to market trends and emerging technologies in the effects pedal industry. Whether it's responding to the resurgence of interest in analog pedals or incorporating digital innovations like programmability and USB connectivity, Harley Benton continually adapts its product lineup to meet the changing needs and preferences of musicians.

10. Community Engagement and Support:
Harley Benton places a strong emphasis on building and nurturing a supportive community of musicians. Through online forums, social media channels, and events like gear demos and workshops, the brand fosters a sense of belonging and camaraderie among its customers. This community engagement not only provides valuable feedback for product development but also creates opportunities for musicians to connect, collaborate, and share their passion for music.

11. Environmental Sustainability:
In addition to prioritizing affordability and quality, Harley Benton is committed to environmental sustainability in its manufacturing processes. The brand seeks to minimize its carbon footprint by sourcing eco-friendly materials, reducing waste, and implementing energy-efficient production methods. By aligning with environmentally conscious practices, Harley Benton demonstrates its commitment to responsible stewardship of the planet.

12. Educational Resources and Support:
Recognizing the importance of education and support for aspiring musicians, Harley Benton provides a wealth of educational resources and support materials. From instructional videos and online tutorials to product manuals and troubleshooting guides, the brand equips musicians with the knowledge and tools they need to get the most out of their effects pedals. This commitment to education empowers musicians to unleash their creativity and explore new sonic possibilities.

13. Future Innovations and Expansion:
Looking ahead, Harley Benton shows no signs of slowing down in its quest for innovation and expansion. The brand continues to explore new avenues for growth and development, from expanding its product lineup to exploring new markets and distribution channels. With a finger on the pulse of the music industry, Harley Benton remains poised to anticipate and adapt to the evolving needs and preferences of musicians worldwide.

14. Conclusion:
In conclusion, the genesis of Harley Benton effects pedals is a testament to the brand's unwavering commitment to quality, affordability, and innovation. From humble beginnings to becoming a trusted name in the music industry, Harley Benton has stayed true to its mission of making music accessible to all. By listening to the needs of musicians, embracing emerging technologies, and fostering a supportive community, Harley Benton continues to push the boundaries of what's possible in effects pedal design. Whether you're a beginner picking up your first pedal or a seasoned pro adding to your collection, Harley Benton effects pedals offer a gateway to endless sonic exploration and creative expression.

TEST: Harley Benton Mighty 15TH

 A full tube head for under 250 euros? Some people will ask themselves, not without reason, whether this can work, especially since comparable products from the ranks of established trademarks are often sold five times or more and competitors such as e.g. For example, there is the 6505 Mini Head from Peavey, which costs almost 200 euros more, but is also a real 2-channel speaker with a large sound range. Of course, this only works if certain direct marketing methods are used, such as those used by Thomann's own brands. As is well known, the house brand in the string sector is Harley Benton and with the Harley Benton Mighty-15TH, Europe's leading sales house is once again setting out to raise incredulous faces when it comes to price/performance.

The structure of the Harley Benton Mighty-15TH

In order to be able to maintain a retail price like the one mentioned above, production in Asia is an integral part of any calculation. While much of the manufacturing of instruments has now been relocated to Indonesia, the majority of electronic component production is still carried out in China. The Harley Benton Mighty-15TH is also built in China and delivered directly to the warehouse of the Thomann music store without an intermediary, which also explains the very low retail price.

The Harley Benton Mighty-15TH is a mix of modern and traditional. The single-channel master volume alignment must be seen as a tradition, as it began its triumphal march around the world almost 40 years ago with the 2203 / 2204 models from Marshall. The lunch box class, on the other hand, can be seen as modern, which brings the increasingly important issue of portability to the fore.

In addition, it is always a good idea to save on the output power, as you can take advantage of the effect of power amplifier sagging even at comparatively low volumes. This means you can drive the amp between 7 and 15 watts, which is probably achieved using a triode/pentode circuit. But be careful, a roaring loud 50 watt all-tube head is only about 30 percent louder than the Harley Benton Mighty-15TH in the 15 watt circuit, i.e. H. Even with these performance specifications, power amplifier saturation is not possible at room volume!

The output volume in this class is almost always generated using 1, 2 or 4 pieces. EL84 power tubes, which, with their subtly sharp sounding basic sound, clearly differentiate themselves from the EL34 or even 6L6 range. In terms of sound, this is all a matter of taste, but the larger glass bulbs and transformers etc. simply cannot be accommodated in a housing like this amp with the dimensions W x H x D): 330 mm x 162 mm x 146 mm. Like many small amps, the Harley Benton Mighty-15TH runs in Class A, i.e. continuous full load, with the preamplifier running at 2 pcs. 12AX7 (ECC83) tubes and, as a special feature, was equipped with a 6E2 indicator tube.

The hefty readers among the readers will probably still remember the legendary effect when they found their grandma's tube radio in the attic and after switching on the device after a few seconds a turquoise-colored bar lit up, its time as the " “magic eye”. Depending on the load on the power amplifier, the strip “pumps” outwards and gives the listener/viewer a beginner’s light organ for pedestrians. Based on this effect, Harley Benton also installed this “funny thing” and visually entertains the user with a turquoise light play depending on the strength of the touch, but here in the vertical direction. Visually pretty, but sonically meaningless.

In terms of its general appearance, the head could also be said to be “Russian” manufactured; with its solid, metallic appearance in every respect, the amp conveys a long service life and sufficient resistance to clumsy colleagues or sometimes stupid stage hands. The clean workmanship in every respect as well as the solid metal sheets also have to be paid for with a weight of 9.5 kg, although as a bonus there are four strong feet and a high-quality folding handle as a carrying handle.

In general, you get the impression that Harley Benton put a lot of effort into the visual appearance of the amplifier, despite the comparatively small margin. The outfit of white lettering and silver or black components is nice to look at and gives the amplifier enough opportunity to dissipate the heat inside. Not only the front and back panels and the top have ventilation slots, no, even the side panels each have 3 small covered slots. Also pretty.

When it comes to controls and switches, the Harley Benton Mighty-15TH is very purist and even does without the usual presence control. In addition to a standard three-band tone control and the gain / master function, the amp also offers a boost switch for a little more steam in the boiler. A special feature is that the power selector switch is located on the front of the housing and has been integrated into the standby switch, which turns out to be not entirely practical. If you want to switch the amp to standby, you can only do this with a lot of feeling, or you can use 2 fingers, as you like to get to the middle switch position with a lot of momentum, so that you regularly slide over the standby position and into the other Power setting lands. Unfortunately, all of the controls, including the two toggle switches, protrude significantly to the front and would not survive a flat force applied from the side. I therefore definitely recommend giving the amplifier a corresponding case and packing it heavily in foam.

The back is even more spartan, with only 3 speaker outputs (1x 16 Ohm plus 2x 16 Ohm, or 1x 8 Ohm) plus an IEC socket and main fuse. An FX loop is not offered, which means that all effects, including delay and reverb, must be placed before the amplifier's preamp.

In practice

Anyone who uses a single-channel all-tube system for live operation usually chooses between two different orientations when it comes to its use. Option 1 is the “AC/DC Tribute Band” variant, which means you have found a perfect sound and don’t have to change it during the entire live show, apart from perhaps working a little with the guitar’s volume control. Option two is the variant in which you use the amp as a more or less clean base station and generate all gain levels via external pedals, as guitarists of the caliber of Michael Landau do, for example. To put it bluntly, the Harley Benton Mighty-15TH cuts a fine figure in both versions.

As is well known, single-channel speakers are almost never bred for high-gain sounds. Why? Well, it would significantly limit the “flexibility” of the amp. If the preamplifier were designed to be gain-heavy, a real clean sound would be lost and the volume control could be used to achieve something closer to a crunchy sound, but usually with the background noise associated with the gain setting. But if you use the amp as a clean / subtle crunch representative, you get a lead sound with an additional overdrive and a clean sound with the volume control turned back, or you set the amp clean and use 2 pedals, overdrive and distortion for one additional gain variation. Works perfectly, tons of amps in the 2203 / 2204 style speak for themselves.

If you take the Harley Benton Mighty-15TH for the clean sound, you immediately notice a slight shortcoming that affects all of the available sounds. The amp sounds decent, but has a latent “insignificance” in the sound. The sound is always a little dull and lacks the “liveliness” that you get from higher-priced competitors.

Of course it would be presumptuous to label the amp with the boutique department or reissue editions, for example. B. from Marshall, the price differences are simply too high. Overall, however, the amp does what it promises. Depending on the design and the DC resistance of the pickups, it offers everything from clean to crunch and also works well with all kinds of distortions, which can imprint their very own sound profile on the amp. Exactly the right choice for guitarists who know what they want and need a small, stable and inexpensive all-tube single-channel speaker.

Conclusion

With the Harley Benton Mighty-15TH, the Thomann house brand is launching a price war in the all-tube lunchbox amp class. The head is very well made, comparatively easy to transport and offers a wide range of clean and crunchy sounds.

The very favorable price compensates for the somewhat colorless basic sound, but this does not detract from the practicality of the amp.

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Additional Informations:

Introduction:
Harley Benton, a brand known for its affordable yet high-quality musical instruments and equipment, has made significant strides in the amplifier market. Offering a wide range of amplifiers catering to different needs and preferences, Harley Benton has garnered attention from musicians worldwide. In this comprehensive guide, we delve into the world of Harley Benton amplifiers, exploring their features, performance, and value proposition.

1. History and Background:
Harley Benton, a brand under the umbrella of Thomann, emerged as a response to the demand for affordable musical instruments and equipment without compromising on quality. With a focus on providing musicians with budget-friendly alternatives, Harley Benton quickly gained popularity, particularly among beginners and intermediate players. Over the years, the brand has expanded its product lineup to include amplifiers, ranging from practice amps to gig-ready models.

2. Range of Amplifiers:
Harley Benton offers a diverse range of amplifiers to suit various musical styles, performance settings, and budgets. The lineup includes:

   a. Tube Amplifiers: Harley Benton's tube amplifiers combine classic tube warmth with modern features. These amps are favored by guitarists seeking authentic vintage tones and responsive dynamics.

   b. Solid-State Amplifiers: Solid-state amplifiers from Harley Benton offer reliability, versatility, and affordability. With features like built-in effects and amp modeling, these amps are suitable for a wide range of musical genres and playing styles.

   c. Hybrid Amplifiers: Hybrid amplifiers combine the best of both worlds, featuring a blend of tube and solid-state technology. These amps deliver the warmth of tubes with the reliability of solid-state circuitry, making them ideal for players who value versatility and tone quality.

3. Features and Technology:
Harley Benton amplifiers come equipped with a variety of features and innovative technologies aimed at enhancing the overall playing experience. Some common features found in Harley Benton amps include:

   a. Built-in Effects: Many Harley Benton amplifiers feature built-in effects such as reverb, delay, chorus, and overdrive. These effects allow players to customize their sound without the need for external pedals.

   b. Amp Modeling: Certain Harley Benton amps incorporate amp modeling technology, allowing players to emulate the tones of various classic amplifiers. This feature provides flexibility and versatility, enabling musicians to explore different sounds and styles.

   c. Power Scaling: Some Harley Benton tube amplifiers feature power scaling functionality, which allows players to adjust the output wattage to suit different playing environments. This feature is particularly useful for achieving desirable tube saturation at lower volume levels.

   d. Bluetooth Connectivity: Modern Harley Benton amplifiers may offer Bluetooth connectivity, enabling wireless audio streaming from compatible devices such as smartphones and tablets. This feature enhances convenience and expands the amplifier's functionality beyond traditional guitar applications.

4. Performance and Sound Quality:
One of the key factors that contribute to the popularity of Harley Benton amplifiers is their performance and sound quality. Despite their affordable price point, Harley Benton amps are renowned for delivering impressive tone, dynamics, and responsiveness. Whether you're practicing at home, recording in the studio, or performing live on stage, Harley Benton amplifiers excel in providing reliable and great-sounding amplification.

5. Value Proposition:
Harley Benton amplifiers offer exceptional value for money, providing musicians with access to high-quality amplification at affordable prices. Compared to other brands in the same price range, Harley Benton amps stand out for their solid construction, versatile features, and impressive sound quality. Whether you're a beginner looking for your first amplifier or a seasoned player seeking a backup or practice amp, Harley Benton offers a compelling value proposition.

6. Customer Satisfaction and Reviews:
Feedback from customers and reviews of Harley Benton amplifiers have been overwhelmingly positive. Musicians praise the brand for its commitment to quality, affordability, and customer satisfaction. Many users commend Harley Benton amps for their reliability, durability, and excellent tone, making them a popular choice among players of all skill levels.

7. Conclusion:
In conclusion, Harley Benton amplifiers represent a compelling option for musicians seeking high-quality amplification without breaking the bank. With a diverse range of models catering to different needs and preferences, Harley Benton continues to make waves in the amplifier market. Whether you're a bedroom guitarist, a recording artist, or a gigging musician, Harley Benton amplifiers offer the perfect balance of performance, features, and affordability.

TEST: Harley Benton R-446

 Let's play a little game. I say two words and you tell me which term comes to mind first. So then, let's go. Harley Benton? Price-performance ratio! Or am I wrong? Hardly any other manufacturer has been introduced so often with the words “It is a mystery to me how you can deliver such quality at this price”. So today, let's take a look at whether the Harley Benton R-446 Blue Metallic can also meet this requirement.

The construction of the Harley Benton R-446 Blue Metallic

€149! This is the price that the Thomann music store charges for the instrument, including VAT, shipping, import, customs, import sales tax, Thomann margin, manufacturer margin, labor and additional costs and, last but not least, the individual components of the instrument. I really don't want to repeat this sentence for the umpteenth time, but at first impression I also ask myself how one can still make a profit at such a retail price. The answer is to look for direct import without a local distributor. Without bypassing the middleman, these prices would definitely not be feasible. But what use is the lowest price if the purchased item does not meet expectations? So let’s take a look at the instrument in detail.

All readers probably know that an instrument in this price range can only be manufactured in Asia, but unfortunately the exact place of manufacture of the instrument could not be determined because I could not find a corresponding note anywhere. There is only a somewhat hectic sticker on the back of the headstock, which is partly stuck over the mechanics and only provides information about the EU standards. I would guess Vietnam because as far as I know, manufacturing costs there are currently the lowest, but this is purely a guess.

The Harley Benton R-446 Blue Metallic is available in several finishes. In addition to the blue metallic we have, the instrument is also available in red, “plum”, graphite, green and as a left-handed version. The instrument can be more or less assigned to the Powerstrat department, i.e. we have a Stratocaster body shape with humbucker pickup equipment. Later more.

The body of the instrument is made of poplar, a wood that is rarely used in instrument making due to its comparatively soft structure. This would also explain the very low weight of only 2.9 kg. The body has several shapings to make playing easier, such as an all-encompassing shaping on the front and back edges of the frame, as well as a single shaping in the upper cutaway and a double shaping in the lower cutaway, which is intended to make it easier to play in the high registers . The transition to the base of the neck has also been subtly rounded off to make it more comfortable to play from around the 15th fret due to the lower pressure on the palm of the hand.

The neck of the Harley Benton R-446 Blue Metallic is made of maple, the fingerboard is made of amaranth according to the manufacturer. This is notable because amaranth is generally reddish to purple in color (also known as violetwood), which is not the case here. The neck is framed with white plastic and has so-called offset dot inlays on the outside and as fingerboard markings, which are located up to the 12th fret on the top and from the 12th to the 24th fret on the underside of the fingerboard. The neck profile is a moderate “D” and should not cause any problems for most players. The long scale length of 648 mm should also be familiar to most users, as it is by far the most frequently used scale length apart from the Gibson stock.

The hardware, which is completely black, is simple but very functional. The nameless tuners run smoothly and, together with the neatly filed ABS saddle, offer a good basis for clean intonation. A vibrato system was omitted, instead a solid hardtail is used, with the strings being guided through the body.

Two splittable ceramic humbuckers from the Korean company Artec were installed as pickups, which are particularly popular on very affordable guitars. The most important humbucker and single coil settings can be selected using a very clean 5-way switch. Two relatively stiff master controls for volume and treble blend round off the instrument's electrical system.

Overall, at first glance you have to attest that the instrument has very clean workmanship. All painting work was carried out flawlessly and the factory settings will already be sufficient for many areas of use. This is all the more astonishing since manual work such as neck adjustment, string position or octave clarity can only be carried out by hand and these labor costs make up the majority of the production costs. I guess a good average is determined and all instruments are then adjusted to this, so every user should adjust their instrument to their personal requirements again after delivery.

The Harley Benton R-446 Blue Metallic in practice

Let's not kid ourselves, in the professional sector, beyond the full playback folk music rip-off, you will rarely see a €149 guitar on stage, which is not least due to the last 10 - 20% that turns a "good" guitar into one makes a “great” guitar. As expected, the claim of the Harley Benton R-446 Blue Metallic lies in a completely different segment, with the “beginner” aspect primarily being in the foreground here. In addition to the fact that “The Next Generation” primarily wants to own a “cool” guitar, the instrument does not have to put any tactile obstacles in the way of the next generation.

And here the Harley Benton R-446 Blue Metallic leaves a really good figure in its unreinforced state, even if you ignore the “for the price” phrase. The entire construction of the instrument is simple but highly functional and offers a good basis for almost anything you want to do musically on the electric guitar. Certainly, the vibration behavior is comparatively unspectacular and the fret wire could have been sanded down a little more elegantly for soft bends and intense vibrati due to the scratching noises that occur, but I couldn't find any dead spots or other dropouts on the instrument.

However, the picture changes somewhat when you connect the Harley Benton R-446 Blue Metallic to the amplifier. Here you can hear that the retail price of the instrument is extremely cheap, especially in the form of the pickups. The Artec pickups copy the well-known EMG pickups in their visual appearance, but unfortunately they couldn't be further away from them in terms of sound. Unfortunately, the sound is very low-pitched, lacks detail and is undynamic, so that the instrument's good playability is somewhat lost due to this weak point.

Despite a very high-quality test setup in the form of a Hughes & Kettner Triamp MKIII, Marshall 412 cabinet with Celestion G12-75T speakers and 2 Shure SM57s, I couldn't get a really convincing tone from the pickups. What may have been quite ok in the clean area lost more and more quality as the gain factor increased and sounded more like a plug-in solution than a high-quality analog recording. It would definitely be worth investing in a few replacement pickups. However, in this case you would have the problem that 2 high-quality pickups would exceed the total retail price of the Harley Benton R-446 Blue Metallic and the unique selling point of the instrument would be reduced to absurdity.

To be clear, for a beginner who wants to take his first steps on the instrument, the sound quality of the pickups is completely sufficient, but I wouldn't want to do a show or even a studio stay with these pickups. It's actually a shame, because the rest of the instrument is convincing in many respects, especially in relation to the retail price (there it is again, the classic sentence ;-))

In conclusion, you still have to give the Harley Benton R-446 Blue Metallic a good rating because, despite the total sound failure of the pickups, the rest of the instrument is of a good standard and it is really difficult to recognize any real defects at a retail price of 149 euros .

Conclusion

With the Harley Benton R-446 Blue Metallic, the Thomann house brand has a high-quality beginner's guitar in its portfolio. The instrument is well made, easy to play and very easy to handle due to its very low weight.

Anyone who is comfortable with the mediocre-sounding pickups can, in return, look forward to a very user-friendly price/performance ratio with a large selection of finishes.

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Additional Informations:


In the realm of guitars, Harley Benton has emerged as a beacon of quality, affordability, and innovation. Since its inception, the brand has garnered a loyal following among musicians of all levels, offering a diverse range of instruments that meet the demands of players across genres. Delving into the world of Harley Benton guitars unveils a tapestry woven with craftsmanship, ingenuity, and a deep appreciation for music.

### Crafting Excellence:

At the heart of every Harley Benton guitar lies a dedication to craftsmanship and quality. From the selection of tonewoods to the intricate detailing of components, each instrument undergoes meticulous scrutiny to ensure superior playability and tone. Whether it's the warmth of a mahogany body or the resonance of a spruce top, Harley Benton guitars are crafted with an unwavering commitment to sonic excellence.

### Affordability without Compromise:

One of the hallmarks of Harley Benton guitars is their affordability. Despite their modest price tags, these instruments deliver performance and reliability that rival those of much more expensive counterparts. This affordability stems from the brand's unique business model, which prioritizes direct sales and streamlined production processes. By cutting out middlemen and unnecessary overheads, Harley Benton is able to offer high-quality guitars at prices accessible to musicians of all budgets.

### Versatility Across Genres:

Whether you're a blues aficionado, a metal shredder, or an acoustic troubadour, Harley Benton has a guitar to suit your style. The brand's extensive lineup includes electric guitars ranging from classic single-cut designs to modern superstrats, each equipped with versatile pickups and hardware to accommodate a wide range of tones. Similarly, Harley Benton's acoustic guitars come in various body shapes and wood combinations, catering to different playing styles and sonic preferences.

### Innovation in Design:

Harley Benton guitars are not just about replicating established designs; they're about pushing the boundaries of innovation. The brand continuously explores new materials, construction techniques, and features to enhance the playing experience. From ergonomic neck profiles to innovative pickup configurations, Harley Benton guitars incorporate cutting-edge design elements that set them apart from the crowd.

### Community Engagement and Feedback:

Central to Harley Benton's success is its close engagement with the musician community. The brand actively solicits feedback from players of all levels, incorporating their suggestions and insights into the development of new models. This collaborative approach not only fosters a sense of ownership among customers but also ensures that Harley Benton guitars reflect the evolving needs and preferences of musicians worldwide.

### Global Presence, Local Service:

While Harley Benton guitars are available to musicians around the globe through online channels, the brand also places a strong emphasis on local service and support. Authorized dealers and service centers in various regions ensure that customers receive prompt assistance and personalized attention when needed. This commitment to customer satisfaction further solidifies Harley Benton's reputation as a trusted ally for musicians everywhere.

### Conclusion:

In the vast landscape of guitar brands, Harley Benton stands out as a beacon of accessibility, quality, and innovation. From humble beginnings to becoming a global phenomenon, the brand's journey is a testament to its unwavering commitment to musicians and their craft. With a diverse lineup of instruments that combine affordability with uncompromising performance, Harley Benton continues to inspire players of all levels to unleash their musical potential.

TEST: Harley Benton C212 A

 The fact that the guitar amplifier market has undergone a fundamental realignment in recent years is unlikely to have gone unnoticed by anyone. The classic orientation in the form of integrated amplifiers plus optimized loudspeaker boxes or combo solutions have massively taken a back seat due to their feel, despite the still best sound results. Hardly any hobby musicians are still willing to drive corresponding components in their car to shows or rehearsals, and the modeling amp combination of good basic sounds combined with low travel costs is also highly valued in the professional sector. However, in order not to completely lose the experience of moving air on your ears, there are active full-range guitar speakers that specialize in amplifying modeling amps. The Harley Benton G212A-FR, which we have for testing, also belongs to this category.

Why active full range guitar speakers?

In order to understand the stubborn adherence of some musicians to an archaic technology, one must briefly consider the history of the origins of electric guitar amplification. Ultimately, all components that make up the “official” sound are due to the fact that they developed from the “inadequacies” of the amplifier technology of the time. The “invention” of the warm, distorted sound is thanks to the low-performance all-tube amplifiers in combination with the social upheaval of the sixties. Ultimately, everything that electric guitarists call excellent sound is based on a more or less technical accident.

Nevertheless, this “accident” has hooked the human ear to such an extent that even today the key discipline is “getting as close as possible to the original sound” and is unlikely to change. When it comes to copying functions, products such as the Kemper Profiler are quite close to the original, but what is missing in many modeling performances is the physical interaction with the loudspeaker. Anyone who has ever had the opportunity to stand at the edge of the stages while some artists are performing will have noticed that the majority of the artists (up to 80% or more in the heavy section) are only “silent stages”. “, where only the natural drum set can be heard on stage at natural volume. A mostly sad sound on stage, although the reason for this is the establishment of in-ear monitoring systems, which make any stage amplifiers plus floor monitors or sidefills obsolete.

However, it is often overlooked that the interaction of the instrument with the loudspeaker not only changes the resonance behavior of the guitar, but also that the artist adapts his playing style to the changed signal flow. It's not for nothing that guitarists with "real" stage amplifiers work significantly more with the guitar's volume control and, on average, offer a more dynamic performance than pure in-ear monitoring solutions. This is where the active full-range guitar speakers come into play, which are supposed to move the air and also have to be designed differently to accommodate the changed frequency pattern. Since the modeling amplifiers have already taken the special frequency response of a guitar speaker into account in their emulations, the same active speakers, as the name suggests, definitely also need appropriate tweeters, which in turn would produce a catastrophic sound in a classic electric guitar speaker.

Just for the sake of completeness, you can of course also use the Harley Benton G212A-FR as a “normal” guitar box together with a modeling amp without an earpiece.

The concept of the Harley Benton G212A-FR

Anyone who has switched to modeling mainly because of weight reasons will let out a real sigh when they first come into contact with the Harley Benton G212A-FR. 22.5 kg plus the dimensions (W x D x H): 706 mm x 356 mm x 518 mm make you think for a moment why you didn't stick with classic amplifier technology. If you can still warm to these values, you get a “high-performance stereo system” with 2x 100 watts on a 12-inch woofer and a 1-inch tweeter. It's not for nothing that the description is reminiscent of studio monitor boxes, as the way they work is basically the same.

However, the Harley Benton G212A-FR is designed to be much more stable for stage use and also has a few features that only make sense in live operation. For example, the base plate is shortened so that the box can also be used as a floor monitor at an approximately 60 degree angle. Unfortunately, this useful detail has the crucial disadvantage that the box only has a comparatively low resistance to tipping in standard upright operation. It would be worth considering whether an additional fold-out stand should be installed in the future to increase stability. If you can live with the “optical challenge”, you can also place the box upright if necessary, but then any stereo signal that may have been applied will be lost in its width.

The housing of the box is covered with black Tolex, 6 corner protectors protect the front plus the upper rear edge. The lower rear edge has no corner protectors due to the transitions not being at right angles. The box itself rests on 4 simple rubber feet, with a continuous black tension fabric protecting the speakers. The back wall is semi-open in the style of a 212 combo and therefore emits around 50% of the sound energy to the rear, at least in the bass range. This must be taken into account if, for example, the box is placed as a wedge behind the floorboard and the box also provides sound for the first row of the audience. Depending on the stage volume/PA ratio, this can lead to an unbalanced sound.

In the style of a typical guitar power amplifier, the Harley Benton G212A-FR has a volume, a presence and a resonance control per channel. The box can also be operated mono using a switch. There is an L/R jack or L/R XLR as an input, and there is also an XLR as an output for looping through to the FOH or monitor space. Unfortunately, the controls, which are subtly reminiscent of speed dome heads, are comparatively difficult to read, especially from a distance, so remember the setting or get very close. 5 LEDs provide information about an active signal, overloading and the mute function, which can be used to mute the power amplifiers. The power switch, on the other hand, is located on the far right of the panel. There is a ground lift switch on the outside left for any ground loops that may occur.

The Harley Benton G212A-FR in practice

To make things really difficult for the Harley Benton G212A-FR, I used a H&K floor amp from the BS200 series as a test setup and connected it to a cabinet that is also available in the Red Box emulation of the amplifier. I then connected it to the active box and was able to find out the advantages and weak points of the box in a direct A/B comparison.

To put it bluntly, I was surprised at how good the quality of the Harley Benton G212A-FR ended up being. As expected, the box cannot generate the resolution and dynamics of the original in a direct comparison with the 412 cabinet, but the basic sound is very close to the original in terms of basic sound. Especially in relation to the retail price, you can attest to the active speaker's really good results; the system sounds quite balanced and latently powerful despite no-name speakers.

However, a little caution should be exercised when positioning the speaker in relation to the bass range, as the speaker, which is open at the back, tends to drone a little depending on the room, but this can be mitigated somewhat using the resonance control. The only disadvantage of the box is the very beam-heavy radiation behavior of the box. Due to the tweeters, the speaker loses a lot of treble as soon as you move out of the speaker's direct radiation range. The sound of the Harley Benton G212A-FR is already 1 meter next to the speaker and is only marginally noticeable in the band context. For active musicians on stage, a combination with an in-ear system is therefore definitely recommended.

In addition, it should be noted that if you want to go directly into the active speaker with your Multi-FX or pedalboard, you should definitely have a high-quality speaker emulation installed internally, or have an external pedal in the style of the ENGL Cabloader at the start. Without appropriate frequency correction, distorted sounds are otherwise unbearable.

As expected, the Harley Benton G212A-FR also works very well with an acoustic guitar due to its design, although depending on the stage volume you should consider using a soundhole filter. The two 12-inch speakers actually produce a massive bass foundation, which poses the risk of feedback, especially when used with wedges in the direct radiation area.

Conclusion

With the Harley Benton G212A-FR, the Thomann house brand has a very inexpensive yet good-sounding full-range active speaker in its portfolio. The system generates an unexpectedly good basic sound for modeling amps of all kinds, or acoustic guitars with pickups.

If you want to add some feel to your in-ear sound or generally need an amplifier for your modeling amp, you should give the product a try.

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Additional Informations:

# The Evolution of Harley Benton: A Journey Through Time

Harley Benton, a name synonymous with quality musical instruments, has a rich and fascinating history. This article delves into the origins and evolution of this renowned brand.

## The Genesis

Harley Benton is the house brand for stringed instruments, their amplifiers, and harmonicas of **Musikhaus Thomann**, a large trader for instruments and audio equipment from Bavaria, Germany¹. The brand was developed and is distributed by the company **Thomann** from Germany². Thomann Music, based out of Bavaria, Germany, was founded in 1954 by Hans Thomann Sr³. It is currently managed by Hans Thomann Jr³.

## The Brand Philosophy

Harley Benton generally targets the budget market, striving to provide higher quality instruments than usually found at the respective price points¹. The brand stands for affordable and high-quality musical instruments, enabling both beginners and professional musicians to easily and uncomplicatedly enter the world of music².

## The Product Range

Most Harley Benton products are guitars of various kinds, including electric guitars, acoustic guitars, classical guitars, and bass guitars¹. The brand also includes banjos, mandolins, ukuleles, diatonic harmonicas, electric violins, electric violas, and lap steel guitars¹. Harley Benton also sells amplifiers, pedals, and strings¹.

## Manufacturing Process

Harley Benton guitars are manufactured in around 20 factories in China, Indonesia, and Vietnam¹. The first producer associated with Harley Benton is Saein Musical Instrument Co, Ltd². This South Korean OEM provider produces its guitars in China². Saein is a leading manufacturer that has been producing musical instruments for over 30 years².

## The Impact

Harley Benton guitars are known for their high quality and affordability. They are robust, durable, and very affordable². They offer a very good price-performance ratio and are a good choice for anyone looking for a high-quality guitar².

In conclusion, Harley Benton has made a significant impact on the music industry by providing high-quality, affordable instruments. The brand continues to innovate and expand its product range, catering to the needs of musicians worldwide. Harley Benton's journey is a testament to its commitment to quality and affordability, making music accessible to all.

## The Evolution Continues

As the brand continues to evolve, Harley Benton has expanded its product line to include a wide range of musical equipment. This includes amplifiers, effects pedals, and even PA systems. Each product is designed with the same philosophy in mind - to provide high-quality equipment at an affordable price.

## The Community

Harley Benton has cultivated a strong community of musicians and enthusiasts. The brand's commitment to quality and affordability has resonated with musicians worldwide, leading to a loyal customer base. Many online forums and social media groups are dedicated to discussing the brand's products, sharing experiences, and offering advice to fellow musicians.

## The Future

Looking ahead, Harley Benton shows no signs of slowing down. The brand continues to innovate, regularly releasing new products and updating existing ones. With a keen eye on market trends and a deep understanding of musicians' needs, Harley Benton is poised to remain a key player in the music industry.

In conclusion, the story of Harley Benton is one of continuous evolution and growth. From its humble beginnings as a house brand for Musikhaus Thomann, Harley Benton has grown into a globally recognized brand, synonymous with quality and affordability. As the brand continues to evolve and expand, one thing remains constant - its commitment to making music accessible to all. This is the legacy of Harley Benton, a legacy that continues to resonate with musicians around the world.

TEST: Harley Benton Drum'n'Loop

 Everything was better before. It wasn't a damn thing, at least when it came to aids for the personal training program in terms of finger exercises etc. In the early days of my career, in a desperate move, I taught myself rudimentary drumming so that I could record tracks for myself that I could practice on. Drum computer, hard disk recording, loop libraries? Nothing at all, just an annoying metronome with the name Dr. Beat, that was fun.

Thanks to digital technology, such feats of strength are no longer an issue. In order to specifically “play with yourself” (roar!), loopers of all abilities open up a colorful mix of live performance and personal practice assistants, often with an internally installed drum computer. The Harley Benton Drum n'Loop is just such a looper, which is in the basic class and, with a retail price of 99.00 euros, remains below the three-digit retail price.

The triple lottery

It is probably well known that Harley Beton is one of the house brands of the Thomann music store. However, it is rather unusual that the same product is offered by three different manufacturers at the same time in exactly the same version. The Harley Benton Drum n'Loop is also available as Rowin Beat Loop and Fame Beat Loop, only the color version varies. Therefore, you choose color.

Concept and structure

As already mentioned, the Harley Benton Drum n'Loop has an internally built-in drum machine with 40 different drum beats, the speed of which can of course be changed. Up to 30 loops can be saved, with a loop length of up to 5 minutes. The total recording time is up to 50 minutes.

In addition to the looper itself, the scope of delivery also includes a double foot switch, a stereo connection cable and a micro USB cable. The Harley Benton Drum n'Loop receives its operating voltage via the USB cable; you won't find a power supply for stage use. Theoretically, you can of course also install your iPhone power supply or comparable 5V power supplies on your floorboard, but I can only advise against it in terms of road suitability.

The construction of the Harley Benton Drum n'Loop is quickly dealt with. In addition to 2 foot switches (Stop / Clear and Play / Record), the product has 2 endless controllers with push function for menu navigation. On the right side of the housing there is the input socket for the instrument as well as the connection socket for the supplied external foot switch, on the left side there are 2 jack outputs for a right/left stereo image. On the front side, in addition to the USB input and the connection socket for an external power supply, there is also a headphone output and an AUX in for playing external sound sources.

The built-in metal housing and the foot switches used make a very stable impression and suggest a long service life. When it comes to footwork, a little sensitivity may be required, as the multi-function endless controllers are in line with the foot switches and can cause an unwanted switching function through the tip of the foot if there is uncontrolled “kicking”. A metal protective bar would have served a useful function here.

handling

Word has probably gotten around about what a looper does, but with simple devices you need a good sense of rhythm in order to make the recorded loop run “smoothly” in the truest sense of the word. A non-circular loop takes away all the joy of playing, which is probably also responsible for the high return rate of the products. In the case of the Harley Benton Drum n'Loop, the built-in drum machine helps to keep the tempo and sounds a lot more varied than a metronome.

However, anyone who thinks that they can now replace an experienced drummer will unfortunately be disappointed. Unfortunately, the demands of the internal clock only make it to the lowest level, i.e. the quantization is extremely hard, the sounds generated are of the simplest design and there is no thought of dynamics in the sound. However, the drum machine serves well as a metronome replacement. To record a loop that matches the drum beat, you can either rely on your personal count-in, or you can use the external footswitch to set an intro after the recording starts automatically. The same footswitch can also initiate an outro or play fills in the loop.

Unfortunately, the originality of the interjections is also at the level of a first-generation solo entertainer. Not that they don't fulfill their function, but if you want to use the Harley Benton Drum n'Loop drum machine for a stage presentation or recording, you should think twice about it. The pure looper function, on the other hand, works perfectly, especially since the total of 4 foot switches available enable comprehensive recording management.

The concept of the Harley Benton Drum n'Loop is based exclusively on recording loop sequences yourself and layering them up. Once loop tracks have been put together, they can no longer be picked apart and deleted or edited separately; they can only be deleted completely. It is also not possible to import external content in the form of pre-produced loops via memory cards or other interfaces and then access them as part of a song within a performance.

Once you have created a loop, you can change the drum beat as you wish within the saved beats. What you can't change afterwards, however, is the speed of the loop. Unfortunately, synchronization with other devices is also not possible due to a lack of interfaces. Everyone has to find out for themselves to what extent these restrictions are relevant for their personal use

Placement in the signal path

Like almost all loopers used by a guitarist, the Harley Benton Drum n'Loop also has the problem of placement in the signal path if you want to use the gain component from your amplifier. If you switch the looper between the guitar and the guitar amp and use the drum machine with more or less gain, you will hear a distorted beat that has an interesting lo-fi character, but usually drifts into the annoying after a short period of fascination .

Two separate outputs would be ideal, which would route the guitar signal to a regular P.A. System or similar as well as to an independent guitar amplifier. Anyone hoping to be able to use the two right/left outputs of the Harley Benton Drum n'Loop in this way will unfortunately be disappointed, unless they can live with an unbalanced drum set.

If you want to use the drum machine, the only option is to place a preamp / multi-FX plus speaker simulation in front of the Harley Benton Drum n'Loop and route the overall signal to a console with an amplifier system or similar. However, if you only want to use the looper function, you can use the pedal normally in the signal path.

Practice

Now that we've listed in detail what the Harley Benton Drum n'Loop can't do, let's turn to the segment for which it was made. Above all, the little kicker is fun! With the simplest means you have a reliable practice partner when it comes to practicing patterns. Especially the supreme discipline of boredom, the daily finger exercises, get significantly more momentum with the small pedal than with the metronome.

Once you get used to the way you work, you won't want to stop, even though you still feel a little empty with the layering of guitar tracks in the bass range. If you own an octaver or similar, you should also switch it in front of the looper in order to possibly create a suitable bass track. This comparatively small intervention immediately significantly improves the loop, as long as it has a minimum amount of groove.

It's a real shame that you can't configure the two outputs individually in terms of signal flow; it would give the product a clear step forward in terms of flexibility. When using the drum machine, you are forced to cleanly amplify the overall signal, which significantly limits its suitability for stage use in conjunction with a guitar amplifier.

Conclusion

With the Harley Benton Drum n'Loop you have a good practice partner when it comes to metronome replacement and harmonic layering of melodic arcs or chord patterns. In just a few simple steps you can stick together a rudimentary replacement band, which is an excellent way to practice and try out. In addition, your personal hearing when it comes to harmony structures is sharpened.

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Additional Informations:

## Harley Benton: A Brief History

Harley Benton is a German brand of musical instruments and equipment, owned by the Thomann Music Group, one of Europe's largest music retailers. The brand is known for its affordable and high-quality guitars, basses, amplifiers, and other accessories.

**The Early Years**

The Harley Benton brand was launched in 1998 by Hans Thomann, the founder of Thomann Music. Thomann saw a need for a brand of affordable musical instruments that would be of high quality and appeal to beginner and intermediate players. He named the brand after Harley Benton, a fictional American blues guitarist.

The first Harley Benton instruments were guitars, and they were quickly met with success. Musicians were impressed with the quality of the instruments for their price, and the Harley Benton brand quickly gained a reputation for value for money.

**Expansion and Growth**

In the early 2000s, Harley Benton expanded its product line to include basses, amplifiers, and other accessories. The brand also began to sell its products online, which further increased its reach.

By the mid-2000s, Harley Benton was one of the most popular brands of affordable musical instruments in Europe. The brand's products were being sold in over 100 countries around the world.

**Recent Developments**

In recent years, Harley Benton has continued to grow and innovate. The brand has introduced a number of new product lines, including the Harley Benton Pro Series, which is aimed at more experienced players. Harley Benton has also expanded its online presence, and now offers a wide range of products and services through its website.

Today, Harley Benton is one of the most respected brands of affordable musical instruments in the world. The brand's products are used by musicians of all levels, from beginners to professionals. Harley Benton is committed to providing high-quality instruments and accessories at affordable prices, and the brand continues to be a popular choice for musicians around the world.

**Here are some of the key factors that have contributed to Harley Benton's success:**

* **Focus on quality:** Harley Benton is committed to providing high-quality instruments and accessories at affordable prices. The brand's products are carefully crafted and undergo rigorous quality control testing.
* **Wide product range:** Harley Benton offers a wide range of instruments and accessories to suit all needs and budgets. The brand's product line includes guitars, basses, amplifiers, pedals, strings, and more.
* **Excellent customer service:** Harley Benton is known for its excellent customer service. The brand's customer service team is available to answer questions and provide support.
* **Strong online presence:** Harley Benton has a strong online presence, and the brand's website is a popular destination for musicians looking for information and products.

**Harley Benton is a true success story in the music industry. The brand has demonstrated that it is possible to provide high-quality musical instruments and accessories at affordable prices. Harley Benton is a popular choice for musicians of all levels, and the brand is sure to continue to be successful for many years to come.**

**In addition to the factors listed above, here are some other things that have contributed to Harley Benton's success:**

* **The rise of the internet:** The internet has made it easier for Harley Benton to reach a global audience. The brand's website and social media channels have been instrumental in its success.
* **The growing popularity of affordable musical instruments:** The market for affordable musical instruments has grown significantly in recent years. This has been driven by a number of factors, including the increasing popularity of music education and the rising cost of living.
* **Harley Benton's commitment to innovation:** Harley Benton is constantly innovating and developing new products. The brand is not afraid to take risks and experiment with new ideas.

**Harley Benton is a shining example of what can be achieved when a company is committed to quality, innovation, and customer service. The brand is an inspiration to other companies in the music industry, and it is sure to continue to be a major player in the years to come.**

TEST: Harley Benton CLD 15-CE

 Harley Benton CLD-15CE Flame Koa Exotic. Anyone who has placed an order from Thomann in their life knows the Harley Benton house brand. What was sometimes mentioned behind closed doors in its early days has now developed into one of THE money makers for the music store due to the consistently good to very good quality. OEM contracts in almost all music sectors ensure an extensive range and direct purchasing also means good batches are achieved at a comparatively low retail price. However, where the brand is comparatively less visible to the musician is in the area of the western guitar (as if a “real” cow driver could ever have played the guitar :-), or in other words, a fully acoustic acoustic guitar. In order to further reduce this lack of attention, Thomann has brought the Harley Benton CLD-15CE Flame Koa Exotic onto the market, which we have available for testing.

The construction of the Harley Benton CLD-15CE Flame Koa Exotic

Although not as common as it was a few decades ago, the predominant color of the swinging ceilings is usually the classic light spruce. Always popular because they are available in large quantities, very light and therefore very easy to vibrate and, with appropriate bracing, also stable enough to counteract the tensile forces of the strings. Here the Harley Benton CLD-15CE Flame Koa Exotic takes a completely different approach. All types of wood used in this instrument are in a darker tone. As the type name suggests, the top was made of Hawaiian Riegelkoa wood, the neck, back and sides are made of mahogany, and the fingerboard is made of the now popular rosewood alternative Pao Ferro. The fingerboard has the 20 frets often used on acoustic guitars, which have normal height and width dimensions. Due to these different source materials, a different basic sound can definitely be expected in advance.

The general workmanship of the instrument is carried out very cleanly; nowhere could the well-known points of uncleanliness such as streaks of paint or glue, sharp edges or excessive gaps be found. A look inside the body is also convincing. The Scalloed X-Bracing sits perfectly, glue residue has been completely removed, and the overall appearance offers no reason to complain. The neck/body transition was designed as a dovetail, which is probably the most stable wood/wood connection when properly executed. The Venetian version is used as a cutaway, in which the tip is rounded, in contrast to the pointed Florentine version.

The unusual dimension of 643 mm was chosen as the scale length, a dimension which is between the long scale length of 648 mm and the “medium” scale length (established at the time by Paul Reed Smith) of approx. 635 mm. However, in order to prepare the Harley Benton CLD-15CE Flame Koa Exotic for playing while standing, the buyer must do it themselves or have it done by a specialist. If you don't want to go to war in the best Salvation Army look with a cord on the headstock, you need to set two strap pins accordingly, as the individually pre-installed button on the lower part of the frame is also very small and only made of plastic. But be careful, always do a quick check in advance to see whether the instrument tends to be extremely top-heavy when it comes to two practical points. In contrast to the solid body, in which the body makes up a large part of the total weight and therefore ensures a completely different balance, the body tilts significantly faster when the strap pins are placed in the same place as with a solid wood guitar. A hole can be drilled quickly, but it takes a lot of effort to close it again in an optically acceptable way.

So-called “snowflakes” made of acrylic were used as fingerboard inlays, but only with a lot of imagination can they be considered snowflakes and could just as easily represent medieval knight’s crosses. On the back of the headstock there is the mandatory information “Made In China” in the form of a sticker, which can be removed, not without ulterior motives, but very easily and without leaving any adhesive residue. The built-in no-name mechanics are a little stiff, but still offer a consistent control path and do their job perfectly. As expected, the bronze strings from Daddario fit very well with the general appearance of the Harley Benton CLD-15CE Flame Koa Exotic due to their red-brown color. The guitar is not lacquered to a high gloss, but rather the lacquering was done in a natural matt finish. In order to allow the individual body components to be discreetly separated visually, a black binding was used, which was also given a white “eyeliner” on the top side. The rosette is quite simple in terms of its visual decoration and only consists of 2 circles, one of which has wider lines, the other with 2 fine lines.

The Fishman Presys II Preamp is used as a preamp for the instrument, a cheaper version of the Presys+, which, in contrast to the four-band tone control version of its big brother, only has a two-band version in the form of treble and bass. The advantage of the Presys II, however, is its very small dimensions, not least due to the fact that the 9V battery, which supplies the necessary operating voltage, was placed on a small base plate, which also contains the cable socket and is located on the lower outer part of an electric guitar Frame was installed. The Presys II preamp also has a phase switch to counteract possible phase cancellations, such as those that can occur when monitoring via wedges etc.


In practice

As expected, with this choice of wood, the basic tonal tone of the instrument is positioned differently than is generally expected from an acoustic guitar. The user can expect a very “lively” basic tone from the first notes, which means that the instrument has a slightly harder tone than the major spruce top competitors, along with a very fast attack behavior. The advantage of this sound character is the greater assertiveness within the band context, if you play in the context of a band at all. The disadvantage is a reduced “depth” of the sound, which makes it easier for both the player and the listener to immerse themselves in the sound. This sound description is not to be understood as a rating, it only serves as a guide. To what extent this basic tone of the Harley Benton CLD-15CE Flame Koa Exotic meets the customer's preference, everyone has to decide for themselves.

In terms of playability, the instrument also leaves a good impression, not least because the Harley Benton CLD-15CE Flame Koa Exotic was set up very well at the factory. The action of the strings is comparatively low, but still high enough to withstand corresponding fortissimo passages without rattling or buzzing. Thanks to the compensated bridge inlay, the octave purity is also comparatively good, although of course you always have to turn a blind eye/ear when you start playing chords beyond the ninth fret.

In principle, it is only the combination of the Sonicore pickup and the Fishman Presys II preamp that reminds us of the price category we are still in. The preamp is indeed easy to use and extremely clearly structured, but in direct comparison to higher quality products it sounds a bit “flat”, which means that the transmission of the guitar tone is slightly sterile and does not quite convey the dynamics of the instrument Validity as offered by the purely acoustic area. For the live area, the whole thing can still be easily optimized with appropriate peripherals such as a compressor and EQ, but in the studio area I would definitely work with high-quality microphones.

Due to the fact that the preamp only has a two-band tone control, the very important treble range cannot be drawn quite as finely as one would like. Of course it is nicer to have a separate presence control, but this is the next higher price level. I therefore recommend processing the treble range of the instrument again with an additional semi- or fully parametric EQ when recording the guitar; it's worth it.

Conclusion

With the Harley Benton CLD-15CE Flame Koa Exotic, Thomann has a visually high-quality and good-sounding acoustic guitar in the €500 league in its portfolio. The instrument is impeccably crafted, has a lively basic sound and offers a lot of quality for the money. If you can live with the spartan tone control of the Fishman Presys II Preamp, you should definitely give the instrument a try.

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Additional Informations:

In the world of musical instruments, Harley Benton stands out as a brand that has carved its own unique path, offering quality products at affordable prices. The story of Harley Benton is one of innovation, perseverance, and a deep understanding of musicians' needs. From humble beginnings to becoming a household name among musicians worldwide, the journey of Harley Benton is a fascinating tale worth exploring.

### Origins:

Harley Benton was founded by Hans Thomann Sr. in 1997, as part of Thomann GmbH, a family-owned music retailer based in Burgebrach, Germany. Thomann GmbH had been in the music business since 1954, initially specializing in harmonicas and later expanding its product range to include guitars and other instruments. Recognizing the demand for affordable yet reliable instruments, the idea for Harley Benton was born.

### Early Challenges and Innovation:

In its early years, Harley Benton faced the challenge of establishing itself in a market dominated by well-established brands. However, the company took a unique approach by focusing on direct sales through its online platform, bypassing traditional distribution channels. This allowed Harley Benton to offer its products at significantly lower prices compared to its competitors, without compromising on quality.

Another key factor in Harley Benton's success was its commitment to innovation. The company constantly sought feedback from musicians and used it to improve its products. This iterative process led to the development of instruments that not only met but often exceeded the expectations of their customers.

### Expansion and Diversification:

As Harley Benton gained traction in the market, it gradually expanded its product range to include a wide variety of instruments and accessories. From electric and acoustic guitars to basses, ukuleles, and even amplifiers, Harley Benton aimed to cater to the diverse needs of musicians across genres and skill levels.

Furthermore, the company diversified its offerings to include accessories such as strings, picks, cables, and cases, further establishing itself as a one-stop shop for musicians. This strategic expansion helped Harley Benton solidify its position in the industry and attract an even broader customer base.

### Quality Control and Assurance:

Despite its focus on affordability, Harley Benton never compromised on quality. The company implemented stringent quality control measures at every stage of production, ensuring that each instrument met its high standards before reaching the hands of customers. This commitment to quality earned Harley Benton the trust and loyalty of musicians worldwide, further fueling its growth.

### Global Reach and Community Building:

Over the years, Harley Benton's reach extended far beyond its home country of Germany. Through its online platform and strategic partnerships with distributors worldwide, the company made its products accessible to musicians in every corner of the globe. Additionally, Harley Benton actively engaged with its customer community through social media, forums, and events, fostering a sense of belonging among musicians and enthusiasts.

### Ongoing Innovation and Adaptation:

In the rapidly evolving music industry, staying ahead of the curve is essential, and Harley Benton understood this well. The company continued to innovate and adapt to changing trends and technologies, introducing new features and designs to meet the evolving needs of musicians.

For example, Harley Benton embraced advancements in digital technology by incorporating features such as built-in effects and USB connectivity into its amplifiers and recording equipment. This forward-thinking approach not only kept Harley Benton relevant but also positioned it as a leader in innovation within the industry.

### Conclusion:

The journey of Harley Benton is a testament to the power of innovation, quality, and customer-centricity in building a successful brand. From its humble beginnings as a small subsidiary of Thomann GmbH to becoming a global powerhouse in the music industry, Harley Benton has defied expectations and redefined the notion of affordability without compromise.

As the company continues to evolve and grow, one thing remains constant: its unwavering commitment to providing musicians with high-quality instruments and accessories at prices that won't break the bank. With its finger on the pulse of the industry and a passion for music at its core, Harley Benton looks set to continue shaping the future of music for years to come.

TEST: Hagström Suede Gold

 OK, of course we don't have all of our Scandinavian friends from Sweden first on our list when it comes to international electric guitar building, but the Nordic country has a company that has been in the electric guitar and electric guitar business for almost 73 years now -Bass building is active. We're talking about the Hagstrom company, which, among other things, brought out the first eight-string electric bass in series production at the time. Ever since Hagstrom started a collaboration with the one-man theater ensemble “GHOST”, the name has also gained popularity in the heavy music sector. The company, which comes from the accordion industry, has now given its strongest model, the “Swede”, a visual upgrade and now also has a model in its ranks that is completely painted in gold called the Hagstrom Swede Gold, which we have available for testing.

The construction of the Hagstrom Swede Gold

It is not difficult to see which model was the inspiration for the Hagstrom Swede Gold in terms of construction and appearance, but the Swede still has a few features that distinguish it from the Les Paul. Even though Gibson also had an LP on the market in the early 1950s that had not only the top but also the neck and back of the body painted gold, this striking form of paint is still comparatively rare. The craftsmanship of the lacquering of the instrument made in China is all the more impressive.

Let's briefly look at the two special features of Hagstrom instruments in general, which definitely want to be understood as a trademark. On the one hand we have the Dual Action H-Expander Trussrod, which is a kind of mini H-steel support that ensures extremely high stability of the neck as well as very good adjustment options and on the other hand the fingerboard made of Resinator wood, a composite material in which several thin layers of wood are used are glued together in a vacuum and which should be comparable to the resonance properties of the old Black Beauty ebony. Both structural elements are of course protected by trademark law and may only be used under license.

Otherwise, the Hagstrom Swede Gold has a very classic appearance, meaning a solid mahogany body and a glued-in mahogany neck, which allows the instrument to weigh an impressive 4 kg in total, plus a flamed maple top, which unfortunately is not visible under the opaque varnish. P.S. This was also the reason why Gibson came around the corner in 1958 with the LP Standards in Sunburst, initially a flop and today the most expensive electric guitars that you can (sometimes) buy.

Ivoroid is used as fingerboard inlays between the 22 stainless steel frets, a plastic that looks like ivory and has a stripy “grain”. Visually indicated is the Hagstrom “Crest” coat of arms plus a Hagstrom lion on the 12th fret. With a neck thickness of 21 mm at the 1st fret and 22.5 mm at the 12th fret, a fingerboard radius of 14.4", a nut width of 43 mm (GraphTech Black Tusq XL) and a short scale length of 628 mm (24.75 "), the Hagstrom Swede Gold moves within a moderate range, which is preferred by many Gibson players and should meet with open ears here.

The Swedes are also pursuing an independent course when it comes to hardware, with the Long Travel Tune-O-Matic Bridge in combination with the Sustain Block Tailpiece, in which each string has a solid brass block as a holder. The fluted 19:1 Gear Ratio Locking Machine Heads also offer a unique selling point in the tuner sector and have been an integral part of Hagstrom optics for some time.

The Hagstrom Swede Gold pickups

Another special feature can be found in the area of pickups. In contrast to many other players who work with the big names in the industry or develop their own pickups, the Hagstrom Swede Gold has a Lundgren Design AlNiCo-2 No. on the neck. 2 (Medium Output – Calibrated – 7.3K) humbucker and a Lundgren Design AlNiCo-2 No. on the bridge. 5 (High Output – Calibrated – 13.2K) humbuckers. Both humbuckers are splittable and enable single coil operation thanks to the push/pull function of the tone controls. The total of 4 pieces. Hagstrom “H” Barrel Knurled Brass Knobs (Chrome Plated) volume and tone controls are pleasantly stiff and allow for a consistent control path. Furthermore, the instrument is delivered in a high-quality case, which has a tweed look.

The Hagstrom Swede Gold in practice

When you pick up the Hagstrom Swede Gold for the first time, you get a familiar feeling. Even if a manufacturer understandably wants to integrate as many unique selling points as possible into their instrument, the visual and haptic inspiration is always present, although the Hagstrom Swede Gold does have some differences. For example, the transition to the high registers is much smoother than with the consistently angular and angular pioneer.

The short scale length combined with a classic, subtly extended circuit allows the typical midrange to emerge even in the unamplified state, which is also refined with a very high sustain level. The factory setting to the 010 set is good and does not require any further adjustment. By the way, due to the short scale length, you really shouldn't play a 009 set on guitars of this type, or perhaps less in standard tuning, as the string tension would simply be too low.

The “masculine” weight of the instrument, coupled with the sustain-supporting elements such as the Sustain Block Tailpiece, actually enable the instrument to have a very tasteful basic tone, which is also characterized by, among other things, very good vibration behavior. The instrument hangs well on the body thanks to the strap and, as expected, can also be played very well while sitting due to its shape.

But let's now come to the point in which the Hagstrom Swede Gold differs from many Paula bonds: the pickups. In fact, I'm relatively sure that I've only seen Lundgren Design pickups on Hagstrom guitars from the factory, probably due to the proximity. In the back of my mind I also remember a delivery of an Ibanez model, but the majority of users are artists who subsequently install the pickups into their instruments, which in itself is proof of the quality of the pickups.

If you look at the values of the pickups, you think you can determine the sound of them in advance, but in practice this turns out to be a mistake. Because of my bias based on the resistance information, I too had imagined that the pickup set could differ greatly in terms of sound, but I was proven wrong. In fact, the bridge pickup, which was quite powerful despite 13.2 K, turned out to be an optimal complement to the moderate neck pickup, so that there were no level jumps within the set, as you would otherwise find, especially if you are like in many vintage Sets have the same pickup installed several times.

The split circuit was also quite convincing for a humbucker. Even though the sound produced from the speakers was a little sharp and couldn't quite achieve the balance of a pure single coil pickup, it was still one of the best split sounds I've heard in a long time. The humbucker circuit, on the other hand, is significantly warmer and has less treble and offers very good results, especially in the crunch area, which extend all the way up to the lead area. This is where the pickups can show off their real strengths, ranging from defined riffs to tasteful leads. These types of pickups are less or not at all suitable for real high gain metal blasting, as they rely too much on independence due to individual peaks in the frequency response and less on assertiveness with very high overtone content.

Overall, with the Hagstrom Swede Gold you have an excellent rock guitar in your hands, which should also be a welcome guest in blues or jazz. If you are looking for an alternative to the classics and are happy about well-crafted detailed solutions and very good pickups, this instrument is the right choice.

Conclusion

With the Hagstrom Swede Gold, the traditional Swedish company has a hot iron in the fire when it comes to sound. The completely gold-plated instrument impresses with its very good workmanship, a fusion of tradition with independence and a familiar, yet individual sound, which is particularly impressive from clean to crunch to lead.

If you are looking for a classic sound that doesn't come from the USA, you should definitely give this guitar a try.

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Additional Informations:

Hagström Guitars is a Swedish company that has been producing high-quality instruments since 1925. The company is known for its innovative designs, meticulous craftsmanship, and dedication to quality. Hagström guitars have been played by some of the world's most famous musicians, including Jimi Hendrix, Elvis Presley, and Abba.

**Early Years**

The Hagström story began in 1919 when Albin Hagström opened a music shop in Gothenburg, Sweden. The shop was a success, and Hagström soon began to sell his own line of accordions and harmonicas. In 1925, Hagström founded his own company, Hagström & Co., and began to manufacture guitars.

**The Viking Model**

Hagström's first guitar was a solid-body electric guitar called the Viking. The Viking was released in 1932 and was one of the first of its kind. It was a popular model among Swedish musicians, and it helped to establish Hagström as a leading manufacturer of electric guitars.

**Post-War Expansion**

After World War II, Hagström expanded its production to include a wider range of guitars, including acoustic guitars, lap steels, and pedal steels. The company also began to export its guitars to other countries, and Hagström soon became one of the most popular guitar brands in Europe.

**The 1960s and 1970s**

The 1960s and 1970s were a golden era for Hagström Guitars. The company released a number of innovative new models, including the Swede, the Viking Deluxe, and the Condor. These guitars were popular among rock and blues musicians, and they helped to make Hagström a global brand.

**The 1980s and 1990s**

The 1980s and 1990s were a more challenging time for Hagström Guitars. The company faced increased competition from other guitar manufacturers, and it also struggled to adapt to the changing music scene. In 1997, Hagström was acquired by the Valmuska Music Group.

**The 21st Century**

In the 21st century, Hagström Guitars has made a comeback. The company has reissued a number of its classic models, and it has also released new models that have been praised by critics and musicians alike. Hagström Guitars is once again one of the leading manufacturers of guitars in the world.

**Hagström Guitars Today**

Today, Hagström Guitars is a subsidiary of the Finnish company SMS Ab. The company produces a wide range of guitars, including electric guitars, acoustic guitars, and bass guitars. Hagström guitars are sold in over 50 countries around the world.

**Legacy**

Hagström Guitars is a company with a rich history and a bright future. The company is known for its innovative designs, meticulous craftsmanship, and dedication to quality. Hagström guitars have been played by some of the world's most famous musicians, and they continue to be popular among musicians of all genres.

**Here are some of the factors that have contributed to Hagström Guitars' success:**

* **Innovation:** Hagström has a long history of innovation. The company was one of the first to produce solid-body electric guitars, and it has continued to release new and innovative models throughout its history.
* **Craftsmanship:** Hagström guitars are known for their high quality craftsmanship. The company's guitars are made with the finest materials and are assembled with meticulous care.
* **Dedication to quality:** Hagström is dedicated to producing high-quality guitars. The company has a rigorous quality control process, and it only uses the finest materials and components.
* **Reputation:** Hagström has a strong reputation for producing high-quality guitars. The company's guitars are popular among musicians of all genres, and they are known for their durability and playability.

**Hagström Guitars is a true Swedish treasure. The company has been producing high-quality guitars for over 90 years, and it continues to be a leader in the industry. If you are looking for a guitar that is both innovative and well-made, then Hagström is a brand that you should definitely consider.**