TEST: SE Electronics VR1 / VR2

 Ribbon microphones or ribbon mics are in fact a thing of their own and continue to polarize the scene. The highly valued "authentic" sound is often offset by a latent bass-heavy quality combined with very restrained highs. In terms of overload resistance and sensitivity to external influences, this type of microphone also requires more attention than the majority of condenser microphones, and even more so the dynamic ones. Aware of this, the Chinese manufacturer SE Electronics has launched the SE Electronics VR1 Voodoo and VR2 Voodoo, a passive and active model that is intended to provide relief in the critical areas.

The designs of the SE Electronics VR1 Voodoo / SE Electronics VR2 Voodoo

The Voodoo series from SE Electronics are in fact no newcomers to the market, having been available since 2010. It is worth mentioning, however, that the prices have been massively reduced to €389 (VR1) and €499 (VR2) in order to boost sales. While the VR1 version is a passive ribbon microphone, which is known to react to phantom power within a very short time with total destruction, the VR2 type requires the same with a value of 48V +/- 4V in order to function. So be careful when assigning voltage.

Many people have probably often asked themselves why ribbon microphones continue to lead a niche existence despite their advantages. The main reason is probably that the main advantage of the design is also its disadvantage. Why is this? Well, for one thing, the constant figure-8 characteristic can actually only be used in the studio for individual recordings and even here, good rooms are required to produce a good, balanced sound. On the other hand, ribbon microphones are considered to have very little treble and, due to their low output voltage, require a very low-noise preamp that has the necessary gain reserves.

In contrast, high-quality ribbon microphones in particular have a pleasant, voluminous sound, which generates a very authentic sound, especially when recording guitars or drums. Aware of this, SE Electronics also has two types of the Voodoo series in its portfolio, with the active V2 variant in particular aiming to do away with the problems of the low output level and the lack of treble.

Both microphones are delivered in a wooden box with a magnetic closure and a foam cutout or transport bag, which ensures that the sensitive products are very safe during transport. A tripod mount and a spider are also included in the delivery. Both microphones handle a very high sound pressure of up to 135 dB and can therefore even handle drum recordings, if you ignore the placement inside the kick, which can actually damage the sensitive ribbon.

Both microphones are unusually slim with dimensions of 3.3 cm x 1.7 cm and, due to the internal electronics of the V2, only differ in length from 12.7 cm (V1) to 18.7 cm (V2). This offers the advantage that the microphones can also be positioned in narrow slots, which large-diaphragm microphones cannot due to their dimensions. If you pick up the microphones, however, you are surprised at how massive the microphones appear, which is also reflected in the weight of 230 grams (V1) and 360 grams (V2).

In practice

The often-mentioned sound image of the "natural" room sound, which a ribbon microphone reproduces with its figure-8 characteristic, offers many possible uses, but also categorically excludes others. To ensure an overview, I have created 3 different situations in which this type of microphone is often used. The sound files were recorded via a GAP preamp, which was sent to the interface via a neutrally set Mackie 32-channel console. It was very important to me that no tone controls or compressors, whether external or the internal console saturation, intervened in the signal in order to be able to judge the pure sound of the microphones.

1.) Electric guitar recording

Everyone knows the great classic of the distorted electric guitar, the SM57, which with its typical "mid-range nock" has shaped the sound of the electric guitar for decades. Even though there are much “better” sounding microphones for guitar recording, in a band context the SM57 sound always stands out like a spearhead when it comes to asserting itself against the other instruments in the high gain range.

This is exactly the sound that the two Se Electronics microphones do not offer, and for good reason. The basic sound is already much more connected to the room thanks to the figure-8 characteristic and is more suitable for open, "big" clean or crunch sounds, and less so for fast 16th-note chopping. The strong bass boost also contributes to the guitar sound becoming more voluminous, but also quickly becoming swallowed up, so you should always have a suitable high-pass filter on hand.

For the files mentioned below, a 94' Strat with Texas Special pickups was used via a Fender Deluxe Combo in the drive channel, the combination of which has refined countless world hits with their characteristic sound. The passes each contain 2 pickup positions, starting with the neck pickup and ending with the bridge pickup. Interestingly, the two microphone types did not differ as much in terms of sound as should be the case with the following sound files, which is primarily due to the high mid-range portion of the signal. The proximity effect is very moderate, although the high level naturally also leads to a decent compression beyond the very hard close pickup.

The amp was slightly saturated at the power stage, so that the microphones were exposed to a fairly high sound level. Both handle this very well for a ribbon microphone. However, both sounds seem a bit "dull" and lack a little "sparkiness" to give the sound the necessary assertiveness. The EQ would indeed have to help here. Unfortunately, moving the microphones towards the dome did not produce the desired effect.

2.) Acoustic guitar recording

A relatively simple instrument from the basic class from Framus was deliberately chosen as the instrument in order to make it as difficult as possible for the microphones to produce a voluminous sound. The microphones were placed on the 12th fret and the signal was not compressed, contrary to all other usual acoustic guitar recordings.

Here the microphones were able to show off their strengths across the board, as long as you keep in mind that the microphones have a high bass content. It is therefore advisable to orient yourself towards the headstock rather than the sound hole. The sound is a bit harsh due to the lack of compression, but this cannot be blamed on the microphones. In this segment you can also hear the clear sound differences between the two models. While the V1 has a typical ribbon sound, the V2 has a higher midrange content and clearly perceptible compression, which is already very good. I would normally process both signals with an appropriate compressor, EQ, and possibly an enhancer, but the basic sound is quite promising.

3.) Voice recording

The speech section also represents room recordings in general and once again shows the sound differences between the two types. The V2 sounds "more expensive", which it is, but to a much greater extent than the approx. 20% price difference would suggest. The basic sound is very balanced, the high frequency range sounds soft without sounding musty, the low mids are voluminous. A very pleasant basic sound that I can imagine in many room recordings.

However, the very low output power of the VR1 must be mentioned, which demanded a lot from the preamp due to the low signal level. For the first time, the MK73 did not have to be set to the full amplification power, but at least to the second highest level in order to ensure an acceptable signal level.

In general, both microphones leave a very plastic sound impression due to their room integration, which can play to its strengths especially with sparse instrumentation.

Conclusion

With the passive SE Electronics VR1 Voodoo and its active V2 counterpart, the Chinese manufacturer has two good-sounding representatives of the ribbon mics in its portfolio. The microphones try to compensate for the structural disadvantages without the sonic strengths in the form of the "natural" sound behavior suffering as a result.

Depending on the application, they sometimes succeed in this better, sometimes worse, but all in all, the microphones impress with a pleasant basic sound due to their structural low-mid focus. In direct comparison to other ribbon microphones, they also produce significantly more highs, which further increases their application area.

We also like the extensive accessories included in the form of a magnetically closed wooden box, transport bag, microphone holder and spider. High-quality equipment for a successful product.

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Additional Informations:

In the realm of professional audio equipment, few companies have garnered the respect and recognition that SE Electronics enjoys today. This reputation is the result of decades of innovation, perseverance, and a relentless pursuit of quality. The story of SE Electronics is not just about microphones and audio gear; it is a tale of vision, passion, and the drive to revolutionize the audio industry.

### The Early Days: From China to the World

SE Electronics was founded in 2000 by Siwei Zou, a classical musician and composer. Zou, born and raised in Shanghai, China, had a deep appreciation for music and sound. He recognized a gap in the market for high-quality, affordable microphones that could meet the demands of both professional and amateur musicians. With this vision in mind, he set out to create a company that could deliver products with exceptional performance at a reasonable price.

The early days of SE Electronics were challenging. The company started in a small workshop in Shanghai, with limited resources and a handful of dedicated employees. Despite these humble beginnings, Zou's determination and expertise in music and acoustics propelled the company forward. He was heavily involved in the design and development of the products, ensuring that each microphone met his high standards.

### The Breakthrough: SE 5000 and SE 2200

The company's first major breakthrough came with the introduction of the SE 5000, a large-diaphragm tube microphone. This model quickly gained popularity due to its warm, vintage sound and affordable price. It was a bold move that showcased SE Electronics' commitment to quality and innovation. The success of the SE 5000 put the company on the map and laid the foundation for future developments.

Building on this momentum, SE Electronics released the SE 2200 in 2002. This condenser microphone was designed to offer exceptional clarity and detail, making it suitable for a wide range of applications, from vocal recordings to instrument miking. The SE 2200 received rave reviews from both users and industry experts, further establishing SE Electronics as a reputable manufacturer of professional audio equipment.

### Innovation and Expansion

With the success of the SE 5000 and SE 2200, SE Electronics continued to innovate and expand its product line. Zou and his team were dedicated to pushing the boundaries of microphone technology, constantly experimenting with new materials, designs, and manufacturing techniques. This commitment to innovation resulted in several notable products that have become staples in studios and live sound environments around the world.

One such product is the SE Z5600a II, a multi-pattern tube condenser microphone that offers incredible versatility and performance. Its ability to switch between different polar patterns makes it an invaluable tool for recording engineers, allowing them to capture sound with precision and flexibility. The Z5600a II's success further cemented SE Electronics' reputation for producing high-quality, innovative microphones.

### Collaborations and Partnerships

SE Electronics' commitment to excellence has led to several fruitful collaborations with renowned audio engineers and musicians. These partnerships have played a crucial role in the development of new products and have helped the company stay at the forefront of the industry. One of the most notable collaborations was with Rupert Neve, a legendary figure in the world of audio engineering.

The collaboration with Neve resulted in the creation of the SE RN17, a small-diaphragm condenser microphone that combines SE Electronics' cutting-edge technology with Neve's legendary design expertise. The RN17 is known for its exceptional clarity, detail, and musicality, making it a favorite among recording professionals. This partnership exemplifies SE Electronics' commitment to working with the best in the industry to create products that set new standards of quality and performance.

### The Birth of the Reflexion Filter

One of SE Electronics' most significant contributions to the audio industry is the Reflexion Filter. Launched in 2006, the Reflexion Filter is a portable acoustic treatment device designed to reduce unwanted room reflections and ambient noise during recording. This innovative product revolutionized the way musicians and engineers approached recording in untreated or acoustically challenging environments.

The Reflexion Filter quickly became a game-changer, allowing users to achieve professional-quality recordings without the need for expensive and permanent acoustic treatment. It has been widely adopted by both home studio owners and professional engineers, becoming an essential tool in the recording process. The success of the Reflexion Filter further solidified SE Electronics' reputation as an innovative and forward-thinking company.

### Continuing the Legacy: New Products and Future Directions

As SE Electronics moved into the 2010s and beyond, the company continued to build on its legacy of innovation and quality. New products, such as the SE V7 dynamic microphone and the SE8 small-diaphragm condenser microphone, have been well-received by the audio community. These microphones are designed to offer exceptional performance and durability, catering to the needs of live sound engineers and studio professionals alike.

The SE V7, in particular, has garnered praise for its robust build and excellent sound quality, making it a favorite among live performers. Its feedback rejection and clarity have made it a go-to microphone for stage use, demonstrating SE Electronics' ability to create products that excel in demanding environments.

### Commitment to Quality and Sustainability

In addition to its focus on innovation, SE Electronics is committed to maintaining high standards of quality and sustainability. The company has invested in state-of-the-art manufacturing facilities and rigorous quality control processes to ensure that every product meets its exacting standards. This commitment to quality is evident in the durability and performance of SE Electronics' microphones, which are built to withstand the rigors of professional use.

Moreover, SE Electronics is dedicated to sustainable manufacturing practices. The company has implemented environmentally friendly processes and materials in its production, minimizing its impact on the environment. This commitment to sustainability reflects SE Electronics' broader mission to create products that are not only exceptional in performance but also responsible in their production.

### Global Reach and Influence

Today, SE Electronics has a global presence, with its products being used by musicians, engineers, and studios around the world. The company's microphones can be found in some of the most prestigious recording studios and are used by top artists and producers. This global reach is a testament to the quality and reliability of SE Electronics' products, as well as the company's ability to meet the diverse needs of the audio community.

SE Electronics has also expanded its product line to include a range of accessories and recording tools, further enhancing its reputation as a comprehensive provider of audio solutions. From pop filters and shock mounts to isolation packs and acoustic treatment solutions, SE Electronics offers everything needed to achieve professional-quality recordings.

### Looking Ahead: The Future of SE Electronics

As SE Electronics looks to the future, the company remains committed to its core values of innovation, quality, and sustainability. With a strong foundation built on decades of experience and a relentless pursuit of excellence, SE Electronics is well-positioned to continue shaping the future of the audio industry. The company's dedication to meeting the evolving needs of musicians, engineers, and producers ensures that it will remain a leader in the world of professional audio equipment.

In conclusion, the story of SE Electronics is one of passion, innovation, and a commitment to excellence. From its humble beginnings in Shanghai to its status as a global leader in audio technology, SE Electronics has consistently pushed the boundaries of what is possible in microphone design and performance. With a focus on quality, sustainability, and collaboration, SE Electronics continues to set new standards in the world of professional audio, creating products that inspire and enable musicians and engineers to achieve their best work.